Serenade Violon, Clarinette, Piano (trio) Rosewood Publications
By Waldemar von Baussnern. For violin, clarinet and piano. Facsimile Editions - ...(+)
By Waldemar von
Baussnern. For violin,
clarinet and piano.
Facsimile Editions -
Winds, Strings and Piano.
A truly unique, clever
composition. Very
Romantic slow movement.
Amazing harmonies and
rhythms, for the time it
was composed. Romantic.
Published by Rosewood
Publications
By Jean-Philippe Rameau (1683-1764). Edited by Jean-Paul C. Montagnier; Sylvie B...(+)
By Jean-Philippe Rameau
(1683-1764). Edited by
Jean-Paul C. Montagnier;
Sylvie Bouissou. For Low
Voice, High Voice, Alto
Solo, Violin 1 (Flute),
Violin 2, Basso Continuo/
Bass Viola Da Gamba.
Opera Omnia OOR III.1.
Score; Set of Parts
(paperbound). Published
by Baerenreiter Verlag
ISBN 9790006419555. 33
x 26.5 cm inches. Text
Language: French, German.
Preface: Ludwig Finscher.
Text: Pierre-Louis
Moline.
Christoph
Willibald Gluck’s
most popular opera
“Orphe et
Euridice†was
performed in 1774 in
Paris to sensational
success. This new
adaption followed the
original Viennese version
with Italian text that
was first performed in
1762 under the direction
of the composer in the
Burgtheater. For the
Paris version Gluck
changed the leading part
Orpheus from an alto to a
tenor role and composed
new recitatives.
Both versions of
Gluck’s reform
drama are based on a
libretto by Ranieri
de’ Calzabigi and
revolutionised
metastasian opera of the
18th century. Solo and
choral music,
instrumental music,
pantomime and dance are
all closely connected;
the myth replaces a
historical plot
surrounded by intrigue;
where there would have
been a da-capo aria there
are now simple song forms
and coloratura is largely
abandoned. These
meticulously revised
vocal scores of both
versions are also newly
set.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
For piano. 10 konsertstykker i forskjellige stilarter. Passer for litt ovede....(+)
For piano. 10
konsertstykker i
forskjellige stilarter.
Passer for litt
ovede.
Fra
forordet: Du som har
kjopt Y-heftet har nok
spilt noen ar. Kanskje
har du noen ganger blitt
oppfordret til a spille
noe jazzaktig, eller
folkemusikkaktig eller
bluesaktig? Kanskje noen
har bedt deg spille noe
marsjaktig ved en
anledning? Da har du
funnet det rette heftet.
Her er det litt av
hvert.
Alle
stykkene i Y-heftet er
enkeltstaende
konsertstykker, men
samtidig er de en liten
stilstudie. Derfor har
stykkene en 'y' som
avslutning. Engelsk ma
det vaere! Finn dine
favoritter, men ikke glem
a avslutte med Music Box.
Lykke til med
konserten!
Geir
Knutson
Innhold:Tricky Bluesy I
nventionly Jazzy
Folksy Waltzy Fan
tasy Gypsy Marchy
The Music Box
(Spilledasen) Geir
Knutson (1954) bor pa
Birkeland i
Aust-Agder.Han er
utdannet ved
universitetet og jobber
som laerer ved siden av
avaere komponist,
arrangor og
dirigent.
Hans
produksjon omfatter
korps- og storbandmusikk,
kirkemusikk, salmerog
sanger for blandet kor og
barnekor, musikk for
scene samt en
mengdeenkeltstaende
sanger. Mye av dette er
utgitt pa noter eller pa
CD-er.Eksempler kan vaere
Mormor, Lille Norge, og
Vi tenner
lys.
Knutson har
vunnet flere nasjonale
priser for sine
komposisjoner og er
flittig benyttet som
gjesteforeleser og
dirigent ved videregaende
skoler og
universiteter i USA og
andre steder.
Geir
Knutson har skrevet mange
bestillingsverk for kor,
korps, scene,og har
mottatt mange stipend,
bl.a. fra
kulturdepartementet
(From the Golden Globe and Emmy Nominated Television Sitcom). By Grant Geissman,...(+)
(From the Golden Globe
and Emmy Nominated
Television Sitcom). By
Grant Geissman, Lee
Aronsohn, and Chuck
Lorre. Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band. Pop Beginning Band.
Pop; TV. Grade 1.
Conductor Score and
Parts. 134 pages
(From the Golden Globe and Emmy Nominated Television Sitcom). By Grant Geissman,...(+)
(From the Golden Globe
and Emmy Nominated
Television Sitcom). By
Grant Geissman, Lee
Aronsohn, and Chuck
Lorre. Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band. Pop Beginning Band.
Pop; TV. Grade 1.
Conductor Score. 12
pages. Published by
Alfred Music Publishing
Carmina Burana Orchestre [Conducteur d'étude / Miniature] Eulenburg
Study Score. By Carl Orff. Arranged by Werner Thomas. (Study Score). Schott. Boo...(+)
Study Score. By Carl
Orff. Arranged by Werner
Thomas. (Study Score).
Schott. Book only. Size
7.5x10.5 inches. 170
pages. Published by
Eulenburg (Schott).
Chamber Music Piano SKU: PR.110418490 Composed by Carter Pann. 16 pages. ...(+)
Chamber Music Piano
SKU: PR.110418490
Composed by Carter Pann.
16 pages. Duration 16
minutes. Theodore Presser
Company #110-41849.
Published by Theodore
Presser Company
(PR.110418490).
ISBN
9781491137260. UPC:
680160690022.
Carte
r Pann writes, the piece
might have been titled
Three Improvisations, but
there is an expressive
inertia baked in to these
works which makes them
truer as rhapsodies. This
description tells us much
about the work, whose
movements are an
enterprising tango, a
bombastic central
movement with virtuosic
thrust, and a and a hymn
heard from afar without
any sense of marked
time. Three Rhapsodies
was commissioned by the
American Composers Forum
with complete support
from the Thelma E. Hunter
Fund. The premiere
performance took place in
Kilbourn Hall at the
Eastman School of Music
in Rochester, New York by
pianist Marina Lomazov.As
with all of my piano
works, this was very much
an at-the-piano
compositional experience.
As a pianist I cannot
imagine writing a solo
work away from the
instrument (though at
times that would be quite
convenient).The whole
work explores a palette
of impassioned emotions
– sometimes
veiled, sometimes
emboldened, or even
outrageous at times.
There are technical
freedoms in each
movement, allowing the
pianist to stretch their
interpretive inclinations
to great lengths. In this
way the piece might have
been titled Three
Improvisations, but there
is an expressive inertia
baked in to these works
which make them truer as
rhapsodies.The first
movement is a tango with
real wanderlust. The
second reminds me of
Rachmaninoff’s
Polka de W.R. in its
bombast, but also
Chopin’s sixteenth
prelude with its sheer
virtuosic thrust. The
third is a hymn heard
from afar with no
rhythmic drive, only
sheened sonority.
(25 Congregational Hymn Accompaniments). By Thomas Keesecker. For piano, guitar,...(+)
(25 Congregational Hymn
Accompaniments). By
Thomas Keesecker. For
piano, guitar, optional
handbells, optional C
Instrument
(Congregation). This
edition: spiral-bound.
Choral. General. Easy.
Collection. 94 pages.
Published by MorningStar
Music Publishers
(Method for Recorder). For Recorder. De Haske Play-Along Book. Play Along. 40 pa...(+)
(Method for Recorder).
For Recorder. De Haske
Play-Along Book. Play
Along. 40 pages. De Haske
Publications #1043537.
Published by De Haske
Publications