Composed by Richard Strauss (1864-1949). Arranged by Jeffrey E. Turner. Masterworks; Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Form: Transcription. 20th Century; Fall; Halloween; Masterwork Arrangement; Romantic. 64 pages. Published by Belwin Music (AP.44812).

Piano - early intermediate

SKU: BT.FORFSS19

Composed by Richard Strauss. Arranged by Heller Nicholls. Book Only. Forsyths Publications #FORFSS19. Published by Forsyths Publications (BT.FORFSS19).

Composed by Richard Strauss (1864-1949). Arranged by Douglas E. Wagner. Concert Band. Concert Band; Masterworks; Part(s); Score; SmartMusic. Belwin Concert Band. Form: Transcription. 20th Century; Masterwork Arrangement; Romantic. Grade 3. 120 pages. Published by Belwin Music

By Richard Strauss (1864-1949). Arranged by Robert Wallace. For Brass Quintet (with Organ). Published by Cimarron Music Press

SKU: HL.49015495

Edited by Giselher Schubert. This edition: Hardback/Hard Cover. Book. Edition Schott. Beitrage zu einer aktuellen musikasthetischen Diskussion. Classical. 326 pages. Schott Music #ED 8547. Published by Schott Music (HL.49015495).

ISBN 9783795703202. German.

Die mittlerweile gangige Kontrastierung von biographischer und philologischer Forschung tauscht einen Gegensatz vor, der in Wirklichkeit nicht besteht. Philologische Arbeit ist mit biographischen Fragen eng verbunden, setzt im Einzelfall sogar die Auseinandersetzung mit derartigen Daten in einer Fulle und Detailliertheit voraus, wie sie fur biographische Darstellungen gar nicht zwingend erscheint, und hat nicht zuletzt zu spektakularen Revisionen scheinbar gesicherter Biographien gefuhrt. Andererseits finden sich Beispiele, die deutliche philologische Defizite gegenuber der biographischen Forschung erkennen lassen. Das vom Paul-Hindemith-Institut, der Hochschule fur Musik und Darstellende Kunst und dem Institut fur hermeneutische Sozialforschung in Frankfurt/Main veranstaltete Symposium hat sich einerseits einer Bestandsaufnahme des Verhaltnisses von Philologie und Biographik anhand spezieller Forschungsbereiche (u.a. zu Liszt, Strauss, Mahler, Schonberg, Strawinsky, Hindemith, Messiaen und Stockhausen) gewidmet, andererseits aber auch versucht, allgemein den derzeitigen Stand der Diskussion zum Autonomiestatus von Musik als emphatischer Kunst zu betrachten und auf mogliche aktuelle Konsequenzen zu untersuchen.

Book/Online Audio Oboe

SKU: HL.400061

Music Minus One Oboe. Composed by Various. Sheet music with CD. Music Minus One. Classical and Play Along. Softcover Audio Online. 29 pages. Music Minus One #MMO3411. Published by Music Minus One (HL.400061).

ISBN 9781596153585. UPC: 077712334112. 9x12 inches.

Performed by Elaine Douvas, oboe Accompaniment: Erik Nielsen, piano This wonderful album for the beginning to early intermediate oboe player includes thirteen pieces ranging from Boccherini to Grieg to Richard Strauss to William Walton. Says James Roe of The Double Reed: “With the poise of a great virtuoso, [Ms. Douvas] approaches these 'easy' pieces as she would a solo line in a great symphony...the richness of her tone, the variety in her articulation, and the beauty and clarity of her line all represent the very best example for students as they develop their concept of playing. And it's all pretty inspiring for us professional oboists as well.” Ms. Douvas's extensive performance notes “are a delight, and will be inspiring to students and an important aid to teachers.” Includes a complete printed solo part annotated with performance suggestions and access to online recordings with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist.

By John W. Schaum. For Piano. Piano - Schaum Method. Book. 48 pages. Published by Alfred Publishing.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49046442

Cello and Piano. Composed by Richard Strauss. String Solo. Classical. Softcover. 80 pages. Duration 1560 seconds. Schott Music #CB301. Published by Schott Music (HL.49046442).

ISBN 9781540094780. UPC: 842819113003.

The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current editionas a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the developmentsection (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance.

For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 800 pages. Published by Subito Music.

Woodwinds (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-30

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Early modern. Set of parts. 196 pages. Duration 15'. Breitkopf and Haertel #OB 5653-30. Published by Breitkopf and Haertel (BR.OB-5653-30).

ISBN 9790004348314. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Violin 1 (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-15

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 5653-15. Published by Breitkopf and Haertel (BR.OB-5653-15).

ISBN 9790004348260. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Violoncello (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-23

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5653-23. Published by Breitkopf and Haertel (BR.OB-5653-23).

ISBN 9790004348291. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Double bass (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-27

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5653-27. Published by Breitkopf and Haertel (BR.OB-5653-27).

ISBN 9790004348307. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Viola (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-19

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5653-19. Published by Breitkopf and Haertel (BR.OB-5653-19).

ISBN 9790004348284. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Violin 2 (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-16

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 5653-16. Published by Breitkopf and Haertel (BR.OB-5653-16).

ISBN 9790004348277. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Concert Band; Orchestra Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A212602

Composed by Richard Strauss. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Edwin F. Kalmus. Masterwork. Score and Part(s). LudwigMasters Publications #36-A212602. Published by LudwigMasters Publications (AP.36-A212602).

UPC: 676737597597. English.

Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A212601

Composed by Richard Strauss. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Edwin F. Kalmus. Score. LudwigMasters Publications #36-A212601. Published by LudwigMasters Publications (AP.36-A212601).

ISBN 9798888520987. UPC: 676737611651. English.

Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A212648

Composed by Richard Strauss. This edition: Kalmus Orchestra Library. Performance Music Ensemble; Piano, Solo with Piano; Single Titles. Kalmus Edition. Form: Sonata. 20th Century; Masterwork. Book. LudwigMasters Publications #36-A212648. Published by LudwigMasters Publications (AP.36-A212648).

ISBN 9798888520994. UPC: 676737744748. English.

Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano. This is the solo piano and orchestra piano reduction.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Piano; Piano/Keyboard - easy

SKU: HL.49003708

Piano. Edited by Richard Krentzlin. Arranged by Richard Krentzlin. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 48 pages. Schott Music #ED2340. Published by Schott Music (HL.49003708).

ISBN 9790001036979. UPC: 073999748574. 9.0x12.0x0.182 inches.

68 der beliebtesten Melodien aus den bekanntesten Opern und Operetten.