Choral alto voice, bass voice, keyboard, optional Oboe, soprano voice, tenor voice

SKU: CF.CM9315

Gradiaris Secura. Composed by Michael John Trotta. SWS. Performance. With Standard notation. 12 pages. Duration 3 minutes, 55 seconds. Carl Fischer Music #CM9315. Published by Carl Fischer Music (CF.CM9315).

ISBN 9780825891960. UPC: 798408091965. 6.875 x 10.5 inches. Text: Clare of Assisi. Clare of Assisi.

The opening oboe and keyboard duet opening foreshadow themes of “Walk forth securely” and “Never abandon,” echoed by the voices later in the work. The inclusion of macaronic text (optional Latin in the chorus) speaks to the timelessness of the message while honoring the memory of the female Medieval poet Claire of Assisi.

366 More Great Songs for Better Living. Arranged by Jim Beloff, Liz Beloff. Fake Book. Country, Pop, Standards. Softcover. 416 pages. Published by Hal Leonard (HL.212971).

(366 More Songs for Better Living). By Various. Arranged by Jim Beloff and Liz Beloff. Fake Book. Softcover. 416 pages. Published by Hal Leonard

By Franz Joseph Haydn (1732-1809). For Piano. 222 pages. Published by Wiener Urtext/Vienna Urtext

Composed by Jean Sibelius (1865-1957). Arranged by Lloyd Larson. Hymntune, Hymn Arrangements, Funeral and Memorial, General Worship, Assurance, Encouragement, Eternal Life, Faithfulness, Grief. Octavo. 12 pages. Duration 12 minutes. Hope Publishing Company #C6209. Published by Hope Publishing Company

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Cymbal, Euphonium, Flute, Horn, Oboe, Snare Drum, Trumpet 1, Trumpet 2, Tuba, alto Clarinet, alto Saxophone, baritone Saxophone, tenor 1, tenor 2, tenor Saxophone - Grade 2-2.5

SKU: CF.YBS119

Full Score and Parts. Composed by Andrew Balent. Insert-SWS. Carl Fischer Young Band Series. Score and Set of Parts. With Standard notation. 20+2+16+16+2+8+4+2+12+12+ 8+4+8+4+8+6+2+28 pages. Duration 2 minutes, 4 seconds. Carl Fischer Music #YBS119. Published by Carl Fischer Music (CF.YBS119).

ISBN 9780825836879. UPC: 798408036874. 9 X 12 inches.

This fine original march features bold scoring and nice contrasts between marcato style and legato playing. The trio strain in Eb (which is foreshadowed in the introduction) features the clarinets and saxophones on a tune just made for whistling! This march has all the makings of a concert classic. Duration: 2'.

Over 400 Songs to Strum and Sing. Composed by Various. Ukulele. Folk, Standards. Softcover. 632 pages. Published by Hal Leonard

Over 400 Songs to Strum and Sing. By Various. Ukulele. Pop. Softcover. 632 pages. Published by Hal Leonard

Concert Band Concert Band - Grade 1

SKU: FJ.B1399S

Score Only. Composed by Timothy Loest. Concert Band. FJH Beginning Band. Programmatic. Score. Duration 2:15. The FJH Music Company Inc #98-B1399S. Published by The FJH Music Company Inc (FJ.B1399S).

English.

This gripping programmatic work depicts the historic Battle of Tripoli. A mysterious opening foreshadows the impending conflict as American ships set sail for war. Tension builds as Marines cross the Libyan Desert and courageously storm the fortified pirate city of Derna. The Marine's Hymn announces the adrenaline-rushing assault complete with an aleatoric aerial bombardment. This innovative work is likely to be the most memorable portion of your concert or festival performance. Riveting!

About FJH Beginning Band

Appro priate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.

SATB/opt. Cello Cello; Choral (SATB + Cello)

SKU: HL.374943

Composed by Heather Sorenson. Brookfield Choral Series. Easter, Holy Week. Octavo. Duration 245 seconds. Published by Brookfield Press (HL.374943).

UPC: 196288017370. 6.75x10.5x0.029 inches. Matthew 26:39-45.

The garden of Gethsemane is the scene for this profoundly emotional sacred tone poem. Full spectrum harmonic writing in the vocal parts brings the shadows of this important moment to life. As the anthem unfolds, the mists of betrayal and abandonment are conveyed with unflinching passion. The dialogue between choir and piano adds an additional layer to this Holy Week offering of musical integrity. Profound!

Composed by Franz Schubert (1797-1828). Edited by Walther Durr and David Goldberger. For piano solo. Performance score. Published by Baerenreiter Verlag

Trumpet

SKU: HL.48181769

Composed by Jacques Casterede. Leduc. Classical. Softcover. 20 pages. Alphonse Leduc #AL21660. Published by Alphonse Leduc (HL.48181769).

UPC: 888680862831. 9x12 inches.

“Afte r hearing Castérède's Sonatina for Trumpet and Piano, the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, then Castérède's Sonatina is one for you. Having won prizes in Piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Sonatina for B flat or C Trumpet and Piano is full of musically appealing features. Elements include exquisite use of ornamentation, exploiting Trumpet technique to its full potential, and clever uses of shared melody between the Trumpet and Piano. From the lively, harmonically rich first movement to the luscious melodies of the second, this Sonatina provides an enjoyable listen and fun piece to learn for all trumpeters. &rdquo.

(CHAMBER ENS)

SKU: HL.48182057

Composed by Jacques Casterede. Leduc. Classical. CD. 24 pages. Alphonse Leduc #AL22922. Published by Alphonse Leduc (HL.48182057).

UPC: 888680905156. 9.0x12.0x0.1 inches.

“Afte r hearing Castèréde's Fantasy Concertante for Bass Trombone, Tuba or Bass Saxophone and Piano, the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, then Castèréde's Fantasy Concertante is one for you. Having won prizes in Piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Fantasy Concertante for bass Brass instruments and Piano is full of musically appealing features. Elements include exquisite use of brass technique, exploiting tonality, and clever uses of shared melody between the solo instrument and Piano accompaniment. From furious semiquaver passages to luscious melodies, Fantasy Concertante provides an enjoyable listen and a fun piece to learn for all bass trombonists, Tuba players and bass saxhornists. ”.

Flute (Flute)

SKU: HL.48184516

Composed by Jacques Casterede. Leduc. Classical. Softcover. Alphonse Leduc #AL27581. Published by Alphonse Leduc (HL.48184516).

UPC: 888680835415. 9.0x12.0x0.14 inches.

After hearing Casterede's April Sonatina for Flute and Guitar, the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, then Casterede's April Sonatina is one for you. Having won prizes in Piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's April Sonatina is full of musically appealing features. Elements include exquisite use of Flute technique, exploiting tonality, and clever accompaniment features in the Guitar. From allegro semiquaver passages to lucious melodies, April Sonatina provides an enjoyable listen and fun piece to learn for all advanced flautists and guitarists. .

Choral (Listening CD)

SKU: HL.35008933

Composed by Brant Adams, Joseph M. Martin, and Pamela Martin. Arranged by Brant Adams. Shawnee Sacred. Cantata, Easter, Holy Week. CD only. Shawnee Press #ND5048B. Published by Shawnee Press (HL.35008933).

UPC: 884088498207. 5x5 inches. Words and Music by Joseph M. Martin Narration by Pamela Martin Orchestration by Brant Adams.

From the creators of Song of the Shadows comes a work of great depth and power. Through music and symbols, worshippers are invited to a season of contemplation as the mystery and power of Christ's passion are presented. Using new music and beloved hymnody, Joseph Martin provides a work of greatly expressive beauty. Pamela Martin and Brant Adams reprise their respective roles as librettist and orchestrator in this creative and moving offering for Holy Week. Highly recommended!

Inclu des: Testament of Tears; Winds Through the Olive Trees; In Love Christ Came Amongst Us; and more.

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440515S

Composed by Robert Martin. Full score. With Standard notation. 48 pages. Theodore Presser Company #144-40515S. Published by Theodore Presser Company (PR.14440515S).

UPC: 680160667819. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. One role of music is to evoke. Therefore, Nighttime is a nocturne, a night piece suggestive of flickering shadows, perhaps created by firelight. It is a recurrent setting in human existence. The music opens with the scene of twilight calm, gently disturbed with the slight uncertainty about what is around us, what we cannot see. Later, the clarinet takes on a solo role, and the notes bleed like careless paint into the other instruments that quietly sustain them. Next, the flute takes over the role of solo. The piece ends with a repeated cadence of morning light. (From the performance notes.).

Choral (Studiotrax CD)

SKU: HL.35008931

Composed by Brant Adams, Joseph M. Martin, and Pamela Martin. Shawnee Sacred. Choral. CD only. Shawnee Press #MD5259. Published by Shawnee Press (HL.35008931).

UPC: 884088421953. 5x5 inches. Words and Music by Joseph M. Martin Narration by Pamela Martin Orchestration by Brant Adams.

From the creators of Song of the Shadows comes a work of great depth and power. Through music and symbols, worshippers are invited to a season of contemplation as the mystery and power of Christ's passion are presented. Using new music and beloved hymnody, Joseph Martin provides a work of greatly expressive beauty. Pamela Martin and Brant Adams reprise their respective roles as librettist and orchestrator in this creative and moving offering for Holy Week. Highly recommended!

Inclu des: Testament of Tears; Winds Through the Olive Trees; In Love Christ Came Amongst Us; and more.

Choral (SATB)

SKU: HL.424985

Composed by Victoria Schwarz. Shawnee Sacred. Christmas. Octavo. 12 pages. Duration 145 seconds. Published by Shawnee Press (HL.424985).

UPC: 196288062066. 6.75x10.5x0.029 inches. Luke 2:11, Psalm 28:6.

Lilting with joy, this anthem is rich in music and message. The text takes us on a journey through the birth of Christ and foreshadows His future ministry. Ideal for post-Christmas services! Score and Parts (fl, tamb, djem) available as a digital download.

Orchestra - Grade 1.5

SKU: AP.38475S

Composed by Doug Spata. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 12 pages. Highland/Etling #00-38475S. Published by Highland/Etling (AP.38475S).

UPC: 038081431581. English.

Sweeping dynamic changes, dark melodies that flow between the sections, and driving ostinatos add to the shadowy allure of the dramatic journey of Harrowland. Teachers will appreciate the technical workout provided for students with string crossings and repeat markings throughout. Add suspense and excitement to any concert program! This title is available in MakeMusic Cloud.

Violin 2 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc)

SKU: BR.OB-32120-16

Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 8 pages. Duration 25'. Breitkopf and Haertel #OB 32120-16. Published by Breitkopf and Haertel (BR.OB-32120-16).

ISBN 9790004350485. 10 x 12.5 inches.

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas.

Violin 1 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc)

SKU: BR.OB-32120-15

Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 12 pages. Duration 25'. Breitkopf and Haertel #OB 32120-15. Published by Breitkopf and Haertel (BR.OB-32120-15).

ISBN 9790004350478. 10 x 12.5 inches.

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas.