By Silvius Leopold Weiss. Arranged by Richard Sayage. Solo. For Classical Guitar. Savage Classical Guitar Virtuouso Editions. Complete Lute Sonatas from the master lutenist transcribed and arranged for solo classical guitar. Baroque. Level: Intermediate. Book. Standard. 22 pages. Published by Savage Classical Guitar Transcriptions.

By Silvius Leopold Weiss. Arranged by Richard Sayage. Solo. For Classical Guitar. Savage Classical Guitar Virtuouso Editions. Complete Lute Sonatas from the master lutenist transcribed and arranged for solo classical guitar. Baroque. Level: Intermediate. Book. Standard. 34 pages. Published by Savage Classical Guitar Transcriptions.

Original John Dowland Lute Solos Transcribed for Classic Guitar. Composed by Steve Siktberg. Guitar: Classical and Lute,Style,Classical,Earl y Music / Renaissance,Featured Products,Solos. Book and Online Audio. 84 pages. Published by Mel Bay Publications, Inc

5 Lute Pieces (Guitar Solo). By Sylvius Leopold Weiss (1686-1750). Edited by E Flower. For Guitar, Lute. Guitar Collection. G. Schirmer #AMP7807. Published by G. Schirmer

By Frank Koonce. (Guitar). Guitar. Classical Collection. Music Book. Size 232. Published by Neil A. Kjos Music Company.

By Richard Metzger. For Guitar (Classical). Solos. Bill's Music Shelf. Early Music/Renaissance. Beginning-Intermediate. Book. 136 pages. Published by Mel Bay Publications, Inc

12 Guitar and Lute Pieces With a CD of Performances. Composed by Various. Edited by Jens Franke and Stuart Willis. Guitar. Softcover with CD. 36 pages. Schott Music #ED13489. Published by Schott Music

16 Guitar and Lute Pieces. Composed by Jens Franke. Edited by Stuart Willis. This edition: Saddle stitching. Sheet music with CD. Guitar. 16 Originalwerke von Komponisten des 17. und 18. Jahrhunderts. Neben Stucken von Weiss, de Visee, Hagen und Daube und anderen bietet der Band ein sorgfaltig ausgewahltes Spektrum von Werken. Baroque, Classical. Edition with CD. 36 pages. Schott Music #ED13446. Published by Schott Music

Monuments of the Lutenist Art Vol Iii. By John Johnson. For guitar. Published by Editions Orphee.

Perfect binding, Renaissance. Classics. Book. 168 pages. Mel Bay Publications, Inc #30967. Published by Mel Bay Publications, Inc

(Guitar)

SKU: HL.48014423

Composed by Thomas Robinson. Boosey and Hawkes Miscellaneous. Bote and Bock #M202511183. Published by Bote and Bock (HL.48014423).

UPC: 073999894417. 9.0x12.0x0.014 inches.

Guitar Solo (also Lute).

Lute Dances, 16th Century, Guitar by Cesare Negri (1536-1604). Standard notation. Published by Universal Edition

Guitar or Lute

SKU: HL.50560080

Guitar Solo. Composed by Johann Sebastian Bach. Editions Durand. Classical. Score Only. Composed 2001. Editions Durand #ME0817800. Published by Editions Durand (HL.50560080).

UPC: 073999830323. 8.25x11.75x0.07 inches.

Guitar (classical) - Beginning

SKU: MB.20133

Composed by Elias Barreiro. Style, Classical and Lute, Method, Perfect binding. Classic. Book. 168 pages. Mel Bay Publications, Inc #20133. Published by Mel Bay Publications, Inc (MB.20133).

ISBN 9780786666805. UPC: 796279087247. 8.75 x 11.75 inches. By Elias Barreiro.

The result of decades of experience in teaching the classical guitar, this method introduces the student to the earliest stages of learning how to play the classical guitar, from learning how to read music to becoming an accomplished player. This gradually progressing approach covers scales, including scales in thirds, sixths and octaves in all major and minor keys, arpeggios, chords, slurs, harmonics, and more. The technical aspects in this book are supplemented with a vast number of exercises and solos, from easy to more advanced, including repertoire music to make the process of learning to play the guitar a most enjoyable experience. Written in standard notation only.

Guitar

SKU: BT.EMBZ8309

By Gergely Sarközy. By Johann Sebastian Bach. EMB Musica per chitarra. Book Only. Composed 1980. 68 pages. Editio Musica Budapest #EMBZ8309. Published by Editio Musica Budapest (BT.EMBZ8309).

English-German-Hungari an.

The present edition is based on the original text of the new complete dition of Bach's works (Deutscher Verlag für Musik, 1976, Series V. Vol. 10, Part 2). The edition aims at disclosing Bach's works for lute with a practical yet authentic text as far as the possibilities of guitar transcription allow it.

Guitar (Guitar)

SKU: HL.48189407

Leduc. Softcover. Alphonse Leduc #NT11331Z. Published by Alphonse Leduc (HL.48189407).

Cobo Air Populaire Russe 3 Guitars & 2 Flutes Performance Scores.

Flute and Guitar

SKU: HL.50579502

Composed by Pierre Renaudin. Max Eschig. Score Only. Composed 2001. Hal Leonard #ME8137. Published by Hal Leonard (HL.50579502).

Flute, guitar - Level 5

SKU: BA.BA06199

Composed by Theodore Antoniou. Stapled. Performance score. Composed 1976. Baerenreiter Verlag #BA06199_00. Published by Baerenreiter Verlag (BA.BA06199).

ISBN 9790006476800.

Prin t on demand (POD).

Flute and Guitar

SKU: HL.50579511

Composed by Pierre Renaudin. Max Eschig. Score Only. Composed 2001. Hal Leonard #ME8153. Published by Hal Leonard (HL.50579511).

Flute and guitar - advanced

SKU: HL.49003015

Composed by Stephen Dodgson. Sheet music. Edition Schott. Classical. Playing score. 30 pages. Schott Music #ED 12160. Published by Schott Music (HL.49003015).

ISBN 9790220113871. 9.0x12.0x0.12 inches.

Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical, Renaissance. Softcover Audio Online. 120 pages. Music Sales #AM968066. Published by Music Sales

By Johann Sebastian Bach (1685-1750). Arranged by Lily Afshar. For guitar. Intermediate - advanced. Collection. 116 pages. Published by Mel Bay Publications, Inc

Guitar Solo

SKU: IS.G6761EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6761EM. Published by Metropolis Music Publishers (IS.G6761EM).

ISBN 9790365067619.

This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret.