By Craig A. Penfield. For Voices: SATB. Piano reduction. Latin and English texts. Choral Sacred. Level: easy. 7 pages. Published by GIA Publications.

By Poul Ruders. For SATB Choir. 20th Century, Choral. Sheet Music. 28 pages. Published by Edition Wilhelm Hansen.

By Josquin des Prez. For Choir. Choral Worship Collection. Kalmus Edition. Masterwork; Sacred. Book. 36 pages. Published by Alfred Publishing.

SATTB choir and organ/continuo (SATB) - Easy to Moderately Difficult

SKU: OU.9780193953246

Composed by Richard Dering. Edited by Richard Lyne. Sacred choral - mixed voices. Church Music Society Publications. Sacred. Vocal score. Duration 2', 2', 2'. Oxford University Press #9780193953246. Published by Oxford University Press (OU.9780193953246).

ISBN 9780193953246. 10 x 7 inches.

For SSATTB and continuo.

Composed by Felix Mendelssohn Bartholdy (1809-1847), edited by Michael Cooper. Vocal score for mixed choir and piano accompaniment. With introductory text. Urtext Edition. Text language German & English. Published by Baerenreiter-Ausgaben (German import).

By Charles Villiers Stanford. (SATB DV A Cappella). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 23 pages. Published by Boosey and Hawkes.

By John Taverner. Edited by Anthony G. Petti. For SATB Choir (SATB). Music Sales America. Baroque, Sacred, Choral. 48 pages

Choir a cappella

SKU: BT.WH32824CD

CD Only. Composed 2017. Edition Wilhelm Hansen #WH32824CD. Published by Edition Wilhelm Hansen (BT.WH32824CD).

ISBN 9788759891490. English.

Denmark Revisited - Danish choral works for mixed voices a cappella. The University Choir Lille MUKO and soprano Else Torp, conducted by Jesper Grove Jørgensen. For many years now there has been a broad international interest in performing Danish choral works, not least from the 20th century, but often the Danish lyrics have been a hindrance in realising this goal outside Denmark. With this in mind we have thought it important to make Danish choral music more available through the release of selected works in which the Danish text is translated into English. With the present choice we have endeavoured to present works which fully demonstrate the wide range and originality ofDanish choral music: the particular, lyrical Danish tone of Svend S. Schultz and Jørgen Jersild; the original simplicity of Pelle Gudmundsen-Holmgreen; the characteristically Danish late romanticism of P.E. Lange-Müller and Rued Langgaard; and the music of composers with their own particular musical idiom, such as Vagn Holmboe, Bernhard Lewkovitch, and Bo Holten. We have also tried to choose works with lyrics by writers that are specifically Danish in origin, including Hans Christian Andersen, Johannes V. Jensen, and Tove Ditlevsen. We hope that this release will help to spread knowledge and understanding of Danish choral music outside Denmark. (Jesper Grove Jørgensen) Content P. E. Lange-Müller: 3 Madonna Songs Rued Langgaard: 3 Rosengaard Songs Svend S. Schultz: Denmark Revisited Vagn Holmboe: Songs Towards the Deep of Spring, op. 85 Jørgen Jersild: Three Danish Love Songs Bernhard Lewkovitch: 3 Motets, op. 11 Pelle Gudmundsen-Holmgreen: 6 Simple Danish Songs Bo Holten: Rain and Rush and Rosebush.

SKU: GI.G-10717

A Mosaic of Historical Composers and Compositions. Composed by Dennis Shrock. Music Education. 294 pages. GIA Publications #10717. Published by GIA Publications (GI.G-10717).

ISBN 9781622776597.

Writ ten by noted scholar and conductor Dennis Shrock, Choral Diversity is a presentation of composers throughout history who represent the broad and diverse canon of choral music. Included are twenty women composers and ten composers of color, many of whom have been previously underrepresented in studies and in performances. Each chapter presents overviews of the composer’s life and choral output, information and analysis of selected compositions, including complete texts and literal translations not found elsewhere, and guidelines that address related and important aspects of performance. Importantly, Shrock approaches choral diversity from multiple perspectives. Most notably, the book highlights the music of women composers—such as Hildegard von Bingen, Amy Beach, and Undine Smith Moore—as well as composers of color, including José Maurício Nunes Garcia, William Grant Still, and Margaret Allison Bonds, among others. Rounding out his approach, Shrock also explores the lesser-known works of familiar composers such as Palestrina and Brahms. The book’s repertoire, too, represents a diversity of musical periods, styles, and genres—including chants, madrigals, chansons, motets, partsongs, oratorios, cantatas, and vocal chamber pieces—all of which are intended to be accessible to regular school, church, and community choruses. With its broad scope and scholarly authority, Choral Diversity is the ideal resource for conductors at all levels looking to diversify their concert programming in a practical and historically informed way. Dennis Shrock is author of ten books, three published by Oxford University Press and the remaining seven published by GIA Publications. He has held faculty positions at Boston University, Westminster Choir College, and the University of Oklahoma. He has also served as Artistic Director of the Santa Fe Desert Chorale and was a lecturer and member of the conducting staff at Yale University. Shrock received his master’s and doctoral degrees in choral conducting from Indiana University.

With Basso continuo - Level 3

SKU: CA.170700

Composed by Gottfried August Homilius. Edited by Reinhold Kubik. German title: Sehet, Welch Eine Liebe (In C) Org+E. Sacred, Motets; Use during church year: Easter and Eastertide. Full score. HoWV V.48. Duration 3 minutes. Carus Verlag #CV 01.707/00. Published by Carus Verlag (CA.170700).

ISBN 9790007006006. Key: E major. Language: German/English.

The unusual thing about this sentimental four-voice Christmas motet is its character as a choral arrangement: In the middle section the base intones parts of the fourth verse of the song In dulci jubilo, while the three upper voices play around with the melody in small note-values and with this motet's characteristic syncopated rhythm in 3.

SATB choir, basso continuo - Level 3

SKU: CA.170710

Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Sehet, Welch Eine Liebe (In E) Neu. Sacred, Motets; Use during church year: Christmas. Full score. HoWV V.48. Duration 3 minutes. Carus Verlag #CV 01.707/10. Published by Carus Verlag (CA.170710).

ISBN 9790007192280. Key: E major. Language: German.

The unusual thing about this sentimental four-voice Christmas motet is its character as a choral arrangement: In the middle section the base intones parts of the fourth verse of the song In dulci jubilo, while the three upper voices play around with the melody in small note-values and with this motet's characteristic syncopated rhythm in 3. Score available separately - see item CA.170700.

SKU: CA.5281500

Composed by Max Reger. Edited by Alexander Becker, Christopher Grafschmidt, Stefan Konig, and Stefanie Steiner-Grage. Lieder for choir; Complete editions / Selected works: Max Reger. Hybrid Edition of works. Max Reger - Hybrid Edition of works. Lieder for choir. Collection. Carus Verlag #CV 52.815/00. Published by Carus Verlag (CA.5281500).

ISBN 9790007188313.

This first part-volume contains mixed choruses composed by Reger between 1890 and 1902. It includes functional music for use in the Catholic liturgy (Opus 61 and WoO VI/12, 19) and the Protestant liturgy (Opus 79f and WoO VI/17, which provides chorale-based four-part settings for a complete church year). Reger wrote both secular folk song settings (WoO VI/10, 11), as well as sacred (WoO VI/13, 14). His Drei Chore [Three Choruses] op. 39, very demanding both compositionally and tonally, were dedicated to renowned choral societies, almost professional in standard. Palmsonntagmorgen WoO VI/18, written as a commission, forms a bridge to Reger's later motets to a certain extent. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a hybrid edition breaks new ground in the methods of editorial practice.