Concert Band/Harmonie - Grade 2

SKU: BT.DHP-1105029-143

Composed by George Gershwin. Arranged by Jan de Haan. Essential Elements European Band Series. Score with CD. Composed 2010. 8 pages. De Haske Publications #DHP 1105029-143. Published by De Haske Publications (BT.DHP-1105029-143).

9x12 inches. English.

George Gershwin’s only opera, Porgy and Bess, dealt with the socially sensitive issue of race. The composer even specified that it may only be performed by coloured actors. Summertime is easily the most well-known piece from this opera and has been covered numerous times, even by the likes of Ella Fitzgerald herself. Now it is your turn!

Die Oper Porgy and Bess von George Gershwin aus dem Jahre 1935 handelt von Afroamerikanern und darf nach einer Verfügung des Komponisten auch nur mit farbigen Schauspielern besetzt werden. Summertime ist eines der berühmtesten Lieder aus der Oper und wurde schon von Größen wie Ella Fitzgerald interpretiert - und jetzt auch von Ihren Nachwuchsmusikern!Spielba r ab Essential Elements Band 2, Seite 24

L’opéra Porgy and Bess (1935), du grand George Gershwin, est considéré comme un classique du patrimoine culturel américain. La trame fait une large place au blues et au spiritual. Summertime est devenu l’air emblématique de cette oeuvre ; un standard repris, par divers grands interprètes dont Barbara Hendricks et Ella Fitzgerald. Cette version pour Orchestre Junior ou petites formations incomplètes est signée Jan de Haan.

Summertime, l’aria emblematica della celebre opera Porgy and Bess di George Gerswhin del 1935, ora disponibile in un arrangiamento per orchestre principianti o ad organico ridotto firmato Jan de Haan.

Piano

SKU: BT.EMBZ14601

Composed by Ittzes Tamas. Contemporary Music. Book Only. Composed 2007. 16 pages. Editio Musica Budapest #EMBZ14601. Published by Editio Musica Budapest (BT.EMBZ14601).

The activities of Ittzés (b. 1967) as performer and composer in the field of ragtime have resulted in many successful concerts both in Hungary and abroad and numerous CD recordings, and have earned him several international awards both as a composer and as a performer. The present volume, containing Teke Rag, (Roaming Rag), Kakadu Rag (Cockatoo Rag), Tom Turpin s Rag and Ed s Running Rag, is recommended for intermediate level pianists.

Die künstlerischen Tätigkeiten des 1967 geborenen Komponisten im Bereich des Ragtimes hatten mehrere in- und ausländische Konzerte, zahlreiche CD-Aufnahmen und einige internationale Komponisten- und Interpretenpreise zur Folge. Den jetzt ausgegebenen Band, der die Stücke (Teke-Rag, Kakadu Rag, Tom Turpin’s Rag, Ed’s Running Rag) beinhaltet, empfehlen wir unseren mäßig fortgeschrittenen Klavierspielern.

Part 2 in C - Treble Clef. By Hans Algra. By Johann Sebastian Bach (1685-1750). Edited by Hans Algra. De Haske Ensemble. Hymns and Chorals. Individual part. Composed 2000. De Haske Publications #DHP 1001939-703. Published by De Haske Publications

Part 2 in F - F Horn, English Horn. By Hans Algra. By Johann Sebastian Bach (1685-1750). Edited by Hans Algra. De Haske Ensemble. Hymns and Chorals. Individual part. Composed 2000. De Haske Publications #DHP 1001942-706. Published by De Haske Publications

E Flat TC Part 4. By Hans Algra. By Johann Sebastian Bach (1685-1750). De Haske Ensemble. Hymns and Chorals. Individual part. Composed 2000. De Haske Publications #DHP 1001953-717. Published by De Haske Publications

Concert Band/Harmonie - Grade 3

SKU: BT.1143-04-010-MS

Arranged by Peter Kleine Schaars. Peter's Popular Collection. Pop & Rock. Set (Score & Parts). Composed 2004. Music Sales #1143-04-010 MS. Published by Music Sales (BT.1143-04-010-MS).

At the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don’t Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrotefine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song.

Die erfolgreiche Karriere von Alison Moyet begann zu Beginn der 80er-Jahre mit der englischen Popgruppe Yazoo. Nach ein paar Jahren ging die Sängerin mit der starken Soulstimme jedoch eigene Wege und arbeitete an einer Solo-Karriere. Sie nahm einige Cover-Versionen auf, schrieb aber auch selbst schöne Lieder, darunter Love Resurrection und natürlich das ausdrucksvolle, unvergessene All Cried Out. Diese Bearbeitung von Peter Kleine Schaars wird der Stimmung des Originals vollkommen gerecht.

La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Clarke, alors la recherche d’une plus grande indépendance : il a quitté son célèbre groupe Depeche Mode. La voix mélancolique d’Alison Moyet et la musique pop électronique innovante de Vince Clarke s’unissent au sein du groupe Yazoo dont des chansons comme Only You et Don’t Go rencontrent un vif succès. Quelques années après, Alison Moyet décide néanmoins de suivre son propre chemin et se lance dans une carrière solo au cours de laquelle elle développe un style plus conventionnel. Elle enregistre plusieurs reprises telles que The First Time I Ever Saw Your Face et That Ole Devil CalledLove, mais compose aussi de superbes titres tels que Love Resurrection et bien entendu All Cried Out, une chanson particulièrement expressive. L’arrangement de Peter Kleine Schaars reste très fidèle l’ambiance de la chanson d’origine.

Concert Band/Harmonie - Grade 3

SKU: BT.1143-04-140-MS

Arranged by Peter Kleine Schaars. Peter's Popular Collection. Pop & Rock. Score Only. Composed 2004. Music Sales #1143-04-140 MS. Published by Music Sales (BT.1143-04-140-MS).

T the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don’t Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrotefine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song.

Die erfolgreiche Karriere von Alison Moyet begann zu Beginn der 80er-Jahre mit der englischen Popgruppe Yazoo. Nach ein paar Jahren ging die Sängerin mit der starken Soulstimme jedoch eigene Wege und arbeitete an einer Solo-Karriere. Sie nahm einige Cover-Versionen auf, schrieb aber auch selbst schöne Lieder, darunter Love Resurrection und natürlich das ausdrucksvolle, unvergessene All Cried Out. Diese Bearbeitung von Peter Kleine Schaars wird der Stimmung des Originals vollkommen gerecht.

La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Clarke, alors la recherche d’une plus grande indépendance : il a quitté son célèbre groupe Depeche Mode. La voix mélancolique d’Alison Moyet et la musique pop électronique innovante de Vince Clarke s’unissent au sein du groupe Yazoo dont des chansons comme Only You et Don’t Go rencontrent un vif succès. Quelques années après, Alison Moyet décide néanmoins de suivre son propre chemin et se lance dans une carrière solo au cours de laquelle elle développe un style plus conventionnel. Elle enregistre plusieurs reprises telles que The First Time I Ever Saw Your Face et That Ole Devil CalledLove, mais compose aussi de superbes titres tels que Love Resurrection et bien entendu All Cried Out, une chanson particulièrement expressive. L’arrangement de Peter Kleine Schaars reste très fidèle l’ambiance de la chanson d’origine.

Grade 2

SKU: CL.011-4756-01

Composed by Budiansky. Young Concert Band. Extra full score. C.L. Barnhouse #011-4756-01. Published by C.L. Barnhouse (CL.011-4756-01).

Music can at times feel as if it is a secret code. Cracking the code, be it notation on a page or a new set of vocabulary words, is cause for celebration, and The Codebreakers is a joyous look at music as a shared language. Scored generously to accommodate young bands both large and small, this concert work presents distinct melodies both independently and stacked on top of one another, meant to interlock like a solved puzzle. The Codebreakers serves as a teaching opportunity to discuss melodies and countermelodies; interpreting the same material in different styles; and listening across the band for shared lines. Every section gets a chance to be featured, and the low brass and woodwinds will especially love their moment in the spotlight.

Grade 2

SKU: CL.011-4756-00

Composed by Budiansky. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-4756-00. Published by C.L. Barnhouse (CL.011-4756-00).

Music can at times feel as if it is a secret code. Cracking the code, be it notation on a page or a new set of vocabulary words, is cause for celebration, and The Codebreakers is a joyous look at music as a shared language. Scored generously to accommodate young bands both large and small, this concert work presents distinct melodies both independently and stacked on top of one another, meant to interlock like a solved puzzle. The Codebreakers serves as a teaching opportunity to discuss melodies and countermelodies; interpreting the same material in different styles; and listening across the band for shared lines. Every section gets a chance to be featured, and the low brass and woodwinds will especially love their moment in the spotlight.

Concert Band Clarinet or Violin, Viola, Cello and Piano - Grade 3.5

SKU: AP.36-52784001

For Violin or Clarinet, Viola, Cello and Piano. Composed by Anna Amalia. Arranged by Lynne Latham. This edition: Latham Music. String Ensemble - Mixed. LudwigMasters - Latham Music. Score and Part(s). Latham Music Enterprises #36-52784001. Published by Latham Music Enterprises (AP.36-52784001).

English.

Anna Amalia of Prussia held various titles during her lifetime, including Princess and Abbess of Quedlinburg. Born in Berlin, she was one of ten surviving children of the royal family of King Frederick William I of Prussia. Princess Anna Amalia studied harpsichord, piano and counterpoint. Princess Anna also founded a music library collection, which included autographed scores of J.S. Bach and other composers. This collection still exists today (Amalien Bibliothek). This two-movement Divertimento in Bb Major has something for everyone. The melodic and secondary parts are passed equally between the instruments. The piano part is quite playable for a high school student. It has the character of a conversation between friends gathering for a friendly afternoon tea. This arrangement is scored for piano quartet, with a substitue clarinet part in place of violin.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Brass Band - Grade 3

SKU: BT.AMP-106-130

Composed by Charles Hubert Hastings Parry. Arranged by Philip Sparke. Anglo Music Midway Series. Festive and Solemn Music. Score Only. Composed 2004. Anglo Music Press #AMP 106-130. Published by Anglo Music Press (BT.AMP-106-130).

Everyone will instantly recognise this great patriotic hymn that is often thought of as the second English national anthem. This brass band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concert.

Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires.

Sir Hubert Parry (1848-1918) set William Blake’s Preface to Milton to music for a rally of the ‘Fight for the Right’ movement in the Queen’s Hall, London, in 1916. It became more generally known as ‘Jerusalem’ when Parry conducted it in 1918 at a concert to mark the final stage in the Votes for Women Campaign, after which it was adopted by the National Federation of Women’s Institutes (and is still sung at meetings of WI Groups all over Britain). Sir Edward Elgar added his orchestral accompaniment in time for the Leeds Festival of 1922, since then it has become a popular national hymn. The theme is uniquely English and there is an undertone of 19th century politics. Thisarrangement by Philip Sparke is sure to be used over and over again at your band’s performances.

Brass Band - Grade 3

SKU: BT.AMP-106-030

Composed by Charles Hubert Hastings Parry. Arranged by Philip Sparke. Anglo Music Midway Series. Festive and Solemn Music. Set (Score & Parts). Composed 2004. Anglo Music Press #AMP 106-030. Published by Anglo Music Press (BT.AMP-106-030).

Everyone will instantly recognise this great patriotic hymn that is often thought of as the second English national anthem. This brass band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concert.

Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires.

Sir Hubert Parry (1848-1918) set William Blake’s Preface to Milton to music for a rally of the ‘Fight for the Right’ movement in the Queen’s Hall, London, in 1916. It became more generally known as ‘Jerusalem’ when Parry conducted it in 1918 at a concert to mark the final stage in the Votes for Women Campaign, after which it was adopted by the National Federation of Women’s Institutes (and is still sung at meetings of WI Groups all over Britain). Sir Edward Elgar added his orchestral accompaniment in time for the Leeds Festival of 1922, since then it has become a popular national hymn. The theme is uniquely English and there is an undertone of 19th century politics. Thisarrangement by Philip Sparke is sure to be used over and over again at your band’s performances.

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000558-140

Composed by Ole Olsen. Score Only. Gobelin Music Publications #GOB 000558-140. Published by Gobelin Music Publications (BT.GOB-000558-140).

Fanitullen is a lively, beautiful ‘Sl?tt’, i.e. an old Norwegian melody which is played on a traditional ‘Hardingfele’ (Hardanger fiddle).
Because of its violent rhythm and exciting character, playing a Fanitullen for a long time was considered improper. It was believed that a person playing this melody would come under the influence of the devil. Therefore, Fanitullen could be regarded as a kind of Rock’n Roll from the 18th century.
Tom Brevik’s adaptation is based on a composition for piano by Ole Olsen (1850-1927)

Fanitu llen is een levendige, mooie ‘Sl?tt’, een oude Noorse melodie die gespeeld word op een traditionele ‘Hardingfele’ (Hardanger viool).
Door de heftige ritmiek en het opzwepende karakter, werd het spelen van een Fanitullen gedurendelange tijd als niet kies beschouwd. Er zouden invloeden van de duivel in schuilen. Fanitullen zou daarom misschien wel als een soort Rock’n Roll van de 18e eeuw gezien kunnen worden.
De bewerking van Tom Brevik is gebaseerdop een compositie voor piano van Ole Olsen (1850-1927).

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000558-010

Composed by Ole Olsen. Arranged by Marten van der Wal. Set (Score & Parts). 8 pages. Gobelin Music Publications #GOB 000558-010. Published by Gobelin Music Publications (BT.GOB-000558-010).

Fanitullen is a lively, beautiful ‘Sl?tt’, i.e. an old Norwegian melody which is played on a traditional ‘Hardingfele’ (Hardanger fiddle).
Because of its violent rhythm and exciting character, playing a Fanitullen for a long time was considered improper. It was believed that a person playing this melody would come under the influence of the devil. Therefore, Fanitullen could be regarded as a kind of Rock’n Roll from the 18th century.
Tom Brevik’s adaptation is based on a composition for piano by Ole Olsen (1850-1927)

Fanitu llen is een levendige, mooie ‘Sl?tt’, een oude Noorse melodie die gespeeld word op een traditionele ‘Hardingfele’ (Hardanger viool).
Door de heftige ritmiek en het opzwepende karakter, werd het spelen van een Fanitullen gedurendelange tijd als niet kies beschouwd. Er zouden invloeden van de duivel in schuilen. Fanitullen zou daarom misschien wel als een soort Rock’n Roll van de 18e eeuw gezien kunnen worden.
De bewerking van Tom Brevik is gebaseerdop een compositie voor piano van Ole Olsen (1850-1927).

Concert Band/Harmonie - Grade 3.5

SKU: BT.DHP-1196174-010

Arranged by Simon Fahnholz. DHP Pop, Film and Show. Christmas. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1196174-010. Published by De Haske Publications (BT.DHP-1196174-010).

When Christmas is coming, a nice medley should always be in your programme. This accessible medley by Simon Fahnholz includes ‘All I Want for Christmas Is You’, ‘Christmas Time’, ‘Feliz Navidad’ and ‘Thank God It’s Christmas’. A nice alternative to the usual Christmas anthems!

Als Kerstmis weer in aantocht is, hoort er natuurlijk weer een fraaie medley op uw programma te staan. Deze toegankelijke potpourri van Simon Fahnholz omvat ‘All I Want for Christmas Is You’, ‘Christmas Time’, ‘Feliz Navidad’ en ‘Thank God It’s Christmas’. Een fijn alternatief voor de gebruikelijke kersttoppers!

Für Weihnachten sollte man immer ein schönes Medley im Programm haben. Dieses ansprechende Medley von Simon Fahnholz beinhaltet All I Want for Christmas Is You“, Christmas Time“, Feliz Navidad“ und Thank God It’s Christmas“. Eine schöne Alternative zu den üblichen Weihnachtsliedern!

l’approche des fêtes de fin d’année, votre programme devrait toujours inclure un pot-pourri approprié. Celui-ci, arrangé par Simon Fahnholz, comprend « All I Want for Christmas Is You », « Christmas Time », « Feliz Navidad » et « Thank God it’s Christmas ». Ce qui changera agréablement des rengaines de Noël habituelles !

Dovreste sempre avere nel vostro repertorio un bel medley quando arriva il Natale. Il medley di Simon Fahnholz include: All I Want for Christmas Is You, Christmas Time, Feliz Navidad e Thank God It's Christmas. Una bella alternativa ai soliti canti natalizi!

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1043668-015

Composed by Kees Vlak. Flexible 4 Series. Original Light Music. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043668-015. Published by De Haske Publications (BT.DHP-1043668-015).

Studio-Pop consists of five movements. The firstmovement, entitled Marching on a String, is anenergetic rock march in a modern rhythm. Next,the charming Dreaming of Summer has beencomposed in three-four time - which is quiteunusual in modern pop music. The inspiration forthe third movement, Chicken-Charley was a youngman selling chicken legs from a stall. His supple,dancing movements can be recognised in the music.The fourth movement, Candlelight is a modern,attractive ballad. Finally, Discoteca takes us along ona night visit to a Spanish discotheque. The typicallySpanish chords and the stirring, high-spirited rhythmprovide an exuberant closing to Studio-Pop.

Een temperamentvol werk in popstijl dat bestaat uit vijf verschillende delen. Een energieke rockmars in een modern ritme wordt gevolgd door een charmant deel in driekwartsmaat - in de moderne popmuziek is dat vrij uitzonderlijk. Daaropvolgt een stukje soepele dansmuziek. In een moderne, sfeervolle ballad zijn de samenklanken vervolgens spannend, maar ze lossen steeds weer op in een romantische stemming. Ten slotte zorgen typisch Spaanse akkoorden en een opzwependritme voor een uitbundige afsluiting.

Ein temperamentvolles Werk in fünf Sätzen im Pop-Stil. Ein energiereicher Marsch in einem modernen Rhythmus wird gefolgt von einem charmanten Satz im - für Popmusik ungewöhnlichen - Dreivierteltakt. Der dritte Satz wurde inspiriert von einem Hähnchenverkäufer an der Riviera, wohingegen der vierte, eine moderne, romantische Ballade gut als Hintergrund zu einem lauschigen Abendessen dienen könnte. Abgeschlossen wird dieses unterhaltsame Werk von einem nächtlichen Besuch einer spanischen Diskothek. Einfache Musik, in der viel steckt!

Studio- Pop est une pièce en cinq mouvements. 1. Marching on a String (“En marchant sur une corde”), est une marche aux inflexions de rock qui affirme un rythme dynamique et moderne. 2. Dreaming of Summer (“Rêves d’été” ) est écrit dans un chiffrage de mesure assez inhabituel dans la musique pop, la mesure 3/4. 3. Chicken Charley, est inspiré d’un souvenir de vacances sur la Côte d’Azur où le compositeur a été impressionné par un jeune Antillais vendeur de grillades de cuisses de poulet. La souplesse de ses mouvements transparaît dans la musique fortement dansante. 4. Candlelight (“ la lueur d’une bougie”) est une ballade gracieuse etmoderne, qui pourrait servir de toile de fond un dîner charmant. Les harmonisations sont passionnantes, mais trouvent toujours leur résolution dans une atmosphère romantique. 5. Discoteca vous plonge dans la vie nocturne d’une discothèque espagnole. Les accords typiquement espagnols et le rythme exaltant créent un finale exubérant.

Concert Band/Harmonie - Grade 3.5

SKU: BT.DHP-1196174-140

Arranged by Simon Fahnholz. DHP Pop, Film and Show. Christmas. Score Only. Composed 2019. 28 pages. De Haske Publications #DHP 1196174-140. Published by De Haske Publications (BT.DHP-1196174-140).

When Christmas is coming, a nice medley should always be in your programme. This accessible medley by Simon Fahnholz includes ‘All I Want for Christmas Is You’, ‘Christmas Time’, ‘Feliz Navidad’ and ‘Thank God It’s Christmas’. A nice alternative to the usual Christmas anthems!

Als Kerstmis weer in aantocht is, hoort er natuurlijk weer een fraaie medley op uw programma te staan. Deze toegankelijke potpourri van Simon Fahnholz omvat ‘All I Want for Christmas Is You’, ‘Christmas Time’, ‘Feliz Navidad’ en ‘Thank God It’s Christmas’. Een fijn alternatief voor de gebruikelijke kersttoppers!

Für Weihnachten sollte man immer ein schönes Medley im Programm haben. Dieses ansprechende Medley von Simon Fahnholz beinhaltet All I Want for Christmas Is You“, Christmas Time“, Feliz Navidad“ und Thank God It’s Christmas“. Eine schöne Alternative zu den üblichen Weihnachtsliedern!

l’approche des fêtes de fin d’année, votre programme devrait toujours inclure un pot-pourri approprié. Celui-ci, arrangé par Simon Fahnholz, comprend « All I Want for Christmas Is You », « Christmas Time », « Feliz Navidad » et « Thank God it’s Christmas ». Ce qui changera agréablement des rengaines de Noël habituelles !

Fanfare Band - Grade 3

SKU: BT.AMP-106-020

Composed by Charles Hubert Hastings Parry. Arranged by Philip Sparke. Anglo Music Midway Series. Festive and Solemn Music. Set (Score & Parts). Composed 2004. Anglo Music Press #AMP 106-020. Published by Anglo Music Press (BT.AMP-106-020).

Everyone will instantly recognize this great patriotic hymn that is often thought of as the second English national anthem. This fanfare band arrangement by Philip Sparke is sure to be used over and over again at your band’s performances. Your audience will not be able to help themselves from joining in with this rousing song everytime you use it as the final item in any concert.

Sir Hubert Parry (1848-1918) zette William Blake’s Preface to Milton op muziek voor een bijeenkomst van de ‘Fight for the Right’-beweging in de Queen’s Hall te Londen in 1916. Het werk werd bekender onder de naam Jerusalemtoen Partry het in 1918 dirigeerde tijdens een concert dat het laatste stadium van de campagne voor vrouwenkiesrecht markeerde. Sir Edward Elgar voegde zijn orkestrale begeleiding toe voor het Leeds Festival van 1922. Sindsdienis dit werk een geliefde Engelse hymne, die volgens traditie als afsluiting wordt gezongen bij de jaarlijkse Last Night of the Proms in de Royal Albert Hall te Londen.

Bachs Anstellung im Jahr 1723 als Kantor der Thomaskirche in Leipzig brachte die Verpflichtung mit sich, für jeden Sonntagsgottesdienst eine neue Kantate zu schreiben. Der Choral Jesus bleibet meine Freude umfasst beide Teile der Kantate und ist ungewöhnlich kunstvoll ausgearbeitet, mehr wie eine der Arien denn eine Kantate. Philip Sparkes Transkription dieses beliebten Kantatensatzes ist eine wahre Bereicherung Ihres Repertoires.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000981-010

Arranged by Menno Haantjes. Set (Score & Parts). 78 pages. Gobelin Music Publications #GOB 000981-010. Published by Gobelin Music Publications (BT.GOB-000981-010).

Isaac Watts (1674-1748) wrote the lyrics of There is a land of pure delight and is known as the Father of English Hymnody.
Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale.
He wrote about 750 songs, and some of them survide the ravahes of time. (Joy To The World, When I survey the wondrous cross, I sing the Mighty Power of God)

There is a Land of Pure Delight is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription').
Here is used a traditional English melody ('Mendip').

There is a land of pure delight
Wheresaints immortal Reign.
Infinite day excludes the night,
And pleasures banish pain ..

Isaac Watts (1674-1748) schreef de tekst van ‘There is a land of pure delight’, en staat bekend als de 'Father of English Hymnody' (Vader van het gezang).
Watts was voor het Engelse gezang wat Ambrosius was voor de middeleeuwseLatijnse hymne in de getijden en wat Maarten Luther was voor het Duitse koraal. Hij schreef ongeveer 750 liederen, waarvan een aantal de tand des tijds overleefden. (Joy to the World, When I survey the wondrous cross, I singthe mighty Power of God)

'There is a Land of Pure Delight' wordt in Engelstalige gebieden meestal op een melodie van Luther Orlando Emerson gezongen ('Ascription').
In Nederland is het lied opgenomen in het 'Liedboekder Kerken' (gez. 290). Hier wordt gebruik gemaakt van een Engelse traditionele melodie ('Mendip').

There is a land of pure delight
Where saints immortal reign.
Infinite day excludes the night,
And pleasuresbanish pain.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000981-140

Arranged by Menno Haantjes. Score Only. 12 pages. Gobelin Music Publications #GOB 000981-140. Published by Gobelin Music Publications (BT.GOB-000981-140).

Isaac Watts (1674-1748) wrote the lyrics of There is a land of pure delight and is known as the Father of English Hymnody.
Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale.
He wrote about 750 songs, and some of them survide the ravahes of time. (Joy To The World, When I survey the wondrous cross, I sing the Mighty Power of God)

There is a Land of Pure Delight is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription').
Here is used a traditional English melody ('Mendip').

There is a land of pure delight
Wheresaints immortal Reign.
Infinite day excludes the night,
And pleasures banish pain ..

Isaac Watts (1674-1748) schreef de tekst van ‘There is a land of pure delight’, en staat bekend als de 'Father of English Hymnody' (Vader van het gezang).
Watts was voor het Engelse gezang wat Ambrosius was voor de middeleeuwseLatijnse hymne in de getijden en wat Maarten Luther was voor het Duitse koraal. Hij schreef ongeveer 750 liederen, waarvan een aantal de tand des tijds overleefden. (Joy to the World, When I survey the wondrous cross, I singthe mighty Power of God)

'There is a Land of Pure Delight' wordt in Engelstalige gebieden meestal op een melodie van Luther Orlando Emerson gezongen ('Ascription').
In Nederland is het lied opgenomen in het 'Liedboekder Kerken' (gez. 290). Hier wordt gebruik gemaakt van een Engelse traditionele melodie ('Mendip').

There is a land of pure delight
Where saints immortal reign.
Infinite day excludes the night,
And pleasuresbanish pain.

For String Orchestra. Composed by Yukiko Nishimura. Southern Music. Concert. Softcover. Southern Music Company #SO127C. Published by Southern Music Company

Brass Band - Grade 1.5

SKU: BT.GOB-000709-030

Arranged by David Well. Set (Score & Parts). 31 pages. Gobelin Music Publications #GOB 000709-030. Published by Gobelin Music Publications (BT.GOB-000709-030).

According to his teachers, Pyotr Ilyich Tchaikovsky (1840-1893), was not particularly gifted. His special talents were acknowledged only in 1865 when he had been working for the Ministry of Finances for some years.
In 1866 he was appointed teacher at the Conservatory and applied himself to composing. His oeuvre is fairly extensive and many of his compositions receive a high ranking on the international list of classical music, including his six symphonies, solo concertos (violin concerto and piano concertos), ballets (The Nut Cracker, Swan Lake), and his overtures (1812 and Romeo and Juliette).
In 1893 Tchaikovsky died of Cholera after drinking a glass of infectedwater.

His Slavonic March is a popular concert piece for symphonic orchestra that is still frequently performed in concert halls.
David Well arranged the theme and created a contemporary march in rock style.

Tchaikovsky once said to an unsatisfied teacher: ‘I will be a great composer within 10 years time.’

Volgens zijn leraren was Pjotr Iljitsj Tsjaikovski (1840-1893) niet bijzonder begaafd. Zijn speciale talenten werden alleen erkend in 1865, toen hij enkele jaren had gewerkt voor het ministerie van Financiën.
In 1866 werd hijbenoemd tot docent aan het Conservatorium en legde zich toe op het componeren. Zijn oeuvre is vrij uitgebreid en veel van zijn composities krijgen een hoge ranking op de internationale lijst van klassieke muziek, met inbegrip vanzijn zes symfonieën, soloconcerten (viool en piano), balletten (De Notenkraker, Het Zwanenmeer), en zijn ouvertures (1812 en Romeo en Juliette).
In 1893 is Tsjaikovski gestorven aan cholera na het drinken van een glas van besmetwater.

Zijn Slavische Mars is een populair concertwerk voor symfonie orkest.
David Well maakte een mooi arrangement van het thema en creëerde een mars in een hedendaagse rock stijl.

Tchaikovsky zei ooittegen een ontevreden leraar: 'Ik zal een groot componist zijn binnen 10 jaar tijd'.

Brass Band - Grade 1.5

SKU: BT.GOB-000709-130

Arranged by David Well. Score Only. 10 pages. Gobelin Music Publications #GOB 000709-130. Published by Gobelin Music Publications (BT.GOB-000709-130).

According to his teachers, Pyotr Ilyich Tchaikovsky (1840-1893), was not particularly gifted. His special talents were acknowledged only in 1865 when he had been working for the Ministry of Finances for some years.
In 1866 he was appointed teacher at the Conservatory and applied himself to composing. His oeuvre is fairly extensive and many of his compositions receive a high ranking on the international list of classical music, including his six symphonies, solo concertos (violin concerto and piano concertos), ballets (The Nut Cracker, Swan Lake), and his overtures (1812 and Romeo and Juliette).
In 1893 Tchaikovsky died of Cholera after drinking a glass of infectedwater.

His Slavonic March is a popular concert piece for symphonic orchestra that is still frequently performed in concert halls.
David Well arranged the theme and created a contemporary march in rock style.

Tchaikovsky once said to an unsatisfied teacher: ‘I will be a great composer within 10 years time.’

Volgens zijn leraren was Pjotr Iljitsj Tsjaikovski (1840-1893) niet bijzonder begaafd. Zijn speciale talenten werden alleen erkend in 1865, toen hij enkele jaren had gewerkt voor het ministerie van Financiën.
In 1866 werd hijbenoemd tot docent aan het Conservatorium en legde zich toe op het componeren. Zijn oeuvre is vrij uitgebreid en veel van zijn composities krijgen een hoge ranking op de internationale lijst van klassieke muziek, met inbegrip vanzijn zes symfonieën, soloconcerten (viool en piano), balletten (De Notenkraker, Het Zwanenmeer), en zijn ouvertures (1812 en Romeo en Juliette).
In 1893 is Tsjaikovski gestorven aan cholera na het drinken van een glas van besmetwater.

Zijn Slavische Mars is een populair concertwerk voor symfonie orkest.
David Well maakte een mooi arrangement van het thema en creëerde een mars in een hedendaagse rock stijl.

Tchaikovsky zei ooittegen een ontevreden leraar: 'Ik zal een groot componist zijn binnen 10 jaar tijd'.

Grade 4

SKU: CL.LDP-7104-01

(from L’Arlésienne Suite No. 2). Composed by Georges Bizet. Arranged by Daehn. Concert Band. Extra full score. Composed 2010. Duration 3 minutes, 28 seconds. Daehn Publications #LDP-7104-01. Published by Daehn Publications (CL.LDP-7104-01).

Farandole is the happy combination of Provencal folk dances and the old French carol March die Rei (March of the Kings). Audiences love a piece where they can't keep their toes from tapping. This famous music has been a concert favorite for over a century. Popular at Christmas - or any time!

Grade 4

SKU: CL.LDP-7104-00

(from L’Arlésienne Suite No. 2). Composed by Georges Bizet. Arranged by Daehn. Concert Band. Score and set of parts. Composed 2010. Duration 3 minutes, 28 seconds. Daehn Publications #LDP-7104-00. Published by Daehn Publications (CL.LDP-7104-00).

Farandole is the happy combination of Provencal folk dances and the old French carol March die Rei (March of the Kings). Audiences love a piece where they can't keep their toes from tapping. This famous music has been a concert favorite for over a century. Popular at Christmas - or any time!