(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7.25x10.25 inches. 12 pages. Published by Boosey and Hawkes.

(As performed by the cast of Glee (featuring: Faithfully / Any Way You Want It / Lovin?, Touchin?, Squeezin? / Don?t Stop Believin?)). Arranged by Alan Billingsley. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Form: Medley. Rock; TV. 24 pages. Published by Alfred Music Publishing

Edited by Bob Dingley, composed by Duke Ellington, lyrics by Irving Mills (1894-1985), arranged by Mac Huff. Octavo for SATB choir and piano accompaniment. With chord names. Series: Pop choral octavo (SATB). 20 pages. Published by Alfred Publishing.

Composed by Arvo Part (1935-). Marian antiphons. Dom Essen / Germany by J?rgen Kursawa, Org. Choral part(s). With Standard notation. Composed 2001/2002. Universal Edition #UE31988. Published by Universal Edition

Composed by Judith Snowdon. Sacred Anthem. Octavo. Lorenz Publishing Company #CIM1062. Published by Lorenz Publishing Company (LO.CIM1062).

Composed by Lloyd Larson. Choral, cantatas. Eastertide, Lent. SATB with performance CD. Lorenz Publishing Company #55/1191L. Published by Lorenz Publishing Company (LO.55-1191L).

Composed by Don Besig. Shawnee Sacred. General Worship, Sacred. Octavo. 12 pages. Published by Shawnee Press

Composed by Kyle Pederson. African American Heritage. Instrumental part. Galaxy Music Corporation #1.3610. Published by Galaxy Music Corporation

(Litaniae Beatae Mariae Virginis - Litaniae omnium Sanctorum - Falsibordoni - Deus in adjutorium - Responsiones in Missa). Composed by Orlande De Lassus (1532-1594). Edited by Peter Bergquist. For mixed choir. This edition: Complete edition, Urtext edition. Linen. Orlando di Lasso. Samtliche Werke (Neue Reihe), Volume 25. Anthology. Published by Baerenreiter Verlag

By Various. Edited by Jerome Roche. For SATB choir. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications

Revised Order of Mass 2010. Composed by James Chepponis. This edition: Choral / Accompaniment edition. Mass. Sacred. Handbell score. With guitar chord names. 32 pages. GIA Publications #8499. Published by GIA Publications (GI.G-8499).

(The Christmas Story Through Timeless Carols). By Larry Shackley. For SATB choir, piano (with optional instrumental accompaniment). Cantatas. Christmas, Sacred. Choral score with performance CD. Published by Lorenz Publishing Company

Composed by Stephen McManus. For SATB choir, a cappella. Text: Liturgy of the Hours. Brief settings of the seven Magnificat antiphons for the last days of Advent. Advent. Octavo. Published by CanticaNOVA Publications

By Don Besig. Words by Don Besig and Nancy Price. For SATB Choir and Congregation. Choral. Single Sheet. Published by Shawnee Press.

By Julian Anderson. Choir Sacred. SATB choir. Choral (Sacred); Choral Octavo; Masterworks; Worship Resources. Faber Edition. 20th Century; Masterwork; Sacred. Published by Faber Music

By Luca Marenzio (1553-1599). Edited by John Steele. For 5 mixed voices. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications

Orchestra ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106007

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Study score. Composed 1723. BWV 60. 64 pages. Duration 20 minutes. Carus Verlag #CV 31.060/07. Published by Carus Verlag (CA.3106007).

ISBN 9790007043407. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

By Luca Marenzio (1553-1599). Edited by John Steele. For 5 and 6 mixed voices. Madrigal. Renaissance Voices. Collection. Text Language: Italian. Published by Gaudia Music and Arts Publications

By Michael W Smith; Don Hart. For SATB choir and piano (with optional orchestra). Christmas, Sacred. Sacred Anthem

SATB choir

SKU: LP.765762171923

God's Promise Fulfilled. Composed by Dave Clark & Don Koch Cliff Duren. Arranged by Cliff Duren. Musical. Sacred. Split-channel accompaniment CD. Published by Lillenas Publishing Company (LP.765762171923).

UPC: 765762171923.

Usher your congregation into God s throne room of grace with this stirring Easter musical created by songwriting dynamos Dave Clark Don Koch and Cliff Duren! The title cut Mercy Came Running made popular by trio Phillips Craig and Dean in the 1990s takes on new significance in the context of Easter as we visualize God running to save us through Christ s death and resurrection. With performance options for a 47-minute full-length musical an abbreviated 30-minute piece and even a 20-minute option Mercy Came Running is adaptable for any Easter service. And each powerful song can also stand alone to impact your congregation throughout the year! Accompaniment DVD available.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106014

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Cello/Double Bass. Composed 1723. BWV 60. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.060/14. Published by Carus Verlag (CA.3106014).

ISBN 9790007043452. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106019

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Set of Orchestra Parts. Composed 1723. BWV 60. Duration 20 minutes. Carus Verlag #CV 31.060/19. Published by Carus Verlag (CA.3106019).

ISBN 9790007134044. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106013

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Viola. Composed 1723. BWV 60. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.060/13. Published by Carus Verlag (CA.3106013).

ISBN 9790007043445. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.