Opera in 3 Acts.
Composed by Siegfried
Matthus. Choir;
Softcover. Deutscher
Verlag.
World
premiere: Netzeband, July
12, 1997
Opera; Music
theatre; Music post-1945;
New music (post-2000).
Choral score. Composed
1996/97. 20 pages.
Deutscher Verlag fur
Musik #DV 7969-02.
Published by Deutscher
Verlag fur Musik
(BR.DV-7969-02).
ISBN
9790200471618. 7.5 x 10.5
inches.
Duration:
full evening Text by the
composer using a text by
Walter Jens Place and
time: Chamber of the King
Philip V. of Spain,
Middle of the 18th
Century Characters:
Farinelli
(Countertenor/alto) -
King Philip V. of Spain
(baritone) - Nicola
Porpora (baritone) - The
Kings Personal Physician,
also Barber (tenor) - The
Kings Confessor, also
Impresario and Priest
(bass) - Maria (Bellino),
later Anna Maria Strada
(soprano) - Georg
Friedrich Handel
(baritone) - Jenny, Jim,
John, English Opera
Troupe (soprano, tenor,
baritone) - The young
Carlo Broschi (boy
treble) The dramaturgical
constellation of the
subject forced me to use
multifaceted and
stylistic means. I have
used melodic segments
from the Farinelli arias
that are still extant
today, as well as other
Baroque vocal and formal
elements, models inspired
by the Singspiel and the
musical, and even a rap
piece over a techno
rhythm. The musical
center of the opera
consists of song and the
human voice. Farinelli is
a bel canto opera.
(Siegfried Matthus) Carlo
Broschi, known as
Farinelli, was the
brightest star among the
castrato tenors of the
18th century. Handels
enemies brought him to
London so that he could
outshine Handels singers.
Here, Matthus depicts
Farinelli at the Spanish
court, ruled by the
pathologically melancholy
King Philip V. In a
review of his life, we
relive important stages
in the career of the
singer, who lived outside
of the norm and found his
home in the fascinating
twilight world between
art and
artificiality.
Accordion solo SKU: BR.EB-9024 Composed by Nicolaus A. Huber. Solo instru...(+)
Accordion solo
SKU:
BR.EB-9024
Composed
by Nicolaus A. Huber.
Solo instruments;
Softcover. Edition
Breitkopf.
World
premiere: Tokyo, March
27, 1986
Music
post-1945; New music
(post-2000). Score.
Composed 1985. 20 pages.
Duration 15'. Breitkopf
and Haertel #EB 9024.
Published by Breitkopf
and Haertel (BR.EB-9024).
ISBN 9790004179079. 9
x 12 inches.
Auf
Flugeln der Harfe bezieht
sich zum einen auf ein
Liebesgedicht von
Heinrich Heine mit dem
ahnlichen Titel ,,Auf
Flugeln des Gesanges, zum
anderen auf den
gedanklichen
Ausgangspunkt der
Komposition, zunachst
nicht vom Akkordeon,
sondern von der Harfe aus
zu denken, um so ein
Stuck zu schreiben, das
zwar die Moglichkeiten
des Akkordeons ausnutzt,
aber gleichzeitig haufig
zu horende Typisierungen
meidet. Die grundlegende
Denkfigur ist das
Harfenbisbigliando,
dessen tonrepetitive
Gestalt sich bis zum
,,Ton und zur ,,Melodie
horizontal verfestigt und
entfaltet und bis zum
Akkord vertikal
ubereinanderschiebt und
einebnet. Dementsprechend
verfluchtigt sich das
vierfache Piaono zum
tonlosen Luftgerausch und
treibt das dreifache
Forte zum gepressten
Uberdruckton, ist das
zart Schwebende bis zu
einer nur mit ausserster
Anstrengung des Spielers
erzeugbaren
Balgrepetition getrieben.
Die Expressivitat des
lufterzeugten Tones ruhrt
von einer sehr
differenzierten
Lautstarkekomposition her
und von einer zeitlichen
Trennung des Balg- und
Tastenrhythmus. Die
repetitiven
Schwingungssysteme
bewegen sich linear (1 2
3 4 5 usw.) oder in
,,organischer
Fibonacci-Reihung (1 2 3
5 8 usw.), dies in
horizontal additiver und
in zusammengestauchter
divisiver Innengliederung
ubergeordneter
Hull-Dauern. Auch die
Form ist eine
ununterbrochene
Zeitreihung von 47
Achtel-Langen, die in
sich in immer neuer Weise
gegliedert sind:
Akkordeon und Komposition
als breathing box.
(Nicolaus A. Huber, 1985)
CDs: Teodoro Anzellotti
CD plane, Edition V 88663
CD Koch 31356-2 Stefan
Hussong CD Perspektives.
25 Years Gaudeamus
Foundation Mie Miki CD
Klavins Music KM 019
Margit Kern CD Heart,
edition zeitklang
ez-22024 Bibliography:
Klotzke , Ernst-August:
Nicolaus A. Hubers Auf
Flugeln der Harfe, in:
Neue Zeitschrift fur
Musik 2/1994, pp.
15-16.
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Two Worlds Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Score and Parts Concert Band - Grade 3 SKU: HL.44004351 From Walt Disn...(+)
Score and Parts Concert
Band - Grade 3
SKU:
HL.44004351
From
Walt Disney Pictures'
TARZAN. Composed by
Phil Collins. Arranged by
T. Hoshide. De Haske
Concert Band.
TV-Film-Musical-Show.
Score Only. Composed
2000. De Haske
Publications #D060300.
Published by De Haske
Publications
(HL.44004351).
UPC:
073999043518.
The
unforgettable song Two
Worlds was performed by
Phil Collins inthe Disney
movie Tarzan. The film
has now been transformed
into asell-out musical on
Broadway, which is soon
to be performed in
theatresaround Europe.
Why not add a little
Disney magic to your
concert withthis lively
arrangement.
De
bekende Engelse
singer-songwriter Phil
Collins componeerde de
muziek voor de
succesvolle
Disney-tekenfilm
Tarzan, waaronder
de populaire songs
You'll Be in My
Heart en Two
Worlds. Collins'
aanstekelijke poprockis
bekend en geliefd bij een
wereldwijd
publiek.
Der
erfolgreiche
Walt-Disney-Zeichentrickf
ilm Tarzan feiert
in der neuen
Musicalversion in
Deutschland 2008
Premiere. Zu
Tarzan steuerte
kein Geringerer als Phil
Collins einige
unvergessene Songs bei,
darunter auch das Lied
Two Worlds, das
Sie in der Bearbeitung
von Takashi Hoshide schon
jetzt auf Ihr
Konzertprogramm setzen
konnen.
En 1999,
Phil Collins, legende
vivante du rock, ajoutait
un nouveau chapitre a sa
longue et prestigieuse
carriere en rejoignant
Mark Mancina et Nicolas
Faramia pour collaborer a
la creation de la bande
originale du film
d'animation Disney
Tarzan. Ses
rythmes bases sur les
percussions et sa voix
particuliere apportent
une vraie identite
musicale au film. Phil
Collins est recompense
d'un Oscar pour la
chanson You'll Be In
My Heart. Avec Two
Worlds (Entre deux
mondes), il fait
preuve d'un veritable
sens du genie de la
percussion.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-16. Published by
Breitkopf and Haertel
(BR.OB-32117-16).
ISBN
9790004350843. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-26. Published by
Breitkopf and Haertel
(BR.OB-32117-26).
ISBN
9790004350867. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-15. Published by
Breitkopf and Haertel
(BR.OB-32117-15).
ISBN
9790004350836. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-30. Published by
Breitkopf and Haertel
(BR.OB-32117-30).
ISBN
9790004350874. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-11. Published by
Breitkopf and Haertel
(BR.OB-32117-11).
ISBN
9790004350829. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Sheet Music.
Duration 25'. Breitkopf
and Haertel #PB 32117.
Published by Breitkopf
and Haertel
(BR.PB-32117).
ISBN
9790004215845. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-19. Published by
Breitkopf and Haertel
(BR.OB-32117-19).
ISBN
9790004350850. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled. Edition
Breitkopf. Cantata;
Baroque. Piano/Vocal
Score. Duration 25'.
Breitkopf and Haertel #EB
32117. Published by
Breitkopf and Haertel
(BR.EB-32117).
ISBN
9790004187258. 7.5 x 10.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Kefas Ensemble de cuivres [Conducteur] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000578-130 Composed by Rob Goorhuis. Sco...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000578-130
Composed by Rob Goorhuis.
Score Only. 26 pages.
Gobelin Music
Publications #GOB
000578-130. Published by
Gobelin Music
Publications
(BT.GOB-000578-130).
The composition
Kefas was written for the
brass band 'Apollo' from
Grou (The Netherlands),
by order of the Unisono
Foundation, the
organisation for wind
music in The
Netherlands. The
assignment was given on
account of earning the
Champions Title during
the Dutch Brass Band
Championships in the year
2001 (4th
division).
The
theme of the composition
links the tradition of
the village Grou, not to
celebrate Sint Nicolaas
but Sint Pieter.By this
typical Dutch festivity
(in December) the holy
Nicolaas gives presents
to the children. It is a
popular custom where
young and old
participate. Grou is
the only place where this
is not done by Sint
Nicolaas but by Sint
Pieter.Apart from that,
on the 22th of Februari,
a lot of festivities that
take place,resemble those
of the Sinterklaas
celebration.
In
the composition two Sint
Pieter songs are
processed, set through
bible scenes, wherein in
among others the visit of
Christ to the house of
Peter's Mother-in-law and
the calling of Peter are
depicted. The title
refers to the
pronouncement of Christ,
where he named Peter the
rock on which he shall
build his church. The
Hebrew word for rock is
Kephas. Kefas was
premiered in 2003.
Kefas Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000578-030 Composed by Rob Goorhuis. Set...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000578-030
Composed by Rob Goorhuis.
Set (Score & Parts). 15
pages. Gobelin Music
Publications #GOB
000578-030. Published by
Gobelin Music
Publications
(BT.GOB-000578-030).
The composition
Kefas was written for the
brass band 'Apollo' from
Grou (The Netherlands),
by order of the Unisono
Foundation, the
organisation for wind
music in The
Netherlands. The
assignment was given on
account of earning the
Champions Title during
the Dutch Brass Band
Championships in the year
2001 (4th
division).
The
theme of the composition
links the tradition of
the village Grou, not to
celebrate Sint Nicolaas
but Sint Pieter.By this
typical Dutch festivity
(in December) the holy
Nicolaas gives presents
to the children. It is a
popular custom where
young and old
participate. Grou is
the only place where this
is not done by Sint
Nicolaas but by Sint
Pieter.Apart from that,
on the 22th of Februari,
a lot of festivities that
take place,resemble those
of the Sinterklaas
celebration.
In
the composition two Sint
Pieter songs are
processed, set through
bible scenes, wherein in
among others the visit of
Christ to the house of
Peter's Mother-in-law and
the calling of Peter are
depicted. The title
refers to the
pronouncement of Christ,
where he named Peter the
rock on which he shall
build his church. The
Hebrew word for rock is
Kephas. Kefas was
premiered in 2003.
Guitar - intermediate SKU: M7.VOGG-816 Composed by Gernot Roedder. This e...(+)
Guitar - intermediate
SKU: M7.VOGG-816
Composed by Gernot
Roedder. This edition:
Ring/Spiral binding.
Sheet music with 2 CDs.
152 pages. Voggenreiter
#VOGG 816. Published by
Voggenreiter
(M7.VOGG-816).
ISBN
9783802408168.
German.
Für
Gitarristen der
Mittelstufe Ãœber 60
der bekanntesten und
wichtigsten Stücke
für die Konzertgitarre
(Solo und Duo) aus drei
Jahrhunderten in
traditioneller Notation -
die unentbehrliche
Stückesammlung, die in
keinem gutsortierten
Notenregal fehlen darf!
Endlich alle Stücke,
die man sich bisher in
Einzelausgaben anschaffen
oder aus Dutzenden von
Sammlungen
zusammenstellen musste,
in einem einzigen Band!
Von Aguado und Bach bis
zu Sor und Tárrega,
hier findet sich für
jeden
Gitarristengeschmack das
Richtige. Alle Stücke
spielfertig eingerichtet
mit Fingersätzen und
Lagenangaben. Die beiden
aufwendig produzierten
Begleit-CDs sind nicht
nur ein idealer Begleiter
beim Ãœben, sondern
auch ein absoluter
Hörgenuss für jeden
Liebhaber klassischer
Gitarrenmusik.
Saxophone - Early Intermediate SKU: FH.WS3 Saxophone Series, 2013 Edit...(+)
Saxophone - Early
Intermediate
SKU:
FH.WS3
Saxophone
Series, 2013 Edition.
Composed by The Royal
Conservatory. Saxophone
Series, 2013 Edition.
Book/CD. 48/20 pages. The
Frederick Harris Music
Company #WS3. Published
by The Frederick Harris
Music Company (FH.WS3).
ISBN
978-1-55440-552-7.
Unparalleled in scope,
this groundbreaking
series for E_Alto and
B_Tenor offers a single
collection of Repertoire
and supporting materials
written or arranged
specifically for
saxophone. With
Repertoire spanning from
the Baroque to
contemporary eras,
Recordings, Etudes,
Technique, and Orchestral
Excerpts, this
comprehensive series
serves as a balanced and
organized pedagogical
resource from the
beginner to advanced
levels of study. Nine
progressive volumes of
Repertoire expose
students to original
works and arrangements of
diverse styles from W.A.
Mozart to Violet Archer,
with selected works by
notable jazz artist Paul
Desmon (Take Five), and
living composer Phil
Woods. Each level
provides opportunities to
explore Baroque,
Classical, Romantic, and
contemporary works, with
original, unaccompanied
selections from Levels 5
through 8 that use
extended techniques such
as multiphonics, key
clicks, and bisbigliando.
Earlier works pre-dating
the origin of the
saxophone have been
carefully arranged with
consideration of the
unique quality of the
instrument. Exposure to
these works help to
develop musicianship and
an understanding of
tonality, creating
well-rounded and
versatile performers.
Selections written for
both E_Alto and B_Tenor
include piano
accompaniments that
function with both
instruments. Eb
Saxophone:
Mainly
Transcriptions: Sonata
, op. 2, no. 1 -
Benedetto Marcello, arr.
Jason Noble - Third
Movement - Fourth
Movement Mazurka, op.
67, no. 2 - Frederic
Chopin Sonata, BWV
1033 - attr. Johann
Sebastian Bach, arr.
Stephen Chatman -
Menuet I - Menuet
II Tambourin (from
Iphigenie en Aulide) -
Christoph Willibald
Gluck, arr. Christine
Donkin Anglois con
Variationi - Johann
Gottlieb Nicolai, arr.
Stephen Chatman Mainly
Original Repertoire for
Saxophone: Song -
Walter S. Hartley It's
a Raggy Waltz - Dave
Brubeck, arr. Paul Harris
and Beverley
Calland Dancing Under
the Afghan Sky -
Christiaan
Venter Flight - Noel
Gallon
Bb
Saxophone:
Mainly
Transcriptions: Serena
de - attr. Roman
Hoffstetter, arr. John
Harle Sonata, K 13 -
Wolfgang Amadeus
Mozart - Menuetto
I - Menuetto
II Intermezzo (from
Cavalleria Rusticana) -
Pietro Mascagni, arr.
Eugene
Rousseau Sinfonia
(Arioso) - Johann
Sebastian Bach, arr. Mark
Mrozinski Mainly
Original Repertoire for
Saxophone: Dancing
Under the Afghan Sky -
Christiaan
Venter Grand Ole Duke
- James Rae The Blue
Fox - Frank J.
Halferty.
Vocal and Piano (Voice and Piano) SKU: HL.50487684 Composed by N. Bretan....(+)
Vocal and Piano (Voice
and Piano)
SKU:
HL.50487684
Composed
by N. Bretan. 20th
Century. EMB. Classical.
Book [Softcover]. Editio
Musica Budapest #Z13636.
Published by Editio
Musica Budapest
(HL.50487684).
ISBN
9790080136362. Bach (23 x
30,2 cm) inches.
Hungarian, English.
Nicolae
Bretan.
Nicolae
Bretan (1887-1968) was a
great singer and composer
who had the keys to
create great lieder. He
understood that the
imagery of poetry deeply
stirs the subconscious,
that verbal images must
be weighed and translated
with precise yet
unmeasurab le artistry
into rhythm and harmony.
Given songs that
penetrate the listener's
psyche, that arouse the
listener's humanity, that
increase the listener's
sense of beauty, the
singer has munch of his
work already done for
him. And the singer who
sings Bretan is far ahead
on the pathways to his
audience's mind and
heart. The listeners
sense new doors onto
vistas of order and
beauty, torment and calm.
This release of energy
withinthe audience is the
secret of art. Art is
eternity's dialogue in
whic h the listener
participates, which the
listener fills in with
his own emotion, his own
experience... Frederica
von Stade
Nicolae
Bretan (1887-1968) war
ein Sanger und Komponist
der das Geheimnis der
grossen Liedschopfung
kannte. Erwusste, dass
das poetische Bild das
Unterbewusste zutiefst
aufwuhlt, dass das
poetische Wort mit
praziser und vollendeter
kunstlerischer
Meisterschaft in Rhythmen
und Harmonien verwandelt
werden muss. Dadurch,
dass diese Lieder in die
Seele des Horers dringen,
das Humane, in ihm
erwecken, seinen Sinn fur
Schonheit steigern, wird
dem Sanger seine Arbeit
erleichtert. Und der
Interpret, der Bretan
singt, befindet sich in
jenen hohen Gefilden und
auf Wegen die zum Herz
und Verstand des
Publikums fuhren. Seine
Horer erahnen Pfade zu
neuen Ordnungen
undSchonheiten, zu
Erregung und Stille.
Dieser Ausbruch von
Energien im Inneren des
Zuhorers ist das
Geheimnis der Kunst. Die
Kunst ist der Dialog der
Ewigkeit, an dem das
Publikum teilnimmt, den
es mit seinen eigenen
Emotionen und Erfahrungen
erganzt... Frederica von
Stade.
Am I Wrong Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.43089S As Recorded by Nico & Vinz. ...(+)
Concert Band - Grade 1
SKU: AP.43089S
As Recorded by Nico &
Vinz. Composed by
Abdoulie Jallow, Nicolay
Sereba, Vincent Dery, and
William Larsen. Arranged
by Victor Lopez. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Beginning Band. Pop;
Radio. Score. 16 pages.
Duration 2:00. Alfred
Music #00-43089S.
Published by Alfred Music
(AP.43089S).
UPC:
038081500362.
English.
The
hottest song of summer
and it seems to be
retaining the heat with
no indication of cooling
down. A perfect tool to
teach counting and
rhythm, this soul-infused
tune features distinctive
African rhythms and a
unique world music twist.
Let the students and
audience embrace world
culture at your next
concert. (2:00).
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49044087
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. 12 pages.
Schott Music #ED21773-10.
Published by Schott Music
(HL.49044087).
ISBN
9790001196963.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49019927
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover. 12
pages. Schott Music
#ED21773-01. Published by
Schott Music
(HL.49019927).
ISBN
9790001196956.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49044071
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Ensemble. Softcover. 8
pages. Schott Music
#ED21773-11. Published by
Schott Music
(HL.49044071).
ISBN
9790001199063.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49044056
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover. 32
pages. Schott Music
#ED21773. Published by
Schott Music
(HL.49044056).
ISBN
9790001196208.
9.0x12.0x0.123 inches.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!