Rag Is Back Quatuor de Clarinettes: 4 clarinettes Advance Music
4 Clarinets in B-flat SKU: AP.1-ADV8432 For Clarinet Quartet. Comp...(+)
4 Clarinets in B-flat
SKU: AP.1-ADV8432
For Clarinet
Quartet. Composed by
Valentin Hude. Quartet;
Solo Small Ensembles;
Woodwind - Clarinet
Quartet. Advance Music.
Ragtime. Score and
Part(s). Advance Music
#01-ADV8432. Published by
Advance Music
(AP.1-ADV8432).
UPC:
805095084320.
English.
This
nice-and-easy-to-perform
ragtime, Rag Is Back by
Valentin Hude, features a
number of catchy tunes.
Every individual voice
carries the melody. The
ritardandos and
accelerations stipulated
in the second part of the
arrangement give the
artist's fancy full
scope. The modulated
reprise takes the piece
to its final climax. Time
for Ragtime! Arranged for
four B-flat
clarinets.
Voice and piano SKU: BR.DLV-5256 Hey ho, the Wind and the Rain - from ...(+)
Voice and piano
SKU:
BR.DLV-5256
Hey
ho, the Wind and the Rain
- from Shakespeare's
Twelfth Night.
Composed by Jean
Sibelius. Voice;
Softcover.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. Score. 4
pages. Duration 2'.
Breitkopf and Haertel
#DLV 5256. Published by
Breitkopf and Haertel
(BR.DLV-5256).
ISBN
9790004801895. 10 x 12.5
inches.
Heissa,
hopsa, bei Regen und Wind
- from Shakespeare's
'Twelfth Night' Unklar
bleibt warum Sibelius
etwa zeitgleich eine
weitere Fassung des Werks
nur mit deutschem Text
fur Singstimme und
Streichorchester
anfertigte. Soweit
bekannt wurde diese
Fassung vor ihrer
erstmaligen
Veroffentlichung im Jahr
2003 in der Gesamtausgabe
,,Jean Sibelius Werke
(JSW) noch nicht
aufgefuhrt. It remains
uncertain why Sibelius
wrote another version of
the work with German text
only for voice and string
orchestra around the same
time. As far as is known
this latter version has
never been performed
before its first
publication in the volume
of the complete edition
Jean Sibelius Works in
2003. In den meisten
Fallen beschrankte sich
Sibelius auf ein relativ
kleines Orchester. In
,,Varen flyktar hastigt
sind neben den Streichern
nur zwei Floten und vier
Horner besetzt.
Nearly all of the
orchestral arrangements
were made years after the
original compositions for
voice and piano. Yet even
though the arrangements
were made in a very short
period of time Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it. In most
cases Sibelius used a
comparatively small
orchestra: Varen flyktar
hastigt has only two
flute and four horns
added to the strings. Mit
dem Erscheinen der
Erstausgabe 1986 eroberte
sich das Werk rasch
seinen Platz neben den
anderen
Streichorchesterwerken
des finnischen
Komponisten. Das
vorliegende Impromptu
entstand Anfang 1894, als
Jean Sibelius die kurz
zuvor komponierten
Klavier-Impromptus op. 5
Nr. 5 und Nr. 6
zusammenfugte und fur
Streichorchester
instrumentierte. Die
beiden im Gestus vollig
unterschiedlichen
Charakterstudien finden
dabei zu einem
einheitlichen Ganzen da
Sibelius das Hauptthema
aus dem sturmischen.
Organ SKU: HL.14013399 Composed by Robert Groves. Music Sales America. Cl...(+)
Organ
SKU:
HL.14013399
Composed
by Robert Groves. Music
Sales America. Classical.
Book [Softcover]. 12
pages. Music Sales
#NOV275099. Published by
Music Sales
(HL.14013399).
8.25x11.75x0.065
inches.
Four Voluntaries For
Organ by
Robert
Groves.
Following the practice
adopted in several of
Groves' books of
Hymn Tune Preludes, each
of these pieces has been
designed so that it can
be played on a small
two-manual Organ with
pedals, or quite easily
on a manual only, with or
without pedals.
Registration of a simple
nature has been given,
and this may, of course,
be varied at the player's
wish.
Composed by Lloyd Larson.
Choral, cantatas. Advent,
Christmas. Choral score.
Lorenz Publishing Company
#65/2090L. Published by
Lorenz Publishing Company
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064079-010. Published by
De Haske Publications
(BT.DHP-1064079-010).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
For Trumpet in Bb. Composed by Johann Sebastian Bach (1685-1750), Muzio Clementi...(+)
For Trumpet in Bb.
Composed by Johann
Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907).
Arranged by Larry Clark.
SWS. Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF107. Published
by Carl Fischer Music
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5386-16. Published by
Breitkopf and Haertel
(BR.OB-5386-16).
ISBN
9790004334584. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions.The popular
Concerto Op. 4 No. 6 in B
flat major was originally
a harp concerto (and is
thus called Concerto per
la Harpa in the
autograph) and was
performed in this version
at its premiere in 1736,
when it was inserted into
Handel's oratorio
Alexander's Feast in
order to illustrate the
harp playing of the Greek
singer Timotheus. A harp
edition is also in
preparation.I want to
make an edition that is
not a Koopman
interpretation, but
contains only that which
Handel really wrote.
Nevertheless, there are
occasional performance
suggestions in small
print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik)Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
(Choral Score - Fordouble Chorus of Voices (S.A.T.B.), Coloratura Soprano, and S...(+)
(Choral Score - Fordouble
Chorus of Voices
(S.A.T.B.), Coloratura
Soprano, and Small
Orchestra). By Heinz
Werner Zimmermann
(1930-). Arranged by
Edwin Penhorwood. For
SATB I, SATB II, Soprano
Solo, Piano Rehearsal.
Choral part(s). Standard
notation. 78 pages.
Published by Carl Fischer
The Decade Series. E-Z Play Today (Easy big-note right-hand-only arrangements fo...(+)
The Decade Series. E-Z
Play Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 144 pages.
Published by Hal Leonard.
Leduc.
CD. 48 pages. Alphonse
Leduc #AL29486. Published
by Alphonse Leduc
(HL.48185765).
UPC:
888680832568.
9.0x12.0x0.175
inches.
Conceived
for Piano beginners who
have already been
introduced to music
reading, Piano
Discoveries - Level 4,
Traveller follows up on
Piano Discoveries - Level
3 A & B, Adventurer.
Seventh of a series of
eight, it familiarises
the young Pianist to more
complex melodies and
rhythms, to minor chords
and minor tonalities and
to the techniques of
playing. This volume uses
the same characters as
the previous books, who
evolve through new
illustrations to guide
the young pianists. Le
Voyage magique is the
translation and
adaptation by Stephane
Blet of the American
series Piano Discoveries
by Janet Vogt and Leon
Bates. The pedagogy of
this book has been
studied to be quite close
to the language of
children, in order to
develop their interest
and concentration. A CD
is provided to accompany
the player while learning
with Le Voyage magique,
offering some small
melodic pieces to develop
a musical ear. Janet Vogt
is an American Pianist,
professor at the
College-Conservatory of
Music. She also composed
pieces for Keyboards, for
Choirs, and some pop
music. Leon Bates (born
1949) is a renowned
American Pianist who
performed with the New
York Symphony, the
Cleveland Symphony and
many others. He is also a
professor and
participated to the
conception of this
method. Stephane Blet is
an international Solo
Pianist who decided to
focus on the composition
of pieces and on
teaching. He is currently
professor in the Ecole
Normale de Musique
?Alfred Cortot?..
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5386-26. Published by
Breitkopf and Haertel
(BR.OB-5386-26).
ISBN
9790004334607. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions.The popular
Concerto Op. 4 No. 6 in B
flat major was originally
a harp concerto (and is
thus called Concerto per
la Harpa in the
autograph) and was
performed in this version
at its premiere in 1736,
when it was inserted into
Handel's oratorio
Alexander's Feast in
order to illustrate the
harp playing of the Greek
singer Timotheus. A harp
edition is also in
preparation.I want to
make an edition that is
not a Koopman
interpretation, but
contains only that which
Handel really wrote.
Nevertheless, there are
occasional performance
suggestions in small
print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik)Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
By Becki Slagle Mayo. For Unison choir/2-part (any combination of voices) choir ...(+)
By Becki Slagle Mayo. For
Unison choir/2-part (any
combination of voices)
choir and piano. General,
Thanksgiving, Sacred.
Octavo. Published by
Exaltation Publications.
(10/3473L)
SKU: HL.428632 Grey 4.26' X 3'. DrumNBase Rugs. General Merchandis...(+)
SKU: HL.428632
Grey 4.26' X 3'.
DrumNBase Rugs. General
Merchandise. Hal Leonard
#VP130-GRY. Published by
Hal Leonard (HL.428632).
UPC: 196288064039.
4.0x35.0x4.0
inches.
The
DRUMnBASE Vintage Persion
Drum/Stage Mats are heavy
duty rugs with a very
durable road proof
anti-slip rubber backing.
The 4mm thick top is made
of polyamide velours,
giving grip and
durability. Furthermore
the top is easy to clean
and UV and waterproof. So
cleaning with water and
soap is no problem.
• Made in Belgium,
with long history of
superior textile
manufacturing, unlike
most competitor products
• Rigid,
high-quality construction
• 1.5 mm thick
anti-slip rubber backing
• Rug lies flat and
stays flat, no curling up
(not even at the
corners!) • Reduces
vibration • 4mm
strong & durable
velour top (easy to
clean) • Waterproof
• Classic design
and look with
eye-pleasing colors
• Perfect for use
with any instrument:
keyboard; guitar; bass;
pedalboard setups; amps;
drums; wind instruments;
vocals. Looks great in
all practice spaces,
studios and stage setups
• Nice compact size
(4.26-feet x 3-feet) for
a guitar/amp setup, small
percussion setup, compact
electronic drumset or
accent for any room
• 5.5mm thick
• 2.8 kg. (6.1
lbs.).
For Flute. Composed by Johann Sebastian Bach (1685-1750), Muzio Clementi (1752-1...(+)
For Flute. Composed by
Johann Sebastian Bach
(1685-1750), Muzio
Clementi (1752-1832),
Wolfgang Amadeus Mozart
(1756-1791), Larry Clark,
Jacques Fereol Mazas
(1782-1849), Giuseppe
Gariboldi, and Ernesto
Kohler (1849-1907).
Arranged by Larry Clark.
SWS. Back To School.
Softcover. With Standard
notation. Carl Fischer
Music #WF104. Published
by Carl Fischer Music
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Pi...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar.
Artist/Personality; Book;
Personality Book;
Piano/Vocal/Chords.
Country.
156 pages. Published by
Alfred Music
The Craftsmen Orchestre d'harmonie - Facile De Haske Publications
Concert Band - Grade 2 SKU: BT.DHP-1053879-040 Composed by Christian Bout...(+)
Concert Band - Grade 2
SKU:
BT.DHP-1053879-040
Composed by Christian
Bouthier. Flexible 5
Series. Concert Piece.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053879-040. Published by
De Haske Publications
(BT.DHP-1053879-040).
9x12 inches.
English-German-French-Dut
ch.
The energetic
activities of three
craftsmen at a local
crafts market inspired
the composer Christian
Bouthier to write this
work in three movements.
The clockmaker gets many
curious visitors at his
stand. He patiently and
proudly shows the
precision work of his
beautiful clocks and lets
all of them tick - the
small ones and large
ones. The cooper
(barrel-maker) skillfully
puts together
fine-looking, sturdy
barrels of the best types
of wood. From afar, you
can hear the cooper
hammering. In the final
movement things are
hectic at the blacksmith
because the local
horse-riding society has
just arrived. Many horses
are provided with new
shoes. The experienced
blacksmith hits
thehorseshoes into the
proper shape on his
anvil; now the horses can
spiritedly trot and
gallop on the way back. A
fascinating new addition
to the concert band
repertoire.
De
energieke werkzaamheden
van drie ambachtslieden
op een plaatselijke
ambachtsmarkt
inspireerden de Belgische
componist Christian
Bouthier tot het
schrijven van The
Craftsmen, een
compositie in drie delen.
De klokkenmaker,de kuiper
(tonnenmaker) en de
hoefsmid worden
achtereenvolgens op
ludieke wijze in de
muziek
weergegeven.
Zu
The Craftsmen -
‘Die
Handwerker’ -
ließ sich Christian
Bouthier beim Bummel
über einen Markt
inspirieren, wo alte
Handwerkskünste
vorgeführt wurden. In
den drei Sätzen seiner
Komposition werden sehr
anschaulich die
Klangeindrücke in
Musik umgesetzt: das
Ticken nostalgischer
Uhren beim Uhrmacher, das
Hämmern des
Böttchers beim Bau von
Holzfässern und
schließlich das
Schlagen der Hufeisen,
bevor der Hufschmied die
Pferde beschlägt. Ein
Werk der Reihe
Flexible 5 für
eine fünfstimmig
variable Besetzung, an
dem Musiker und Publikum
ihre Freude haben
werden!
Affascinato
dall’originalit e
dallo charme di un
mercato di artigiani, per
comporre questa suite in
tre movimenti, Christian
Bouthier si è ispirato
al
“savoir-faireâ€
di tre artigiani.
All’ombra dei
platani, dinnanzi ad un
pubblico numeroso ed
appassionato, gli
artigiani eseguono e
ripetono gesti ancestrali
che danno vita a oggetti
unici. Scoprite le
tradizioni attraverso un
orologiaio, un bottaio e
un fabbro.
Viva Noel Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-5028-01 Composed by Shaffer. Concert Band. Extra full...(+)
Grade 3
SKU:
CL.012-5028-01
Composed by Shaffer.
Concert Band. Extra full
score. Composed 2023.
Opus III Wind Orchestra
Publications
#012-5028-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-5028-01).
Viva Noel is a
medley of glorious
holiday favorites in a
fast/slow/fast form.
Opening with a musical
fanfare based on the
French hymn He is Born
the Holy Child the
arrangement transitions
quickly into a fanciful
rendition of Deck the
Halls. The following
section opens with a
beautiful brass choir
adaptation of It Came
Upon A Midnight Clear and
develops into a lush,
full band setting of this
charming carol. The
finale begins as a quick,
light version of Here We
Come a-Wassailing ending
with a declarative brass
fanfare with small bits
of Bring a Torch,
Jeannette Isabella and
Angels We Have Hear on
High. This high-energy
holiday arrangement
features all sections of
the ensemble with
exceptional emphasis on
the percussion writing.
Viva Noel! will be a
solid opener or closer
for any holiday
concert!
Church
cantata. Composed by
Johann Sebastian Bach.
Edited by Christine
Blanken. Arranged by
Christine Blanken.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Violin 1. Composed ca.
1730. BWV 192. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.192/11. Published by
Carus Verlag
(CA.3119211).
ISBN
9790007210243. Text
language:
German/English.
The
cantata Nun danket alle
Gott (Now thank we all
our God) BWV 192 is based
on the text of the
well-known hymn. It is
therefore one of a small
number of chorale
cantatas which contain no
free poetic texts.
Correspondingly, there
are no recitatives
either. It has only
recently been assumed
that this three-movement
work was not intended for
Leipzig, but was actually
written in 1730 for
Bach's prestigious
position as Kapellmeister
of Saxe-Weissenfels. The
court of Duke Christian
enjoyed the its sojourn
in the newly-renovated
castle of its secondary
residence in Sangerhausen
and, at Trinity, in the
court church, celebrated
the anniversary of its
consecration with festive
music. Bach evidently
occasionally contributed
to this. The work does
not survive complete.
Even in the 18th century
a full score evidently no
longer existed, just a
set of parts, the tenor
part of which is entirely
missing. For the new
edition the missing part
has been reconstructed by
Detlev Schulten
(Leipzig). Score and part
available separately -
see item CA.3119200.