Flute, Harp

SKU: HL.14023373

Playing Score. Music Sales America. Classical. Score. 28 pages. Music Sales #KP00058. Published by Music Sales (HL.14023373).

ISBN 9788759867631.

For Flute (in C and G) and Harp.

Orchestra Flute, Harp

SKU: PR.44641291P

Composed by Samuel Zyman. Premiered by OFUNAM, conducted by Jorge Mester, harp soloist Mercedes G?mez, flute soloist Luis Julio Toro; Sala Nezahualc?yotl, Mexico City. Contemporary. Set of parts. With Standard notation. Composed 2001. Duration 18 minutes. Theodore Presser Company #446-41291P. Published by Theodore Presser Company (PR.44641291P).

UPC: 680160614165. 8.5 x 11 inches.

Flute and Harp

SKU: HL.14040643

Composed by Tiet Ton That. Music Sales America. Book [Softcover]. Editions Musicales Transatlantiques #ETR001385. Published by Editions Musicales Transatlantiques (HL.14040643).

French.

Flute and Harp

SKU: HL.14041003

Composed by Yoshihisa Taira. Arranged by Pierre-Yves Artaud. Music Sales America. Book Only. Editions Musicales Transatlantiques #ETR001856. Published by Editions Musicales Transatlantiques (HL.14041003).

8.5x12.0x0.185 inches. French.

Flute and Harp

SKU: HL.14040674

Composed by Jean-Jacques Werner. Music Sales America. Classical. Book [Softcover]. Editions Musicales Transatlantiques #ETR001424. Published by Editions Musicales Transatlantiques (HL.14040674).

French.

Version for Flute and Harp. Composed by Kaija Saariaho (1952-). Music Sales America. Classical. Book Only. Composed 2017. 56 pages. Chester Music #MUSCH83325. Published by Chester Music (HL.234460).

Flute and Harp

SKU: HL.14021002

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 10 pages. Chester Music #CH60938. Published by Chester Music (HL.14021002).

ISBN 9780711955103. 9.0x12.0x0.054 inches.

Two dances for flute and harp from Peter Maxwell Davies' ballet Caroline Mathilde. A new instrumentation restores this linked pair of dances from Davies's second full-length ballet, Caroline Mathilde based on the story of the eighteenth-century British princess sent in marriage to Denmark, to the eighteenth-century milieu of the work's setting and musical world. The period manners - a gavotte in the first dance, a gigue at the start of the second - are typically overlaid with the composer's Scottishness. In general the harp has an accompanying role, but it comes forward alone in the second movement, which ends with bravura from both instruments. These two dances were first performed in September 1993 at the Northlands Festival by David Nicholson and Eluned Pierce. Score and flute part. Duration c. 5mins. Harp part edited by Elune Pierce.