For String Quartet and Pre-Recorded Performance CD. By John Adams. Boosey and Hawkes Chamber Music. BOOK W/CD. Published by Boosey and Hawkes.

For String Quartet and Pre-recorded Tape. By John Adams. (Study Score). Boosey and Hawkes Scores and Books. Book only. 98 pages. Published by Boosey and Hawkes.

Two Pianos, Four Hands. By John Adams. (Piano). Boosey and Hawkes Piano. Size 10x13 Two Pianos, Four Hands. By John Adams. (Piano). This edition: M051277643. Boosey and Hawkes Piano. Musically Advanced Class piece for the Piano Duo (Two Pianos, Four Hands) event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. 36 pages. Published by Boosey and Hawkes. inches. 36 pages. Published by Boosey and Hawkes.

Full Score. By John Adams. (score). Choral Large Works. Size 9x12 inches. 176 pages. Published by Associated.

(Songplay in Two Acts). By John Adams (1947-). For Voice, Piano Accompaniment (Vocal Score). BH Stage Works. Softcover. 302 pages. Boosey and Hawkes #M051097074. Published by Boosey and Hawkes

(Piano and Chamber Orchestra Full Score Archive Edition). By John Adams (1947-). Boosey and Hawkes Scores/Books. 60 pages. Boosey and Hawkes #M051097371. Published by Boosey and Hawkes

(Piano and Chamber Orchestra Solo Piano Part Archive Edition). By John Adams (1947-). BH Piano. 16 pages. Boosey and Hawkes #M051107124. Published by Boosey and Hawkes

1 Piano, 4 Hands. Composed by John Adams (1947-). Arranged by Preben Antonsen. BH Piano. Classical, Contemporary. Softcover. 24 pages. Duration 615 seconds. Boosey and Hawkes #M051108138. Published by Boosey and Hawkes

(Piano Solo) Composed by John Adams (1947-). Single piece for solo piano. 12 pages. Published by Associated.

(Baritone Voice and Chamber Orchestra Vocal Score Archive Edition). By John Adams (1947-). Boosey and Hawkes Scores/Books. 32 pages. Boosey and Hawkes #M051097395. Published by Boosey and Hawkes

(from the opera Doctor Atomic Mezzo-Soprano and Piano Reduction Archive Edition). By John Adams (1947-). Boosey and Hawkes Voice. 8 pages. Boosey and Hawkes #M051934416. Published by Boosey and Hawkes

For Solo Piano. By John Adams. Boosey and Hawkes Piano. Published by Boosey and Hawkes.

Full Score. By John Adams. (score). Full Score. Size 9x12 inches. 144 pages. Published by Associated.

Baritone/Bass. Composed by Various. Edited by Philip Brunelle. Boosey and Hawkes Voice. Play Along. Softcover Audio Online. 204 pages. Boosey and Hawkes #M051933662. Published by Boosey and Hawkes

Mezzo-Soprano with Recorded Piano Accompaniments. Composed by Various. Edited by Philip Brunelle. Boosey and Hawkes Voice. Play Along. Softcover Audio Online. 144 pages. Boosey and Hawkes #M051933648. Published by Boosey and Hawkes

Concert Band/Harmonie (Score & Parts) - Grade 5

SKU: HL.44011968

Composed by Jan Van der Roost. De Haske Concert Band. Concert Piece. Softcover. Composed 2013. De Haske Publications #1135389010. Published by De Haske Publications (HL.44011968).

12.0x16.75x1.051 inches. English-German-French-Dut ch.

Namase Rhapsody differs in several respects from most other concert works by Jan Van der Roost, with its impressive twists and turns and musical allusions to the work of John Adams. A first, minimalist movement, is followed by a lyrical andexpressive second movement for various soloists in different ranges. The third movement sees a stark change of mood with a rigid metrical figure before a powerful and energetic close.

Met Namase Rhapsody kiest componist Jan Van der Roost voor het experiment en slaat hij nieuwe verrassende muzikale wegen in. Zo refereert hij in het eerste, bijna minimalistische deel hier en daar naar de muziek van John Adams. In het tweede,zeer expressieve deel komen verschillende solisten en instrumentengroepen aan bod om dan over te gaan in een spectaculair en dynamisch slotdeel waarin een star metrisch patroon centraal staat. Verrassend!

Nam ase Rhapsody weicht in mehrerlei Hinsicht von den meisten anderen Blasorchesterwerken von Jan Van der Roost ab und besticht mit uberraschenden Wendungen und Anspielungen auf die Musik von John Adams. Auf den ersten, minimalistischanmutenden Satz, folgt ein lyrischer, expressiver zweiter Satz fur diverse Solisten und Register. Der dritte Satz bringt mit einem starren metrischen Muster einen Stimmungswechsel ins Spiel, bevor das Werk kraftvoll und energisch endet.

a divers points de vue, Namase Rhapsody sort quelque peu de l'ordinaire par rapport a la plupart des oeuvres de Jan Van der Roost. Le premier mouvement de la piece est particulierement inhabituel : un motif rythmiquede trois mesures repete par les cuivres sur des intervalles varies. Le deuxieme mouvement quant a lui est beaucoup plus melodieux et lyrique. Le troisieme developpe et elabore un impressionnant bouillonnement. Survient un passage lentet court, dramatiquement interrompu pour reprendre en un dernier eclat d'energie et de puissance.

Sotto molti aspetti Namase Rhapsody si allontana dallo stile tipico di Van der Roost. La composizione colpisce per i suoi numerosi riferimenti alla musica di John Adams. Il primo movimento, minimalista ed elegante, precede una seconda parteespressiva per diversi solisti e banda. Il terzo movimento, prima dell'energico finale, apporta un cambiamento di atmosfere attraverso un sistema metrico molto accentuato.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1135389-140

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2013. 46 pages. De Haske Publications #DHP 1135389-140. Published by De Haske Publications (BT.DHP-1135389-140).

9x12 inches. English-German-French-Dut ch.

Namasé Rhapsody di_x001E_ffers in several respects from most other concert works by Jan Van der Roost, with its impressive twists and turns and musical allusions to the work of John Adams. A first, minimalist movement, is followed by a lyrical and expressive second movement for various soloists in different ranges. The third movement sees a stark change of mood with a rigid metrical _x001F_figure before a powerful and energetic close.

Met Namasé Rhapsody kiest componist Jan Van der Roost voor het experiment en slaat hij nieuwe verrassende muzikale wegen in. Zo refereert hij in het eerste, bijna minimalistische deel hier en daar naar de muziek van John Adams. In het tweede, zeer expressieve deel komen verschillende solisten en instrumentengroepen aan bod om dan over te gaan in een spectaculair en dynamisch slotdeel waarin een star metrisch patroon centraal staat. Verrassend!

Namasé Rhapsody weicht in mehrerlei Hinsicht von den meisten anderen Blasorchesterwerken von Jan Van der Roost ab und besticht mit überraschenden Wendungen und Anspielungen auf die Musik von John Adams. Auf den ersten, minimalistisch anmutenden Satz, folgt ein lyrischer, expressiver zweiter Satz für diverse Solisten und Register. Der dritte Satz bringt mit einem starren metrischen Muster einen Stimmungswechsel ins Spiel, bevor das Werk kraftvoll und energisch endet.

divers points de vue, Namasé Rhapsody sort quelque peu de l’ordinaire par rapport la plupart des oeuvres de Jan Van der Roost. Le premier mouvement de la pièce est particulièrement inhabituel : un motif rythmique de trois mesures répété par les cuivres sur des intervalles variés. Le deuxième mouvement quant lui est beaucoup plus mélodieux et lyrique. Le troisième développe et élabore un impressionnant bouillonnement. Survient un passage lent et court, dramatiquement interrompu pour reprendre en un dernier éclat d’énergie et de puissance.

Sotto molti aspetti Namasé Rhapsody si allontana dallo stile tipico di Van der Roost. La composizione colpisce per i suoi numerosi riferimenti alla musica di John Adams. Il primo movimento, minimalista ed elegante, precede una seconda parte espressiva per diversi solisti e banda. Il terzo movimento, prima dell’energico _x001E_finale, apporta un cambiamento di atmosfere attraverso un sistema metrico molto accentuato.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1135389-010

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135389-010. Published by De Haske Publications (BT.DHP-1135389-010).

9x12 inches. English-German-French-Dut ch.

Namasé Rhapsody differs in several respects from most other concert works by Jan Van der Roost, with its impressive twists and turns and musical allusions to the work of John Adams. A first, minimalist movement, is followed by a lyrical andexpressive second movement for various soloists in different ranges. The third movement sees a stark change of mood with a rigid metrical figure before a powerful and energetic close.

Met Namasé Rhapsody kiest componist Jan Van der Roost voor het experiment en slaat hij nieuwe verrassende muzikale wegen in. Zo refereert hij in het eerste, bijna minimalistische deel hier en daar naar de muziek van John Adams. In het tweede,zeer expressieve deel komen verschillende solisten en instrumentengroepen aan bod om dan over te gaan in een spectaculair en dynamisch slotdeel waarin een star metrisch patroon centraal staat. Verrassend!

Nam asé Rhapsody weicht in mehrerlei Hinsicht von den meisten anderen Blasorchesterwerken von Jan Van der Roost ab und besticht mit überraschenden Wendungen und Anspielungen auf die Musik von John Adams. Auf den ersten, minimalistischanmutenden Satz, folgt ein lyrischer, expressiver zweiter Satz für diverse Solisten und Register. Der dritte Satz bringt mit einem starren metrischen Muster einen Stimmungswechsel ins Spiel, bevor das Werk kraftvoll und energisch endet.

divers points de vue, Namasé Rhapsody sort quelque peu de l'ordinaire par rapport la plupart des oeuvres de Jan Van der Roost. Le premier mouvement de la piéce est particuliérement inhabituel : un motif rythmiquede trois mesures répété par les cuivres sur des intervalles variés. Le deuxiéme mouvement quant lui est beaucoup plus mélodieux et lyrique. Le troisiéme développe et élabore un impressionnant bouillonnement. Survient un passage lentet court, dramatiquement interrompu pour reprendre en un dernier éclat d'énergie et de puissance.

Sotto molti aspetti Namasé Rhapsody si allontana dallo stile tipico di Van der Roost. La composizione colpisce per i suoi numerosi riferimenti alla musica di John Adams. Il primo movimento, minimalista ed elegante, precede una seconda parteespressiva per diversi solisti e banda. Il terzo movimento, prima dell'energico finale, apporta un cambiamento di atmosfere attraverso un sistema metrico molto accentuato.

Composed by Various. Edited by Richard Walters. Boosey and Hawkes Voice. Opera. Softcover. 258 pages. Published by Boosey and Hawkes