By Waldemar von Baussnern. For violin, clarinet and piano. Facsimile Editions - Winds, Strings and Piano. A truly unique, clever composition. Very Romantic slow movement. Amazing harmonies and rhythms, for the time it was composed. Romantic. Published by Rosewood Publications

By Jean-Philippe Rameau (1683-1764). Edited by Jean-Paul C. Montagnier; Sylvie Bouissou. For Low Voice, High Voice, Alto Solo, Violin 1 (Flute), Violin 2, Basso Continuo/ Bass Viola Da Gamba. Opera Omnia OOR III.1. Score; Set of Parts (paperbound). Published by Baerenreiter Verlag

Solo voices, choir, orchestra (2 Soprano Voice Solo, Tenor Voice Solo, SATB Choir, ballet, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 3trombone, timpani, harp, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA02282

Tragédie-opéra (Drame héroïque) in three acts. Composed by Christoph Willibald Von Gluck. Edited by Ludwig Finscher. This edition: complete edition, urtext edition. Linen. Christoph Willibald Gluck. Complete Works. Series I, Volume 6. Paris Version 1774. Complete edition, Score. Composed 1774. Duration 2 hours. Baerenreiter Verlag #BA02282_00. Published by Baerenreiter Verlag (BA.BA02282).

ISBN 9790006419555. 33 x 26.5 cm inches. Text Language: French, German. Preface: Ludwig Finscher. Text: Pierre-Louis Moline.

Christoph Willibald Gluck’s most popular opera “Orphe et Euridice” was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives.

Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plot surrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

For piano.
10 konsertstykker i forskjellige stilarter. Passer for litt ovede.

Fra forordet:
Du som har kjopt Y-heftet har nok spilt noen ar. Kanskje har du noen ganger blitt oppfordret til a spille noe jazzaktig, eller folkemusikkaktig eller bluesaktig? Kanskje noen har bedt deg spille noe marsjaktig ved en anledning? Da har du funnet det rette heftet. Her er det litt av hvert.

Alle stykkene i Y-heftet er enkeltstaende konsertstykker, men samtidig er de en liten stilstudie. Derfor har stykkene en 'y' som avslutning. Engelsk ma det vaere! Finn dine favoritter, men ikke glem a avslutte med Music Box. Lykke til med konserten!

Geir Knutson

Innhold:Tricky
Bluesy
I nventionly
Jazzy
Folksy
Waltzy
Fan tasy
Gypsy
Marchy
The Music Box (Spilledasen)
Geir Knutson (1954) bor pa Birkeland i Aust-Agder.Han er utdannet ved universitetet og jobber som laerer ved siden av avaere komponist, arrangor og dirigent.

Hans produksjon omfatter korps- og storbandmusikk, kirkemusikk, salmerog sanger for blandet kor og barnekor, musikk for scene samt en mengdeenkeltstaende sanger. Mye av dette er utgitt pa noter eller pa CD-er.Eksempler kan vaere Mormor, Lille Norge, og Vi tenner lys.

Knutson har vunnet flere nasjonale priser for sine komposisjoner og
er flittig benyttet som gjesteforeleser og dirigent ved videregaende skoler
og universiteter i USA og andre steder.

Geir Knutson har skrevet mange bestillingsverk for kor, korps, scene,og har mottatt mange stipend, bl.a. fra kulturdepartementet

(From the Golden Globe and Emmy Nominated Television Sitcom). By Grant Geissman, Lee Aronsohn, and Chuck Lorre. Arranged by Douglas E. Wagner. Concert Band. Concert Band. Pop Beginning Band. Pop; TV. Grade 1. Conductor Score and Parts. 134 pages

(From the Golden Globe and Emmy Nominated Television Sitcom). By Grant Geissman, Lee Aronsohn, and Chuck Lorre. Arranged by Douglas E. Wagner. Concert Band. Concert Band. Pop Beginning Band. Pop; TV. Grade 1. Conductor Score. 12 pages. Published by Alfred Music Publishing

Study Score. By Carl Orff. Arranged by Werner Thomas. (Study Score). Schott. Book only. Size 7.5x10.5 inches. 170 pages. Published by Eulenburg (Schott).

Score. By Carl Orff. Schott. Size 11x14.5 inches. 172 pages. Published by Schott.

Chamber Music Piano

SKU: PR.110418490

Composed by Carter Pann. 16 pages. Duration 16 minutes. Theodore Presser Company #110-41849. Published by Theodore Presser Company (PR.110418490).

ISBN 9781491137260. UPC: 680160690022.

Carte r Pann writes, the piece might have been titled Three Improvisations, but there is an expressive inertia baked in to these works which makes them truer as rhapsodies. This description tells us much about the work, whose movements are an enterprising tango, a bombastic central movement with virtuosic thrust, and a and a hymn heard from afar without any sense of marked time.
Three Rhapsodies was commissioned by the American Composers Forum with complete support from the Thelma E. Hunter Fund. The premiere performance took place in Kilbourn Hall at the Eastman School of Music in Rochester, New York by pianist Marina Lomazov.As with all of my piano works, this was very much an at-the-piano compositional experience. As a pianist I cannot imagine writing a solo work away from the instrument (though at times that would be quite convenient).The whole work explores a palette of impassioned emotions – sometimes veiled, sometimes emboldened, or even outrageous at times. There are technical freedoms in each movement, allowing the pianist to stretch their interpretive inclinations to great lengths. In this way the piece might have been titled Three Improvisations, but there is an expressive inertia baked in to these works which make them truer as rhapsodies.The first movement is a tango with real wanderlust. The second reminds me of Rachmaninoff’s Polka de W.R. in its bombast, but also Chopin’s sixteenth prelude with its sheer virtuosic thrust. The third is a hymn heard from afar with no rhythmic drive, only sheened sonority.

Women's Chorus Parts. By Carl Orff. (CHORAL SCORE). Schott. Book only. Size 9x12 inches. 20 pages. Published by Schott.

By Edvard Grieg. Keyboard. Size 9 3/8 x 12 1/4. 224 pages. Published by Dover Publications.

(25 Congregational Hymn Accompaniments). By Thomas Keesecker. For piano, guitar, optional handbells, optional C Instrument (Congregation). This edition: spiral-bound. Choral. General. Easy. Collection. 94 pages. Published by MorningStar Music Publishers

Men's Chorus Parts. By Carl Orff. (CHORAL SCORE). Schott. Book only. Size 9x12 inches. 25 pages. Published by Schott.

By Anthony G. Petti. For SATB Choir, Piano Accompaniment. Renaissance, Choral. Sheet Music. 48 pages. Published by Chester Music.

(Method for Recorder). For Recorder. De Haske Play-Along Book. Play Along. 40 pages. De Haske Publications #1043537. Published by De Haske Publications

By Carl Orff. Arranged by Wilhelm Killmayer. (Score). Schott. Book only. Size 9x12 inches. 144 pages. Published by Schott.

Piano. By Carl Orff. Arranged by Eric Chumachenco. (Piano). Schott. Book only. Size 9x12 inches. 71 pages. Published by Schott.

Composed by Edvard Hagerup Grieg (1843-1907). For piano. Format: piano solo book. Romantic period. 216 pages. 9x12 inches. Published by Schirmer.

Note-for-Note Keyboard Transcriptions. Note For Note Keyboard transcr. Size 9x12 inches. 320 pages. Published by Hal Leonard.