Essential Bach with CD composed by Avis Romm. For piano. This edition: Paperback...(+)
Essential Bach with CD
composed by Avis Romm.
For piano. This edition:
Paperback. Collection.
Essential Composer
Series. Classical. Book
and CD. Text Language:
English. 32 pages.
Published by Santorella
Publications
La vie anterieure Chorale SATB SATB, Piano [Conducteur] - Intermédiaire Carus Verlag
SSATB Choir, Piano - Level 3 SKU: CA.925000 Composed by Henri Duparc. Arr...(+)
SSATB Choir, Piano -
Level 3
SKU:
CA.925000
Composed by
Henri Duparc. Arranged by
Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score.
Duration 5 minutes. Carus
Verlag #CV 09.250/00.
Published by Carus Verlag
(CA.925000).
ISBN
M-007-24902-1. Key: E
flat major. Language:
French. Text: Baudelaire,
Charles.
The
harmonic turns and piano
configurations in La vie
anterieure - the former
life - seem almost
exuberantly lyrical. At
the beginning, the
archaic sounds and words
of the male choir conjure
up a dream world that is
soon flooded with the
power of the waves and
the rich polyphonic
harmony of the choir and
the piano. With the
outcry C'est la que j'ai
vecu! [I have lived
there] which expresses
the fervent yearning to
return to a past life,
the collective
desperately reinforces
the longing for the past.
Once more, the women's
choir conjures up this
lost paradise in an
undulating soft sound
before the desolate
sadness is pierced by the
power of the music of the
piano postlude, creating
a moment that is
completely in the
present.
SKU: GI.G-10054 Imagining the Good Life through Music. Composed by...(+)
SKU: GI.G-10054
Imagining the Good
Life through Music.
Composed by Clint
Randles. Music Education.
328 pages. GIA
Publications #10054.
Published by GIA
Publications
(GI.G-10054).
ISBN
9781622774548.
We
all need creativity in
our lives. It is key to
our happiness. Music,
according to author Clint
Randles, is one of the
best ways to feed our
longing for self-growth
through engagement in
creative processes. And
music brings us together
for the purpose of making
beauty with sound. It
provides us with a
pathway to the good life.
In To Create, Randles
answers the critical
question: What can I do
with my time that will
give me the best chance
at achieving daily
happiness? This amazing
book unpacks what it
means to engage in
creative processes. Since
story is the best way of
feeding our imagination,
the book unfolds by way
of life stories that
express the
author’s unique
perspective of the
hero’s journey.
Along the way, Randles
inspires us to think
about creativity and
music as a pursuit that
is not only truly worthy,
but accessible. He
addresses rules for
creative performance,
what we can learn from
exceptional musicians and
teachers, the link
between spirituality and
creativity, understanding
our own stories in light
of the meta-story, and
the art of trust and
starting small. To Create
is a book that is unlike
anything written on the
topic—entertaining
, wise, inspiring, and
layered. It is for anyone
who is interested in
pursuing creativity
through music but
can’t quite figure
out how or where to
start. States Randles:
“It is my hope that
you will be able to
imagine the good life
through music, that you
will be inspired To
Create!†Clint
Randles, PhD, is
Associate Professor of
Music Education at the
University of South
Florida, husband, father,
multi-instrumentalist,
and passionate lover of
music. Â Full of
resonating stories, To
Create is a profoundly
pedagogical book about
potential pathways into
life’s learnings
through and in music. To
Create seeks and embraces
the value embodied in the
multiple, individual, and
sociocultural authoring
of diverse creativities.
By analogising the good
life
(‘eidaimoniaâ€
), with lived-through
experiences by which our
desire (and drive) to
create, to grow, to
navigate, and to achieve
extraordinary things in
life is inextricably
linked, Clint Randles
stories his own journey
of being awakened
‘To Create,’
by creating and living
‘the good
life’ in and
through the symbiotic
domains of music and
music education.
—Pamela Burnard,
Professor of Arts,
Creativities and
Educations  Â
University of Cambridge,
UK To Create is the rare
achievement that
seamlessly blends how-to
curriculum with why-so
philosophy, making the
case that creative
activity is an essential
right that all children
deserve from an education
in music. Randles’
vivid illustrations prod
us to think differently
about teaching when
well-being—when
the good life—is
both destination and
design. —Randall
Everett Allsup, Professor
of Music Education Â
 Teachers College
Columbia University
Randles takes readers on
a real and figurative
road trip during which he
demonstrates how to live
life to its fullest by
embracing creativity and
repeating a mantra of
possibility. He shows us
how the good life is
achievable, walking
readers through deeply
personal accounts of
creativity in everyday
situations over a
lifetime. This book binds
the individual and
cultural, imaginative and
practical, tangible and
intangible, light and
dark, yin and yang.
It’s all about the
power of three, weaving
through everything the
vital, intangible element
of spirituality, energy,
chi to achieve
eudaimonia. Through the
lens of his experiences
as a musician and
teacher, the author
celebrates relentlessness
and hard work, providing
a window into what it
means to engage in the
good life. Open that
window to hear
life’s call to
adventure! —Gareth
Dylan Smith, Assistant
Professor of Music
Education  Â
Boston University
Professor Randles’
stimulating book prompts
memory of the seminal
work of Joseph Schumpeter
who suggested the
importance of creative
deconstruction in a
democracy. Both authors
focus on attaining the
good life through a
fuller understanding of
the logic of the process
of change—change
that is driven by
knowledgeable and
innovative entrepreneurs.
The immediate application
of Randles’
suggested dynamic
creativity processes
applies to both teacher
education and
professional development,
although both he and
Schumpeter advance
general ideas in
creativity designed to
achieve the highest level
of human growth.
—Richard Colwell,
Professor Emeritus of
Music Education  Â
University of Illinois at
Urbana-Champaign In
recent years,
Aristotle’s
concept of
‘Eudaimonia’
—meaning Happiness
in the robust sense of
full human flourishing (a
life of joy, fellowship,
self-growth,
meaningfulness, ethical
‘good work,’
and more)—has
entered and transformed
the philosophy and
practice of music
education. To Create:
Imagining the Good Life
through Music is a highly
original, emotional,
practical, and exciting
journey through the
natures and values of
creativity in/for music
education and life
itself. —David J.
Elliott, Professor of
Music and Music Education
  New York
University.
Algona Overture Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053750-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053750-140
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Score Only. Composed
2005. 48 pages. De Haske
Publications #DHP
1053750-140. Published by
De Haske Publications
(BT.DHP-1053750-140).
English-German-French-
Dutch.
This piece
is dedicated to all the
citizens who live, have
lived, and will live in
the US town of Algona,
who commissioned the work
to celebrate itâ??s
150th anniversary. With
dark-tinted tones (low
drums, heavy brass), this
overture begins with a
primitive sacred feel, it
seems as if centuries-old
Indian singing is heard
once more. Gradually the
sound becomes clearer and
brighter as the same
theme travels throughout
the band in various
guises and variants.
Imposing tutti passages
then give the band the
chance to lavishly shine.
This bright and catchy
overture radiates
spontaneous energy and as
it features every section
of the band all the
players as well as the
listenersare continually
surprised and captivated.
Met donkere tonen
begint deze ouverture
sacraal en bezwerend: het
lijkt of eeuwenoude
indianengezangen weer tot
klinken komen.
Geleidelijk wordt het
klankbeeld helderder:
hetzelfde thema maakt in
diverse varianten als het
ware eenronde door het
orkest. Met een paar
imposante tuttipassages
kan het orkest goed
uitpakken. Nadien komt
een energiek allegro met
een krachtige thematiek
naar voren, gevolgd door
een lyrisch gegeven. Deze
ingrediënten wisselen
elkaaraf op weg naar een
opwindende finale. Het
klankidioom is zeer
toegankelijk en alle
geledingen van het orkest
komen aan
bod!
Anlässlich
der 150-Jahrfeier der
Stadt Algona im US-Staat
Iowa komponiert, strahlt
diese klare,
eingängige
Ouvertüre spontane
Energie aus. Zwar beginnt
das Werk sakral und
flehend mit dunkel
gefärbten Tönen,
doch allmählich wird
der Klang klarer und
heller, während das
Thema in verschiedenen
Gewändern und
Varianten durch das
Blasorchester wandert.
Dem folgenden energischen
Allegro folgt ein
lyrisches Thema, und
beide Elemente
verschmelzen
schlieÃ?lich in einem
aufregenden Finale. Alle
Register des
Blasorchesters werden
hier beleuchtet, sodass
sowohl Spieler als auch
Zuhörer fortwährend
überrascht und
bezaubert
werden.
Qu
esto brano è dedicato
a tutti i cittadini che
vivono, che hanno
vissuto, e che vivranno
nella cittadina americana
di Algona, che ha
commissionato questo
brano per festeggiare il
suo 150. anniversario.
Algona Overture inizia in
un universo sonoro dai
colori scuri. La musica
rivela una dimensione
sacra, uno spirito di
supplica. Un canto
indiano datato di alcuni
secoli risuona come un
canto dimenticato.
Imponenti passaggi
affidati al tutti svelano
le sontuose sfacettature
dellâ??orchestra di
fiati. Algona Overture
è una composizione
coinvolgente che
trasmette entusiasmo e
spontaneit . In un brano
dove la scrittura
orchestrale privilegia
tutte le sezioni
dellâ??organico, la
musicariesce a
sorprendere e
accattivarsi il pubblico
e gli interpreti.
Opera in 3 Acts.
Composed by Siegfried
Matthus. Choir;
Softcover. Deutscher
Verlag.
World
premiere: Netzeband, July
12, 1997
Opera; Music
theatre; Music post-1945;
New music (post-2000).
Choral score. Composed
1996/97. 20 pages.
Deutscher Verlag fur
Musik #DV 7969-02.
Published by Deutscher
Verlag fur Musik
(BR.DV-7969-02).
ISBN
9790200471618. 7.5 x 10.5
inches.
Duration:
full evening Text by the
composer using a text by
Walter Jens Place and
time: Chamber of the King
Philip V. of Spain,
Middle of the 18th
Century Characters:
Farinelli
(Countertenor/alto) -
King Philip V. of Spain
(baritone) - Nicola
Porpora (baritone) - The
Kings Personal Physician,
also Barber (tenor) - The
Kings Confessor, also
Impresario and Priest
(bass) - Maria (Bellino),
later Anna Maria Strada
(soprano) - Georg
Friedrich Handel
(baritone) - Jenny, Jim,
John, English Opera
Troupe (soprano, tenor,
baritone) - The young
Carlo Broschi (boy
treble) The dramaturgical
constellation of the
subject forced me to use
multifaceted and
stylistic means. I have
used melodic segments
from the Farinelli arias
that are still extant
today, as well as other
Baroque vocal and formal
elements, models inspired
by the Singspiel and the
musical, and even a rap
piece over a techno
rhythm. The musical
center of the opera
consists of song and the
human voice. Farinelli is
a bel canto opera.
(Siegfried Matthus) Carlo
Broschi, known as
Farinelli, was the
brightest star among the
castrato tenors of the
18th century. Handels
enemies brought him to
London so that he could
outshine Handels singers.
Here, Matthus depicts
Farinelli at the Spanish
court, ruled by the
pathologically melancholy
King Philip V. In a
review of his life, we
relive important stages
in the career of the
singer, who lived outside
of the norm and found his
home in the fascinating
twilight world between
art and
artificiality.
By Thomas Tallis (1505-1585). Choir Sacred. For with Piano (SATB choir). Book; C...(+)
By Thomas Tallis
(1505-1585). Choir
Sacred. For with Piano
(SATB choir). Book;
Choral (Sacred); Choral
Worship Collection;
Masterworks; Worship
Resources. Faber Edition:
Choral Programme Series.
Masterwork; Renaissance;
Sacred. Published by
Faber Music
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025366 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025366
Cello
and Piano. Composed
by Hans Winterberg.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Bote & Bock
#M202538104. Published by
Bote & Bock
(HL.48025366).
UPC:
196288194279.
Hans
Winterberg, born in
Prague in 1901, lived
through almost the entire
period of the 20th
century and was
influenced as a composer
by its most important
artistic innovations.
Already a brilliant
pianist as an adolescent,
he studied with Alois
Hába and Alexander von
Zemlinsky in Prague. Both
his life and his music
reflect the
Austrian-Czech-Jewish
cultural symbiosis; he
saw himself as a bridge
builder between Western
and Eastern, i.e. Slavic,
cultures. Owing to his
Jewish ancestry, he was
deported to the Terezin
concentration camp after
the annexation of
Czechoslovakia by Nazi
Germany. He was the only
Jewish representative of
the Czech musical
avant-garde of the 1920s
and 1930s to survive the
Shoah and, in 1947,
followed his non-Jewish
wife and their daughter
to the FRG in the course
of the expulsion of the
German-speaking
population from
Czechoslovakia.
Winterberg's fascinating
oeuvre, which was kept
under lock and key in a
German music archive for
years after his death, is
now being made accessible
in first editions due to
a cooperation between the
Exilarte Center for
Banned Music at the
University of Music in
Vienna and Boosey &
Hawkes. The first printed
edition is Winterberg's
Cello Sonata, composed in
1951, in which all the
characteristics of his
unmistakable personal
style come to the fore:
dance-like energy,
polyrhythm, intimate yet
unsentimental melos,
subtle handling of
folkloristic material,
and an unerring sense of
form and balance. This
work is of medium
technical and great
interpretative
difficulty.
Algona Overture Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band - Grade 3 SKU: BT.DHP-1053750-040 Composed by Jan Van der Ro...(+)
Concert Band - Grade 3
SKU:
BT.DHP-1053750-040
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2005. 48 pages.
De Haske Publications
#DHP 1053750-040.
Published by De Haske
Publications
(BT.DHP-1053750-040).
English-German-French-
Dutch.
This piece
is dedicated to all the
citizens who live, have
lived, and will live in
the US town of Algona,
who commissioned the work
to celebrate it’s
150th anniversary. With
dark-tinted tones (low
drums, heavy brass), this
overture begins with a
primitive sacred feel, it
seems as if centuries-old
Indian singing is heard
once more. Gradually the
sound becomes clearer and
brighter as the same
theme travels throughout
the band in various
guises and variants.
Imposing tutti passages
then give the band the
chance to lavishly shine.
This bright and catchy
overture radiates
spontaneous energy and as
it features every section
of the band all the
players as well as the
listenersare continually
surprised and captivated.
Met donkere tonen
begint deze ouverture
sacraal en bezwerend: het
lijkt of eeuwenoude
indianengezangen weer tot
klinken komen.
Geleidelijk wordt het
klankbeeld helderder:
hetzelfde thema maakt in
diverse varianten als het
ware eenronde door het
orkest. Met een paar
imposante tuttipassages
kan het orkest goed
uitpakken. Nadien komt
een energiek allegro met
een krachtige thematiek
naar voren, gevolgd door
een lyrisch gegeven. Deze
ingrediënten wisselen
elkaaraf op weg naar een
opwindende finale. Het
klankidioom is zeer
toegankelijk en alle
geledingen van het orkest
komen aan
bod!
Anlässlich
der 150-Jahrfeier der
Stadt Algona im US-Staat
Iowa komponiert, strahlt
diese klare,
eingängige
Ouvertüre spontane
Energie aus. Zwar beginnt
das Werk sakral und
flehend mit dunkel
gefärbten Tönen,
doch allmählich wird
der Klang klarer und
heller, während das
Thema in verschiedenen
Gewändern und
Varianten durch das
Blasorchester wandert.
Dem folgenden energischen
Allegro folgt ein
lyrisches Thema, und
beide Elemente
verschmelzen
schließlich in einem
aufregenden Finale. Alle
Register des
Blasorchesters werden
hier beleuchtet, sodass
sowohl Spieler als auch
Zuhörer fortwährend
überrascht und
bezaubert
werden.
Qu
esto brano è dedicato
a tutti i cittadini che
vivono, che hanno
vissuto, e che vivranno
nella cittadina americana
di Algona, che ha
commissionato questo
brano per festeggiare il
suo 150. anniversario.
Algona Overture inizia in
un universo sonoro dai
colori scuri. La musica
rivela una dimensione
sacra, uno spirito di
supplica. Un canto
indiano datato di alcuni
secoli risuona come un
canto dimenticato.
Imponenti passaggi
affidati al tutti svelano
le sontuose sfacettature
dell’orchestra di
fiati. Algona Overture
è una composizione
coinvolgente che
trasmette entusiasmo e
spontaneit . In un brano
dove la scrittura
orchestrale privilegia
tutte le sezioni
dell’organico, la
musicariesce a
sorprendere e
accattivarsi il pubblico
e gli interpreti.
Cello, Piano Accompaniment - Grade 4 SKU: HL.248688 For Solo Cello...(+)
Cello, Piano
Accompaniment - Grade 4
SKU: HL.248688
For Solo Cello.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2017.
12 pages. Chester Music
#CH86735. Published by
Chester Music
(HL.248688).
UPC:
888680729080. 9x12
inches.
English.
“Gor
don Wright was the friend
of a lifetime. For thirty
years Gordon and I shared
our two greatest
passions: music and
Alaska. Gordon was my
musical collaborator, my
next-door neighbor, my
fellow environmentalist
and my camping buddy.
These miniatures are
musical sketches of three
moments and places in our
friendship. Like Alaska,
Gordon was larger than
life. He always lived his
own way. And he died just
as he would have wanted.
We found him lying on the
deck of his cabin in the
Chugach Mountains, curled
up against his favorite
birch tree, looking
across the waters of
Turnagain Arm toward the
Resurrection Valley and
the tiny settlement of
Hope.” - John
Luther Adams
This
music contains no normal
stopped tones. All the
sounds are produced as
natural harmonics or on
open strings. There are
no harmonics higher than
the sixth. So these
sounds should be clear
and resonant. Even so,
balancing the harmonics
with the open strings
requires careful
attention.
The
durations of the
individual pieces are
given at the end of
each.
The total
duration of the set is
about ten minutes.
100 Songs for Kids Guitare notes et tablatures [Feuillet] - Facile Hal Leonard
Easy Guitar with Notes & Tab. Easy Guitar (Simplified arrangements for guitar). ...(+)
Easy Guitar with Notes &
Tab. Easy Guitar
(Simplified arrangements
for guitar). With notes
and tablature. Size 9x12
inches. 128 pages.
Published by Hal Leonard.
48 Favorite Songs for Voice and Piano. By Margery Hargest Jones. (Voice and Pia...(+)
48 Favorite Songs for
Voice and Piano. By
Margery Hargest Jones.
(Voice and Piano). Boosey
and Hawkes Voice. Size
8.25x11.75 inches. 109
pages. Published by
Boosey & Hawkes.
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-Sa
«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
I
composed Thracian Tale in
2024 for George Vassilev.
The title refers to the
people of Thrace who
lived in the Balkans and
more particularly in the
territory of present-day
Bulgaria. The piece is
composed in A-B-A form
and the language used -
as in most of my pieces -
is based essentially on
modes and rhythms from
Balkan music. It is
enriched with the use of
chromatisms, hemiolas to
vary the basic pulsation
as well as different
instrumental
techniques.
Guitar SKU: FG.55011-326-8 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar
SKU:
FG.55011-326-8
Composed by Kai Nieminen.
Fennica Gehrman
#55011-326-8. Published
by Fennica Gehrman
(FG.55011-326-8).
ISBN
9790550113268.
I
met for the first time
the refined Finnish
composer Kai Nieminen in
Milan (Italy), although
we had been in touch for
a while before. It was
that very trip which
provided the inspiration
for this composition
dedicated to Bruno
Munari, one of the most
renowned XXI century
Italian artists, who
lived and worked in
Milan. In particular, the
work that inspired this
composition, displayed at
Museo del Novecento in
Milan and characterised
by swirling lines
enveloping torn-out music
scores, suggested the
mysterious atmosphere of
this piece and the
subheading Un telegramma
dal paese dei sogni (A
telegram from
dreamland). The
composition can be
divided into four
sections and displays a
wide variety of
harmonics, cleverly
enhancing the polyphonic
resources of the
guitar. The very
first bars introduce the
main themes of the
composition:
particularly, at bar 7 it
is possible to recognize
a Bach quote from Das
wohltemperierte Clavier
(II book, ndeg24)
recurring frequently in
the piece and appearing
also in the painting.
Meno mosso (bar 51) opens
with a ghostly song
accompanied by drum-like
effects that recall the
primitive sound of the
shamanic Finnish
drum. Fast sixteenth
cascades dotted by
harmonic sounds open the
fourth and last section
at bar 66 (Capriccioso,
movendo), alluding to a
mysterious telegram sent
from another
dimension.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1074314-140 Drei kurzweili...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1074314-140
Drei kurzweilige
Impressionen.
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2007. 36
pages. De Haske
Publications #DHP
1074314-140. Published by
De Haske Publications
(BT.DHP-1074314-140).
9x12 inches.
English-German-French-Dut
ch.
For Three
Aspects of Kurt Weill
Peter Kleine Schaars took
inspiration from the
three periods that
characterise the life of
Weill - he
successivelylived in
Berlin, Paris and New
York. One theme is used
to create threetotally
different atmospheres, a
protest march against the
fascists inBerlin, a
French Musette (valse de
Paris) and an American
big bandstyle Broadway
orchestra. Let this great
work show the versatility
ofyour concert band!
Kurt
Weill, der unter anderem
mit seiner Musik zur
Dreigroschenoper
berühmt wurde, lebte
nacheinander in Berlin,
Paris und New York.
Three Aspects of Kurt
Weill weist ein Thema
auf, das dementsprechend
in drei völlig
unterschiedlichen
Stimmungen erscheint: als
Protestmarsch gegen die
Faschisten in Berlin, als
französische Musette
und im amerikanischen
Big- Band-Stil. Beweisen
Sie die
Verwandlungsfähigkeit
Ihres Blasorchesters!
Per il
brano Three Aspects of
Kurt Weill, Peter
Kleine Schaars ha preso
ispirazione dai tre
periodi che
caratterizzano la vita di
Weill - visse prima a
Berlino, poi a Parigi e
infine a New York. Un
tema viene utilizzato per
creare tre atmosfere
completamente diverse:
una Marcia di protesta
contro i fascisti a
Berlino, una Musette
(valzer di Parigi) e una
big band americana nello
stile delle orchestre di
Broadway. Lascia che
questa grande opera
mostri la versatilit
della tua banda in
concerto!
Three Aspects of Kurt Weill Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1074314-010 Drei kurzweili...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1074314-010
Drei kurzweilige
Impressionen.
Composed by Peter Kleine
Schaars. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2007.
De Haske Publications
#DHP 1074314-010.
Published by De Haske
Publications
(BT.DHP-1074314-010).
9x12 inches.
English-German-French-Dut
ch.
For Three
Aspects of Kurt Weill
Peter Kleine Schaars took
inspiration from the
three periods that
characterise the life of
Weill - he
successivelylived in
Berlin, Paris and New
York. One theme is used
to create threetotally
different atmospheres, a
protest march against the
fascists inBerlin, a
French Musette (valse de
Paris) and an American
big bandstyle Broadway
orchestra. Let this great
work show the versatility
ofyour concert band!
Kurt
Weill, der unter anderem
mit seiner Musik zur
Dreigroschenoper
berühmt wurde, lebte
nacheinander in Berlin,
Paris und New York.
Three Aspects of Kurt
Weill weist ein Thema
auf, das dementsprechend
in drei völlig
unterschiedlichen
Stimmungen erscheint: als
Protestmarsch gegen die
Faschisten in Berlin, als
französische Musette
und im amerikanischen
Big- Band-Stil. Beweisen
Sie die
Verwandlungsfähigkeit
Ihres Blasorchesters!
Per il
brano Three Aspects of
Kurt Weill, Peter
Kleine Schaars ha preso
ispirazione dai tre
periodi che
caratterizzano la vita di
Weill - visse prima a
Berlino, poi a Parigi e
infine a New York. Un
tema viene utilizzato per
creare tre atmosfere
completamente diverse:
una Marcia di protesta
contro i fascisti a
Berlino, una Musette
(valzer di Parigi) e una
big band americana nello
stile delle orchestre di
Broadway. Lascia che
questa grande opera
mostri la versatilit
della tua banda in
concerto!