| Arabesque for Flute Quartet Quatuor de Flûtes : 4 flûtes Metropolis Music Publishers
Flute Quartet SKU: IS.FQ6573EM Composed by Alex Christiaens. Woodwinds - ...(+)
Flute Quartet SKU:
IS.FQ6573EM Composed
by Alex Christiaens.
Woodwinds - Flute.
Metropolis Music
Publishers #FQ6573EM.
Published by Metropolis
Music Publishers
(IS.FQ6573EM). ISBN
9790365065738. Alex
Christiaens was born in
1957and started courses
on solfège, piano,
music theory and music
history at the
conservatorium of
Hasselt. After his
secondary education
(Latin-Greek), he was
awarded a Master degree
in translation and
started to work for a
Flemish bank. Since then,
he has been living in
Leuven. Music remained an
important part of his
life. After having
finished the piano course
at the conservatorium of
Leuven, he continued his
musical journey by
completing the organ
course with Peter
Breugelmans, the harmony
and composition course
with Erika Budai and the
clarinet course with Bart
Van den Bosch. He
regularly performed in
public, not only as a
soloist but also as the
accompanist of singers,
choirs and
instrumentalists. Since
many years, he has been
active as an organist in
Leuven and has been
singing in the choir
Tourdion under the
leadership of Rik
Ghesquière. He started
composing as part of the
harmony course. Most of
his compositions are
short works written for
piano or solo instruments
with accompaniment . $19.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| La nuit, le forêt se réveille for Flute Quartet Quatuor de Flûtes : 4 flûtes Metropolis Music Publishers
Flute Quartet SKU: IS.FQ6575EM Composed by Alex Christiaens. Woodwinds - ...(+)
Flute Quartet SKU:
IS.FQ6575EM Composed
by Alex Christiaens.
Woodwinds - Flute.
Metropolis Music
Publishers #FQ6575EM.
Published by Metropolis
Music Publishers
(IS.FQ6575EM). ISBN
9790365065752. Alex
Christiaens was born in
1957and started courses
on solfège, piano,
music theory and music
history at the
conservatorium of
Hasselt. After his
secondary education
(Latin-Greek), he was
awarded a Master degree
in translation and
started to work for a
Flemish bank. Since then,
he has been living in
Leuven. Music remained an
important part of his
life. After having
finished the piano course
at the conservatorium of
Leuven, he continued his
musical journey by
completing the organ
course with Peter
Breugelmans, the harmony
and composition course
with Erika Budai and the
clarinet course with Bart
Van den Bosch. He
regularly performed in
public, not only as a
soloist but also as the
accompanist of singers,
choirs and
instrumentalists. Since
many years, he has been
active as an organist in
Leuven and has been
singing in the choir
Tourdion under the
leadership of Rik
Ghesquière. He started
composing as part of the
harmony course. Most of
his compositions are
short works written for
piano or solo instruments
with accompaniment . $19.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Soli ATB, SATB Choir, 2 Fl, 2 Obda, 2 Vl, Va, Bc SKU: CA.3112309 Canta...(+)
Soli ATB, SATB Choir, 2
Fl, 2 Obda, 2 Vl, Va, Bc
SKU: CA.3112309
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
1x 31.123/21 flute 1, 1x
31.123/22 flute 2, 1x
31.123/23 oboe d'amore 1,
1x 31.123/24 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. BWV 123.
Duration 22 minutes.
Carus Verlag #CV
31.123/09. Published by
Carus Verlag
(CA.3112309). ISBN
9790007207465. Language:
German/English. Text:
Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and parts
available separately -
see item CA.3112300. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Et le Roi danse for Flute Quartet Quatuor de Flûtes : 4 flûtes Metropolis Music Publishers
Flute Quartet SKU: IS.FQ6574EM Composed by Alex Christiaens. Woodwinds - ...(+)
Flute Quartet SKU:
IS.FQ6574EM Composed
by Alex Christiaens.
Woodwinds - Flute.
Metropolis Music
Publishers #FQ6574EM.
Published by Metropolis
Music Publishers
(IS.FQ6574EM). ISBN
9790365065745. Alex
Christiaens was born in
1957and started courses
on solfège, piano,
music theory and music
history at the
conservatorium of
Hasselt. After his
secondary education
(Latin-Greek), he was
awarded a Master degree
in translation and
started to work for a
Flemish bank. Since then,
he has been living in
Leuven. Music remained an
important part of his
life. After having
finished the piano course
at the conservatorium of
Leuven, he continued his
musical journey by
completing the organ
course with Peter
Breugelmans, the harmony
and composition course
with Erika Budai and the
clarinet course with Bart
Van den Bosch. He
regularly performed in
public, not only as a
soloist but also as the
accompanist of singers,
choirs and
instrumentalists. Since
many years, he has been
active as an organist in
Leuven and has been
singing in the choir
Tourdion under the
leadership of Rik
Ghesquière. He started
composing as part of the
harmony course. Most of
his compositions are
short works written for
piano or solo instruments
with accompaniment . $19.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Soirée Parisienne for Flute Quartet Quatuor de Flûtes : 4 flûtes Metropolis Music Publishers
Flute Quartet SKU: IS.FQ6572EM Composed by Alex Christiaens. Woodwinds - ...(+)
Flute Quartet SKU:
IS.FQ6572EM Composed
by Alex Christiaens.
Woodwinds - Flute.
Metropolis Music
Publishers #FQ6572EM.
Published by Metropolis
Music Publishers
(IS.FQ6572EM). ISBN
9790365065721. Alex
Christiaens was born in
1957and started courses
on solfège, piano,
music theory and music
history at the
conservatorium of
Hasselt. After his
secondary education
(Latin-Greek), he was
awarded a Master degree
in translation and
started to work for a
Flemish bank. Since then,
he has been living in
Leuven. Music remained an
important part of his
life. After having
finished the piano course
at the conservatorium of
Leuven, he continued his
musical journey by
completing the organ
course with Peter
Breugelmans, the harmony
and composition course
with Erika Budai and the
clarinet course with Bart
Van den Bosch. He
regularly performed in
public, not only as a
soloist but also as the
accompanist of singers,
choirs and
instrumentalists. Since
many years, he has been
active as an organist in
Leuven and has been
singing in the choir
Tourdion under the
leadership of Rik
Ghesquière. He started
composing as part of the
harmony course. Most of
his compositions are
short works written for
piano or solo instruments
with accompaniment . $19.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Triptych - This Mirror Has Three Faces: Trio No. 2 Violon Sikorski
Cello; Piano; String Trio; Violin (Score & Parts) SKU: HL.50600530 For...(+)
Cello; Piano; String
Trio; Violin (Score &
Parts) SKU:
HL.50600530 For
Violin, Cello and
Piano. Composed by
Lera Auerbach. Ensemble.
Classical. Softcover. 52
pages. Sikorski #SIK8820.
Published by Sikorski
(HL.50600530). UPC:
888680704391.
8.25x12.0x0.198
inches. “I
like the idea of
exploring the dramatic,
ritualistic side of
music. In The Mirror With
Three Faces, one can look
at three different faces
or roles of the same
person or at three
distinct personalities
– each with its
own face. Each character
(i.e. instrument) may be
isolated, in conflict, or
in harmony with others
and itself. This trio
explores individuality
and ensemble, harmony and
conflict, one in three or
three in one –
that is the ambiguous
nature of this work,
structured in the form of
a triptych.†(Lera
Auerbach). $57.00 - Voir plus => Acheter | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| La 6a Noche. Concierto-Fantasia Editorial de Musica Boileau
Guitarra (Guitar) y Piano SKU: BO.B.3106 Composed by Jordi Cervello. Pluc...(+)
Guitarra (Guitar) y Piano
SKU: BO.B.3106
Composed by Jordi
Cervello. Plucked
Instruments. Duration
21:00. Published by
Editorial de Musica
Boileau (BO.B.3106).
ISBN
9788480201940. Engl
ish comments: With
reference to the melody
used to write the
Fanstasia-Concerto, the
composer Jordi Cervello
says: A few years ago, a
friend of mine, Jorge
Wagensberg sang me a
beautiful old Jewish
melody inspired by the
hymn Leja Dodi (Come, my
beloved) by the Sefardie
cabbalist Solomon Alkabez
(1505-1576), who is
buried in Israel. I was
immediately entranced by
its two extensive
thematic ideas which
complement each other
perfectly. Its melodic
and folk qualities seemed
to me to make it an ideal
theme for a work for
guitar and orchestra. The
orchestration is a fine
thread of metallic
timbres, which are
present both in the very
delicate subtleties of
the pianissimi passages
and the brilliant tutti.
Moreover, the cler tonal
definition of the melody
contrasts with audacious
harmonic contrapunctual
textures, characteristic
of the most advanced
musical styles of our
times. The solo guitar
part is a model piece of
compositon for the
guitar, both for its
melody and harmony. It
puts forward extremely
original formulas which
are very effective from
an instrumental point of
view. Its abundant use of
arpeggios, chords,
harmonic pedals and other
instrumental resources
ensure that the dialogue
with the orchestra is
based completely on
guitar-playing
techniques, putting the
guitarist's expressive
skill and mastery to the
test. This work was first
performed on December 3
1997 in Sabadell's La
Farandula Theatre
performed by the Valles
Symphonic Orchestra
conducted by its
permanent conductor
Salvador Brotons. The
guitar solo part was
played by Jaume Torrent,
to whom the work is
dedicated.
Comen
tarios del
Espanol: En relacion
al origen de la melodia
utilizada en este
Concierto-Fantasia, el
compositor Jordi Cervello
comenta: Hace ya algunos
anos, mi amigo Jorge
Wagensberg me canto una
antigua y deliciosa
melodia judia compuesta
sobre el himno Leja Dodi
(Ven mi bien amada) del
cabalista sefardi Solomon
Alkabez (1505-1576), cuya
tumba se encuentra en
Israel. En seguida me
cautivo por las dos
amplias ideas tematicas
que contiene, las cuales
se complementan muy
armoniosamente. Por sus
caracteristicas melodicas
y por su caracter popular
me parecio un tema ideal
para una obra de guitarra
y orquesta. La
orquestacion de este
concierto es una
filigrana de sugerencias
timbricas, presentes
tanto en las mas
delicadas sutilezas de
los pianissimi como en
los efusivos tutti.
Asimismo, la clara
definicion tonal de la
melodia contrasta con
audaces texturas
armonicas y
contrapuntisticas propias
de la estetica musical de
nuestros dias. La parte
del instrumento solista
en un modelo de escritura
guitarristica, tanto
desde el punto de vista
melodico como del
armonico y propone
formulas que resultan de
una gran originalidad y
eficacia instrumental. La
prodigalidad de arpegios,
acordes, pedales
armonicos y otros
recursos instrumentales,
garantizan un dialogo con
la orquesta desde un
lenguaje plenamente
guitarristico, a traves
del cual, el interprete
pone a prueba tanto su
capacidad expresiva como
la vituosistica. El
estreno de esta obra tuvo
lugar el dia 3 de octubre
de 1997 en el Teatro La
Farandula de Sabadell,
interpretada por la
Orquesta Sinfonica del
Valles bajo la direccion
de su director titular
Salvador Brotons, y
actuando como solista el
guitarrista Jaume Torrent
a quien esta dedicada la
obra. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| La 6 Noche: Concierto-Fantasia Guitare, Orchestre Editorial de Musica Boileau
Guitar and orchestra SKU: BO.B.3105 Composed by Jordi Cervello. Plucked I...(+)
Guitar and orchestra
SKU: BO.B.3105
Composed by Jordi
Cervello. Plucked
Instruments. Duration
21:00. Published by
Editorial de Musica
Boileau (BO.B.3105).
ISBN
9788480202350. Engl
ish comments: With
reference to the melody
used to write the
Fanstasia-Concerto, the
composer Jordi Cervello
says: A few years ago, a
friend of mine, Jorge
Wagensberg sang me a
beautiful old Jewish
melody inspired by the
hymn Leja Dodi (Come, my
beloved) by the Sefardie
cabbalist Solomon Alkabez
(1505-1576), who is
buried in Israel. I was
immediately entranced by
its two extensive
thematic ideas which
complement each other
perfectly. Its melodic
and folk qualities seemed
to me to make it an ideal
theme for a work for
guitar and orchestra. The
orchestration is a fine
thread of metallic
timbres, which are
present both in the very
delicate subtleties of
the pianissimi passages
and the brilliant tutti.
Moreover, the cler tonal
definition of the melody
contrasts with audacious
harmonic contrapunctual
textures, characteristic
of the most advanced
musical styles of our
times. The solo guitar
part is a model piece of
compositon for the
guitar, both for its
melody and harmony. It
puts forward extremely
original formulas which
are very effective from
an instrumental point of
view. Its abundant use of
arpeggios, chords,
harmonic pedals and other
instrumental resources
ensure that the dialogue
with the orchestra is
based completely on
guitar-playing
techniques, putting the
guitarist's expressive
skill and mastery to the
test. This work was first
performed on December 3
1997 in Sabadell's La
Farandula Theatre
performed by the Valles
Symphonic Orchestra
conducted by its
permanent conductor
Salvador Brotons. The
guitar solo part was
played by Jaume Torrent,
to whom the work is
dedicated.
Comen
tarios del
Espanol: En relacion
al origen de la melodia
utilizada en este
Concierto-Fantasia, el
compositor Jordi Cervello
comenta: Hace ya algunos
anos, mi amigo Jorge
Wagensberg me canto una
antigua y deliciosa
melodia judia compuesta
sobre el himno Leja Dodi
(Ven mi bien amada) del
cabalista sefardi Solomon
Alkabez (1505-1576), cuya
tumba se encuentra en
Israel. En seguida me
cautivo por las dos
amplias ideas tematicas
que contiene, las cuales
se complementan muy
armoniosamente. Por sus
caracteristicas melodicas
y por su caracter popular
me parecio un tema ideal
para una obra de guitarra
y orquesta. La
orquestacion de este
concierto es una
filigrana de sugerencias
timbricas, presentes
tanto en las mas
delicadas sutilezas de
los pianissimi como en
los efusivos tutti.
Asimismo, la clara
definicion tonal de la
melodia contrasta con
audaces texturas
armonicas y
contrapuntisticas propias
de la estetica musical de
nuestros dias. La parte
del instrumento solista
en un modelo de escritura
guitarristica, tanto
desde el punto de vista
melodico como del
armonico y propone
formulas que resultan de
una gran originalidad y
eficacia instrumental. La
prodigalidad de arpegios,
acordes, pedales
armonicos y otros
recursos instrumentales,
garantizan un dialogo con
la orquesta desde un
lenguaje plenamente
guitarristico, a traves
del cual, el interprete
pone a prueba tanto su
capacidad expresiva como
la vituosistica. El
estreno de esta obra tuvo
lugar el dia 3 de octubre
de 1997 en el Teatro La
Farandula de Sabadell,
interpretada por la
Orquesta Sinfonica del
Valles bajo la direccion
de su director titular
Salvador Brotons, y
actuando como solista el
guitarrista Jaume Torrent
a quien esta dedicada la
obra. $43.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Partners n' Sidekicks 2 Flûtes traversières (duo) - Facile Eighth Note Publications
By Kevin Kaisershot. For 2 Flutes. Mixed Instruments - Flexible Instrumentation....(+)
By Kevin Kaisershot. For
2 Flutes. Mixed
Instruments - Flexible
Instrumentation. 8 pages
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112305
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
BWV 123. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/05. Published by
Carus Verlag
(CA.3112305). ISBN
9790007166519. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score available
separately - see item
CA.3112300. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112312
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 2.
BWV 123. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/12. Published by
Carus Verlag
(CA.3112312). ISBN
9790007207489. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and part
available separately -
see item CA.3112300. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112349
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Organ. BWV 123. 12 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/49. Published by
Carus Verlag
(CA.3112349). ISBN
9790007207519. Language:
German/English. Text:
Fritsch, Ahasverus. Text
by Ahasverus
Fritsch. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and part
available separately -
see item CA.3112300. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sounds of Celebration [Partition] Daybreak Music
Bass, Tuba (Bass/Tuba) - Difficulty: medium SKU: HL.8742511 Solos with...(+)
Bass, Tuba (Bass/Tuba) -
Difficulty: medium
SKU: HL.8742511
Solos with Ensemble
Arrangements for Two or
More Players.
Arranged by Stan Pethel.
Contemporary Christian.
Bass/tuba songbook. With
standard notation, solo
part and harmony part. 22
pages. Published by
Daybreak Music
(HL.8742511). ISBN
9780634019388. UPC:
073999872187. 9x12
inches. Solos with
Ensemble Arrangements for
Two or More Players arr.
Stan Pethel. Here's
a new series useful to
fill plenty of solo and
ensemble needs. Whether
it's a soloist using a
book (accompanied by
piano (#8742513) or the
fully-orchestrated
accompaniment track
(#8742514)) or two,
three, four players, or a
full orchestra, Sounds of
Celebration is a uniquely
flexible new idea for
church instrumentalists!
Each book includes a solo
line and an ensemble
line. Mix and match lines
with different
instruments if used with
an ensemble, or play the
solo line when used as a
solo book. Titles include
As the Deer, He Is
Exalted, Shout to the
Lord and more. (3)$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz Theory and Workbook Théorie de la musique Hal Leonard
| | |
| Christ Jesus praise we ev'ryone (Christum wir sollen loben schon) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Soli SATB, SATB Choir, Obda, Ctto, 3 Trb, 2 Vl, Va, Bc SKU: CA.3112109 (+)
Soli SATB, SATB Choir,
Obda, Ctto, 3 Trb, 2 Vl,
Va, Bc SKU:
CA.3112109 Cantata
for the 2nd day of
Christmas. Composed
by Johann Sebastian Bach
and Martin Luther. Edited
by Frieder Rempp. 1x
31.121/21 oboe d'amore,
2x 31.121/31 Cornetto,
Trombone 1, 2x 31.121/32
trombone 2 and 3. Hymns
by Martin Luther:
Christum wir sollen loben
schon; Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Christmas. Set of
Orchestra Parts. Composed
1724. BWV 121. Duration
21 minutes. Carus Verlag
#CV 31.121/09. Published
by Carus Verlag
(CA.3112109). ISBN
9790007207335. Language:
German/English. Thi
s six-movement chorale
cantata was first
performed on 26 December
1724. The text is based
on the Lutheran
translation of the early
Christian hymn A solis
ortus cardinem. The outer
movements frame two arias
for tenor and bass, and
two secco recitatives for
alto and soprano. The
first and sixth movements
are in old-fashioned
style, with four-part
vocal writing and colla
parte instruments. In the
aria (movement 2) the
tenor is accompanied by
an obbligato oboe
d'amore, and in the 4th
and most striking
movement, the three
string parts accompany
the bass. The demands on
the singers,
instrumentalists, and
chorus are typical of a
Bach cantata. Score and
parts available
separately - see item
CA.3112100. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Partners n' Sidekicks 2 Trombones (duo) Eighth Note Publications
By Kevin Kaisershot. For 2 Trombones. Duet or Duo; Mixed Instruments - Flexible ...(+)
By Kevin Kaisershot. For
2 Trombones. Duet or Duo;
Mixed Instruments -
Flexible Instrumentation;
Part(s). Eighth Note
Publications. 8 pages.
Published by Eighth Note
Publications
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB [Conducteur] Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112300
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Full score. BWV
123. 44 pages. Duration
22 minutes. Carus Verlag
#CV 31.123/00. Published
by Carus Verlag
(CA.3112300). ISBN
9790007164843. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. $40.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112319
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. BWV 123.
Duration 22 minutes.
Carus Verlag #CV
31.123/19. Published by
Carus Verlag
(CA.3112319). ISBN
9790007166564. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score and parts
available separately -
see item CA.3112300. $106.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Modal Harmony Part 2 (for the Jazz Accordionist and all instrumentalists) Accordéon [Partition] Andel
By Mario Balestra. For jazz accordion. Les Editions du Nord. Published by Editio...(+)
By Mario Balestra. For
jazz accordion. Les
Editions du Nord.
Published by Edition
Andel
$42.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Dearest Immanuel, Lord of the Faithful (Liebster Immanuel, Herzog der Frommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso c...(+)
ATB vocal soli, SATB
choir, 2 flutes, 2 oboes
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3112303
Cantata for
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Vocal score.
BWV 123. 28 pages.
Duration 22 minutes.
Carus Verlag #CV
31.123/03. Published by
Carus Verlag
(CA.3112303). ISBN
9790007166465. Text
language: German/English.
Text: Fritsch,
Ahasverus. This
six-movement cantata uses
the hymn of the same name
by Ahasverus Fritsch,
first recorded in 1698 in
the Darmstadter
Liederbuch. This places
it amongst those chorale
cantatas which use a hymn
from the repertoire
associated with Pietism.
As was customary, the
hymn text is retained in
the outer movements,
whereas the text for the
inner movements - two
secco recitatives and a
tenor and a bass aria -
are concerned with the
contrast between the
hostile world and the
certainty of Jesus; the
links between the cantata
text and the Feast of the
Epiphany are
correspondingly tenuous.
In the first movement the
soprano sings the hymn
melody complete,
accompanied by mainly
homophonic vocal parts,
whilst the instrumental
writing is largely
influenced by the melody
of the first line of the
hymn. Remarkable is the
tenor aria, with its
contrasting central
section and its chromatic
twists and turns, in
which Bach once again
proves himself to be a
master of harmony. The
demands on the chorus are
fairly modest, whereas
the instrumentalists are
challenged in the first
movement and in both the
arias. Score available
separately - see item
CA.3112300. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Time for the Future Guitare - Intermédiaire Mel Bay
Guitar (all) - Intermediate SKU: MB.97884 Polyrhythm in Harmony. C...(+)
Guitar (all) -
Intermediate SKU:
MB.97884
Polyrhythm in
Harmony. Composed by
Bret Willmott. Theory and
Reference - Other, Theory
and Reference, Technique,
Theory, Reference and
Rhythm, Technique, Theory
and Reference, Perfect
binding. Jazz. Book. 240
pages. Mel Bay
Publications, Inc #97884.
Published by Mel Bay
Publications, Inc
(MB.97884). ISBN
9780786652808. UPC:
796279075428. 8.75 x
11.75 inches. By Bret
Willmott. Many
polyrhythms and
polymeters simultaneous
combinations of more than
one rhythmic pattern
exist in todays music,
with some being so common
they could be referred to
as rhythm licks. This
book presents a unique
and comprehensive
approach to polymetric
applications of various
rhythms over common chord
progressions and song
forms in 3/4 and 4/4,
written primarily for
instruments with chordal
capabilities. Non-chordal
instrumentalists
interested in rhythmic
development and
contemporary phrasing may
also benefit. Polymetric
rhythms will force a
variety of harmonic
anticipations and delays
which can have a profound
and beneficial effect on
harmonic, melodic, and
improvisational phrasing.
In addition, the focused
attention and expanded
awareness needed to
master these exercises
can also help in your
sensitivity and response
to the surrounding
environment and your
interactions with other
musicians and
audience. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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