By Carlos Santana. Artist/Personality; Guitar DVD; Method/Instruction. Warner Br...(+)
By Carlos Santana.
Artist/Personality;
Guitar DVD;
Method/Instruction.
Warner Bros. Classics.
Latin; Rock. DVD. Alfred
Music #00-907015.
Published by Alfred Music
(fur Gitarre). By Santiago de Murcia (1685-1732). Edited by Johannes Monno, Thom...(+)
(fur Gitarre). By
Santiago de Murcia
(1685-1732). Edited by
Johannes Monno, Thomas
Muller-Pering, Olaf Van
Gonnissen. For Guitar.
New Karl Scheit Guitar
Edition. 21 pages.
Published by Universal
Edition
Guitar SKU: HL.14040748 Composed by Ruan Santa-Cruz. Arranged by J Hinojo...(+)
Guitar
SKU:
HL.14040748
Composed
by Ruan Santa-Cruz.
Arranged by J Hinojosa.
Music Sales America. Book
Only. Editions Musicales
Transatlantiques
#ETR001515. Published by
Editions Musicales
Transatlantiques
(HL.14040748).
By Carlos Santana. For Guitar. This edition: Guitar/Vocal. Artist/Personality; G...(+)
By Carlos Santana. For
Guitar. This edition:
Guitar/Vocal.
Artist/Personality;
Guitar Method or
Supplement; Play-Along.
Jam with.... Latin. Book
& CD. Published by Alfred
Music Publishing
By Various.
Really Easy Guitar.
Alternative, Rock.
Softcover. 64 pages.
Published by Hal Leonard
(HL.465668).
ISBN
9781705165577. UPC:
196288070252.
9.0x12.0x0.165
inches.
This song
collection features
easy-to-follow charts
with chords, lyrics, and
basic tab to get you
playing right away. For
all guitarists! Songs
include: Alive •
Black Hole Sun •
Drive • How You
Remind Me • Hurt
• I Will Follow You
into the Dark •
Learn to Fly •
Lightning Crashes •
Lonely Boy • Losing
My Religion • Mr.
Brightside • No
Rain • One Week
• Plush •
Santeria • Say It
Ain't So • Seven
Nation Army •
Smells like Teen Spirit
• Under the Bridge
• Use Somebody
• When I Come
Around •
Wonderwall.
By Groeber, Hoge, Welch, Sanchez. For Guitar. Includes: Joy to the World, The Mo...(+)
By Groeber, Hoge, Welch,
Sanchez. For Guitar.
Includes: Joy to the
World, The Most Wonderful
Day of the Year, We Are
Santa's Elves, Rockin'
Around the Christmas
Tree, Jingle Bells.
Christmas. Level: Early
Intermediate. Book.
Published by The FJH
Music Company Inc.
Guitar - easy to intermediate SKU: M7.VHR-13510 Arranged by Uwe Sieblitz....(+)
Guitar - easy to
intermediate
SKU:
M7.VHR-13510
Arranged
by Uwe Sieblitz. Score
with online audio files.
Holzschuh Musikverlag
#VHR 13510. Published by
Holzschuh Musikverlag
(M7.VHR-13510).
ISBN
9783864341946.
31
Weihnachtslieder
bearbeitet für Gitarre
solo in leichtem bis
mittlerem
Schwierigkeitsgrad. Ideal
für den
Musikunterricht und das
häusliche Musizieren.
Neben den traditionellen
Weihnachtsliedern sind
auch die deutschen Hits
'In der
Weihnachtsbäckerei'
und 'Küss mich, halt
mich, lieb mich' sowie
internationale Titel
enthalten, wie z. B.:
'White Christmas',
'Rudolph, The Red-Nosed
Reindeer', 'Feliz
Navidad', 'Sleigh Ride',
'Les anges dans nos
campagnes', 'Winter
Wonderland', 'Santa Claus
Is Coming To Town',
'Little Drummer Boy',
'Let It Snow, Let It
Snow, Let It Snow'
...
By Groeber, Hoge, Welch, Sanchez. For Guitar. Includes: Rudolph, the Red-Nosed R...(+)
By Groeber, Hoge, Welch,
Sanchez. For Guitar.
Includes: Rudolph, the
Red-Nosed Reindeer;
Silver and Gold; A Holly
Jolly Christmas; Deck the
Halls; We Are Santa's
Elves; Silent Night.
Christmas. Level:
Elementary. Book.
Published by The FJH
Music Company Inc.
Guitar SKU: GI.G-7853G Revised Order of Mass 2010. Composed by Ron...(+)
Guitar
SKU:
GI.G-7853G
Revised
Order of Mass 2010.
Composed by Ronald
Krisman. This edition:
Guitar edition. Mass.
Sacred. Guitar part. With
guitar chord names. 52
pages. GIA Publications
#7853G. Published by GIA
Publications
(GI.G-7853G).
UPC:
785147785378. English,
Spanish. Text Source:
Revised Order of Mass
2010, Lectionary for
Mass
Misa Una
Santa Fe/One Holy Faith
Mass offers a multitude
of performance options,
making this fully
bilingual setting perfect
for any parish. This
comprehensive Mass
contains every
acclamation you'll need
for the liturgical year
plus additional verses
for the Gospel
Acclamations (including
Lent), bilingual
intercessions, the
Preface dialogue, every
form of the Memorial
Acclamation, and a sung
setting of the Our
Father. And everything
can be sung in Spanish,
English, or any
combination of the two.
This setting works well
with an ensemble of
piano, guitars, and
optional percussion, but
also with organ. The use
of brass quartet and
timpani will enhance the
Eucharistic Acclamations
and add a festive
dimension to this
thoroughly appealing Mass
setting. Â This is the
guitar edition. .
Guitar SKU: BT.MUSCH80344 Composed by Gabriel Yared. TV-Film-Musical-Show...(+)
Guitar
SKU:
BT.MUSCH80344
Composed by Gabriel
Yared.
TV-Film-Musical-Show.
Book with CD. Wise
Publications #MUSCH80344.
Published by Wise
Publications
(BT.MUSCH80344).
ISBN
9781849385954.
This
folio contains 20 of
Gabriel
Yared’s
best-loved pieces
specially arranged for
classical guitar,
including themes from
The English Patient,
Betty Blue and
The Talented Mr
Ripley.
Eachp
iece is demonstrated by
the arranger on the
included CDs. Four of the
pieces are presented in
arrangements for guitar
duet, and the second CD
includes alternative
play-along versions each
giving prominence to one
partor theother.
Guitar SKU: GI.G-10515G Music of the Paschal Triduum / Música del T...(+)
Guitar
SKU:
GI.G-10515G
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 168
pages. GIA Publications
#10515G. Published by GIA
Publications
(GI.G-10515G).
Guitar SKU: BT.MUSME0334 Play Music. Book, CD and DVD. Composed 2016. Pla...(+)
Guitar
SKU:
BT.MUSME0334
Play
Music. Book, CD and DVD.
Composed 2016. Play Music
Publishing #MUSME0334.
Published by Play Music
Publishing
(BT.MUSME0334).
English.
With
its 50 Blues rhythms
inspired by the biggest
hits of the greatest
guitarists of all time
(Eric Clapton, Buddy Guy,
Albert King, Muddy
Waters, Stevie Ray
Vaughan, Robert Cray,
Albert Collins, B.B.
King, T-Bone Walker
etc.), this tutorial will
keep you pleasantly busy
for quite a while. But
there’s more to it
than that! Besides
affording pleasure, these
rhythms allow you to
discover and study the
tools required for a good
Blues accompaniment:
triads, double stops,
single notes, bends,
barre chords, slides,
hammer-ons, pull-offs,
rest strokes, binary and
shuffle rhythms, etc. All
this is included in the
guidelines given to you
in the preliminary
chapter –guidelines
regarding the structure,
the rhythm, as well as
the chords employed. The
DVD attached to the
tutorial offers you the
possibility to mindfully
observe all 50 rhythms
– first at actual
playing speed, then at a
slower speed. This again
gives you the opportunity
to closely follow the
movement of the hands, to
choose the right
fingerings and keep a
steady beat(!) For its
part, the MP3 CD is
composed of as many
backing tracks as there
are rhythms in the
tutorial; the 50 backing
tracks are recorded at
two different tempi: the
intended tempo (actual
playing speed) and the
rehearsal tempo (slower
speed). On the backing
track at actual playing
speed the Guitar is only
present during the first
round, then it
disappears, yielding the
floor to you. The backing
tracks provided here are
of an appropriate length
(about 4 to 5 minutes
each, which sums up to
almost 7h of musical
practice). This means
that you have enough time
at your disposal to
practice under the best
conditions.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Guitar SKU: GI.G-10084G Three Peasants. Composed by Crescencio Gon...(+)
Guitar
SKU:
GI.G-10084G
Three
Peasants. Composed by
Crescencio González
Puentes. Arranged by Tony
Alonso S.J. This edition:
Guitar edition. Sacred.
Guitar part. With guitar
chord names. 4 pages. GIA
Publications #10084G.
Published by GIA
Publications
(GI.G-10084G).
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar SKU: LM.29469 Composed by BOURNET Pascal and DUPRE Gerard. Classic...(+)
Guitar
SKU:
LM.29469
Composed by
BOURNET Pascal and DUPRE
Gerard. Classical. Score.
Editions Henry Lemoine
#29469. Published by
Editions Henry Lemoine
(LM.29469).
ISBN
9790230994699.
SANZ
Gaspar : Zarabanda
francesca - Bailete
frances - Fuga 2a, al
ayre de jiga - SANTA CRUZ
Antonio (de) : Jacaras -
MURCIA Santiago (de) :
Payssanos - La Mathalote
- El Putido - Menuet 1 -
Menuet 2 - Tarantelas por
la E RIBAYAZ Lucas Ruiz
(de) : Vacas -
Tarantela.
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.