(from
Smash).
Composed by Joe Iconis.
Arranged by Lisa DeSpain.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Broadway; Secular; TV.
Choral Octavo. 20 pages.
Alfred Music #00-45536.
Published by Alfred Music
(AP.45536).
UPC:
038081512754.
English.
Originally
written for the
television series Smash,
this showstopper is
perfect as a concert or
cabaret theme. The
underlying rhythmic pulse
reflects the drive one
feels when headed toward
the goal of many
performers: I'll pull
myself together, I'm
focused on the prize . .
. Broadway, here I
come!
Cello and Piano SKU: BT.PWM8613 Transcription for Cello and Piano....(+)
Cello and Piano
SKU:
BT.PWM8613
Transcription for
Cello and Piano. By
Kazimierz
Wiłkomirski. By Karol
Szymanowski. Classical.
Book Only. Composed 1987.
44 pages. Polskie
Wydawnictwo Muzyczne
#PWM8613. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM8613).
Sonata in D
minor is Szymanowski's
earliest violin work and
was written in 1904. In
its conventional
character one clearly
feels the dependence on
the violin sonatas of
Franck ahd Brahms and the
composer's desire to
master the traditional,
three-movement cyclic
form. Sonata for violin
and piano (arranged for
cello by Kazimierz Wi
komirski), a juvenile
work, in spite of the
fact that its style is
still not crystallised,
betrays the composer's
growing interest in tone
colour and foreshadows
the bold and rich melodic
line characteristic of
Szymanowski's later
works.
By Randy Newman. Randy Newman. For piano, voice, and guitar (chords only). This ...(+)
By Randy Newman. Randy
Newman. For piano, voice,
and guitar (chords only).
This edition:
Piano/Vocal/Chords.
Personality Book.
Songbook. 80 pages.
Published by Alfred
Publishing.
For Drum Set. Play along. AMA Verlag. All Styles. Level: Multiple Levels. Book/C...(+)
For Drum Set. Play along.
AMA Verlag. All Styles.
Level: Multiple Levels.
Book/CD Set. Size
8.75x11.75. 24 pages.
Published by AMA Verlag.
ISBN 3899220668.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Norah Jones. Piano/Vocal/Chords Songbook (Arrangements for piano an...(+)
Performed by Norah Jones.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 80 pages.
Published by Hal Leonard.
Contents:
In The Morning
; Long Way Home
; What Am I To You
; Sunrise
; Carnival Town
; Toes
; Creepin' In
; Don't Miss You At All
; The Prettiest Thing
; Those Sweet Words
; Be Here To Love Me
; Above Ground
; Humble Me.
Composed by Geoffrey
Brand. Arranged by
Geoffrey Brand. Band
Music. Maestro Band
Series. Score and parts.
Duration 12:30. Published
by G & M Brand Music
Publishers (CN.R10177).
Much of the
thematic material for
this lovely work by Holst
is derived from the
opening legato melodies
provided by soli horns.
The themes morph into
several different dance
feels throughout the
remainder of the piece
always keeping you
guessing what will come
next. Geoffrey Brand has
done a masterful job of
adapting the score for
the modern concert
band.
Holst's
original version of 'The
Morning of the Year' was
written in 1926-27 as a
choral ballet. It was the
first work to be
commissioned by the music
department of the BBC.
The first concert
performance was on 17
March 1927 at the Royal
Albert Hall, London
conducted by the
composer. In 1979 Colin
Matthews and Imogen Holst
edited this concert
version with the approval
of the publisher and G&I
Holst Ltd. The chorus has
been left out and several
of the dances have been
shortened. Some
additional percussion was
introduced to suggest the
sounds the dancers would
have provided in a stage
performance. Geoffrey
Brand arranged the work
for concert band in 1995
with permission from G&I
Holst Ltd.
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vo...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords.
Standard. 564 pages.
Published by Alfred Music
Publishing
Orchestra - Grade 2 SKU: AP.49453 Composed by Jordan Schmidt, Kane Brown,...(+)
Orchestra - Grade 2
SKU: AP.49453
Composed by Jordan
Schmidt, Kane Brown, Matt
McGinn, and Taylor
Phillips. Arranged by
Douglas E. Wagner.
MakeMusic Cloud;
Performance Music
Ensemble; String
Orchestra. Pop
Intermediate String
Orchestra. Country; Pop;
Pop/Rock; Radio. Score
and Part(s). Duration
1:50. Alfred Music
#00-49453. Published by
Alfred Music (AP.49453).
ISBN 9781470660796.
UPC: 038081577586.
English.
Country
music singer and
songwriter Kane Brown's
music has soared to the
top of the charts within
a few short years,
winning the American
Music Awards category
Favorite Country Male
Artist twice (2018 and
2019), along with Video
of the Year in 2021. Like
I Love Country Music,
arranged by Douglas E.
Wagner, is from the
artist's third studio
album Different Man,
released in 2022, and is
full of all the American
country music feels. So
much fun to play!
(1:50).
Splash! Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.EB-8795 Easy Piano Pieces about Water with the Keyboard ...(+)
Piano
SKU:
BR.EB-8795
Easy
Piano Pieces about Water
with the Keyboard
Crocodile. Composed
by V. (Hrsg.) Weinhandl
M. Schneider K. Daxbock.
Edited by Karin et al.
Daxbock. Solo
instruments; Softcover.
Edition Breitkopf.
No
more dry piano
lessonsSurging, flowing,
dripping - with Splash
the beloved Keyboard
Crocodile has finally
made it back to his
original habitat.
Music pedagogy. Score. 36
pages. Breitkopf and
Haertel #EB 8795.
Published by Breitkopf
and Haertel (BR.EB-8795).
ISBN 9790004182932. 9
x 12 inches.
German.
Obviously
the friendly little
reptile only feels truly
fit amidst original
literature, and you'll be
amazed to see how many
gently flowing or wildly
cascading pieces have
been produced over the
past two centuries.
You'll find pieces by
masters such as Czerny,
Schumann, Gurlitt and
Theodor Kirchner; some
white-water pieces from
William Gillock and Mike
Schoenmehl; and with the
Little Atlantic Rhapsody,
an ocean breeze will
sweep through every piano
lesson. No one has to be
afraid of water, however,
since Splash is also
ideal for non-swimmers!
The pieces are generally
a bit more demanding than
those in the Horses book,
but this definitely need
not dampen anyone's
enthusiasm. With this
book, learning the piano
goes swimmingly!
Songs by British and American Composers - Mezzo- Soprano. Composed by Various....(+)
Songs by British and
American Composers -
Mezzo-
Soprano. Composed by
Various. Boosey and
Hawkes
Voice. Softcover Audio
Online. 88 pages. Boosey
and
Hawkes #M051934591.
Published by Boosey and
Hawkes
Around The Horn Ensemble Jazz [Conducteur et Parties séparées] - Facile Kendor Music Inc.
Jazz Ensemble standard jazz ensemble with opt. flute - Grade 3 SKU: KN.61035<...(+)
Jazz Ensemble standard
jazz ensemble with opt.
flute - Grade 3
SKU:
KN.61035
Composed by
Carl Strommen. Jazz
Journey. Bright Swing.
Score and set of parts.
Duration 3 minutes, 5
seconds. Kendor Music Inc
#61035. Published by
Kendor Music Inc
(KN.61035).
UPC:
822795610352.
Conti
nuing with Carl
Strommen's popular
baseball-theme charts,
this one refers to the
tradition of infielders
tossing the ball to each
other after a successful
out. It opens with an
unaccompanied bass solo,
followed by a trumpet and
tenor soli. The same duo
is later featured in the
written or ad-lib solo
section. Set in a bright
swing groove for
advancing groups, shifts
between 2 and 4 feels and
solid material for all
make it a sure winner.
Rhythm section parts are
notated with chords cued,
and a guitar chord chart
by Jim Greeson is
included. Duration
3:05.
By Melody Bober. For Piano. Piano Suite; Piano Supplemental; Sheet; Solo. Recita...(+)
By Melody Bober. For
Piano. Piano Suite; Piano
Supplemental; Sheet;
Solo. Recital Suite
Series. Form: Suite.
Recital. Late
Intermediate. 12 pages.
Published by Alfred Music
Composed by
George Lloyd. Band Music.
Score only. Duration
10:00. Published by G & M
Brand Music Publishers
(CN.S11042).
This symphonic
sketch for concert band
is packed full different
motives thrown around the
ensemble hinting at the
programmatic leitmotifs
of Wagner. Every section
of the ensemble gets a
workout in this
delightful 10-minute
work.
A Symphonic
Sketch for Concert Band.
The resurgence of
interest in George
Lloyd's music must give
us faith that such talent
will ultimately prevail
against sometimes unhappy
circumstances. Lloyd was
Cornish and showed
precocious gifts at an
early age - he had
completed his first
symphony by the age of
nineteen. During the
1930s he completed two
operas, one of which -
The Serf - was produced
at Covent Garden in 1938.
He was set for a
glittering career as a
composer. The Second
World War intervened and
he was invalidad out of
the Navy in a
shell-shocked state, and
having written very
little serious music
since 1937 went to
Switzerland to
recuperate, looked after
by his wife, Nancy.
Painfully, he began
writing again -
symphonies Nos. 4 and 5 -
and then returned to
England. He needed to
earn a living and he set
up a mushroom farm in
Dorset. But slowly he
began to compose again
and drafted more
symphonies in short
score. By this time he
was virtually unknown -
despite being considered
the equal of Walton,
Britten, and other young
stars of English music
some 30 years earlier.
Lloyd decided to embark
on a series of recordings
of his symphonies, and
slowly popular acclaim
enabled him to regain his
position. The Forest of
Arden was written in 1987
as a result of a
commission by the
Solihull Youth Wind Band.
Although Lloyd's music
feels instinctively
written one should not be
misled - it is carefully
crafted, but the craft
and structure are always
subordinated to create a
flow with a strongly
melodic content. Instead
of two or three themes,
The Forest of Arden
contains an abundance of
ideas which can be
described in two groups.
The first group contains
the opening rhythmic
motif, quickly developed
into a short rising
quaver passage in the
woodwinds, and later then
a chromatic ostinato bass
- only 8 bars at this
stage but later expanded.
The second group is broad
and expansive, initially
based on intervals of
rising fifths introduced
by euphonium, tubas, and
baritone saxophone,
immediately echoed by
horns. Low brass and
winds expand the theme
into rising sixths and
octaves. There is a hint
of development, bit this
is arrested as the music
moves to a piu tranquillo
section introduced by the
alto saxophone which
further develops the
rising sixth theme. There
follows a true
development of the
opening material,
starting with the
ostinato bass and
gradually passing through
different tonal centers
until the rising fifths
of the second theme group
are heralded - fortissimo
and poco piu largamente
shortly before the end.
The structure is almost
Wagnerian (albeit on a
much smaller scale), with
themes being used as
leitmotifs, but this is
music which, even within
the space of ten minutes
is conceived on a grand
design.