By The Staple Singers. Piano/Vocal/Chords Songbook (Arrangements for piano and v...(+)
By The Staple Singers.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 58 pages.
Published by Hal Leonard.
Composed
by Ash Pournouri, Avicii,
Salem Al Fakir, Veronica
Maggio, and Vincent
Pontare. Edited by Hans
Vainikainen. Arranged by
Hans Vainikainen.
Stapled. Choral score. 11
pages. Baerenreiter
Verlag #BA11395_00.
Published by Baerenreiter
Verlag (BA.BA11395).
ISBN 9790006568574.
29.7 x 21 cm inches. Text
Language: English. Text:
Al Fakir, Salem / Maggio,
Veronica / Pontare,
Vincent / Bergling, Tim /
Pournouri,
Ash.
“Hey
brother! There's an
endless road to
rediscover Hey sister!
Know the water's sweet
but blood is thicker
…â€
â
œIf the sky comes
falling down, for you /
There’s nothing in
this world I
wouldn’t
doâ€. The subject of
this energetic,
life-affirming hit is
being there for one
another. Whether sung by
female or mixed choirs,
the fanfare-like theme is
equally powerful and will
keep the audience tapping
their
feet.
The
editor:
Hans
Vainikainen (b. 1976)
hails from a new
generation of conductors
in the Swedish choral
tradition. His conducting
repertoire covers a wide
range of genres and eras,
from Mahler’s
Eighth Symphony to the
Swedish DJ Avicii. In
2005 he won the Swedish
Conductors’ Prize,
and two years later he
was appointed artistic
director of the Katarina
kyrka, the home of
Katarinakörerna, one
of Sweden’s
largest choral
societies.
Hans
Vainikainen heads
Stockholm’s
Katarinakörerna with
more than 500 singers in
various combinations.
Their programmes cover
both sacred and secular
music. In his search for
suitable arrangements,
his eye fell on one the
world’s best-known
pop artists, Tim
Bergling, known
professionally as Avicii.
He then arranged three of
Avicii’s best
songs for classical
choirs, intending them to
be encore
pieces.
“Hey
Brotherâ€,
“Levels†and
“Without youâ€
are now available for
six-part mixed or female
choir. The arrangements
offer a wide variety of
vocal and choral
possibilities and
attention has been paid
that all parts are of the
same musical standard.
Whether homophonic or
unisono, they artfully
intertwine from one
passage to the next.
However, for all their
sophistication the
arrangements remain
manageable and easy to
learn, displaying the
typical groove of each
Avicii song within a
multi-layered
texture.
Composed
by Ash Pournouri, Avicii,
Salem Al Fakir, Veronica
Maggio, and Vincent
Pontare. Edited by Hans
Vainikainen. Arranged by
Hans Vainikainen.
Stapled. Choral score. 10
pages. Baerenreiter
Verlag #BA11394_00.
Published by Baerenreiter
Verlag (BA.BA11394).
ISBN 9790006568567. 30
x 21.5 cm inches. Text
Language: English. Text:
Al Fakir, Salem / Maggio,
Veronica / Pontare,
Vincent / Bergling, Tim /
Pournouri,
Ash.
“Hey
brother! There's an
endless road to
rediscover Hey sister!
Know the water's sweet
but blood is thicker
…â€
â
œIf the sky comes
falling down, for you /
There’s nothing in
this world I
wouldn’t
doâ€. The subject of
this energetic,
life-affirming hit is
being there for one
another. Whether sung by
female or mixed choirs,
the fanfare-like theme is
equally powerful and will
keep the audience tapping
their
feet.
The
editor:
Hans
Vainikainen (b. 1976)
hails from a new
generation of conductors
in the Swedish choral
tradition. His conducting
repertoire covers a wide
range of genres and eras,
from Mahler’s
Eighth Symphony to the
Swedish DJ Avicii. In
2005 he won the Swedish
Conductors’ Prize,
and two years later he
was appointed artistic
director of the Katarina
kyrka, the home of
Katarinakörerna, one
of Sweden’s
largest choral
societies.
Hans
Vainikainen heads
Stockholm’s
Katarinakörerna with
more than 500 singers in
various combinations.
Their programmes cover
both sacred and secular
music. In his search for
suitable arrangements,
his eye fell on one the
world’s best-known
pop artists, Tim
Bergling, known
professionally as Avicii.
He then arranged three of
Avicii’s best
songs for classical
choirs, intending them to
be encore
pieces.
“Hey
Brotherâ€,
“Levels†and
“Without youâ€
are now available for
six-part mixed or female
choir. The arrangements
offer a wide variety of
vocal and choral
possibilities and
attention has been paid
that all parts are of the
same musical standard.
Whether homophonic or
unisono, they artfully
intertwine from one
passage to the next.
However, for all their
sophistication the
arrangements remain
manageable and easy to
learn, displaying the
typical groove of each
Avicii song within a
multi-layered
texture.
SKU: HL.156357 A Jubilant Journey Through Gospel Music History. By...(+)
SKU: HL.156357
A Jubilant Journey
Through Gospel Music
History. By Various.
Magnolia Films.
Documentary. DVD. Hal
Leonard #10145. Published
by Hal Leonard
(HL.156357).
UPC:
876964009508.
5.5x7.5x0.58
inches.
This DVD
covers 200 years of
musical history of
African-American
Christianity, featuring
the legends of gospel
music, including the
Staple Singers, the Clara
Ward Wingers, the Dixie
Hummingbirds, and Sister
Rosetta Tharpe. Culled
from hundreds of hours of
music, tracing the
evolution of gospel music
thorugh its many styles
– the spirituals
and early hymns, the
four-part harmony-based
quartets, the integration
of blues and swing, the
emergence of
“soul†and
the blending of rap and
hip-hop elements. It
connects the history of
African-American culture
with gospel as it first
impacted popular culture
at large and captures so
much of what is special
about this music and
African-American
Christianity.
(Har ar din himmel). Composed by Marten Jansson. For SATB choir. Stapled. Level ...(+)
(Har ar din himmel).
Composed by Marten
Jansson. For SATB choir.
Stapled. Level 4. Choral
score. Language:
Swedish/English. 7 pages.
Published by Baerenreiter
Verlag
Composed
by Marten Jansson.
Stapled. Choral score. 12
pages. Baerenreiter
Verlag #BA07414_00.
Published by Baerenreiter
Verlag (BA.BA07414).
ISBN 9790006559183. 27
x 19 cm inches. Text
Language:
Latin.
Based on the
well-known bible text
“Sing unto the Lord
a new song†(Psalm
96:1-3), this upbeat
composition with strong
dynamics and flowing
block chords alternating
with fast-paced polyphony
brings across this joyful
message and enthuses
singers.
Originall
y conceived for male
choir, women’s
voices have now been
added so that this
version for mixed choir
presents a further
dimension of colour. This
version also makes it
possible to divide the
choir into two groups,
one for women and another
for men, and to have them
sing either together or
as separate units.
The version for mixed
choir was premiered in
Uppsala Cathedral
(Sweden) on 26 October
2013, with the Uppsala
Cathedral Singers
conducted by Ulric
Andersson.
“
My music is my own and I
have never tried to be
original. That has always
been my motto and I have
only tried to use music
to express all the
feelings which life has
to offer. This has led
people to describe my
music as ‘so sad
that it sounds like birds
who have lost their
wings‘ but also as
‘the happiest
classical music that we
have ever
heard’. My
compositions are almost
all sacred. They express
not only my own faith but
also my appreciation and
respect for the timeless
texts that have been used
for centuries and
centuries.â€
MÃ¥rten Jansson (b.
1965), elected member of
the Föreningen svenska
tonsättare (the
Society of Swedish
Composers), graduated
from the Royal College of
Music, Stockholm (KHM)
with an MFA degree in
Music Education, Dalcroze
Eurhythmics and Voice.
For more than ten years
he was the music director
and conductor of
“Carmenâ€, one
of the most prominent
womens’ vocal
ensembles in Sweden. He
currently teaches choral
conducting and music
theory as well as giving
vocal tuition at the
Bolandgymnasiet and
Musikskolan in his home
town of
Uppsala.
Please
find a recording of
Cantate Domino performed
by the Riga Recording
Studio Singers (Latvia)
by clicking on
Multimedia.
Guitar - late intermediate SKU: BT.REBFG1309 Composed by Jean-Jacques Reb...(+)
Guitar - late
intermediate
SKU:
BT.REBFG1309
Composed
by Jean-Jacques
Rebillard. Book with
Online Audio. Composed
2014. Editions J.J.
Rebillard #REBFG1309.
Published by Editions
J.J. Rebillard
(BT.REBFG1309).
Oboe(s) solo SKU: BR.EB-9240 For Solo Oboe. Composed by Jorg Birke...(+)
Oboe(s) solo
SKU:
BR.EB-9240
For
Solo Oboe. Composed
by Jorg Birkenkotter.
Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Music post-1945; New
music (post-2000). Score.
Composed 2013/14. 16
pages. Duration 13'30.
Breitkopf and Haertel #EB
9240. Published by
Breitkopf and Haertel
(BR.EB-9240).
ISBN
9790004185407. 9 x 12
inches.
Belcanto is
a term for the Italian
art of singing which took
its development from the
richly ornamented solo
vocalism of the early
17th century (nobile
maniera di cantare) and
dominated European
operatic singing until
the first half of the
19th century. Complete
control over the voice
meant not only legato and
messa di voce, but also
appoggiatura and
portamento, as well as
virtuoso ornamentation by
means of coloratura
(canto fiorito). This
development towards
utmost virtuosity,
emulating instrumental
playing techniques, led
to a mannered, artificial
style on the one hand,
but on the other also
emphasized the physical
aspects of interpretation
(castrati were considered
the ideal belcanto
singers). And today? In
his essay The Grain of
the Voice, Roland Barthes
writes: The grain is the
body in the voice as it
sings, the hand as it
writes and the limb as it
performs. Initially, he
refers to the friction
between language and
voice in singing, but
then transfers his
thoughts to the
physicality of
instrumental music. In
this spirit, I went in
search of beautiful
singing, a beauty which
perhaps results in the
very place where the
grain, the roughness,
meaning also physical
resistance, are not
smoothed over. The oboe
seemed very suitable to
me for singing with such
a physical expressivity,
as a very unruly
instrument! The backbone
of my piece is one
single, quasi endless
melodic line, consisting
of intervals that are
constantly pulled apart
and contracted again
(breathing). Many
different actions attach
themselves to these
notes: coloratura,
trills, chords
(multiphonics), double
flageolets. However,
there are not only sound
types, but also impulses,
repetitions, rhythmic
figures and other
elements: composed
elements of belcanto. In
the opera tradition
described above, these
were improvised ornaments
or additions; here they
become composed figures
which originate with the
notes of the melody, but
also pull on them, bend
them, and charge them
with physicality. (Jorg
Birkenkotter).
Prelude to the
Opera. Composed by
Richard Wagner.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
prelude is a beloved
concert piece that
impressively exposes the
major themes of the
Meistersinger. .
Overture; Romantic. Part.
4 pages. Duration 7'.
Breitkopf and Haertel #OB
4815-16. Published by
Breitkopf and Haertel
(BR.OB-4815-16).
ISBN
9790004322178. 10 x 12.5
inches.
The prelude
to the opera Die
Meistersinger von
Nurnberg was given its
world premiere in
Leipzigs Gewandhaus on 11
November 1862 in a
concert that Wagner
organized in conjunction
with Hans von Bulow and
the composer Wendelin
Weissheimer. Wagner
personally conducted his
own work. The concert was
a financial flop;
artistically, however, it
seems to have been an
extraordinary success,
for Wagner reported the
following day to Joachim
Raff: My Meistersinger
was excellently played,
and the DaCapo demanded
with great sincerity. It
sounded very fine. Since
then and increasingly
after its publication in
1866, two years before
the world premiere of the
opera the prelude has
been a beloved concert
piece that impressively
exposes the major themes
of the
Meistersinger.
The
prelude is a beloved
concert piece that
impressively exposes the
major themes of the
Meistersinger..
Prelude to the
Opera. Composed by
Richard Wagner.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
prelude is a beloved
concert piece that
impressively exposes the
major themes of the
Meistersinger. .
Overture; Romantic. Part.
4 pages. Duration 7'.
Breitkopf and Haertel #OB
4815-15. Published by
Breitkopf and Haertel
(BR.OB-4815-15).
ISBN
9790004322161. 10 x 12.5
inches.
The prelude
to the opera Die
Meistersinger von
Nurnberg was given its
world premiere in
Leipzigs Gewandhaus on 11
November 1862 in a
concert that Wagner
organized in conjunction
with Hans von Bulow and
the composer Wendelin
Weissheimer. Wagner
personally conducted his
own work. The concert was
a financial flop;
artistically, however, it
seems to have been an
extraordinary success,
for Wagner reported the
following day to Joachim
Raff: My Meistersinger
was excellently played,
and the DaCapo demanded
with great sincerity. It
sounded very fine. Since
then and increasingly
after its publication in
1866, two years before
the world premiere of the
opera the prelude has
been a beloved concert
piece that impressively
exposes the major themes
of the
Meistersinger.
The
prelude is a beloved
concert piece that
impressively exposes the
major themes of the
Meistersinger..
Viola (picc.2.2.2.2 -
4.3.3.1 - timp.perc(2) -
hp - str)
SKU:
BR.OB-4815-19
Prelude to the
Opera. Composed by
Richard Wagner.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
prelude is a beloved
concert piece that
impressively exposes the
major themes of the
Meistersinger. .
Overture; Romantic. Part.
4 pages. Duration 7'.
Breitkopf and Haertel #OB
4815-19. Published by
Breitkopf and Haertel
(BR.OB-4815-19).
ISBN
9790004322185. 10 x 12.5
inches.
The prelude
to the opera Die
Meistersinger von
Nurnberg was given its
world premiere in
Leipzigs Gewandhaus on 11
November 1862 in a
concert that Wagner
organized in conjunction
with Hans von Bulow and
the composer Wendelin
Weissheimer. Wagner
personally conducted his
own work. The concert was
a financial flop;
artistically, however, it
seems to have been an
extraordinary success,
for Wagner reported the
following day to Joachim
Raff: My Meistersinger
was excellently played,
and the DaCapo demanded
with great sincerity. It
sounded very fine. Since
then and increasingly
after its publication in
1866, two years before
the world premiere of the
opera the prelude has
been a beloved concert
piece that impressively
exposes the major themes
of the
Meistersinger.
The
prelude is a beloved
concert piece that
impressively exposes the
major themes of the
Meistersinger..
Violoncello (picc.2.2.2.2
- 4.3.3.1 - timp.perc(2)
- hp - str)
SKU:
BR.OB-4815-23
Prelude to the
Opera. Composed by
Richard Wagner.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
prelude is a beloved
concert piece that
impressively exposes the
major themes of the
Meistersinger. .
Overture; Romantic. Part.
6 pages. Duration 7'.
Breitkopf and Haertel #OB
4815-23. Published by
Breitkopf and Haertel
(BR.OB-4815-23).
ISBN
9790004322192. 10 x 12.5
inches.
The prelude
to the opera Die
Meistersinger von
Nurnberg was given its
world premiere in
Leipzigs Gewandhaus on 11
November 1862 in a
concert that Wagner
organized in conjunction
with Hans von Bulow and
the composer Wendelin
Weissheimer. Wagner
personally conducted his
own work. The concert was
a financial flop;
artistically, however, it
seems to have been an
extraordinary success,
for Wagner reported the
following day to Joachim
Raff: My Meistersinger
was excellently played,
and the DaCapo demanded
with great sincerity. It
sounded very fine. Since
then and increasingly
after its publication in
1866, two years before
the world premiere of the
opera the prelude has
been a beloved concert
piece that impressively
exposes the major themes
of the
Meistersinger.
The
prelude is a beloved
concert piece that
impressively exposes the
major themes of the
Meistersinger..
Prelude to the
Opera. Composed by
Richard Wagner.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
prelude is a beloved
concert piece that
impressively exposes the
major themes of the
Meistersinger. .
Overture; Romantic. Part.
4 pages. Duration 7'.
Breitkopf and Haertel #OB
4815-27. Published by
Breitkopf and Haertel
(BR.OB-4815-27).
ISBN
9790004322208. 10 x 12.5
inches.
The prelude
to the opera Die
Meistersinger von
Nurnberg was given its
world premiere in
Leipzigs Gewandhaus on 11
November 1862 in a
concert that Wagner
organized in conjunction
with Hans von Bulow and
the composer Wendelin
Weissheimer. Wagner
personally conducted his
own work. The concert was
a financial flop;
artistically, however, it
seems to have been an
extraordinary success,
for Wagner reported the
following day to Joachim
Raff: My Meistersinger
was excellently played,
and the DaCapo demanded
with great sincerity. It
sounded very fine. Since
then and increasingly
after its publication in
1866, two years before
the world premiere of the
opera the prelude has
been a beloved concert
piece that impressively
exposes the major themes
of the
Meistersinger.
The
prelude is a beloved
concert piece that
impressively exposes the
major themes of the
Meistersinger..
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Part. 8
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1064-19. Published
by Breitkopf and Haertel
(BR.EOS-1064-19).
ISBN
9790004785706. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Set of
parts. 16 pages. Duration
20'. Breitkopf and
Haertel #EOS 1064-30.
Published by Breitkopf
and Haertel
(BR.EOS-1064-30).
ISBN
9790004785720. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Part.
12 pages. Duration 20'.
Breitkopf and Haertel
#EOS 1064-26. Published
by Breitkopf and Haertel
(BR.EOS-1064-26).
ISBN
9790004785713. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Part.
16 pages. Duration 20'.
Breitkopf and Haertel
#EOS 1064-12. Published
by Breitkopf and Haertel
(BR.EOS-1064-12).
ISBN
9790004785676. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Part. 8
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1064-15. Published
by Breitkopf and Haertel
(BR.EOS-1064-15).
ISBN
9790004785683. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Part. 8
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1064-16. Published
by Breitkopf and Haertel
(BR.EOS-1064-16).
ISBN
9790004785690. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
Composed
by Ash Pournouri, Avicii,
Etta James, Leroy
Kirkland, and Pearl
Woods. Edited by Hans
Vainikainen. Arranged by
Hans Vainikainen.
Stapled. Choral score. 12
pages. Baerenreiter
Verlag #BA11397_00.
Published by Baerenreiter
Verlag (BA.BA11397).
ISBN 9790006568598.
39.7 x 21 cm inches. Text
Language: English. Text:
Bergling, Tim / James,
Etta / Woods, Pearl /
Kirkland, Leroy /
Pournouri,
Ash.
“Oh,
sometimes I get a good
feeling, yeah Get a
feeling that I never,
never, never, never had
before
…â€
In
its original form,
“Levels†is
more of an instrumental
number featuring a short
passage from a song by
soul-singer Etta James.
The energy of this
exhilarating electro-pop
piece with the inimitable
Avicii sound is an
ear-catching delight and
brings audiences to their
feet: a good time is
guaranteed!
Th
e editor:
Hans
Vainikainen (b. 1976)
hails from a new
generation of conductors
in the Swedish choral
tradition. His conducting
repertoire covers a wide
range of genres and eras,
from Mahler’s
Eighth Symphony to the
Swedish DJ Avicii. In
2005 he won the Swedish
Conductors’ Prize,
and two years later he
was appointed artistic
director of the Katarina
kyrka, the home of
Katarinakörerna, one
of Sweden’s
largest choral
societies.
Hans
Vainikainen heads
Stockholm’s
Katarinakörerna with
more than 500 singers in
various combinations.
Their programmes cover
both sacred and secular
music. In his search for
suitable arrangements,
his eye fell on one the
world’s best-known
pop artists, Tim
Bergling, known
professionally as Avicii.
He then arranged three of
Avicii’s best
songs for classical
choirs, intending them to
be encore
pieces.
“Hey
Brotherâ€,
“Levels†and
“Without youâ€
are now available for
six-part mixed or female
choir. The arrangements
offer a wide variety of
vocal and choral
possibilities and
attention has been paid
that all parts are of the
same musical standard.
Whether homophonic or
unisono, they artfully
intertwine from one
passage to the next.
However, for all their
sophistication the
arrangements remain
manageable and easy to
learn, displaying the
typical groove of each
Avicii song within a
multi-layered
texture.
Dance of the
Apprentices, Entry of the
Mastersingers.
Composed by Richard
Wagner. Edited by Wouter
Hutschenruyter. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Dances/marches;
Romantic. Part. 4 pages.
Duration 11'. Breitkopf
and Haertel #OB 4942-16.
Published by Breitkopf
and Haertel
(BR.OB-4942-16).
Viola (picc.2.2.2.2. -
4.3.3.1. - timp.perc(2) -
hp - str)
SKU:
BR.OB-4942-19
Dance of the
Apprentices, Entry of the
Mastersingers.
Composed by Richard
Wagner. Edited by Wouter
Hutschenruyter. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Dances/marches;
Romantic. Part. 4 pages.
Duration 11'. Breitkopf
and Haertel #OB 4942-19.
Published by Breitkopf
and Haertel
(BR.OB-4942-19).
Violoncello
(picc.2.2.2.2. - 4.3.3.1.
- timp.perc(2) - hp -
str)
SKU:
BR.OB-4942-23
Dance of the
Apprentices, Entry of the
Mastersingers.
Composed by Richard
Wagner. Edited by Wouter
Hutschenruyter. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Dances/marches;
Romantic. Part. 4 pages.
Duration 11'. Breitkopf
and Haertel #OB 4942-23.
Published by Breitkopf
and Haertel
(BR.OB-4942-23).
Dance of the
Apprentices, Entry of the
Mastersingers.
Composed by Richard
Wagner. Edited by Wouter
Hutschenruyter. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Dances/marches;
Romantic. Part. 4 pages.
Duration 11'. Breitkopf
and Haertel #OB 4942-15.
Published by Breitkopf
and Haertel
(BR.OB-4942-15).
Orchestra (picc.2.2.2.2.
- 4.3.3.1. - timp.perc(2)
- hp - str)
SKU:
BR.PB-4942
Dance
of the Apprentices, Entry
of the Mastersingers.
Composed by Richard
Wagner. Edited by Wouter
Hutschenruyter.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Dances/marches;
Romantic. Full score. 24
pages. Duration 11'.
Breitkopf and Haertel #PB
4942. Published by
Breitkopf and Haertel
(BR.PB-4942).
Dance of the
Apprentices, Entry of the
Mastersingers.
Composed by Richard
Wagner. Edited by Wouter
Hutschenruyter. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Dances/marches;
Romantic. Part. 4 pages.
Duration 11'. Breitkopf
and Haertel #OB 4942-27.
Published by Breitkopf
and Haertel
(BR.OB-4942-27).