Piano - late intermediate SKU: BT.EMBZ7783 Composed by Charles-Louis Hano...(+)
Piano - late intermediate
SKU: BT.EMBZ7783
Composed by Charles-Louis
Hanon. Studies &
Exercises. Book Only.
Composed 1977. 136 pages.
Editio Musica Budapest
#EMBZ7783. Published by
Editio Musica Budapest
(BT.EMBZ7783).
International.
'
'Learning the piano is so
widespread these days and
good pianists so numerous
that mediocrity on the
instrument can no longer
be accepted. In effect,
the piano must be studied
for eight or ten years
before performance of a
harder piece is
attempted. Few can spare
the years for this. It
takes one hour to play
the volume in full. Once
it has been mastered, it
is enough to set aside
for it a little time each
day and the difficulties
will disappear almost
like magic. Playing will
become as attractive,
accurate, fluent and
pearly as that of the
best performers.'' This
piano method by the
French music teacher
Charles-Louis Hanon
(1819-1900) appeared in
1874, with these
introductory
wordsaddressed to the
realm of pianists. Almost
a century and a half
later, it remains among
the most popular systems
of piano tuition all
around the world, and
Hanon's name has become
generic for systematic
instrumental methods,
even in types of popular
music. The Virtuoso
Pianist appears as a
publication in six
languages: English,
German, French, Italian,
Spanish and Hungarian.
The volume in a
new, decorative cover is
useful to every pianist.
Students with a years
study behind them will
succeed in mastering the
exercises. Advanced
pianists after working
through the exercises
will be able to tackle
even serious
technicaldifficulties. In
the volume different
forms of technical
difficulty are
encountered. The
exercises may be
performed on more than
one piano simultaneously,
so that students become
accustomed to ensemble
playing.
Das
Erlernen des
Klavierspiels ist
gegenwärtig so sehr
verbreitet, und es gibt
so viele gute Pianisten,
dass wir uns auf diesem
Instrument mit
Mittelmäßigkeit
nicht mehr zufriedengeben
können. Das führt
dazu, dass acht bis zehn
JahreKlavierunterricht
erforderlich sind, bevor
wir riskieren können,
ein schwieriges Stück
zu spielen. Es gibt
jedoch nur Wenige, die
dem Erlernen dieses
Instruments so viele
Jahre widmen! Man
benötigt etwa eine
Stunde, um diesen Band
voll und
ganzdurchzuspielen. Wenn
wir uns die Ãœbungen
bereits perfekt
angeeignet haben,
genügt es, sich
täglich nur kurze Zeit
mit ihm zu
beschäftigen, und
unsere Schwierigkeiten
werden wie von
Zauberhandverschwinden:
Unser Spiel wird so
schön, so akkurat,
soleicht und perlend wie
das der hervorragendsten
Künstler.
Three Japanese Dances Conducteur de poche, d'étude [Conducteur] Theodore Presser Co.
(For Orchestra). By Bernard Rogers. Orchestra. For Piccolo, Flute (Bass in C), F...(+)
(For Orchestra). By
Bernard Rogers.
Orchestra. For Piccolo,
Flute (Bass in C), Flute
(Alto in G), Oboe,
English Horn, Clarinet
(in A), Clarinet (in Bb),
Bass Clarinet (in Bb),
Bassoon, Contra Bassoon,
Horn, Trumpet, Tenor,
Tuba, Harp, Piano,
Celesta, Mezzo-Soprano,
Timpani, Percussion,
Snare Drum, Tenor D. This
edition: study score.
Classical. Full Score -
Study. Standard notation.
Composed 1933. 65 pages
Concert Band - Grade 2.5 SKU: AP.49978 Composed by Vince Gassi. Concert B...(+)
Concert Band - Grade 2.5
SKU: AP.49978
Composed by Vince Gassi.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Young Symphonic. Form:
Ballade; Chorale.
Lyrical. Score and
Part(s). Duration 2:35.
Alfred Music #00-49978.
Published by Alfred Music
(AP.49978).
ISBN
9781470658649. UPC:
038081576206.
English.
Appreciati
ng the beauty in nature
always brings us joy. My
Heart with Pleasure
Fills, by Vince Gassi,
was inspired by one of
William Wordsworth's most
popular lyrical poems, I
Wandered Lonely as a
Cloud. Through lyrical
melodies and sonorous
harmonies, this lyrical
work provides
opportunities for young
musicians to develop
expressive playing.
(2:35).
The Untold Story of Ervin T. Rouse, Chubby Wise and the World's Most Famous Fidd...(+)
The Untold Story of Ervin
T. Rouse, Chubby Wise and
the World's Most Famous
Fiddle Tune. Book (not
sheet music). Book and CD
package. Size 6x9 inches.
160 pages
Double Bass SKU: BT.MUSM570367320 Composed by Sadie Harrison. Book Only. ...(+)
Double Bass
SKU:
BT.MUSM570367320
Composed by Sadie
Harrison. Book Only. 12
pages. University of York
Music Press
#MUSM570367320. Published
by University of York
Music Press
(BT.MUSM570367320).
English.
Sadie
Harrison's Ha
llristningsomra det
for solo Double Bass.
Composed and published
2016. Duration c. 10
minutes The area of
Tanumshede is situated on
the south western coast
of Sweden.
Archaeologically, it is
renowned for its unique
series of Bronze Age rock
carvings dating from
between c. 1800 to 500
BCE. Incised into over
600 panels, the
petroglyphs were
originally situated along
a 25 mile stretch of
fjord coastline and as
such there are many
depictions of Hjortspring
boats and seafaring
activities. There are
also scenes of hunting,
agricultural and
livestock farming and
warring, with many
armoured figures carrying
swords, axes and shields.
Whilst it is possible
tointerpret most carvings
as images of quotidian
life, the meaning of some
panels is less clear. It
is likely that several
scenes depict ritual acts
overseen by gods, often
surrounded by abstract
symbols - crosses, dots
and ‘cups’,
the significance of which
is now unknown. As well
as being a source of
information about
Scandinavian Bronze Age
weapons, vehicles, tools,
ships, even hairstyles,
the carvings have also
been the subject of
debates about gender. The
society depicted on the
rocks seems
overwhelmingly
patriarchal, making the
rare carvings of probable
female figures
particularly important.
The most famous of these
is known as The Grieving
Woman, apparently weeping
over a dead warrior from
a ship. Her grief,
‘heavy as
rocks’ is heard in
the opening movement of
the piece, echoing
through the remaining
movements and giving the
work its dark, melancholy
character. The Woman
returns in the final
movement as a ghost, her
footsteps coming closer
and closer as her
‘lover’s&rsqu
o; ship is rebuilt over
and over again. Movement
III is gentler in tone, a
song for the Woman and
her lover - depicted as a
couple rolling a giant
sun surrounded by farm
animals. Movement II
represents the enigmatic
Juggler or Calendar Man
who holds 29 spheres in
his hand - perhaps
juggling the fate of The
Grieving Woman.
SKU: AP.13-GPO4DLR Virtual Software Instruments. Books and DVDs; O...(+)
SKU: AP.13-GPO4DLR
Virtual Software
Instruments. Books
and DVDs; Other
Resources; Resources;
Virtual Instrument
Software. Garritan
Virtual Instrument
Software. DVD;Software.
Alfred Music #13-GPO4DLR.
Published by Alfred Music
(AP.13-GPO4DLR).
UPC:
739167200137.
English.
Garritan
Personal Orchestra is an
award-winning orchestral
library that has become
the industry standard.
Imagine having a symphony
orchestra at your
fingertips. Garritan
Personal Orchestra gives
you a complete
orchestra---strings,
brass, woodwinds,
percussion and
keywords---with over 150
instrument choices, along
with the techniques and
control to hear your
music with breathtaking
realism. It is designed
so you can create
numerous combinations of
instruments, each capable
of playing a separate
part. The Garritan
Personal Orchestra 4
sampled sound library is
powered by the
high-performance ARIA
Player. Supports Mac and
PC, works as a standalone
program or as a plugin,
and easily integrates
with most notation
software and
DAW/sequencers.
Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
(The Grown-Up Approach to Playing Piano). By Karl Mueller. For Piano. Book; CD; ...(+)
(The Grown-Up Approach to
Playing Piano). By Karl
Mueller. For Piano. Book;
CD; Method/Instruction;
Piano Method. For Adults.
Beginner. 96 pages.
Published by Alfred Music
Publishing
Chamber Music Soprano Voice, Piano SKU: PR.111403030 From Terra Nostra...(+)
Chamber Music Soprano
Voice, Piano
SKU:
PR.111403030
From
Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 4
pages. Theodore Presser
Company #111-40303.
Published by Theodore
Presser Company
(PR.111403030).
UPC:
680160683680. English.
Texts from The King James
Bible, creation myths
from India, North
America, and Egypt; Edna
St. Vincent Millay, Percy
Bysshe Shelley, Walt
Whitman, Lord Byron,
Esther Iverem, William
Wordsworth, Wendell
Berry, Lord Alfred
Tennyson, Charles Mackay,
William .
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 19 No. 2.
Duration 28 minutes.
Published by Baerenreiter
Verlag (BA.TP922).
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano
SKU: PR.312419280
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 12
pages. Duration 5:30.
Theodore Presser Company
#312-41928. Published by
Theodore Presser Company
(PR.312419280).
ISBN
9781491137925. UPC:
680160692613.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
In Nomine Orchestre d'harmonie - Intermédiaire Hal Leonard
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.4008005 (+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.4008005
For
Concert Band, Grade 4
11:20 Score and
Parts. Composed by
Otto M. Schwarz. Concert.
Softcover. Duration 680
seconds. Hal Leonard
#SDP1022202. Published by
Hal Leonard (HL.4008005).
How often has
something been justified
by, declared to be, or
blessed as “in the
name of†some cause
or other? How can it be
that opposing armies and
the use of weapons are
ever “in the name
ofâ€...? This is a
common thread in the
history of different
faiths. Good was created
but evil was committed
and all “in the
name of...†This
thread is also found in
the history of the
Premonstratensian Abbey
at Wadgassen. The abbey
was built in the 12th
century on unfertile,
desolate moorland, which
later evolved into the
most powerful religious
community in the
Saarland. The history of
the abbey records quite
astounding achievements
under the motto desertum
florebit quasi lilium
(“the desert will
bloom like a
lilyâ€); but also
the harsh treatment of
delinquents. The order
had its own school, in
which children were
taught the seven liberal
arts (which included
music as well as
geography and astronomy),
but the poor were left to
starve outside the abbey
walls and were only
allowed to eat from the
members' on feast days.
The medieval witch trials
demanded their pound of
flesh, and one group that
fell victim were ecstatic
dancers who moved wildly
to music--which was
interpreted as the
devil's work. The result:
a show trial that
sentenced the dancers to
death by fire. All in the
name of... The year is
1789: Abbot Bordier is in
the tenth year of his
command. He does not yet
know that he is to be the
last abbot of an almost
700-year-tradition. Not
far from the abbey is the
French border, which has
long been making itself
felt with the sound of
gunfire, and the brothers
continue to keep a
nervous eye on it. The
first portents of the
French Revolution loom,
but no one wants to
believe it--that is,
until the French pound
the door down, storm the
abbey and come right into
the brothers' chambers.
In a blind fury, all the
pipes of the abbey organ
are torn out, icons
beheaded with swords and
brothers beaten death
while numerous buildings
are set on fire. The
abbey church is in
flames. A frantic and
desperate escape begins.
Abbot Bordier and a
handful of brothers make
their getaway via the
River Saar, adjacent to
the abbey, to the
neighbouring village of
Bous. They survive, but
their life--the
Premonstratensian
abbey--is destroyed.
While they flee towards
Prague and the sanctuary
of the Strahov Monastery,
the abbey at Wadgassen is
razed to the ground and
becomes a stone quarry.
The desert blooms once
more, however. A few
short decades later, a
glasswork arises from the
foundations of the abbey.
As peace returns to the
region, it brings jobs
and a new vision for its
people.