Manon Lescaut is the fi rst volume of the series 'The operas of Giacomo Puccini? - Critical Edition - in collaboration with Archivio storico Ricordi and Fondazione Simonetta Puccini. It makes available the three main versions of the opera that have survived in various sources: an 1893 version, with the original Act I finale, the fi rst version of Manon's Act IV aria, and the uncut version of the fi nal duet in Act IV- a 'midcareer? version imagined by Puccini in the fi rst decade of the new century, when he sanctioned the almost complete omission of Manon's Act IV aria- and fi nally the last version that Puccini lived to approve, with Manon's aria restored, albeit with a revised literary text. The volume is introduced by a preface to the Puccini Critical Edition, an historical introduction, a detailed description of the opera's many sources and a lengthy critical commentary which discusses numerous problematic details in the musical text. / Voix Et Piano

The opera Nais was premiered on 22 April 1749 at the Academie royale in the Palais-Royal, Paris, in celebration of the signing of the so-called Treaty of Aachen. It was revived again in August 1764 shortly before Rameau's death and achieved great success as the 'opera of peace', even though it did not appear in print during the composer's lifetime.In numerous arias Rameau provides his singers ample opportunity to shine, while he reveals his orchestral mastery, in particular in the chaconne and the various other ballets.This edition is the result of a meticulous comparison of all known musical sources. In the main section, it presents the version that Rameau approved for the performances of 1749. The appendix contains those passages that the composer cut during the rehearsals in 1749 and all changes that he undertook for the 1764 revival. / Chant Et Piano

Par WILLMINGTON EDWIN M.. Near the Cross is a set of 3 vocal solo compositions particularly suited for use during Holy Week or Communion services. Using memorable melodies and interesting accompaniments, these pieces, Keep Me Near the Cross, Jesus Carried the Cross and Daily Grace, focus on the grace of God provided through the sacrifice of Christ on the cross. These medium voice solos also offer options for the congration to solo C instruments to join at various movements. / Date parution : 2022-07-28/ Répertoire / Chant et Piano

An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia, selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union, interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent years. Though the works presented here may be unfamiliar, they are all masterly. Designed to appeal to choirs of various levels, the collection includes a Kontakion and Ikos for the funeral service, anthems by Great Russian Romantics: Tchaikovsky, Rachmaninov, Grechaninov - and composers from our age: Stravinsky, Schnittke, or Arvo Part speaking for a tradition outside the Orthodox Church, as well as settings of the Lord's Prayer in both Russian and English by John Tavener. / Chant Et Piano

Edizione Critica F. Della Seta - Riduzione Per Canto E Pianoforte. Par ROSSINI GIOACHINO. Composed in 1818 on commission from an unknown individual in Lisbon, Adina was left to languish some years until its premiere in 1826, with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score, which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers and repurposed another three from Sigismondo, Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources, including a complete manuscript copy (housed at the British Library in London), various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels), and the first edition of the vocal score published by Ricordi between 1855 and 1859, additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score, with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera, this Coro, the music of which survives in the first vocal score, is included as an Appendix to the edition. / Niveau : Intermédiaire / Répertoire / Chant et Piano

Description Stephen Sondheim: Into The Woods - Vocal Score Into the Woods blends various familiar fairy tales with an original story of a childless baker and his wife, who catalyze the action of the story by attempting to reverse a curse on their family in order to have a Songlist A Very Nice Prince A Very Nice Prince (Reprise) Act I Finale - Part I Act I Finale - Part II Act I Finale - Part III Act I Finale - Part IV Act I Opening - Part I Act I Opening - Part II Act I Opening - Part IIA Act I Opening - Part III Act I Opening - Part IV Act I Opening - Part V Act I Opening - Part VI Act I Opening - Part VII Act I Opening - Part VIII Act II Finale - Part I Act II Finale - Part II Act II Finale - Part III Act II Finale - Part IV Act II Opening - Part I Act II Opening - Part II Act II Opening - Part III Act II Opening - Part IV Act II Opening - Part IX Act II Opening - Part V Act II Opening - Part VI Act II Opening - Part VII Act II Opening - Part VIII Act II Opening - Part X After Plan (Underscore) Agony Agony Playoff (Underscore) Agony Reprise Any Moment - Part I Any Moment - Part II Arms Of A Princess Attack Of The Birds (Underscore) Bakers Reprise Cinderella At The Grave Cinderella Coming From The Ball (Underscore) Cinderella Coming From The Ball Again (Underscore) Cow Death (Underscore) Cues 18A Fanfare (Underscore) First Midnight Giants In The Sky Grandmother's House (Underscore) Hello Little Girl I Guess This Is Goodbye I Know Things Now It Takes Two Jack's Mother (Underscore) Lament Last Midnight Maybe They're Magic Moments In The Woods No More No One Is Alone - Part I No One Is Alone - Part II On The Steps Of The Palace Rapunzel Rapunzel Hair Pull (Underscore) Second Midnight Stay With Me The Potion (Underscore) Underscore 12B Underscore 13A Underscore 18 Underscore 9A Your Fault

Par SCHERTZINGER VICTOR. / Classique / Date parution : 1905-06-24/ Répertoire / Chant et Piano