Vocal and Piano (Piano) SKU: HL.14034353 Composed by David Turnbull. Musi...(+)
Vocal and Piano (Piano)
SKU: HL.14034353
Composed by David
Turnbull. Music Sales
America. Tuition. Book
[Softcover]. 48 pages.
Music Sales #BOE005030.
Published by Music Sales
(HL.14034353).
ISBN
9780711991712.
9.0x12.0x0.146
inches.
Step by
step instructions for
ABRSM and other singing
exams. This book contains
everything you need to
progress to Grade 3 and
includes over 30 songs
which can be used in your
exam. Includes sections
on warming-up, sight
singing and an
introduction to singing
with other people.
By David Shire, lyrics by Richard Maltby, Jr. For Piano/Vocal/Chords. This editi...(+)
By David Shire, lyrics by
Richard Maltby, Jr. For
Piano/Vocal/Chords. This
edition:
Piano/Vocal/Chords. Shows
and Movies. Broadway.
Book. 96 pages. Published
by Alfred Publishing.
Lyrics by Richard Maltby, music by David Shire. Vocal score for 3 male voices, 2...(+)
Lyrics by Richard Maltby,
music by David Shire.
Vocal score for 3 male
voices, 2 female voices
and piano accompaniment.
From the musical "Closer
Than Ever". With standard
notation, vocal melody,
lyrics and performance
notes. 272 pages.
Published by Alfred
Publishing.
Lyrics by Richard Maltby, music by David Shire. Songbook for voice and piano. Fr...(+)
Lyrics by Richard Maltby,
music by David Shire.
Songbook for voice and
piano. From the Broadway
musical "Closer Than
Ever". 49 pages.
Published by Alfred
Publishing.
Lyrics by Richard Maltby, music by David Shire. Songbook for voice and piano. Fr...(+)
Lyrics by Richard Maltby,
music by David Shire.
Songbook for voice and
piano. From the Broadway
musical "Big". 48 pages.
Published by Alfred
Publishing.
Lyrics by Richard Maltby, music by David Shire. Songbook for voice and piano. Fr...(+)
Lyrics by Richard Maltby,
music by David Shire.
Songbook for voice and
piano. From the Broadway
musical "Baby". 80 pages.
Published by Alfred
Publishing.
Fanfare Band - Grade 3 SKU: BT.AMP-139-020 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-139-020
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2005.
Anglo Music Press #AMP
139-020. Published by
Anglo Music Press
(BT.AMP-139-020).
9x12
inches.
English-German-French-Dut
ch.
This is an
ancient Welsh air that
was first published in
Relics of the Welsh Bards
in 1794. Dafydd (David)
Owain was a famous Welsh
bard who lived on a farm
called Gareg Wen (The
White Rock) in Eifionydd,
Carnarnvonshire, North
Wales. Tradition has it
that on his deathbed he
called for his harp and
composed this lovely
melody, requesting that
it be played at his
funeral. Accordingly, it
was later played at the
parish church of
Ynys-Cynhaiarn. Lyrics
were later added by
Ceiriog Hughes, which
describe the melody's
inspiration. This version
for fanfare band retains
all the beauty and
simplicity of the
original.
Deze
oude melodie uit Wales
werd in 1794 voor het
eerst uitgegeven in
Relics of the Welsh
Bards. Dafydd (David)
Owain was een beroemde
bard uit Wales, hij
woonde op een boerderij
genaamd Gareg Wen (De
witte rots) te
Eifionyddin
Carnarnvonshire, in
Noord-Wales. Volgens de
overlevering vroeg hij op
zijn sterfbed om zijn
harp en componeerde hij
vervolgens deze prachtige
melodie, met het verzoek
om die te laten spelen op
zijn begrafenis.
Overeenkomstigzijn wens
werd de melodie gespeeld
in de dorpskerk van
Ynys-Cynhaiarn. De tekst
werd later toegevoegd
door Ceiriog Hughes en
beschrijft de
ontstaansgeschiedenis van
deze
muziek.
Dafydd
Owain war ein
berühmter walisischer
Barde, der auf einem
Bauernhof namens Gareg
Wen, was so viel wie
weißer Felsen
bedeutet, lebte; daher
der Name David vom
weißen Felsen“.
Es wird erzählt, dass
Dafydd auf seinem
Sterbebett nach seiner
Harfe verlangte und dort
diese Melodie
komponierte, mit der
Bitte, man möge sie zu
seiner Beerdigung
spielen. Die Schlichtheit
dieses bezaubernden Airs
eignet sich perfekt als
Zwischenspiel in Ihrem
Konzert.
Dafydd
(David) Owain fu un poeta
e cantore gallese. Visse
a Eifionydd, nella contea
del Carnavonshire (nel
nord del Galles), in una
fattoria
chiamataâ€Gareg
wen†(La roccia
bianca). Una leggenda
narra che, prima di
morire,Dafydd Owain
chiese che gli venisse
portata la sua arpa.
Negli ultimi istanti
della sua vita avrebbe
composto questa deliziosa
melodia esigendo che
venisse eseguita al suo
funerale. Alcuni anni
dopo, il poeta John
Ceiriog Hughes scrisse un
testo riportandosi alla
storia che aveva portato
alla composizione di
questa melodia, divenuta
da allora un classico
della musica tradizionale
gallese.
David of the White Rock Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-139-010 Composed by Tradition...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-139-010
Composed by Traditional.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2005.
Anglo Music Press #AMP
139-010. Published by
Anglo Music Press
(BT.AMP-139-010).
9x12
inches.
English-German-French-Dut
ch.
This is an
ancient Welsh air that
was first published in
Relics of the Welsh Bards
in 1794. Dafydd (David)
Owain was a famous Welsh
bard who lived on a farm
called Gareg Wen (The
White Rock) in Eifionydd,
Carnarnvonshire, North
Wales. Tradition has it
that on his deathbed he
called for his harp and
composed this lovely
melody, requesting that
it be played at his
funeral. Accordingly, it
was later played at the
parish church of
Ynys-Cynhaiarn. Lyrics
were later added by
Ceiriog Hughes, which
describe the melody's
inspiration. This version
for concert band retains
all the beauty and
simplicity of the
original.
Deze
oude melodie uit Wales
werd in 1794 voor het
eerst uitgegeven in
Relics of the Welsh
Bards. Dafydd (David)
Owain was een beroemde
bard uit Wales, hij
woonde op een boerderij
genaamd Gareg Wen (De
witte rots) te
Eifionyddin
Carnarnvonshire, in
Noord-Wales. Volgens de
overlevering vroeg hij op
zijn sterfbed om zijn
harp en componeerde hij
vervolgens deze prachtige
melodie, met het verzoek
om die te laten spelen op
zijn begrafenis.
Overeenkomstigzijn wens
werd de melodie gespeeld
in de dorpskerk van
Ynys-Cynhaiarn. De tekst
werd later toegevoegd
door Ceiriog Hughes en
beschrijft de
ontstaansgeschiedenis van
deze
muziek.
Dafydd
Owain war ein
berühmter walisischer
Barde, der auf einem
Bauernhof namens Gareg
Wen, was so viel wie
weißer Felsen
bedeutet, lebte; daher
der Name David vom
weißen Felsen“.
Es wird erzählt, dass
Dafydd auf seinem
Sterbebett nach seiner
Harfe verlangte und dort
diese Melodie
komponierte, mit der
Bitte, man möge sie zu
seiner Beerdigung
spielen. Die Schlichtheit
dieses bezaubernden Airs
eignet sich perfekt als
Zwischenspiel in Ihrem
Konzert.
Dafydd
(David) Owain fu un poeta
e cantore gallese. Visse
a Eifionydd, nella contea
del Carnavonshire (nel
nord del Galles), in una
fattoria
chiamataâ€Gareg
wen†(La roccia
bianca). Una leggenda
narra che, prima di
morire,Dafydd Owain
chiese che gli venisse
portata la sua arpa.
Negli ultimi istanti
della sua vita avrebbe
composto questa deliziosa
melodia esigendo che
venisse eseguita al suo
funerale. Alcuni anni
dopo, il poeta John
Ceiriog Hughes scrisse un
testo riportandosi alla
storia che aveva portato
alla composizione di
questa melodia, divenuta
da allora un classico
della musica tradizionale
gallese.
Fanfare Band - Grade 3 SKU: BT.AMP-139-120 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-139-120
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2005. 12 pages.
Anglo Music Press #AMP
139-120. Published by
Anglo Music Press
(BT.AMP-139-120).
9x12
inches.
English-German-French-Dut
ch.
This is an
ancient Welsh air that
was first published in
Relics of the Welsh Bards
in 1794. Dafydd (David)
Owain was a famous Welsh
bard who lived on a farm
called Gareg Wen (The
White Rock) in Eifionydd,
Carnarnvonshire, North
Wales. Tradition has it
that on his deathbed he
called for his harp and
composed this lovely
melody, requesting that
it be played at his
funeral. Accordingly, it
was later played at the
parish church of
Ynys-Cynhaiarn. Lyrics
were later added by
Ceiriog Hughes, which
describe the melody's
inspiration. This version
for fanfare band retains
all the beauty and
simplicity of the
original.
Deze
oude melodie uit Wales
werd in 1794 voor het
eerst uitgegeven in
Relics of the Welsh
Bards. Dafydd (David)
Owain was een beroemde
bard uit Wales, hij
woonde op een boerderij
genaamd Gareg Wen (De
witte rots) te
Eifionyddin
Carnarnvonshire, in
Noord-Wales. Volgens de
overlevering vroeg hij op
zijn sterfbed om zijn
harp en componeerde hij
vervolgens deze prachtige
melodie, met het verzoek
om die te laten spelen op
zijn begrafenis.
Overeenkomstigzijn wens
werd de melodie gespeeld
in de dorpskerk van
Ynys-Cynhaiarn. De tekst
werd later toegevoegd
door Ceiriog Hughes en
beschrijft de
ontstaansgeschiedenis van
deze
muziek.
Dafydd
Owain war ein
berühmter walisischer
Barde, der auf einem
Bauernhof namens Gareg
Wen, was so viel wie
weißer Felsen
bedeutet, lebte; daher
der Name David vom
weißen Felsen“.
Es wird erzählt, dass
Dafydd auf seinem
Sterbebett nach seiner
Harfe verlangte und dort
diese Melodie
komponierte, mit der
Bitte, man möge sie zu
seiner Beerdigung
spielen. Die Schlichtheit
dieses bezaubernden Airs
eignet sich perfekt als
Zwischenspiel in Ihrem
Konzert.
Dafydd
(David) Owain fu un poeta
e cantore gallese. Visse
a Eifionydd, nella contea
del Carnavonshire (nel
nord del Galles), in una
fattoria
chiamataâ€Gareg
wen†(La roccia
bianca). Una leggenda
narra che, prima di
morire,Dafydd Owain
chiese che gli venisse
portata la sua arpa.
Negli ultimi istanti
della sua vita avrebbe
composto questa deliziosa
melodia esigendo che
venisse eseguita al suo
funerale. Alcuni anni
dopo, il poeta John
Ceiriog Hughes scrisse un
testo riportandosi alla
storia che aveva portato
alla composizione di
questa melodia, divenuta
da allora un classico
della musica tradizionale
gallese.
Carols for Choirs 1 (Fifty Christmas Carols). By Jacques and Willcocks. Edited b...(+)
Carols for Choirs 1
(Fifty Christmas Carols).
By Jacques and Willcocks.
Edited by Reginald
Jacques, David Willcocks.
For mixed choir. Mixed
Voices. ...for Choirs
Collections. Christmas,
Choral Collection. Choral
collection. 192 pages.
Published by Oxford
University Press
Flowerdale Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie and Trumpet Solo - Grade 4 SKU: BT.AMP-049-140 F...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 4
SKU:
BT.AMP-049-140
From Hymn of the
Highlands - for Bb
Piccolo Trumpet (or Eb
Cornet/Trumpet) Solo.
Composed by Philip
Sparke. Anglo Music
Midway Series. Solo &
Concerto. Score Only.
Composed 2010. 16 pages.
Anglo Music Press #AMP
049-140. Published by
Anglo Music Press
(BT.AMP-049-140).
9x12
inches.
English-German-French-Dut
ch.
The
seven-movement suite for
brass band, Hymn of
the Highlands was
commissioned by David
King and the Yorkshire
Building Society Band and
provides a series of
themed movements which
can act as a half-concert
featuring a band’s
soloists.Flowerdale
is one of the solo
movements. This solo is
also available with piano
accompaniment, edition
no. AMP 285.
Die
siebensätzige Suite
für Blasorchester
Hymn of the
Highlands (Hymne der
Highlands“) wurde
von David King und der
Yorkshire Building
Society Band in Auftrag
gegeben. Mit einer Reihe
thematischer Sätze
bietet sie sich für
eine Konzerthälfte an,
in der ein Solist des
Orchesters hervorgehoben
werden soll.
Flowerdale ist
einer dieser
Solosätze, der auch
mit Klavierbegleitung
erhältlich ist.
(Editions-Nr. AMP 285).
La suite
in sette movimenti per
banda di ottoni, Hymn of
the Highlands (Inno delle
Highlands), è stata
commissionata da David
King e dalla Yorkshire
Building Society Band.
È composta da una
serie di movimenti a tema
che possono occupare la
prima parte di un
concerto, presentando i
solisti della banda.
Flowerdale è uno dei
movimenti solistici. Il
brano è anche
disponibile con
accompagnamento al
pianoforte (n. di
edizione AMP 285).
Brass Band - Grade 5 SKU: HL.44002125 Composed by Philip Sparke. De Haske...(+)
Brass Band - Grade 5
SKU: HL.44002125
Composed by Philip
Sparke. De Haske Brass
Band. Concert Piece. Set
(Score & Parts). Composed
2002. Anglo Music Press
#AMP042030. Published by
Anglo Music Press
(HL.44002125).
UPC:
073999476163.
8.5x11.75x2.0
inches.
Hymn of the
Highlands was
commissioned by David
King and the Yorkshire
Building Society Band for
first performance at the
2002 European Brass Band
Championships Gala
Concert in Brussels. The
complete suite lasts
approximately 35 minutes
however it is possible
that pieces of different
lengths can be
constructed to feature
particular soloists or
fit different programming
constraints. Hymn Of
The Highlands was
commissioned by David
King and the Yorkshire
Building Society Band for
first performance at the
2002 European Brass Band
Championships Gala
Concert in Brussels. The
complete suite lasts
approximately 35 minutes
however it is possible
that pieces of different
lengths can be
constructed to feature
particular soloists or
fit different programming
constraints.
Hymn
of the Highlands was
commissioned by David
King and the Yorkshire
Building Society Band for
first performance at the
2002 European Brass Band
Championships Gala
Concert in Brussels. The
complete suite lasts
approximately 35 minutes
however it is possible
that pieces of different
lengths can be
constructed to feature
particular soloists or
fit different programming
constraints.
Hymn
of the Highlands wurde
als thematisches Stuck
zur Prasentation der
Solisten einer Brass Band
in Auftrag gegeben.
Philip Sparke loste diese
Aufgabe meisterlich mit
der Komposition in sieben
Satzen, die fast alle
einzeln erhaltlich sind
und somit
unterschiedlichen
Programmanforderungen
entsprechend in Suiten
unterschiedlicher Lange
zusammengestellt werden
konnen. Das Werk zeichnet
eindrucksvolle Bilder der
schottischen Highlands
und stellt dabei
nacheinander Euphonium,
Sopran-Cornet, Cornet,
Flugelhorn, Es-Horn und
Bariton ins
Rampenlicht.
Composed by
Stuart Johnson. Band
Music. Score only.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.S11103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.