Chorale Fantasy Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Peermusic Classical
(String Quartet). By Mohammed Fairouz. For String Quartet (Score and Parts). Pee...(+)
(String Quartet). By
Mohammed Fairouz. For
String Quartet (Score and
Parts). Peermusic
Classical. 10 pages.
Peermusic #70047-759.
Published by Peermusic
2nd
string quartet.
Composed by Joerg
Widmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Score and Parts. Composed
2003/2006. 32 pages.
Duration 16'. Schott
Music #ED9748. Published
by Schott Music
(HL.49033269).
ISBN
9790001136853. UPC:
884088567088.
9.0x12.0x0.092
inches.
My 2nd
string quartet is one
single slow movement. The
piece does not directly
reflect Joseph Haydn's
Seven Last Words but I
would not have been able
to write it without
knowing that work. The
movements in Haydn's
quartets (except the
final earthquake) are
slow movements of
shocking forcefulness.
What makes the work even
more unsettling for me is
the relaxed and cheerful
acceptance of death (the
'smile' of the A major
pizzicato thirds!). When
I made myself familiar
with the subject matter
of crucifixion I
discovered that terms
like 'walking' and 'the
last walk' were most
important to me. My piece
starts at the final stage
of this experience. It
contains a number of lost
sounds, phrases of
futility which come from
nowhere and lead to
nowhere. The horrifying
rubbing and sanding of
skin and wood become the
'theme' of the piece
which is combined with
tonal, choral-like
melodies. I am interested
in how to make noises no
longer symbolize
desolation and tonal
phrases no longer
represent confidence.-
Jorg Widmann.
This product
includes the score and
the parts (A4 sized).
American-Finn
ish composer Alex Freeman
(b.1972) has established
himself among the
foremost composers of
choral music in Finland.
A dedicated citizen of
his musical community, a
teacher, and a choral
singer himself, he
composes music that
reflects an appreciation
for a wide range of
aesthetics and a passion
for communicating with
listeners and performers.
In his choral works, in
particular, we find music
that aims to be sonorous,
melodic, and resonant,
but is always crafted to
carefully avoid the
cliches that can burden
conventional tonality.
His instrumental
works run the gamut: a
cantata with orchestra
based on poetry of
Whitman; a significant
body of solo piano works
that reveal deep roots in
everything from austere
absolute music to soaring
elegaic rhetoric (see
Albany Records, Inner
Voice); his chamber work
Blueshift (Navona
Records), which is a kind
of paean to Reich and
Adams in miniature;
open-ended modular works,
like various iterations
of his Slow All Clocks
for electronic media,
solo clarinet, and mixed
choirs of kanteles; and,
recently, some new
directions in microtonal
music.
The Gift of Love Quatuor à cordes: 2 violons, alto, violoncelle [Set de Parties séparées] Hope Publishing Company
(Keys of A and G). Arranged by Hal H. Hopson. For violin I and II, viola and cel...(+)
(Keys of A and G).
Arranged by Hal H.
Hopson. For violin I and
II, viola and cello.
Hope's All-Time Best
Selling Choral Series.
Wedding, Love, Hymntune,
Children, General,
Sacred. String Quartet
Parts (Keys of A and G).
Published by Hope
Publishing Company
String Quartet SKU: HL.14030978 Parts. Composed by Wilhelm Hansen....(+)
String Quartet
SKU:
HL.14030978
Parts. Composed by
Wilhelm Hansen. Music
Sales America. Classical.
Set of Parts. Edition
Wilhelm Hansen #KP00248.
Published by Edition
Wilhelm Hansen
(HL.14030978).
ISBN
9788759877142. UPC:
888680792640.
9.75x14.5x0.141
inches.
Score
available: KP30120 The
composer writes: The slow
choral-like music which
initiates Adieu was the
result of an image or
almost a dream that I
had. Without being able
to explain why, I
imagined a procession of
people, maybe medieval
munks, wearing large gray
mantles with
Ku-Klux-Klan-like white
cowls on their heads,
something like a funeral
procession. The title
Adieu is partly a comment
on this funeral
procession, but also used
because the piece is
split up by three
slow-ascending glissandi,
a kind of farewell
glissandi which removes
the intervening music.
The first absorbing
glissando is soft and
removes both the slow
funeral choral and the
agitating figures in the
first half of the piece.
The second glissando is
given only to the cello
and crawls out from the
elegiac melodies in the
middle part. The third
and final glissando is
intense and agitating,
and prepares the way for
the end of the piece.
This end primarily deals
with the relationship
fast - slow. This
relationship is turned
topsy turvy: the music
gets faster and faster
until it is so fast that
it suddenly becomes slow,
so slow in fact that it
is very quickly able to
become extremely fast
again.
String quartet SKU: LO.30-3583L Composed by Mark Hayes. Choral. Sacred An...(+)
String quartet
SKU:
LO.30-3583L
Composed
by Mark Hayes. Choral.
Sacred Anthem, Christmas.
Score and parts. Lorenz
Publishing Company
#30/3583L. Published by
Lorenz Publishing Company
(LO.30-3583L).
UPC:
000308150209.
Strin
g Quartet Score and Parts
for A Christmas Lullaby
(10/5139L) Mark Hayes
seamlessly blends two
timeless cradle songs to
create the quintessential
Christmas lullaby
suitable for concert or
worship venues. It is a
tender and moving
reminder of the beautiful
Christmas story.
String quartet SKU: LO.30-3718L Composed by Marty Parks. Choral. Sacred A...(+)
String quartet
SKU:
LO.30-3718L
Composed
by Marty Parks. Choral.
Sacred Anthem, Advent,
Christmas. Score and
parts. Lorenz Publishing
Company #30/3718L.
Published by Lorenz
Publishing Company
(LO.30-3718L).
UPC:
000308154894.
Strin
g Quartet Score and Parts
for 10/5333L Marty Parks
uses the beloved COVENTRY
CAROL as the basis for
his original lyric: Your
humble birth, Your
matchless worth; Jesus,
God with us. No earthly
crown, no great renown;
Jesus, God with us.
Redeemer King, of whom
angels sing; Jesus, God
with us. Equally
inspiring with piano
accompaniment or the
optional string quartet,
this is a stunning
addition to Christmas
worship or concert
repertoire.