Cello (Violoncello) SKU: BA.BA09079-82 Composed by Felix Bartholdy Mendel...(+)
Cello (Violoncello)
SKU: BA.BA09079-82
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 31, MWV
A 9. 7 pages.
Baerenreiter Verlag
#BA09079_82. Published by
Baerenreiter Verlag
(BA.BA09079-82).
ISBN
9790006531424. 32.5 x
25.5 cm inches. Text:
Felix Mendelssohn
Bartholdy.
Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello (Violoncello) SKU: BA.BA09071-82 Composed by Felix Bartholdy Mendel...(+)
Cello (Violoncello)
SKU: BA.BA09071-82
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Oratorium (Oratorios).
Single part. Opus 36. 67
pages. Baerenreiter
Verlag #BA09071_82.
Published by Baerenreiter
Verlag (BA.BA09071-82).
ISBN 9790006527649.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello (Violoncello) SKU: BA.BA09092-82 A Symphony-Cantata after Texts ...(+)
Cello (Violoncello)
SKU: BA.BA09092-82
A Symphony-Cantata
after Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
52, MWV A 18. 25 pages.
Baerenreiter Verlag
#BA09092_82. Published by
Baerenreiter Verlag
(BA.BA09092-82).
ISBN
9790006565849. 32.5 x
25.5 cm inches. Text:
Mendelssohn Bartholdy,
Felix (nach der
Luther-Bibel und Martin
Rinckart) / Monicke,
Charles Henry.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello Part SKU: HL.366160 For Female Voice, Solo Cello (opt), Boys' Vo...(+)
Cello Part
SKU:
HL.366160
For
Female Voice, Solo Cello
(opt), Boys' Voices,
Tubular Bells and Strings
Cello Part. Composed
by John Tavener. Choral.
Softcover. Chester Music
#CH88150-01. Published by
Chester Music
(HL.366160).
ISBN
9781705137383. UPC:
840126963434.
Mah&a
acute;mátar is
written for Oriental or
Middle-Eastern female
voice, distant boys'
voices (in a vast
acoustic), tubular bells
and muted strings. The
music is an invocation to
the Great Mother
Mahámátar
in Sanskrit, and to the
Theotóke
(God-bearer) in Greek.
Originally written to
accompany a film by
Werner Herzog which deals
with South American
Indians who travel for
many miles on their knees
to venerate the
miraculous Ikon of The
Mother of God of
Guadalupe.
Mahámátar
may be performed by a
solo voice or
alternatively the melody
could be played by a solo
cello, with decorations
and improvisations by the
singer.