Ce livre contient du Silvestrov jusqu'ici seulement les travaux pour violoncelle solo créé après 2000. Le violoncelle est un des instruments centrales dans le oeuvre du compositeur. Dans plusieurs ouvrages, il a réussi à mettre le violoncelle dans des contextes inhabituels et donnez-lui nouveaux rôles qui pourraient expliquer la grande appel qu'a cette musique à ces artistes que d. Geringas et i. Monighetti. / Violoncelle

part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is the second part of a triptych of chamber pieces entitled 'Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013). All three pieces were inspired by the Abstract Expressionist paintings of the American artist Barnett Newman. Newman's work has had a formative impact on Matthias Pintscher's artistic philosophy: what does it mean to reduce things to essentials while seeking maximum immediacy of expression? Several of Newman's paintings have a radiant light of uncommon intensity, yet resembling a dark illumination. The same sort of thing is found in the late works of Franz Schubert, where a comparable profundity and retrospective yearning likewise shine through the surface of even the brightest tonalities. This is a piece about resonances, about the inward and outward givens of existence, about life itself: 'I find the cello a highly suitable instrument for depicting such existential conditions'. / Niveau : 5 / Répertoire / Violoncelle

Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight line of motion.When I composed the piece, the fatal accident of Ayrton Senna came to my mind again and again - an accident which was shown on TV in slow motion again and again until it became unbearable. The fast motion of the car immediately before the crash into a concrete wall, a motion which was no longer purposeful but out of control and which had the car pulled to and fro and from side to side, was followed by that crash. In this extreme slow motion, it is no longer shown as a crash but as the fast telescoping of carbon fibre, metal and human body parts.After this crash, as a postlude so to speak, everything suddenly slowed down, tyres and automotive particles floating in the air, the torso of the vehicle swinging until the motion stopped. It was not until this moment that I realized that the whole presentation of the incident had been accompanied by paralyzing silence. / Violoncelle

Recueil d'études progressives choisies, doigtées et annotés par L.R. Feuillard: R. KREUTZER, BERTEAU, J. OFFENBACH, H.-E. KAYSER, I. FIORILLO, J-F. MAZAS, J-L. DUPORT, I. FIORILLO, J-L. DUPORT, J. DOTZAUER, C-N. BAUDIOT, J. DOTZAUER, J. RODE, I. FIORILLO, J-F. MAZAS et J-S. BACH

für Violoncello solo. Par JOST CHRISTIAN. Mon œuvre lautlos II pour violoncelle seul, comme son prédécesseur lautlos I, suit l'idée d'un dialogue intérieur entre le joueur et son instrument. Le joueur doit veiller à ce que les éléments fragmentaires se fondent harmonieusement, afin de communiquer un 'discours' fluide. Néanmoins, les sculptures sonores et rythmiques individuelles doivent avoir suffisamment d'espace pour permettre à la beauté de l'instrument de s'exprimer dans toutes ses nuances sonores, jusqu'au bruit. Christian Jost/ Répertoire / Violoncelle

Description Best Of The Beatles (Cello) 89 of the greatest songs from the legends of Liverpool, including All You Need Is Love, And I Love Her, The Fool on the Hill and Got to Get You Into My Life. Songlist A Day In The Life A Hard Day's Night All My Loving All You Need Is Love And I Love Her Anytime At All Back In The U.S.S.R. Birthday Blackbird Can't Buy Me Love Come Together Day Tripper Drive My Car Eight Days A Week Eleanor Rigby Every Little Thing Get Back Getting Better Girl Good Day Sunshine Got To Get You Into My Life Hello, Goodbye Help! Helter Skelter Here Comes The Sun Here, There And Everywhere Hey Jude I Am The Walrus I Don't Want To Spoil The Party I Feel Fine I Should Have Known Better I Want To Hold Your Hand I Will If I Fell I'll Cry Instead I'll Follow The Sun I'm A Loser I'm Happy Just To Dance With You I'm Looking Through You In My Life It Won't Be Long It's Only Love I've Just Seen A Face Julia Lady Madonna Let It Be Love Me Do Lucy In The Sky With Diamonds Magical Mystery Tour Martha My Dear Michelle No Reply Norwegian Wood (This Bird Has Flown) Nowhere Man Ob-la-di, Ob-la-da P.S. I Love You Paperback Writer Penny Lane Please Please Me Revolution Run For Your Life Sgt. Pepper's Lonely Hearts Club Band She Came In Through The Bathroom Window She's A Woman Something Strawberry Fields Forever Tell Me Why Thank You Girl The Ballad Of John And Yoko The Fool On The Hill The Long And Winding Road The Word Things We Said Today This Boy (Ringo's Theme) Ticket To Ride Twist And Shout We Can Work It Out When I'm Sixty-four While My Guitar Gently Weeps With A Little Help From My Friends Yellow Submarine Yes It Is Yesterday You Can't Do That You Never Give Me Your Money You Won't See Me Your Mother Should Know You're Going To Lose That Girl You've Got To Hide Your Love Away

Bwv 1007-1012. Par BACH JOHANN SEBASTIAN. Urtext edition with articulation markings - Soft-cover performing edition When you think cello, you think of Bach?s immortal cello suites. The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation andphrasing being particularly ambiguous. At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike. This new edition, based on volume 4 of the New Bach Edition ? Revised (NBArev), now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day. The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer. ? - Urtext edition with articulation by the editor on the basis of intensive source comparison - Musical text identical/ Répertoire / Violoncelle

Solo arrangements for a baker's dozen of tunes from Frozen and other recent Disney movies, Tangled and Enchanted, are featured in this collection perfect for budding instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Songs include: Do You Want to Build a Snowman? · For the First Time in Forever · Happy Working Song · I See the Light · In Summer · Let It Go · Mother Knows Best ·¦That's How You Know ·¦True Love's First Kiss · When Will My Life Begin · and more. / Violoncelle

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle

12 Mittelschwere Duette F. 2 Vc.. Par STURZENEGGER RICHARD. Januar: Neujahrslied (Das alte Jahr vergangen ist), Februar: Narrenmarsch, März: Examenfuge I, April: Wiegenlied, Mai: Frühlingswind, Juni: Kinderspiele, Juli: Grabschrift, August: Sommerferien, September: Examenfuge II, Oktober: Geburtstagsständchen, Nov / Niveau : Facile / Répertoire / Violoncelle

Fünf Stücke Zu Worten Aus Dem 'Buch Versammler'. Par BORNEFELD HELMUT. movements: I. Dunst der Dünste, II. All dieses habe ich gesehen, III. Denn auch nicht kennt der Mensch seine Frist, IV. Nicht sättigt sich das Auge am Sehn, V. Alles, was deine Hand zu tun findet/ Répertoire / Violoncelle

15 solo arrangements of huge hits by the Lads from Liverpool are included in this collection perfect for budding instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Songs: All You Need Is Love - Blackbird - Day Tripper - Eleanor Rigby - Get Back - Here, There and Everywhere - Hey Jude - I Will - Let It Be - Lucy in the Sky with Diamonds - Ob-La-Di, Ob-La-Da - Penny Lane - Something - Ticket to Ride - Yesterday. / Violoncelle

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards. Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: "Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker)

Instrumentalists will love this collection of Broadway classics, including: Any Dream Will Do · Cabaret · Defying Gravity · Do You Hear the People Sing? · Edelweiss · Getting to Know You · Guys and Dolls · Hello, Dolly! · I Dreamed a Dream · If I Were a Bell · Luck Be a Lady · Mame · The Music of the Night · Ol' Man River · People Will Say We're in Love · Seasons of Love · Send in the Clowns · The Surrey with the Fringe on Top · Think of Me · Tomorrow · What I Did for Love · You'll Never Walk Alone · and many more. / Musique films - comédies musicales / Hal Leonard