Orchestra (Study Score)

SKU: HL.49009713

L'Estro Armonico. Composed by Antonio Vivaldi. Edited by Christopher Hogwood. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Op. 3/1-12. 368 pages. Schott Music #ETP1871-82. Published by Schott Music (HL.49009713).

ISBN 9783795769642. UPC: 073999370614. 5.5x7.5x0.827 inches.

Vivaldi's 12 concertos were first published in 1711 by Roger in Amsterdam. These 8 elegant part-books helped to establish Vivaldi's reputation throughout Europe and provided the rules from which such writers as Quantz, Marcello and Mattheson judged and advised other composers. Much imitated, the concertos continued to influence the works of later composers and indeed J. S. Bach.

Guitar; Orchestra (Study Score)

SKU: HL.14003155

Study Score. Composed by Simon Bainbridge. Music Sales America. Classical. Softcover. 64 pages. Music Sales #NOV090657. Published by Music Sales (HL.14003155).

ISBN 9780711989207. 9.75x13.75x0.19 inches.

Study Score. Simon Bainbridge's Guitar Concerto received its premiere on 15th November 1998 at the CBSO Centre in Birmingham, the soloist David Starobin with the Birmingham Contemporary Music Group. Orchestral material (full score and parts) is available on hire. Duration 15 minutes.

Violin

SKU: HL.50038790

Score. Composed by Antonio Vivaldi. Edited by Angelo Ephrikian. Orchestra. Solo & Concerto. Score Only. Composed 1984. 40 pages. Ricordi #PR1096. Published by Ricordi (HL.50038790).

UPC: 073999341010. 6.75x10.5 inches.

Orchestra

SKU: HL.50507040

Critical Edition Score. Composed by Antonio Vivaldi. Edited by Paul Everett. Orchestra. Solo & Concerto. Score Only. Composed 1983. Ricordi #PR1248. Published by Ricordi (HL.50507040).

7.75x10.5x0.165 inches.

Orchestra - all

SKU: PR.816600040

Composed by Wolfgang Amadeus Mozart. CD Sheet Music (Version 1). Full Scores to all of the major works for orchestra by Mozart - parts not included. Classical Period. CD Sheet Music. 2000 printable pages. Published by Theodore Presser Company (PR.816600040).

UPC: 680160600045. 5.5x5 inches.

This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.

About CD Sheet Music (Version 1)

CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.

Orchestra (2va.2vagb.vc.db - bc)

SKU: BR.PB-4068

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Full score. 44 pages. Duration 19'. Breitkopf and Haertel #PB 4068. Published by Breitkopf and Haertel (BR.PB-4068).

ISBN 9790004202449. 9 x 12 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)

T he aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Flute and orchestra (Score) - intermediate to advanced

SKU: HL.49001729

Composed by Franz Anton Rö and ssler-Rosetti. Edited by Janos Szebenyi. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. 76 pages. Duration 19'. Schott Music #CON 125. Published by Schott Music (HL.49001729).

ISBN 9790001117241. 9.0x12.0x0.205 inches.

F.A. Rosler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rosler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, -Rosler achieves in this concerto an almost natural musical unity.

Eulenburg Audio Score Series, Vol. 96 Study Score/CD Pack. Composed by Johann Sebastian Bach (1685-1750). Edited by Richard Clarke. This edition: Paperback/Soft Cover. Sheet music with CD. Eulenburg Audio Score. Classical. Study score CD, Softcover with CD. Composed 1738. 196. 76 pages. Duration 24'. Eulenburg Edition #EAS196. Published by Eulenburg Edition (HL.49045341).

Orchestra

SKU: AP.6-258351

Composed by Frederic Chopin. Full Orchestra (Full Score). Dover Edition. Masterwork; Romantic. Score. Dover Publications #06-258351. Published by Dover Publications (AP.6-258351).

ISBN 9780486258355. English.

This fine volume combines Chopin's two piano concertos in one full-score edition. Both the Piano Concerto No. 1 in E minor, Op. 11 and the Piano Concerto No. 2 in F minor, Op. 21 reveal Chopin's profound understanding of the expressionistic qualities of the piano.

Composed by Serge Rachmaninoff. For piano and orchestra. Format: full score (performance parts are not available for this edition). With full score notation. Romantic period. 396 pages. 9x12 inches. Published by Dover Publications.

Orchestra (Study Score)

SKU: HL.132243

Chopin National Edition. Composed by Frederic Chopin. Edited by Jan Ekier and Pawel Kaminski. PWM. Classical. Study Score. Polskie Wydawnictwo Muzyczne #51600913. Published by Polskie Wydawnictwo Muzyczne (HL.132243).

UPC: 884088970772.

Piano concertos combine two elements: pure playing and full poetic expression. Virtuosity and romance. Pianistic brilliance, educated in the works in the stile brillant, brought to perfection, but at the same time - a farewell. Both are forms of direct expression of the personality of the composer, which showed itself in them for the first time with so much strength and is manifested in a group of characteristics of forming Chopin's individual style. Piano Concerto in F minor In terms of size, substantially smaller than the E minor concerto and also a different kind of expression: more lyrical, drawn in delicate pastel colours. Especially famous is the second movement, the Larghetto, which Chopin wrote under the inspiration of his first love. Critical source-edition edited by Jan Ekier and Pawel Kaminski based on manuscripts, copies approved by Chopin himself, and first editions. Its purpose is to present the works of Chopin in authentic form.

Double Bass; Orchestra (STUDY SCORE)

SKU: HL.51487451

Study Score. Composed by Serge Koussevitzky. Edited by Tobias Glö and ckler. Henle Study Scores. Classical. Softcover. 92 pages. G. Henle #HN7451. Published by G. Henle (HL.51487451).

UPC: 196288158110. 6.75x9.5x0.294 inches.

Thanks to its skilful combination of Romantic melody and sparkling virtuosity, Koussevitzky’s Double Bass Concerto op. 3 has been one of the most popular works of its genre since its Moscow premiere in 1905. No wonder, for the virtuoso double bass player Koussevitzky had composed it for his very own instrument. As early as 1906/07 a first piano reduction was published in Moscow, followed by a second in 1910 in Leipzig. However, both contain so many mistakes in the solo part that there is still uncertainty about the correct musical text in many passages to this day. The double bass player Tobias Glöckler has therefore prepared his Urtext edition using several sources: as well as the manuscript performance material and the piano reductions published during the composer's lifetime, he has also studied recordings with Koussevitzky as soloist - thereby finally producing a thoroughly-researchedUrte xt edition of the orchestral score and piano reduction of this classic of the double bass literature. As with all double bass concertos published by Henle Publishers, this edition also contains the piano reduction by Christoph Sobanski in two keys (E minor and F sharp minor) for performance with solo or orchestral tuning.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
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Orchestra

SKU: HL.48187636

Composed by Wolfgang Amadeus Mozart. Leduc. Classical. Study Score. Heugel & Cie #HE31429. Published by Heugel & Cie (HL.48187636).

This is the miniature study score of his Concerto for Piano No.23 in A major KV488, one of Mozart's most popular and successful concertos, not least for the wistful but loaded mood and sublime melody. Completesd in 1946 and likely performed in Vienna shortly after, it is calm and then vivacious and see Mozart again impressing his mastery of orchestration and compostion..

(Chopin National Edition 33 B Vol. VIIIa). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier and Pawel Kaminski. For Orchestra (Study Score). PWM. 110 pages. Polskie Wydawnictwo Muzyczne #51600911. Published by Polskie Wydawnictwo Muzyczne

Orchestra

SKU: FG.55011-315-2

Composed by Kalevi Aho. Study score. Fennica Gehrman #55011-315-2. Published by Fennica Gehrman (FG.55011-315-2).

ISBN 9790550113152.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normal ly, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.

Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time.

The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.

Orchestra

SKU: AP.6-287238

Composed by Camille Saint-Saens. Full Orchestra (Full Score); Larger Works; Masterworks; Performance Music Ensemble. Dover Edition. Masterwork; Romantic. Score. Dover Publications #06-287238. Published by Dover Publications (AP.6-287238).

ISBN 9780486287232. English.

Elegance and virtuosity characterize the 2 popular piano works in this volume: Piano Concerto No. 2 in G Minor, Op. 22, and Piano Concerto No. 4 in C Minor, Op. 44. Both have been reprinted from the authoritative editions published by Durand et Cie, Paris, n.d. Instrumentation.

Orchestra - intermediate

SKU: HL.49001765

Condensed Score. Composed by Carl Philipp Stamitz. Edited by Walter Lebermann. This edition: CON138. Sheet music. Concertino (Chamber Orchestra). Classical. Condensed Score. 32 pages. Duration 18'. Schott Music #CON 138. Published by Schott Music (HL.49001765).

ISBN 9790001023801. UPC: 073999271485. 9.0x12.0x0.195 inches.

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This work is especially characteristic of the personal style as well as of the epoch-mak-ing reformations by the Mannheim School.

Orchestra - intermediate

SKU: HL.49013770

Set of Parts. Composed by Carl Philipp Stamitz. Edited by Walter Lebermann. This edition: Folder. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. Duration 18'. Schott Music #CON 138-50. Published by Schott Music (HL.49013770).

ISBN 9790001023818. 9.0x11.75x0.333 inches.

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This work is especially characteristic of the personal style as well as of the epoch-mak-ing reformations by the Mannheim School.

Orchestra - intermediate

SKU: HL.49027848

Set of Solo Parts. Composed by Francesco Durante. Edited by Erich Doflein. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Set of solo parts. 18 pages. Duration 12'. Schott Music #CON 49-71. Published by Schott Music (HL.49027848).

ISBN 9790001021944. 8.5x11.75x0.052 inches.

The four-part concertos of the important Neapolitan master Durante can be performed by string orchestras with or without basso continuo, the concertos in F minor and E minor even with string quartet.

Orchestra - intermediate

SKU: HL.49002026

Set of Parts. Composed by Francesco Durante. Edited by Erich Doflein. Sheet music. Concertino (Chamber Orchestra). Classical. Set of choral parts. Duration 12'. Schott Music #CON49-70. Published by Schott Music (HL.49002026).

ISBN 9790001021937. UPC: 073999966466. 8.25x11.75x0.196 inches.

The four-part concertos of the important Neapolitan master Durante can be performed by string orchestras with or without basso continuo, the concertos in F minor and E minor even with string quartet.

5 Konzerte, Anhang. Composed by George Frideric Handel (1685-1759). Edited by Frederick Hudson. This edition: complete edition, urtext edition. Linen. Halle Handel Edition. Series IV, Volume 16. Score, anthology. Published by Baerenreiter Verlag (BA.BA4037).

Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-timpani-4 percussion-harp-piano-str ings

SKU: PE.EP73403

Liepaja Concerto No. 3 (Liepajas koncerts Nr. 3). Composed by Rihards Dubra. Orchestra. Edition Peters. Book. Duration 00:33:00. Edition Peters #98-EP73403. Published by Edition Peters (PE.EP73403).

ISBN 9790577018331. 297 x 420 mm inches. English.

Rihards Dubra (born Latvia, 1964) wrote his piano concerto – Liepaja Concerto No. 3 – in 2012. A 33-minute work for solo piano and symphony orchestra comprising triple wind and brass, percussion, harp and strings, the concerto starts with a mournful piano melody. It has an elemental beauty – we hear water in the sonorities of harps and chime-bells, earth in the rhythmic formulae, and fire in his colourful harmonic sequences – ending with a majestic and vibrant conclusion.

This full score (EP 73403) is now available as part of the Peters Baltic Library.

• Peter s Baltic Library is a new series of full scores of orchestral music by contemporary composers from the Baltic States.
• Published in partnership with the leading music publisher from the region: Musica Baltica.
• Peters Baltic Library presents a rich selection of compositions that demonstrates both the distinctiveness and the variety of stylistic approaches adopted by the region's most prominent composers.

< br>This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Orchestra

SKU: HL.49019910

Composed by John Casken. This edition: Saddle stitching. Sheet music. Study Score. Softcover. Composed 2007. 76 pages. Duration 20'. Schott Music #ED13617. Published by Schott Music (HL.49019910).

ISBN 9790220134395. UPC: 888680089528. 8.25x11.75x0.25 inches.

My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilege (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions.The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius:1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energeticThe Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchester s Mannheim with the support of Die Landesbank Baden-Wurttemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman.John Casken

3(3.pic).2. ca.2(2.Ebcl).bcl.3(3.cbsn )-4.3(1.Dtpt).2.btbn.1-ti mp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaca, vibraslap)-hp-str.