Seven Proverbs Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Winwood Music
Brass Ensemble Brass Quintet - Medium SKU: WO.0038 Composed by Derek Bour...(+)
Brass Ensemble Brass
Quintet - Medium
SKU:
WO.0038
Composed by
Derek Bourgeois. Musical
representations of
well-known proverbs.
Light Concert. Score and
parts. With Standard
Notation. Duration 8:00.
Winwood Music #0038.
Published by Winwood
Music (WO.0038).
Seven musical
proverbs bearing the
hallmark styles of this
witty and prolific
composer. Played together
they form a varied suite
while they can be used
very effectively as
individual encore
items.
Last Spring Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043755-140 Composed by Edvar...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043755-140
Composed by Edvard Grieg.
Your Favorite Classics.
Transcription. Score
Only. Composed 2004. De
Haske Publications #DHP
1043755-140. Published by
De Haske Publications
(BT.DHP-1043755-140).
English-German-French-
Dutch.
In 1880,
Edvard Grieg composed
twelve song poems by
Aasmund Olavsson Vinje.
He arranged two of these
songs for String
Orchestra published under
the title of Two Elegiac
Melodies, Op. 34. These
two deeply meloncholy
pieces were titled The
Wounded Heart and Last
Spring. The latter of
these two titles inspired
Tohru Takahashi to
produce this expressive
and sensitive
transcription for Concert
Band, which will make a
fantastic encore piece
for any concert.
Edvard Grieg
komponierte Zwölf
Lieder zu Gedichten von
Aasmund Olavsson
Vinje. Zwei dieser
Lieder arrangierte er
für Streichorchester
unter dem Titel Zwei
elegische Melodien.
Diese Lieder heißen
The Wounded Heart
(Der Verwundete) und
The Last Spring
(Letzter Frühling).
Letzteres inspirierte
Tohru Takahashi zu einer
emotionalen
Transkription, die mehr
Musikverständnis als
technische Fertigkeiten
verlangt und sich
hervorragend als
Zugabenummer
eignet.
Puszta Ensemble d'Accordéons [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Accordion Orchestra - Grade 4 SKU: BT.DHP-1012662-060 Composed by Jan Van...(+)
Accordion Orchestra -
Grade 4
SKU:
BT.DHP-1012662-060
Composed by Jan Van der
Roost. Arranged by Myriam
Mees. Accordion. Concert
Piece. Set (Score &
Parts). Composed 2001. De
Haske Publications #DHP
1012662-060. Published by
De Haske Publications
(BT.DHP-1012662-060).
ISBN
9789043133715.
In
composing Puszta, Jan Van
der Roost wrote folk
dances related to
Slavonic folk music. Its
character and sounds are
comparable to the
Hungarian and Slavonic
dances by Brahms and
Dvorak and to the
Hungarian Rhapsodies by
Liszt. All the melodies,
however, are newly
composed, not adapted
from existing dances.
Voor zijn werk
Puszta schreef Jan
Van der Roost volksdansen
in de geest van de
Slavische volksmuziek.
Het karakter en de klank
zijn vergelijkbaar met de
Hongaarse en Slavische
dansen van Brahms en
Dvorák, en met de
Hongaarserapsodieën
van Liszt. De
melodieën zijn echter
nieuw gecomponeerd en dus
geen arrangementen van
bestaande
dansen.
Puszta<
/I> von Jan Van der
Roost, ist mit der
slawischen Volksmusik
verwandt. Klang und
Charakter erinnern an die
ungarischen und
slawischen Tänze von
Brahms und Dvorák,
sowie die ungarischen
Rhapsodien von Liszt. Die
Melodien sind jedoch
keine Bearbeitungen
bestehender Tänze,
sondern wurden neu
komponiert.
Borsa Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] SonArt Edition
String quartet SKU: M7.SAE-8-04 Suite from Maramures. Composed by ...(+)
String quartet
SKU:
M7.SAE-8-04
Suite
from Maramures.
Composed by Lucian
Moraru. Sheet music.
Score and parts. SonArt
Edition #SAE 8-04.
Published by SonArt
Edition (M7.SAE-8-04).
ISBN
9790707651629.
This
is a unique masterpiece
for string quartet, which
preserves the flavor of
original music from
Transylvania, carefully
designed to suit the
technical needs of the
string quartet
instruments. A sample of
traditional Romanian
music through which
instrumentalists can show
their virtuosity. This
score is a smart choice
for string quartets that
want to be successful
with the public. A short
piece of 6 minutes, in a
single movement, full of
life in traditional
rhythm from Transylvania,
which is both pleasant to
perform and to listen to.
It is a perfect encore to
be played after a
successful concert.
By George Gershwin (1898-1937). Arranged by Stephen Bulla. Brass Ensemble. For B...(+)
By George Gershwin
(1898-1937). Arranged by
Stephen Bulla. Brass
Ensemble. For Brass
Quintet. The title says
it all!. Light Concert.
Advanced. Score and
parts. Standard Notation
Last Spring Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043755-010 Composed by Edvar...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043755-010
Composed by Edvard Grieg.
Your Favorite Classics.
Transcription. Set (Score
& Parts). Composed 2004.
De Haske Publications
#DHP 1043755-010.
Published by De Haske
Publications
(BT.DHP-1043755-010).
English-German-French-
Dutch.
In 1880,
Edvard Grieg composed
twelve song poems by
Aasmund Olavsson Vinje.
He arranged two of these
songs for String
Orchestra published under
the title of Two Elegiac
Melodies, Op. 34. These
two deeply meloncholy
pieces were titled The
Wounded Heart and Last
Spring. The latter of
these two titles inspired
Tohru Takahashi to
produce this expressive
and sensitive
transcription for Concert
Band, which will make a
fantastic encore piece
for any concert.
Last
Spring komt uit de
Two Elegiac Melodies
for String Orchestra,
opus 34. Deze muziek,
gecomponeerd in 1880, is
oorspronkelijk geschreven
voor twee liederen uit
Grieg's album opus 33:
The Wounded Heart
en Spring.De
laatste van deze twee
titels inspireerde Tohru
Takahashi tot het maken
van een prachtige
transcriptie die heel
geschikt is als toegift.
Met hart en ziel gespeeld
zal deze muziek uw
beslist
raken.
Edvard
Grieg komponierte
Zwölf Lieder zu
Gedichten von Aasmund
Olavsson Vinje. Zwei
dieser Lieder arrangierte
er für
Streichorchester unter
dem Titel Zwei
elegische Melodien.
Diese Lieder heißen
The Wounded Heart
(Der Verwundete) und
The Last Spring
(Letzter Frühling).
Letzteres inspirierte
Tohru Takahashi zu einer
emotionalen
Transkription, die mehr
Musikverständnis als
technische Fertigkeiten
verlangt und sich
hervorragend als
Zugabenummer
eignet.
Orchestra (Parts) - intermediate SKU: HL.49002100 Set of Parts. Co...(+)
Orchestra (Parts) -
intermediate
SKU:
HL.49002100
Set of
Parts. Composed by
Paul Hindemith. Arranged
by Franz Willms. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of Parts.
Composed 1925. 158 pages.
Duration 20'. Schott
Music #CON77-50.
Published by Schott Music
(HL.49002100).
ISBN
9790001022477. UPC:
073999293265.
9.25x12.0x0.431
inches.
This suite
has been taken from the
music of the Christmas
tale of the same name.
The instrumentation can
be easily realized with
four woodwind
instruments, two brass
instruments, timpani and
strings. The 'Tanz der
Holzpuppen', a foxtrot,
is suitable as encore
showing the humorous
musician Hindemith who,
in 1920, wrote to the
Schott publishing house
with a wink: 'Can you
also make use of
foxtrots, Bos-tons, rags
and other kitsch?
Whenever I cannot think
of decent music, I write
such stuff.'.
Score. Composed by
Paul Hindemith. Arranged
by Franz Willms. This
edition: Paperback/Soft
Cover. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. Composed 1925. 62
pages. Duration 20'.
Schott Music #CON77.
Published by Schott Music
(HL.49002099).
ISBN
9790001022460. UPC:
884088054267.
9.0x12.0x0.228
inches.
This suite
has been taken from the
music of the Christmas
tale of the same name.
The instrumentation can
be easily realized with
four woodwind
instruments, two brass
instruments, timpani and
strings. The 'Tanz der
Holzpuppen', a foxtrot,
is suitable as encore
showing the humorous
musician Hindemith who,
in 1920, wrote to the
Schott publishing house
with a wink: 'Can you
also make use of
foxtrots, Bos-tons, rags
and other kitsch?
Whenever I cannot think
of decent music, I write
such stuff.'.
Easy to Intermediate Level. Composed by Mike Cornick. Full score (study). With S...(+)
Easy to Intermediate
Level. Composed by Mike
Cornick. Full score
(study). With Standard
notation. Composed 2005.
Universal Edition
#UE21300. Published by
Universal Edition
Variations on the Caprice No. 24 in the style of modern jazz. Composed by Fazil ...(+)
Variations on the Caprice
No. 24 in the style of
modern jazz. Composed by
Fazil Say. This edition:
Saddle stitching. Sheet
music. Piano. Classical.
Composed 1995. Op. 5c. 20
pages. Duration 4'.
Schott Music #ED20135.
Published by Schott Music
Adeste, Fideles Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Intermédiaire De Haske Publications
Brass Quintet - intermediate SKU: BT.DHP-1064223-070 For Brass Quintet...(+)
Brass Quintet -
intermediate
SKU:
BT.DHP-1064223-070
For Brass Quintet and
Organ (ad lib.).
Arranged by Kazys
Daugela. De Haske
Instrumental Series.
Christmas. Set (Score and
Parts). Composed 2006. 16
pages. De Haske
Publications #DHP
1064223-070. Published by
De Haske Publications
(BT.DHP-1064223-070).
ISBN 9789043126731.
9x12 inches.
English-German-French-Dut
ch.
Also known as
Prosa in Nativitáte
Dómini or the
Portugese Hymn,
Adeste, Fideles
has been used at
Benediction at
Christmastide in France
and England since the end
of the eighteenth
century. It invites all
the faithful to come to
Bethlehem to worship the
newborn Savious. Although
more than forty different
English translations were
made, Oakeley's
translation O Come,
All Ye Faithful was
the most preferred, with
additional verses
translated by W.T.
Brooke. All in all, the
hymn has been translated
into at least 125
languages and is one of
the most popular of all
Christmas
hymns.
Adeste,
Fideles, das hier in
einer festlichen
Bearbeitung fu?r
Blechbläserquintett
und Orgel ad lib.
vorliegt, wird schon seit
dem Ende des 18.
Jahrhunderts in
Frankreich und England
zur Segnung in der
Weihnachtszeit verwendet.
Das im deutschen
Sprachraum als Herbei,
o ihr Gläubigen
bekannte Lied wurde
auÃ?erdem in u?ber 100
weitere Sprachen
u?bersetzt und ist damit
eines der beliebtesten
Weihnachtslieder
weltweit.
Brass; Percussion (Score) SKU: HL.50601311 For Brass Instruments and P...(+)
Brass; Percussion (Score)
SKU: HL.50601311
For Brass Instruments
and Percussion Score.
Composed by Alfred
Schnittke, Edison
Denisov, and Sofia
Gubaidulina. Score.
Classical. Softcover. 13
pages. Sikorski #SIK8869.
Published by Sikorski
(HL.50601311).
8.0x11.0x0.088
inches.
This march
was written at the
instigation of Gennady
Rozhdestvensky as an
encore for a concert in
the Great Hall of the
Moscow Conservatory on 15
April 1982, at which
Edison Denisov's
“Peintureâ€,
Sofia Gubaidulina's
“Offertoriumâ€
and Alfred Schnittke's
“GogolSuiteâ€
were performed. It was
used by Schnittke as an
introduction and finale
of his ballet
“Sketches†in
1985.
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2013.
Anglo Music Press
#AMP358140. Published by
Anglo Music Press
(HL.44012271).
UPC:
888680057664.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
was part of a tour
programme they gave in
May 2012, a tour which
included many areas that
had been devastated by
the 2011 earthquake and
tsunami.The theme of the
piece is the powerful
ability of mankind to
overcome such disasters
and look forward to a
positive future; it opens
in an appropriately
optimistic mood,
featuring bright
orchestral colours and
extensive syncopation. A
chorale-like fanfare is
soon introduced on horns
and euphonium, answered
by chirpy woodwinds. The
mood subsides until an
alto saxophone introduces
a brief quotation from
the composer's The Sun
Will RiseAgain, which
was written to raise
funds for victims of the
2011 disaster. The mood
soon changes and the
horns introduce a noble
theme under woodwind
flourishes. This leads to
the main Vivo
section of the piece
which is characterised
again by strong
syncopations as part of a
florid theme in the low
woodwinds. This melody
undergoes varied
development by all
sections of the band
until the horn fanfare
returns triumphally on
the brass. This is
extended and leads to a
faster coda which brings
together previous
material in counterpoint
to close the work in
optimistic mood.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regio's
werden bezocht die waren
verwoest door de
aardbeving en tsunami van
2011.Het thema van het
werk is het buitengewone
vermogen van de mens om
dergelijke rampen te
boven te komen en vooruit
te kijken naar een
positieve toekomst. De
opening is dan ook
optimistisch van
karakter, met heldere
orkestrale kleuren en een
rijkelijke syncopering.
Al snel wordt er een
koraalachtige fanfare
geintroduceerd door de
hoorns en het euphonium,
waarop een levendig
antwoord volgt in
dehoutblazerssectie. De
sfeer wordt dan steeds
kalmer totdat een
altsaxofoon een kort
citaat laat horen uit een
eerder werk van de
componist, The Sun
Will Rise Again, dat
werd geschreven om geld
in te zamelen voor de
slachtoffers van de ramp
uit 2011. De stemming
slaat vlug weer om: de
hoorns introduceren een
nobel thema, dat
weerklinkt onder
versieringen in het hout.
Dit leidt naar het Vivo,
het hoofdgedeelte, dat
eveneens wordt gekenmerkt
door sterke
syncoperingen, als
onderdeel van een
sierlijk thema in het
lage hout. De melodie
ondergaat een gevarieerde
ontwikkeling binnen alle
secties van het orkest,
totdat de hoornfanfare op
triomfantelijke wijze
terugkeert in het koper.
De fanfare wordt
vervolgens verder
uitgewerkt en voert ons
mee naar een snellere
coda, die voorafgaand
materiaal in contrapunt
samenbrengt en de
compositie in
optimistische stemming
afsluit.
Looking Up,
Moving Down wurde vom
Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, welche
viele Gebiete einschloss,
die vom Erdbeben und
Tsunami im Jahr 2011
zerstort worden waren.
Thema dieses Stuckes ist
die gewaltige Fahigkeit
der Menschheit, uber
solche Katastrophen
hinwegzukommen und voll
Optimismus in die Zukunft
zu blicken; es beginnt
dementsprechend in einer
positiven Stimmung mit
strahlenden
Orchesterfarben und einer
ausgepragten
Synkopierung. Schon bald
wird eine choralartige
Fanfare auf den Hornern
und im Euphonium
vorgestellt, die von
munteren Holzblasern
beantwortet wird. Die
Stimmung flaut ab, bis
einAltsaxophon ein kurzes
Zitat aus The Sun Will
Rise Again anspielt,
das der Komponist zur
Spendenbeschaffung fur
die Opfer des Unglucks
2011 geschrieben hatte.
Kurz darauf folgt ein
Stimmungswechsel und die
Horner prasentieren ein
stattliches Thema,
begleitet von Fanfaren in
den Holzblasern. Dies
fuhrt zum mit Vivo
uberschriebenen Hauptteil
des Stuckes, der wiederum
von starken
Synkopierungen gepragt
ist, die Teil eines
bluhenden Themas in den
tiefen Holzblasern sind.
Diese Melodie durchlauft
eine vielgestaltige
Entwicklung durch alle
Instrumentengruppen des
Blasorchesters, bis das
Blech mit der Hornfanfare
triumphal zuruckkehrt.
Dies wird erweitert und
fuhrt zu einer
schnelleren Coda, in dem
verschiedenes zuvor
gehortes Material
kontrapunktisch
zusammenkommt, um das
Werk in einer
optimistischen Stimmung
zu beenden.
Looking Up,
Moving On est une
commande du Tokyo Kosei
Wind Orchestra. Cette
piece faisait partie du
programme de la tournee
effectuee par l'orchestre
en mai 2012, qui s'est
produit dans de
nombreuses regions
devastees par le
tremblement de terre et
le tsunami de 2011.La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon positive. Elle
debute justement dans un
climat optimiste
comportant de vives
couleurs orchestrales et
des passages syncopes.
Les cors et les euphonium
introduisent bientot une
fanfare en forme de
choral a laquelle
repondent des bois
petillants. L'ambiance
s'apaise jusqu'a ce
qu'unsaxophone alto
introduise un court
extrait de The Sun
Will Rise Again, du
meme compositeur, une
piece ecrite pour
collecter des fonds en
faveur des victimes du
desastre de 2011. Le
climat change hativement
lorsque les cors
introduisent un theme
noble par-dessus des
fioritures executees par
les bois. Vient ensuite
la principale section
vivo de la piece, qui se
caracterise, encore une
fois, par des syncopes
tres marquees dans le
cadre d'un theme fleuri
assure dans le registre
grave des bois. Cette
melodie fait l'objet de
divers developpements par
tous les pupitres de
l'orchestre jusqu'au
retour triomphant de la
fanfare soutenue par les
cuivres. Celle-ci se
prolonge pour mener a une
coda plus rapide qui
rassemble les elements
precedents en contrepoint
pour clore la piece dans
un climat optimiste.
Concert March.
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Score Only. Composed
2018. 28 pages. Anglo
Music Press #AMP 470-140.
Published by Anglo Music
Press (BT.AMP-470-140).
English-German-French-
Dutch.
Salutatio
n was commissioned by
Japanese conductor and
broadcaster, Yutaka
Nishida, a dear friend of
the composer Philip
Sparke. Salutation
follows fairly
conventional march form.
A short fanfare
introduces the main
theme, played by
clarinets and saxophones.
A bridge passage, mainly
in the brass, heralds a
change of key and a
legato second
subject, again played
initially by the
clarinets, which leads to
the conventional trio
theme, which is then
repeated by the full
band. Sections of the
second subject lead back
to the home key and a
return of the main theme,
embellished with
woodwinds.
Salu
tation is geschreven
in opdracht van de
Japanse dirigent en
radiopresentator Yutaka
Nishida, een goede vriend
van Philip Sparke. Het
werk volgt een vrij
conventionele marsvorm:
een korte fanfare
introduceert het
hoofdthema, gespeeld door
de klarinetten en
saxofoons. Een
bridgepassage,
voornamelijk door het
koper gespeeld, kondigt
een modulatie en een
legato gedeelte aan,
aanvankelijk door de
klarinetten gebracht en
uitmondend in het
conventionele triothema,
dat daarna door het hele
orkest wordt herhaald.
Stukjes uit het legato
gedeelte brengen ons
terug naar de
oorspronkelijke toonsoort
en het hoofdthema, dat
wordt versierd met
motieven in het hout. Dan
volgtnog een korte coda
in het koper.
Salutation
wurde von dem japanischen
Dirigenten und Moderator
Yutaka Nishida in Auftrag
gegeben, der ein guter
Freund des Komponisten
Philip Sparke ist.
Salutation folgt
weitgehend der
traditionellen
Marschform. Eine kurze
Fanfare leitet das
Hauptthema ein, das von
den Klarinetten und
Saxophonen gespielt wird.
Eine Ãœberleitung, die
in erster Linie von den
Blechbläsern gespielt
wird, kündigt einen
Tonartwechsel sowie ein
zweites Thema im Legato
an, das anfangs wieder
von den Klarinetten
gespielt wird und zum
traditionellen Trio
führt, welches dann
vom gesamten Orchester
wiederholt wird. Teile
des zweiten Themas
führen in die
Ausgangstonart zurück
und das Hauptthema,
dasvon den Holzbläsern
verziert wird, kehrt
wieder.
Concert March.
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Set (Score & Parts).
Composed 2018. 28 pages.
Anglo Music Press #AMP
470-010. Published by
Anglo Music Press
(BT.AMP-470-010).
English-German-French-
Dutch.
Salutatio
n was commissioned by
Japanese conductor and
broadcaster, Yutaka
Nishida, a dear friend of
the composer Philip
Sparke. Salutation
follows fairly
conventional march form.
A short fanfare
introduces the main
theme, played by
clarinets and saxophones.
A bridge passage, mainly
in the brass, heralds a
change of key and a
legato second
subject, again played
initially by the
clarinets, which leads to
the conventional trio
theme, which is then
repeated by the full
band. Sections of the
second subject lead back
to the home key and a
return of the main theme,
embellished with
woodwinds.
Salu
tation is geschreven
in opdracht van de
Japanse dirigent en
radiopresentator Yutaka
Nishida, een goede vriend
van Philip Sparke. Het
werk volgt een vrij
conventionele marsvorm:
een korte fanfare
introduceert het
hoofdthema, gespeeld door
de klarinetten en
saxofoons. Een
bridgepassage,
voornamelijk door het
koper gespeeld, kondigt
een modulatie en een
legato gedeelte aan,
aanvankelijk door de
klarinetten gebracht en
uitmondend in het
conventionele triothema,
dat daarna door het hele
orkest wordt herhaald.
Stukjes uit het legato
gedeelte brengen ons
terug naar de
oorspronkelijke toonsoort
en het hoofdthema, dat
wordt versierd met
motieven in het hout. Dan
volgtnog een korte coda
in het koper.
Salutation
wurde von dem japanischen
Dirigenten und Moderator
Yutaka Nishida in Auftrag
gegeben, der ein guter
Freund des Komponisten
Philip Sparke ist.
Salutation folgt
weitgehend der
traditionellen
Marschform. Eine kurze
Fanfare leitet das
Hauptthema ein, das von
den Klarinetten und
Saxophonen gespielt wird.
Eine Ãœberleitung, die
in erster Linie von den
Blechbläsern gespielt
wird, kündigt einen
Tonartwechsel sowie ein
zweites Thema im Legato
an, das anfangs wieder
von den Klarinetten
gespielt wird und zum
traditionellen Trio
führt, welches dann
vom gesamten Orchester
wiederholt wird. Teile
des zweiten Themas
führen in die
Ausgangstonart zurück
und das Hauptthema,
dasvon den Holzbläsern
verziert wird, kehrt
wieder.
The Butterfly That Stamped Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Baritone Saxophone Solo - Grade 4 SKU: BT.DHP-10844...(+)
Concert Band/Harmonie and
Baritone Saxophone Solo -
Grade 4
SKU:
BT.DHP-1084447-010
Le Papillon qui tapait
du pied. Composed by
Maxime Aulio. Solo
Spectrum. Concert Piece.
Set (Score & Parts).
Composed 2008. De Haske
Publications #DHP
1084447-010. Published by
De Haske Publications
(BT.DHP-1084447-010).
9x12 inches.
English-German-French-Dut
ch.
The
Butterfly that
Stamped is a story
from the anthology
Just So Stories,
written by Rudyard
Kipling for his daughter
who suffered constant bad
health. The book inspired
composer Maxim Aulio to
compose this work which
is in a French
impressionistic style.
The piece opens with a
beautiful palace
surrounded by the
impressive gardens of
King Solomon. It is in
these gardens that the
baritone saxophone makes
its appearance
representing King Solomon
himself, the flute
representing the
butterfly couple, the
clarinet representing
Queen Balkis and the
trumpet the
djin.
The
Butterfly that
Stamped - Der
Schmetterling, der
aufstampfte“ - ist
eine von zwölf
Erzählungen aus dem
Band Just So
Stories, den Rudyard
Kipling, der berühmte
Autor des
Dschungelbuchs,
Ende des 19. Jahrhunderts
für seine kranke
Tochter schrieb. Der
französische Komponist
Maxime Aulio ließ sich
von dieser bezaubernden
Geschichte zu einer
Komposition im Stil des
französischen
Impressionismus
inspirieren. Vor der
wundervoll orchestrierten
musikalischen Kulisse des
Palastes und der
Gärten König
Salomons treten das
Baritonsaxophon als
König Salomon, die
Flöten als
Schmetterlingspärchen,
eine Klarinette als
Königin Balkis und die
Trompeten als
Dschinnsauf. Vorhang auf!
The Butterfly
That Stamped è una
delle dodici novelle
della raccolta Just So
Stories, del celebre
scrittore britannico
Rudyard Kipling
(1865-1936). Maxime Aulio
se ne è ispirato per
creare un brano che di
iscrive nella tradizione
dell’impressionism
o musicale francese. Il
sax baritono solo
rappresenta il Re
Salomone, figlio di
David. I personaggi si
muovono in uno sfondo
orchestrale meraviglioso
e incantano per la loro
poesia.
Concert Band/Harmonie and Baritone Saxophone Solo - Grade 4 SKU: BT.DHP-10844...(+)
Concert Band/Harmonie and
Baritone Saxophone Solo -
Grade 4
SKU:
BT.DHP-1084447-140
Le Papillon qui tapait
du pied. Composed by
Maxime Aulio. Solo
Spectrum. Concert Piece.
Score Only. Composed
2008. 24 pages. De Haske
Publications #DHP
1084447-140. Published by
De Haske Publications
(BT.DHP-1084447-140).
9x12 inches.
English-German-French-Dut
ch.
The
Butterfly that
Stamped is a story
from the anthology
Just So Stories,
written by Rudyard
Kipling for his daughter
who suffered constant bad
health. The book inspired
composer Maxim Aulio to
compose this work which
is in a French
impressionistic style.
The piece opens with a
beautiful palace
surrounded by the
impressive gardens of
King Solomon. It is in
these gardens that the
baritone saxophone makes
its appearance
representing King Solomon
himself, the flute
representing the
butterfly couple, the
clarinet representing
Queen Balkis and the
trumpet the
djin.
The
Butterfly that
Stamped - Der
Schmetterling, der
aufstampfte“ - ist
eine von zwölf
Erzählungen aus dem
Band Just So
Stories, den Rudyard
Kipling, der berühmte
Autor des
Dschungelbuchs,
Ende des 19. Jahrhunderts
für seine kranke
Tochter schrieb. Der
französische Komponist
Maxime Aulio ließ sich
von dieser bezaubernden
Geschichte zu einer
Komposition im Stil des
französischen
Impressionismus
inspirieren. Vor der
wundervoll orchestrierten
musikalischen Kulisse des
Palastes und der
Gärten König
Salomons treten das
Baritonsaxophon als
König Salomon, die
Flöten als
Schmetterlingspärchen,
eine Klarinette als
Königin Balkis und die
Trompeten als
Dschinnsauf. Vorhang auf!
The Butterfly
That Stamped è una
delle dodici novelle
della raccolta Just So
Stories, del celebre
scrittore britannico
Rudyard Kipling
(1865-1936). Maxime Aulio
se ne è ispirato per
creare un brano che di
iscrive nella tradizione
dell’impressionism
o musicale francese. Il
sax baritono solo
rappresenta il Re
Salomone, figlio di
David. I personaggi si
muovono in uno sfondo
orchestrale meraviglioso
e incantano per la loro
poesia.
Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Jean-Christo...(+)
Cello and Piano. Composed
by
Gabriel Faure
(1845-1924).
Edited by Jean-Christophe
Monnier. Sheet Music.
Paperbound. Henle Music
Folios. With marked and
unmarked string parts.
Classical. Score and
Parts.
14 pages. G. Henle
#HN1088.
Published by G. Henle
Piano - easy to intermediate SKU: HL.49013808 A 'Happy Birthday' Seren...(+)
Piano - easy to
intermediate
SKU:
HL.49013808
A
'Happy Birthday'
Serenade. Composed by
Wolfgang Amadeus Mozart.
Arranged by Erna Freitag.
This edition: Saddle
stitching. Sheet music.
Piano. Classical. 8
pages. Schott Music
#ED9900. Published by
Schott Music
(HL.49013808).
ISBN
9790001139823. UPC:
841886003538.
9.0x12.0x0.048
inches.
A
well-known birthday song
has 'sneaked' into the
famous Sonata facile by
Mozart...A merry birthday
serenade for Mozart and
other birthday
celebrants. Even suited
as an encore piece at a
concert.
Thunderbolt Galop Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4507-00 Composed by Huffer. Arranged b...(+)
Concert band - Grade 2
SKU:
CL.011-4507-00
Composed by Huffer.
Arranged by Glover. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR390). Score
and set of parts.
Composed 2016. Duration 2
minutes, 5 seconds. C.L.
Barnhouse #011-4507-00.
Published by C.L.
Barnhouse
(CL.011-4507-00).
Need a fun and
fast chaser to close your
concert? The Thunderbolt
Galop is the perfect
choice! Limited technical
and range demands make
this the ideal selection
rehearse at a standard
march tempo, then see
just how fast your band
can go in performance!
Excellent material for
any contest or festival
performance, it’s
also well-suited as an
encore for any concert.
Your performers will
thrill with seeing just
how fast they can go!
Accelerated fun from
start to finish!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Golden Panther March Orchestre d'harmonie - Intermédiaire Excelcia Music Publishing
Concert Band - Grade 3.5 SKU: XC.RCB2310 Composed by Robert Sheldon. Conc...(+)
Concert Band - Grade 3.5
SKU: XC.RCB2310
Composed by Robert
Sheldon. Concert Concert
Band. Rhapsody Grade
3-3.5. Set of parts.
Excelcia Music Publishing
#RCB2310. Published by
Excelcia Music Publishing
(XC.RCB2310).
If a
traditional march could
be called fresh and new!
The Golden Panther March
would check every box.
Composer Robert Sheldon
has given us a wonderful
new march in 6/8 that has
all the calling cards of
a traditional style
march, perfect for
contest & festival
performance, with all of
the modern charm we have
come to love from this
beloved composer. As
well-suited to a concert
opener as it is to an
enthusiastic encore, the
Golden Panther March will
be the hit of any
concert.
Violin, piano SKU: BR.EB-9407 Urtext. Composed by Joachim Raff. Ed...(+)
Violin, piano
SKU:
BR.EB-9407
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Kagi. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
68 pages. Breitkopf and
Haertel #EB 9407.
Published by Breitkopf
and Haertel (BR.EB-9407).
ISBN 9790004188811. 9
x 12 inches.
With
his Six Morceaux , Raff
created a collection of
six short pieces with the
aim of pleasantly
entertaining many a
listener and
demonstrating that he was
also capable of writing
something easy. After
all, he had made a name
for himself in the years
before with extremely
demanding chamber music
for renowned dedicatees.
The Six Morceaux ,
dedicated to the
violinist Ludwig Straus,
on the other hand, are
probably related to
Raff's teaching
activities at a private
piano school in Wiesbaden
at that time. Therefore,
with the individual
pieces varying in
difficulty they are well
suited for violin lessons
without losing any of
their musical ambition.
The most famous piece is
probably the Cavatina.
Arranged for various
scorings during Raff's
lifetime, it continues to
be one of the most
popular Encore pieces
altogether - Fritz
Kreisler, Yehudi Menuhin
and Itzhak Perlman have
made recordings of the
piece. They say that a
piano quintet version was
even heard on the Titanic
. This modern Urtext
edition is based on the
first printing,
supervised and initiated
by Raff himself. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH).