| Sam Cooke Portrait of A Legend Piano, Voix et Guitare [Feuillet] - Intermédiaire Alfred Publishing
Piano/Vocal/Chords. By Sam Cooke. This edition: Piano/Vocal/Chords. Artist/Perso...(+)
Piano/Vocal/Chords. By
Sam Cooke. This edition:
Piano/Vocal/Chords.
Artist/Personality;
Personality Book;
Piano/Vocal/Chords.
Classic Soul. Single.
With vocal melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. 207
pages. Alfred Music
#00-PFM0316. Published by
Alfred Music
(4)$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Beach Boys - The Little Black Songbook Paroles et Accords [Partition] Amsco Wise Publications
By Adrian Hopkins. Arranged by Matt Cowe. The Little Black Songbook. Pop and Roc...(+)
By Adrian Hopkins.
Arranged by Matt Cowe.
The Little Black
Songbook. Pop and Rock.
Book Only. 192 pages.
Wise Publications
#MUSAM999680. Published
by Wise Publications
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.114418250 Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano SKU:
PR.114418250 Composed
by Stacy Garrop.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2013. 40+16+16
pages. Duration 23
minutes. Theodore Presser
Company #114-41825.
Published by Theodore
Presser Company
(PR.114418250). UPC:
680160640959. 9 x 12
inches. In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sanctuary Piano Trio: piano, violon, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.11441825S Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano SKU:
PR.11441825S Composed
by Stacy Garrop.
Contemporary. Score. With
Standard notation.
Composed 2013. 40 pages.
Duration 23 minutes.
Theodore Presser Company
#114-41825S. Published by
Theodore Presser Company
(PR.11441825S). UPC:
680160643745. 9 x 12
inches. In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G. $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Carole King: Carole King Deluxe Anthology Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Carole King. For voice, piano and guitar chords. Format: piano/voca...(+)
Performed by Carole King.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Adult
contemporary and pop
rock. 256 pages. 9x12
inches. Published by Hal
Leonard.
(3)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Country Songs
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Budget Books. Piano/Vocal/Chords Mixed Folio (Arrangements for piano and voice w...(+)
Budget Books.
Piano/Vocal/Chords Mixed
Folio (Arrangements for
piano and voice with
guitar chords). Size
8.37x10.87 inches. 352
pages. Published by Hal
Leonard.
(1)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Singer's Musical Theatre Anthology - 16-Bar Audition Voix Mezzo-Soprano Hal Leonard
(Mezzo-Soprano/Belter Edition). By Various. Edited by Richard Walters. Vocal Co...(+)
(Mezzo-Soprano/Belter
Edition). By Various.
Edited by Richard
Walters. Vocal
Collection. 184 pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Country - Super Easy Songbook Piano Facile - Débutant Hal Leonard
By Various. Super Easy Songbook. Country. Softcover. 112 pages. Published by H...(+)
By Various. Super Easy
Songbook. Country.
Softcover.
112 pages. Published by
Hal
Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Variations on "America" Piano seul Theodore Presser Co.
Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged ...(+)
Chamber Music Piano
SKU: PR.110418370
Composed by Charles Ives.
Arranged by Danny Holt.
Performance Score. 20
pages. Duration 8
minutes. Theodore Presser
Company #110-41837.
Published by Theodore
Presser Company
(PR.110418370). ISBN
9781491135075. UPC:
680160686247. Compo
sed as an organ solo by
the 17-year-old Ives for
his own performance
purposes, the beloved
Variations on America is
a treat for any occasion,
whether a holiday
concert, a serious
recital, or other special
event. Danny
Holt’s
transcription for Piano,
Four Hands adds a
dazzling new option to
play at home or on stage,
taking best advantage of
Ives’ tremendous
contrasts in color,
dynamics, and
texture. Composed when
Charles Ives was a
teenager, Variations on
“America†is
both a convenient
introduction to
Ives’ body of
work, and an early
example of his
iconoclastic musical
voice and creative
genius. Just a few years
after composing this
piece, Ives would leave
home to study music at
Yale. But until then he
had been taught by his
father, George (who had
been a bandmaster in the
Civil War). George
subjected the young Ives
to experiments such as
singing a song in one key
while being accompanied
in another, or arranging
for two marching bands to
converge on a town
center, with the
resulting cacophony that
ensued.The Variations
exemplifies an early
period of experimentation
in Ives’ work,
spurred on by the unusual
pedagogy of his father.
The piece is particularly
notable for its use of
bitonality in the two
interludes, subtly
foreshadowing more
well-known examples by
Stravinsky, Bartók,
and others by
approximately two
decades.The bitonal
interludes were so ahead
of their time, in fact,
they were omitted from
the first copy that was
submitted to a publisher
in 1892. (Alas, the piece
was rejected even despite
these
“shockingâ€
elements having been left
out, and it wasn’t
published until more than
five decades later.)
There is some ambiguity
about when exactly Ives
added the interludes into
his manuscript copy,
though ample evidence
suggests he had performed
the piece with the
interludes around the
time he notated the piece
in 1891-92. In any case,
in light of this piece
and his other polytonal
explorations from the
last decade of the 19th
century, it seems fair to
give Ives credit for
being a pioneer in this
area!This arrangement for
Piano, Four Hands,
closely follows
Ives’ original
version for organ,
setting aside William
Schuman’s popular
adaptation for symphony
orchestra and William
Rhoads’ band
transcription of the
Schuman orchestration.
Pianists will find that
the piece translates well
to the instrument.
Ideally, the choreography
and logistics of
elbow-to-elbow four-hands
playing approximates the
wild joy one gets from
watching an organist play
the piece (e.g., the
elaborate pedal part in
the final variation).In
preparing this
publication, attention
was paid to details in
the dual Critical
Editions (Presser
443-41003) of both
Ives’ manuscript
edition and the 1949
publication edited by
organist E. Power Biggs
(who is credited with
discovering what had been
a long-lost, forgotten
work.) But as with much
of Ives’ output,
attempting to create a
true
‘urtext’
score is a futile
endeavor, and especially
with a piece such as this
one – in which
Ives incorporated
improvisation in live
performance –
seems unnecessary anyhow.
True die-hards are of
course encouraged to
consult the critical
editions and even find
inspiration in the
orchestrated version.
Generally, performers are
advised to be wild, have
fun, and not to be too
rigid in their
interpretive
choices.Dynamics in this
arrangement mostly follow
the organ score closely.
Pianists will use good
judgment about pedaling
throughout, which should
be straightforward and
intuitive. Courtesy
accidentals have been
provided frequently
– without
parentheses –
balancing the need for
extra clarity in the
context of Ives’
murky musical language,
and a desire to avoid
unnecessary clutter.A few
notes that might inform
interpretive
decisions:mm. 15-16:
There are inconsistencies
here between Ives’
original manuscript and
the 1949 Biggs edition,
regarding the top voice
in m. 15, beat 3 (C# vs.
Cn) and m. 16 (D Major
vs. D Minor).mm. 76-84 &
143-146: In both
Interludes, Ives
emphatically notates
extreme dynamic contrast,
in order to highlight the
bitonality. Although it
may seem counterintuitive
(or even a misprint, as
has apparently been
misconstrued by some),
performers are urged to
follow the
composer’s
marking!m. 109: Two-note
slurs have been added
here for clarity and
consistency with other
similar passages, though
they do not appear in
either the original
manuscript or Biggs.m.
112: The last two eighth
notes of Primo appear as
16ths in the original
manuscript.mm. 183-186:
The original manuscript
has a slightly different
bass line.mm. 184 & 186:
Primo gestures have been
re-written to be slightly
more idiomatic for Piano,
Four Hands.m. 186: The
breath mark at the end of
this bar does not appear
in either the manuscript
or Biggs, but is an
editorial suggestion
– aside from being
appropriately dramatic,
it will indeed be
necessary in a
reverberant hall!I would
like to thank Steven
Vanhauwaert, the other
half of my piano duo,
4handsLA, for his input
on early drafts of this
arrangement.—
Danny Holt, April
2022. $24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Duetto for cello and double bass Violoncelle, Contrebasse (duo) Yorke Edition
Trombone, Cello SKU: BT.YE0001 Composed by Gioachino Rossini. Book Only. ...(+)
Trombone, Cello SKU:
BT.YE0001 Composed by
Gioachino Rossini. Book
Only. Yorke Edition
#YE0001. Published by
Yorke Edition
(BT.YE0001). It
was a chance visit to a
second hand bookshop in
Nottingham that set me on
the trail of Rossini's
now well-known Duetto for
cello and double bass.
But the story begins
earlier than that. In the
1960s I was studying the
double bass at the Royal
College of Music with
Adrian Beers, who was at
that time principal of
the English Chamber
Orchestra, on the front
desk of the Philharmonia
Orchestra, and a member
of the Melos Ensemble of
London (then one of the
leading ensembles of the
world). I was working on
the 'Dragonetti
Concerto', as most young
players do, and I wanted
to find out a bit about
it. My teacher said he
thought the autograph
manuscript might be in
the British Library,which
was all the encouragement
I needed to secure a pass
to the Reading Room so I
could go and see for
myself.
There,
sure enough, I found a
large collection of
Dragonetti's autograph
manuscripts, together
with other bound volumes
relating to his life. The
papers had been lovingly
collated and annotated by
Vincent Novello, one of
Dragonetti's closest
friends, then deposited
in the library before his
departure to Italy in
1848, two years after
Dragonetti's death. One
of the volumes included a
lot of letters about
various engagements and
music festivals, copies
of orders for strings
Dragonetti wanted from
Italy, details about
paintings he wanted to
buy, and numerous
invitations to private
functions. The manuscript
of the 'Dragonetti
Concerto', of course,
wasn't among the papers
â?? we now know it to
have been written by
Edouard Nanny a century
or so later.
One name that
came up regularly in the
documents was that of Sir
George Smart. Smart had
been a violinist in
Salomon's orchestra and
had played for Haydn at
his London concerts in
the 1790s. As a child he
had learnt much about
music from his father,
who had in turn been
present at many of
Handel's rehearsals when
he was preparing some of
his major works for the
first time. Smart was
also a fine keyboard
player, becoming organist
of the Chapel Royal in
1822. As a conductor. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Country Songs – Strum Together Ukulele Hal Leonard
Melody/Lyrics/Chords Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: ...(+)
Melody/Lyrics/Chords
Banjo; Baritone Ukulele;
Guitar; Mandolin; Ukulele
SKU: HL.301272
For Ukulele, Baritone
Ukulele, Guitar, Banjo &
Mandolin. Composed by
Various. Arranged by Mark
Phillips. Strum Together.
Country. Softcover. 144
pages. Published by Hal
Leonard (HL.301272).
ISBN 9781540064110.
UPC: 888680964368.
9.0x12.0x0.337
inches. The Strum
Together series enables
players of five different
instruments – or
any combination of them
– to “strum
together†on great
songs. This easy-to-use
format features melody,
lyrics, and chord
diagrams for five popular
folk instruments:
standard ukulele,
baritone ukulele, guitar,
mandolin, and banjo. This
collection includes 70
all-time country
favorites: Always on My
Mind • Boot
Scootin' Boogie •
Could I Have This Dance
• Deep in the Heart
of Texas • Friends
in Low Places •
Green Green Grass of Home
• Happy Trails
• Hey, Good Lookin'
• I Fall to Pieces
• Jambalaya (On the
Bayou) • King of
the Road • On the
Road Again • Ring
of Fire • Sixteen
Tons • Take Me
Home, Country Roads
• When Will I Be
Loved • Your
Cheatin' Heart •
and more. $22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pavane pour une infante defunte Potenza Music
Euphonium and brass choir SKU: P2.80026 Composed by Maurice Ravel. Arrang...(+)
Euphonium and brass choir
SKU: P2.80026
Composed by Maurice
Ravel. Arranged by Vanja
Lisjak. Chamber music,
20th century. Published
by Potenza Music
(P2.80026). The
idea of arranging this
piece for large brass
ensemble was a result of
my intention to present
Steven Mead's lyrical
qualities and the huge
potential of his rich and
colorful sound to a
Croatian audience when he
was a guest soloist in
Zagreb. While we spoke
about the program for the
concert, I mentioned
Ravel's Pavane as a nice
addition to my Concerto
and the other Pavane (one
by Faure, for solo
euphonium and harp), and
Steven supported the idea
instantly, as it turned
out that this piece was
his favorite in his early
euphonium soloist days.
As he soon became a world
famous virtuoso, where
listeners constantly
asked for higher and
faster bravuras, I gladly
used my chance to present
the forgotten poetic and
warm side of the
euphonium. I avoided the
fashionable stereotypes
of many of today's
composers--making an
artist break his fingers
or lips by choosing extra
fast pieces originally
for violin or flute and
arranging it for tuba.
The inspiring challenge
was to create the
atmosphere present in
Ravel's own orchestration
of this piece, where no
instrument plays a
typical solo role. It
wasn't easy to achieve so
many colors without
strings and woodwinds.
Yet, here we have the
euphonium as a lead voice
while it is also well
incorporated into
vertical blocks with
french horns, trombones,
and trumpets. Full
symphony sized brass
sections function here
mainly to provide
harmonic body, with the
great percussive and
melodic help of marimba
and vibraphone. The
result is an arrangement
that is demanding in a
sense of creating the
right flow (not too slow
- as Ravel hated it this
way). Pavane is, after
all, a dance. A recording
of this arrangement can
be found on Bocchino's CD
release Croatian Euphonic
Brass, together with a
recording of another
publication by Potenza,
an arrangement of the
Pavane by G. Faure,
presented on this CD in
the best possible way--by
Steven Mead, who inspired
me to try to give these
masterpieces new
shape. $49.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Best Broadway Sheet Music Piano, Voix [Partition] Alfred Publishing
(Piano/Vocal). For Keyboard; Piano; Voice. This edition: Piano/Vocal. Book; ...(+)
(Piano/Vocal). For
Keyboard;
Piano; Voice. This
edition:
Piano/Vocal. Book; P/V/C
Mixed
Folio;
Piano/Vocal/Chords.
Broadway. 440 pages.
Published
by Alfred Music
Publishing
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Forme di felicita Violon et Piano [Conducteur] Breitkopf & Härtel
Violin, piano SKU: BR.EB-9413 Composed by Nicola Campogrande. Solo instru...(+)
Violin, piano SKU:
BR.EB-9413 Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf. New music
(post-2000). Score.
Composed 2020. 28 pages.
Duration 9'. Breitkopf
and Haertel #EB 9413.
Published by Breitkopf
and Haertel (BR.EB-9413).
ISBN 9790004188873. 9
x 12 inches. For a
long time after
Romanticism had come to
the fore, it was
generally agreed that
Brahms somehow did not
get it: History and
Progress - it was thought
- were proceeding along
one clear path and Brahms
- who was composing
sonatas and symphonies
instead of nocturnes and
symphonic poems - had
taken the wrong way.
Almost one century later,
Schonberg wrote an essay,
Brahms, der
Fortschrittliche (Brahms,
the progressive), in
which he explained that
it wasn't like that at
all.Fully assuming the
risk to appear somehow
irreverent, I have to
confess: Over the years,
I came to the conclusion
that the present - and
the future - can be
created only by loving
the past. As Brahms had
shown us, it is only by
accepting the challenge
of taking our heritage
into our own hands, that
we can create something
new. We cannot avoid
engaging with the past.
Therefore, starting with
my Sinfonia n. 1, I began
to flirt with such a
strong and effective
musical structure like
the sonata form. I
re-read and freely
transformed it, because
it is a sturdy and
resilient structure, but
also a theatrical and
colorful one. For me, it
is a happy structure. And
I think that today more
than ever we need
something like this: We
need to find places -
even imaginary ones -
where we can give
happiness a form of its
own.Nicola Campogrande,
December
2020
World
premiere: Bologna/Italy,
Streaming, April 11,
2021Commissioned by the
Fondazione Musica
Insieme. $37.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Patsy Cline: The Best Of Patsy Cline
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Patsy Cline. For voice, piano and guitar chords. Format: piano/voca...(+)
Performed by Patsy Cline.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Country
and nashville sound. 126
pages. 9x12 inches.
Published by Hal Leonard.
(1)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Patsy Cline: Original Keys For Singers Piano, Voix [Partition] Hal Leonard
Performed by Patsy Cline. For voice and piano. Format: piano/vocal/chords songbo...(+)
Performed by Patsy Cline.
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. Country and
nashville sound. 120
pages. 9x12 inches.
Published by Hal Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Country Songs Piano Facile Hal Leonard
(Budget Books). By Various. Easy Piano Songbook. Softcover. 304 pages. Published...(+)
(Budget Books). By
Various. Easy Piano
Songbook. Softcover. 304
pages. Published by Hal
Leonard
(1)$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Elvis Presley: Songs Of Inspiration
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Elvis Presley. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Elvis
Presley. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams.
Inspirational, rock 'n'
roll and rockabilly. 112
pages. 9x12 inches.
Published by Hal Leonard.
(12)$25.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Honky Tonk Guitar Guitare notes et tablatures [Partition] Hal Leonard
16 Songs for Solo Guitar in Travis Picking Style. Arranged by David Hamburger. G...(+)
16 Songs for Solo Guitar
in Travis Picking Style.
Arranged by David
Hamburger. Guitar Solo.
Softcover. With notes and
tablature. Size 9x12
inches. 32 pages.
Published by Hal Leonard.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Pat Metheny Real Book Instruments en Sib [Fake Book] Hal Leonard
Artist Edition B-Flat Instruments. By Pat Metheny. Fake Book. Jazz. Softcover....(+)
Artist Edition B-Flat
Instruments. By Pat
Metheny.
Fake Book. Jazz.
Softcover.
272 pages. Published by
Hal
Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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