By Colbie Caillat. Arranged by Roger Emerson. (Showtrax CD). Pop Choral Series. CD only. Published by Hal Leonard.

By Colbie Caillat. Piano Vocal (Arranged for piano and voice with guitar chords). 8 pages. Published by CHERRY LANE MUSIC.

By Colbie Caillat. Arranged by Roger Emerson. (SSA). Pop Choral Series. 12 pages. Published by CHERRY LANE MUSIC.

Composed by Jamie O'Neal, Roxie Dean, and Sonny Tillis. Arranged by Bryan Sharpe. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Contemporary A Cappella; Country; Pop; Secular. Choral Octavo. 20 pages. Alfred Music #00- 47134. Published by Alfred Music

By Various. Piano/Vocal/Guitar Songbook. Pop, Rock. Softcover. Published by Hal Leonard

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.46559

Composed by Cole Porter. Arranged by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Secular. Choral Octavo. 12 pages. Alfred Music #00-46559. Published by Alfred Music (AP.46559).

UPC: 038081531342. English.

There's nothing quite like the excitement of opening night, captured brilliantly here in the showstopper from Cole Porter's Kiss Me, Kate. Anticipation gradually builds as the bubbly tune passes from voice to voice in a crescendo, eventually erupting into the title line of the song. A terrific selection for staging or choreography, smartly arranged for developing choirs!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Choir Secular (2-Part choir)

SKU: AP.46560

Composed by Cole Porter. Arranged by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Secular. Choral Octavo. 12 pages. Alfred Music #00-46560. Published by Alfred Music (AP.46560).

UPC: 038081531359. English.

There's nothing quite like the excitement of opening night, captured brilliantly here in the showstopper from Cole Porter's Kiss Me, Kate. Anticipation gradually builds as the bubbly tune passes from voice to voice in a crescendo, eventually erupting into the title line of the song. A terrific selection for staging or choreography, smartly arranged for developing choirs!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Choir Secular (2-Part choir)

SKU: AP.49769

Composed by Bill Backer, Roger Cook, Roger Greenaway, and Roquel Davis. Arranged by Mark Hayes. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Classic Pop; Pop; Secular. Choral Octavo. 16 pages. Alfred Music #00-49769. Published by Alfred Music (AP.49769).

UPC: 038081568560. English.

A blast from the past with a message built to last! This song of hope and love originated as the 1970s Coca-Cola jingle, considered one of the best-loved and most influential ads in TV history. It's a catchy anthem with a rock-side-to-side hook, a bubbly tune, and a few delightful counterlines. Universal themes of music and world harmony fit well on many programs---school, community, winter, spring, pop, pyramid, and more. SoundTrax and SoundPax accompaniment options are available.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Composed by Jennifer Zuffinetti. Arranged by Greg Gilpin. Choral Octavo. Alfred Pop Series. Christmas; Country; Pop; Secular; Winter. 12 pages. Published by Alfred Music (AP.45364).

20 Upbeat Favorites to Strum and Sing. By Various. Ukulele. Softcover. 64 pages. Published by Hal Leonard

Cajon Play-Along. By Various. Percussion. Softcover Audio Online. 48 pages. Published by Hal Leonard

(Strum and Sing Series). By Colbie Caillat. Easy Guitar. Softcover. 148 pages. Published by Cherry Lane Music

Hal Leonard Student Piano Library Book with Online Audio. Composed by Various. Arranged by Fred Kern, Mona Rejino, Phillip Keveren. Educational Piano Library. Method, Pop. Softcover Audio Online. 40 pages. Published by Hal Leonard

Choral (3-Part Mixed choir)

SKU: HL.289843

Discovery Level 3. Composed by Marc Shaiman. Arranged by Audrey Snyder. Discovery Choral. Disney, Movies, Pop. Octavo. 24 pages. Published by Hal Leonard (HL.289843).

UPC: 888680917234. 6.75x10.5 inches.

This adventure with Mary Poppins gets off to a suitably magical and delightful start with this bubbly bath-time number. Choirs will have a blast with the tongue-in-cheek text and exhilarating music!

Composed by Cole Porter. Arranged by Jay Althouse. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Secular. Choral Octavo. 12 pages. Alfred Music #00-46558. Published by Alfred Music (AP.46558).

Composed by Wynn-Anne Rossi. For Piano. Piano Solo; Sheet; Solo. Signature Series. Late Intermediate. 8 pages. Published by Alfred Music

Choir Secular

SKU: AP.47699

Composed by George Gershwin and Ira Gershwin. Arranged by Mark Hayes. This edition: SoundTrax CD. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Great American Songbook; Jazz; Secular; Standard. CD. Alfred Music #00-47699. Published by Alfred Music (AP.47699).

UPC: 038081543925. English.

Originally performed by Fred Astaire and Ginger Rogers in the classic movie Shall We Dance, this bubbly Gershwin tune has enjoyed a recent resurgence thanks to the contemporary Lady Gaga and Tony Bennett recording. Full of charm and wit, the arrangement sparkles with light jazz harmonies. Your accompanist will love the stride piano part, and your audience will get a kick out of the uniquely American references.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

By Various. For Guitar. Guitar Chord Songbook. Softcover. 1024 pages. Published by Hal Leonard

Chamber Music String Quartet

SKU: PR.114405050

Composed by John Downey. Set of Score and Parts. With Standard notation. 53 pages. Duration 25 minutes. Theodore Presser Company #114-40505. Published by Theodore Presser Company (PR.114405050).

UPC: 680160008377. 11 x 14 inches.

Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique efffect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water , disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorlines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluch the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against the sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in spae. Here, the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement , two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue among the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of 'psycho-rhythmics contributes to an on-rush of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions.

366 More Great Songs for Better Living. Arranged by Jim Beloff, Liz Beloff. Fake Book. Country, Pop, Standards. Softcover. 416 pages. Published by Hal Leonard (HL.212971).

SKU: HL.1341904

Red Panda. Guitar Pedal. Red Panda #RPL-109. Published by Red Panda (HL.1341904).

UPC: 665760908494. 3.5x5.0x3.0 inches.

Radius goes far beyond traditional ring modulation. With precise control over the balance and frequency ratios of both sidebands, you'll have more advanced control than with any ring mod that has come before. Organic, complex harmonic structures, bell-like tones, metallic textures, frequency shifting, soft tremolo, and bubbly phaser sounds are all on tap. Pitch tracking, a push-to-tune footswitch, and picking dynamics make it responsive and predictable in concert. In the studio, Radius has well-spaced controls for tabletop use and a full MIDI implementation for DAW integration. The 24-bit 96 kHz codec, audiophile op amps and stereo input/output make it equally at home in the studio or control room. Radius is a musical ring modulator and frequency shifter that lets you modfy the timbre of your instrument in new ways. With a multi-waveform LFO, step modulator, and MIDI-playable carrier oscillator, Radius modernizes classic electronic techniques for the future. Features: • Stereo ring modulator and frequency shifter • Continuous mix between ring modulation and frequency shifting • Selectable 2X frequency ratios for upper and lower sidebands • Frequency shifting with feedback • Three carrier frequency ranges (low, high, quantized) • Carrier frequency pitch tracking (monophonic, +/- 100%) • Pust-to-tone carrier oscillator • MIDI-playable carrier oscillator • Multi-waveform LFO (triangle, square, random, intelligent random, X mod +/-) • Step modulator (1-8 steps), programmable via front panel • Tap tempo and MIDI clock sync • Envelope follower • Envelope-triggered LFO (one-shot ramp, pulse, random, step mod) • Configurable AUX switch (tap, tune, preset, LFO) • USB and TRS MIDI • Full MIDI implementation • 96 kHz sampling rate • Web editor with preset upload/download • User-installable firmware updates (USB) Designed and assembled in USA. Requires a 9V DC 250 mA power supply (not included).

By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 576 pages. Published by Hal Leonard

Orchestra - Grade 2

SKU: AP.44838

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Dance. Novelty. Score and Part(s). 62 pages. Duration 1:50. Highland/Etling #00-44838. Published by Highland/Etling (AP.44838).

UPC: 038081518343. English.

This stylish all-pizzicato dance written by Doug Spata for late beginner orchestras will delight students and audiences. The notes and rhythms may be simple, but the bubbly melodies in each part provide fun fingering challenges. A call-and-response section in the middle develops listening skills, and teachers will value the left-hand workout, reading skills, and experience with dynamic changes that this piece promotes. (1:50).

Chamber Music String Quartet

SKU: PR.11440505S

Composed by John Downey. Full score. With Standard notation. 53 pages. Duration 25 minutes. Theodore Presser Company #114-40505S. Published by Theodore Presser Company (PR.11440505S).

UPC: 680160008391. 11 x 14 inches.

Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique effect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water, disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorelines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluck the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in space. Here , the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement, two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue amont the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of psycho-rhythmics contributes to an on-rush seem of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions.

(The Complete Resource for Every Guitar Player!). By Various. Guitar Collection. Softcover. Guitar tablature. 240 pages. Published by Hal Leonard

Choir Secular

SKU: AP.46561

Composed by Cole Porter. Arranged by Jay Althouse. This edition: SoundTrax CD. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Broadway; Secular. CD. Alfred Music #00-46561. Published by Alfred Music (AP.46561).

UPC: 038081531366. English.

There's nothing quite like the excitement of opening night, captured brilliantly here in the showstopper from Cole Porter's Kiss Me, Kate. Anticipation gradually builds as the bubbly tune passes from voice to voice in a crescendo, eventually erupting into the title line of the song. A terrific selection for staging or choreography, smartly arranged for developing choirs!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

(366 More Songs for Better Living). By Various. Arranged by Jim Beloff and Liz Beloff. Fake Book. Softcover. 416 pages. Published by Hal Leonard