By Howard Rowe. Holiday. Young Concert Band. Command. Level: Grade 2.5. Score an...(+)
By Howard Rowe. Holiday.
Young Concert Band.
Command. Level: Grade
2.5. Score and set of
parts. Composed 2005.
Duration 0:03:41.
Published by C.L.
Barnhouse.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
Score and Parts Concert Band (Score and Parts) - Grade 2 SKU: HL.4008797 ...(+)
Score and Parts Concert
Band (Score and Parts) -
Grade 2
SKU:
HL.4008797
(Featuring each
instrument section of the
band). Arranged by
Johnnie Vinson. Discovery
Plus Concert Band.
Disney, Movies.
Softcover. Published by
Hal Leonard (HL.4008797).
UPC: 196288204305.
9.0x12.0x0.652
inches.
Cleverly
arranged to showcase each
instrument on a
well-known Disney tune,
here's the perfect
recruiting tool for your
next concert tour of the
elementary schools! It's
also an entertaining
medley for any concert.
Includes: A Whole New
World (full band), Let It
Go (Clarinets), Arabian
Nights (Oboe), Beauty and
the Beast (Flutes), We
Don't Talk About Bruno
(Saxes), Remember Me
(Trumpets), Can You Feel
the Love Tonight (F
Horns), You've Got a
Friend in Me
(Trombones/Baritones),
Under the Sea
(Percussion), and You're
Welcome (bass
instruments).
Edited by Robin Williamson. For violin. Includes violin solo songbook and exampl...(+)
Edited by Robin
Williamson. For violin.
Includes violin solo
songbook and examples CD.
With standard notation,
chord names, performance
notes and introductory
text. British and folk.
96 pages. 9x12 inches.
Published by Oak
Publications
Piano (2-part mixed) - early intermediate SKU: CR.984361 Composed by Jona...(+)
Piano (2-part mixed) -
early intermediate
SKU: CR.984361
Composed by Jonathan
Kohrs. Choral. Octavo.
With music. Concordia
Publishing House #984361.
Published by Concordia
Publishing House
(CR.984361).
ISBN
9780758669032. 7 X 10.25
inches.
This
text by Lisa M. Clark is
set to a memorable tune
and two-part mixed
setting by Jonathan
Kohrs. The text
highlights the story of
salvation, while carrying
themes of outreach, the
new creation, and the end
times. The choral texture
builds from start to
finish and blossoms with
a descant in the final
stanza.
In
paradise, You shared Your
best With
us, Your children
dear. Your
bounty, presence, work,
and
rest: Secure
from guilt or fear.
But we
brought shame upon the
land And
disobeyed Your clear
command. Oh,
we will never
understand T
he darkness we brought
near.
In
exile, driven from Your
face, We
hid and worked in
vain. We
lost the children's
honored
place And
earned Your just
disdain. But
Jesus came to take our
blame And
took away our horrid
shame And
gave to us His holy
name, That
we may life regain.
In
restoration, we are
free And
welcomed home
anew. You
smile on us
abundantly A
nd bless us through and
through. But
as we wait for that great
day, When
all dishonor melts
away, Let
us, Your own beloved,
say: 'Our
Lord, we honor
You!'
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
(A bold meditation on conflict, communication and compromise). Composed by Eliza...(+)
(A bold meditation on
conflict, communication
and compromise). Composed
by Elizabeth Alexander.
For SSA, SAB (youth
choir), piano. Anthems,
Sacred, Secular, Jazz /
Blues / Rock. Medium.
Choral Score. Duration 4
minutes. Published by
Seafarer Press
CelebrationTrax A/P CD Choral (Accompaniment CD) SKU: HL.295404 Harold Fl...(+)
CelebrationTrax A/P CD
Choral (Accompaniment CD)
SKU: HL.295404
Harold Flammer. General
Worship, Sacred. CD.
Shawnee Press #302334.
Published by Shawnee
Press (HL.295404).
ISBN 9781540064264.
UPC: 888680946944.
5.0x5.0x0.185
inches.
Exceptional
quality accompaniment
tracks, plus performance
tracks for 11 anthems on
one convenient CD.
Includes: Christmas Songs
of Praise; Clap Your
Hands!; Fairest Lord
Jesus; If We Wait for the
Lord; Light a Little
Candle; May the Words of
My Mouth; O Lord, Our
God, We Thank You; Silent
Night, Holy Night; Sing a
New Song!; Sing Hosanna!;
Welcome Easter
Morning.
For voice. Format: vocal songbook (spiral bound). With vocal score and chord nam...(+)
For voice. Format: vocal
songbook (spiral bound).
With vocal score and
chord names. Gospel and
Country. 9x12 inches.
Published by
Brentwood-Benson Music
Publishing. Click here
for Listening
Cassette
Fake book for voice and C instrument. With vocal melody, lyrics, chord names and...(+)
Fake book for voice and C
instrument. With vocal
melody, lyrics, chord
names and guitar chord
diagrams. Series: Hal
Leonard Paperback Songs.
255 pages. Published by
Hal Leonard.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
We Will Rock You Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1115046-015 (+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1115046-015
As performed by
Queen. Arranged by
Lorenzo Bocci. Flexible 4
Series. Set (Score and
Parts). Composed 2011. De
Haske Publications #DHP
1115046-015. Published by
De Haske Publications
(BT.DHP-1115046-015).
9x12
inches.
Brian
Mayâ??s We Will Rock
You was not
Queenâ??s biggest hit
when it first came out.
However, looking back it
has become much more than
simply a successful song.
It is the groupâ??s
hymn, welcomed with loud
cheers whenever and
wherever it is played.Let
the good times roll with
Lorenzo Bocciâ??s
outstanding arrangement
that will rock your
band!
Toen het
werd uitgebracht, was het
nummer We Will Rock
You van Brian May
niet meteen een grote hit
voor Queen. Later is het
echter veel meer geworden
dan gewoon een
succesvolle song: het is
uitgegroeid tot de
herkenningstune van de
band. Waaren wanneer het
ook klinkt: het wordt
altijd met gejuich
begroet. Laat de goede
oude tijd herleven met
Lorenzo Bocciâ??s
bewerking - die beslist
rockt!
We Will
Rock You von Brian May
ist kurz nach seiner
Veröffentlichung nicht
einmal der grö�te
Erfolg fu?r die
Rockgruppe Queen gewesen
- ru?ckblickend,
anlässlich des
40-jährigen
Bu?hnenjubiläums, ist
er die Hymne und das
Erkennungszeichen der
Band schlechthin. Wenn
Sie einer der
groÃ?artigsten Rockbands
aller Zeiten ein
Konzertprogramm widmen
wollen, darf diese
Bearbeitung nicht fehlen!
We Will Rock
You è la prima
canzone dellâ??album
News of the World dei
Queen, uscito nel 1977 e
composta da Brian May.
Sulla facciata B del 45
giri si trovava We Are
the Champions, ciò
che spiega il fatto che
queste due canzoni furono
avolte eseguite insieme
nei concerti della band,
spesso una seconda volta
in una versione più
rapida. We Will Rock
You resta una delle
canzoni più popolari
del gruppo ed è stata
più volte ripresa da
vari artisti.
(The Best Blend of Contemporary and Classic Songs 9x12 Edition). Composed by Var...(+)
(The Best Blend of
Contemporary and Classic
Songs 9x12 Edition).
Composed by Various. For
C Instruments. Fake Book.
Softcover. 432 pages.
Published by Hal Leonard
A Musical Play for Young Singers. By Fred Rogers. Arranged by John Higgins. (Sh...(+)
A Musical Play for Young
Singers. By Fred Rogers.
Arranged by John Higgins.
(ShowTrax CD).
Expressive Art (Choral).
Children's Musical. CD
only - No Sheet Music
included. Published by
Hal Leonard.
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Tenor S...(+)
(70th Anniversary
Edition). By E. Y.
Harburg, music by Harold
Arlen. For Tenor Sax.
Instrumental Series. Pop
Instrumental Solo Series.
Movie. Level 2-3 (grade
2-3). Book & CD. 40
pages. Published by
Alfred Music Publishing
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Clarine...(+)
(70th Anniversary
Edition). By E. Y.
Harburg, music by Harold
Arlen. For Clarinet.
Instrumental Series. Pop
Instrumental Solo Series.
Movie. Level 2-3 (grade
2-3). Book & CD. 40
pages. Published by
Alfred Music Publishing