By Marilyn Worth. For Cello. Ensemble (Mixed). Bill's Music Shelf. Classic. Begi...(+)
By Marilyn Worth. For
Cello. Ensemble (Mixed).
Bill's Music Shelf.
Classic.
Beginning-Intermediate.
Book. 88 pages. Published
by Mel Bay Publications,
Inc
A Sequenced Guide to American Fiddling (Cello/Bass). Composed by Crystal Plohm...(+)
A Sequenced Guide to
American
Fiddling (Cello/Bass).
Composed by Crystal
Plohman
Wiegman, Renata Bratt,
and
Bob Phillips. Book; CD;
Method/Instruction;
String
Orchestra
Method/Supplement.
Folk; Traditional. 48
pages.
Published by Alfred Music
Cello And String Bass
Introducing Positions -
Volume 1 (Fourth
Position). (Volume 1 -
Fourth Position). String
Method. 48 pages. Hal
Leonard #RUBL126.
Published by Hal Leonard
Cello Play-Along Pack. Composed by Various. Hal Leonard Solo Trax. Disney, Movie...(+)
Cello Play-Along Pack.
Composed by Various. Hal
Leonard Solo Trax.
Disney, Movies and Play
Along. Bass/cello
songbook (softcover) and
accompaniment CD. 16
pages. Published by Hal
Leonard
Sonaten D-dur, C-dur, A-dur, d-moll, D-dur, a-moll. By Fesch, Willem De. Edited ...(+)
Sonaten D-dur, C-dur,
A-dur, d-moll, D-dur,
a-moll. By Fesch, Willem
De. Edited by Kolneder,
Walter. For Violoncello,
Basso continuo. Playing
Score; Single Part. Op.
13. Published by
Soeddeutscher Musikverlag
(German import).
By Dalla Bella, Domenico. Edited by Walter Upmeyer. For Violoncello, Basso conti...(+)
By Dalla Bella, Domenico.
Edited by Walter Upmeyer.
For Violoncello, Basso
continuo. Violoncello.
Playing Score; Single
Part. Published by
Baerenreiter-Ausgaben
(German import).
By Bach, Johann Christoph Friedrich. Edited by Hugo Ruf. For Violoncello, Basso ...(+)
By Bach, Johann Christoph
Friedrich. Edited by Hugo
Ruf. For Violoncello,
Basso continuo.
Violoncello. Playing
Score; Single Part.
Published by
Baerenreiter-Ausgaben
(German import).
By Giuseppe Torelli. Edited by Franz Giegling. For Violoncello, Basso continuo. ...(+)
By Giuseppe Torelli.
Edited by Franz Giegling.
For Violoncello, Basso
continuo. Hortus Musicus.
Playing Score; Single
Part. Published by Hortus
Musicus (German import).
By Willem De Fesch. Edited by Hugo Ruf. For Violoncello, Basso continuo. Violonc...(+)
By Willem De Fesch.
Edited by Hugo Ruf. For
Violoncello, Basso
continuo. Violoncello.
Playing Score; Single
Part. Op. 13/4. Published
by Baerenreiter-Ausgaben
(German import).
Cello - Grade Elementary SKU: AP.12-0571543022 The Fully Integrated St...(+)
Cello - Grade Elementary
SKU:
AP.12-0571543022
The Fully Integrated
String Series with Over
60 Fun Pieces Ideal for
Individual and Group
Teaching. Composed by
Mark Wilson and Paul
Wood. Method/Instruction;
String Series.
Stringtastic. Book and
Digital Download. 112
pages. Faber Music
#12-0571543022. Published
by Faber Music
(AP.12-0571543022).
ISBN 9780571543021.
English.
Stringtast
ic Book 2: Cello teaches
through playing in an
engaging exploration of
musical styles. Part of
the fully integrated
Stringtastic series in
which violin, viola,
cello, and double bass
can all learn and play
together in any
combination.
Learn as you play
through the world of
Stringtastic, with 62
imaginative pieces that
have been specifically
designed to establish a
secure playing technique
and build confidence one
step at a time. Following
on from Stringtastic Book
1, this book takes the
student from Grade 1
(Early Elementary) to
Grade 2 (Elementary)
level. Featuring
equal-level duets for all
instruments, the pieces
are ideal for individual
and group tuition as well
as flexible ensemble and
classroom settings.
Every piece is
supported by an exciting
backing track plus a
piano-only track for
practice---all available
to download. The
Stringtastic Book 2:
Teacher's Accompaniment
book provides the
complete piano score
which works with any
combination of the
instrumental parts.
Mark Wilson and
Paul Wood have developed
an engaging and
accessible new series of
string-playing method
books⦠The
presentation will appeal
to young learners, and
the careful,
well-conceived pedagogy
will thrill their
teachers! Furthermore,
the Stringtastic
integrated approach gives
proper deference to the
social aspect of
music-making by allowing
violinists, violists,
cellists, and bassists to
play together from the
start. I look forward to
sharing this method with
my young students and
colleagues in early music
education.
-- Dr.
Mark Elliot Bergman,
Director of Strings and
Orchestral Studies,
Sheridan College.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Cello - beginning SKU: SP.TS558 Composed by Tony Santorella. Reference; E...(+)
Cello - beginning
SKU:
SP.TS558
Composed by
Tony Santorella.
Reference; Educational.
Reference, Educational.
Chart. 4 pages.
Santorella Publications
#TS558. Published by
Santorella Publications
(SP.TS558).
ISBN
9781585609185.
Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
have the best educational
products available for
fingering in the
industry. Our Basic
Fingering Charts are
perfect for private
students, classroom
study, or simply for a
quick and easy reference
guide while practicing at
home. These graphic
reference guides for
assorted brass, reeds,
woodwinds, and orchestral
strings are specifically
available for Clarinet,
Bass Clarinet, Trumpet,
Flute, Piccolo, Recorder,
Baritone Horn, Trombone,
Bass Trombone, Alto Sax,
Soprano Sax, Tenor Sax,
Baritone Sax, French
Horn, Euphonium, Tuba,
Oboe, Bassoon, Violin,
Viola, Cello, and Bass.
Every chart displays the
entire range of each
instrument by clearly
depicting the fingering
for each note including
all their enharmonic
substitutions. Each chart
includes a diagram
identifying the levers,
valves, keys, slides,
frets and more of each
and every instrument.
Learn where, when, and
why to place your
fingers. Now is the time
to truly start playing
with assured
confidence.
For Cello.
Composed by Donald Erb.
Full score (study). With
Standard notation. 70
pages. Theodore Presser
Company #446-41139.
Published by Theodore
Presser Company
(PR.446411390).