Berchtolsgaden.
Composed by Leopold
Mozart. Edited by Gustave
Sandre. Arranged by
Gustave Sandre. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands. Symphony;
Early classical. Part. 4
pages. Duration 11'.
Breitkopf and Haertel #OB
4905-15. Published by
Breitkopf and Haertel
(BR.OB-4905-15).
ISBN
9790004324448. 9 x 12
inches.
The work,
originally titled
Berchtolsgader-Musik,
goes back to the Cassatio
ex G by Leopold Mozart,
whose movements 3, 4 and
7 are identical to the
Kinder-Symphonie
[Children's Symphony].
For a long time, the
authorship of the work
was uncertain. It was
attributed to Joseph
Haydn and his brother
Michael, at times also to
Edmund Angerer and
Leopold Mozart's pupil
Johann Rainprechter. The
work probably first
received the designation
Kinder-Symphonie in 1813
through an edition by the
music publisher
Hofmeister.In the
Children's Symphony, a
cuckoo, a quail and other
unusual instruments are
used in addition to the
usual orchestral scoring.
These belong to the
Berchtesgaden
instruments: flutes,
whistles and rattles
carved from wood,
manufactured in the
Berchtesgaden region and
widely used as children's
toys throughout the
country. Today, these
instruments can also be
replaced by flutes,
whistles as well as
ratchets, rattles or bell
trees.
The piano
versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands.
Berchtolsgaden.
Composed by Leopold
Mozart. Edited by Georg
Sandre. Arranged by
Gustave Sandre. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands. Symphony;
Early classical. Part. 4
pages. Duration 11'.
Breitkopf and Haertel #OB
4905-26. Published by
Breitkopf and Haertel
(BR.OB-4905-26).
ISBN
9790004324462. 9 x 12
inches.
The work,
originally titled
Berchtolsgader-Musik,
goes back to the Cassatio
ex G by Leopold Mozart,
whose movements 3, 4 and
7 are identical to the
Kinder-Symphonie
[Children's Symphony].
For a long time, the
authorship of the work
was uncertain. It was
attributed to Joseph
Haydn and his brother
Michael, at times also to
Edmund Angerer and
Leopold Mozart's pupil
Johann Rainprechter. The
work probably first
received the designation
Kinder-Symphonie in 1813
through an edition by the
music publisher
Hofmeister.In the
Children's Symphony, a
cuckoo, a quail and other
unusual instruments are
used in addition to the
usual orchestral scoring.
These belong to the
Berchtesgaden
instruments: flutes,
whistles and rattles
carved from wood,
manufactured in the
Berchtesgaden region and
widely used as children's
toys throughout the
country. Today, these
instruments can also be
replaced by flutes,
whistles as well as
ratchets, rattles or bell
trees.
The piano
versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands.
Violin 1 SKU: BR.EOS-1527-15 Composed by William Boyce. Orchestra; staple...(+)
Violin 1
SKU:
BR.EOS-1527-15
Composed by William
Boyce. Orchestra;
stapled. Eulenburg
Orchestral Series.
Symphony;
Baroque. Part. 32 pages.
Breitkopf and Haertel
#EOS 1527-15. Published
by Breitkopf and Haertel
(BR.EOS-1527-15).
ISBN
9790004786482. 8.5 x 11.5
inches.
No. 1
in B major 8 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 2 in
A major 5 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 3 in
C major 5 0.2.0.2.
0.0.0.0. str
bc(hps)
No. 4 in
F major 7 0.2.0.2.
2.0.0.0. str
bc(hps)
No. 5 in
D major 8 0.2.0.0.
0.2.0.0. timp str
bc(hps)
No. 6 in
F major 7 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 7 in
B major 9 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 8 in
D minor 11 2.2.0.0.
0.0.0.0. str bc(hps)
Die einzige bekannte
Quelle befindet sich in
Heft 66 von Band 25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden.
Viola SKU: BR.EOS-1527-19 Composed by William Boyce. Orchestra; stapled. ...(+)
Viola
SKU:
BR.EOS-1527-19
Composed by William
Boyce. Orchestra;
stapled. Eulenburg
Orchestral Series.
Symphony;
Baroque. Part. 28 pages.
Breitkopf and Haertel
#EOS 1527-19. Published
by Breitkopf and Haertel
(BR.EOS-1527-19).
ISBN
9790004786505. 8.5 x 11.5
inches.
No. 1
in B major 8 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 2 in
A major 5 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 3 in
C major 5 0.2.0.2.
0.0.0.0. str
bc(hps)
No. 4 in
F major 7 0.2.0.2.
2.0.0.0. str
bc(hps)
No. 5 in
D major 8 0.2.0.0.
0.2.0.0. timp str
bc(hps)
No. 6 in
F major 7 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 7 in
B major 9 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 8 in
D minor 11 2.2.0.0.
0.0.0.0. str bc(hps)
Die einzige bekannte
Quelle befindet sich in
Heft 66 von Band 25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden.
Basso (cello/double bass) SKU: BR.EOS-1527-26 Composed by William Boyce. ...(+)
Basso (cello/double bass)
SKU:
BR.EOS-1527-26
Composed by William
Boyce. Orchestra;
stapled. Eulenburg
Orchestral Series.
Symphony;
Baroque. Part. 28 pages.
Breitkopf and Haertel
#EOS 1527-26. Published
by Breitkopf and Haertel
(BR.EOS-1527-26).
ISBN
9790004786512. 8.5 x 11.5
inches.
No. 1
in B major 8 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 2 in
A major 5 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 3 in
C major 5 0.2.0.2.
0.0.0.0. str
bc(hps)
No. 4 in
F major 7 0.2.0.2.
2.0.0.0. str
bc(hps)
No. 5 in
D major 8 0.2.0.0.
0.2.0.0. timp str
bc(hps)
No. 6 in
F major 7 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 7 in
B major 9 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 8 in
D minor 11 2.2.0.0.
0.0.0.0. str bc(hps)
Die einzige bekannte
Quelle befindet sich in
Heft 66 von Band 25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden.
Orchestra SKU: BR.EOS-1527 Score with basso continuo. Composed by ...(+)
Orchestra
SKU:
BR.EOS-1527
Score
with basso continuo.
Composed by William
Boyce. Orchestra;
Softbound. Eulenburg
Orchestral Series.
Symphony;
Baroque. Score with
continuo realization. 172
pages. Breitkopf and
Haertel #EOS 1527.
Published by Breitkopf
and Haertel
(BR.EOS-1527).
ISBN
9790004786475. 8.5 x 11.5
inches.
No. 1
in B major 8 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 2 in
A major 5 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 3 in
C major 5 0.2.0.2.
0.0.0.0. str
bc(hps)
No. 4 in
F major 7 0.2.0.2.
2.0.0.0. str
bc(hps)
No. 5 in
D major 8 0.2.0.0.
0.2.0.0. timp str
bc(hps)
No. 6 in
F major 7 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 7 in
B major 9 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 8 in
D minor 11 2.2.0.0.
0.0.0.0. str bc(hps)
Die einzige bekannte
Quelle befindet sich in
Heft 66 von Band 25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden.
Jupiter Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mozart's last symphony
offered editor Cliff
Eisen a clear-cut basis
for his work: its
autograph score is the
sole authentic source to
have survived. Symphony;
Classical. Part. 14
pages. Duration 29'.
Breitkopf and Haertel #OB
5292-16. Published by
Breitkopf and Haertel
(BR.OB-5292-16).
ISBN
9790004338230. 10 x 12.5
inches.
Mozart's
last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have survived.
In order to remain as
close as possible to the
performance practice of
Mozart's time, the editor
has tried to keep as much
as possible of the
composer's idiosyncratic
notation style, since a
consistently modernized
music text would hardly
allow any conclusions on
the interpretative
nuances envisioned by
Mozart. The preface
confirms the brilliance
and expertise of Mozart
expert Cliff Eisen, who
offers a wealth of
fascinating findings on
interpretation, genesis
and early
reception.
Mozart'
s last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have
survived.
Jupiter Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mozart's last symphony
offered editor Cliff
Eisen a clear-cut basis
for his work: its
autograph score is the
sole authentic source to
have survived. Symphony;
Classical. Part. 14
pages. Duration 29'.
Breitkopf and Haertel #OB
5292-19. Published by
Breitkopf and Haertel
(BR.OB-5292-19).
ISBN
9790004338247. 10 x 12.5
inches.
Mozart's
last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have survived.
In order to remain as
close as possible to the
performance practice of
Mozart's time, the editor
has tried to keep as much
as possible of the
composer's idiosyncratic
notation style, since a
consistently modernized
music text would hardly
allow any conclusions on
the interpretative
nuances envisioned by
Mozart. The preface
confirms the brilliance
and expertise of Mozart
expert Cliff Eisen, who
offers a wealth of
fascinating findings on
interpretation, genesis
and early
reception.
Mozart'
s last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have
survived.
Jupiter Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mozart's last symphony
offered editor Cliff
Eisen a clear-cut basis
for his work: its
autograph score is the
sole authentic source to
have survived. Symphony;
Classical. Part. 14
pages. Duration 29'.
Breitkopf and Haertel #OB
5292-23. Published by
Breitkopf and Haertel
(BR.OB-5292-23).
ISBN
9790004338254. 10 x 12.5
inches.
Mozart's
last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have survived.
In order to remain as
close as possible to the
performance practice of
Mozart's time, the editor
has tried to keep as much
as possible of the
composer's idiosyncratic
notation style, since a
consistently modernized
music text would hardly
allow any conclusions on
the interpretative
nuances envisioned by
Mozart. The preface
confirms the brilliance
and expertise of Mozart
expert Cliff Eisen, who
offers a wealth of
fascinating findings on
interpretation, genesis
and early
reception.
Mozart'
s last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have
survived.
Jupiter Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mozart's last symphony
offered editor Cliff
Eisen a clear-cut basis
for his work: its
autograph score is the
sole authentic source to
have survived. Symphony;
Classical. Part. 14
pages. Duration 29'.
Breitkopf and Haertel #OB
5292-15. Published by
Breitkopf and Haertel
(BR.OB-5292-15).
ISBN
9790004338223. 10 x 12.5
inches.
Mozart's
last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have survived.
In order to remain as
close as possible to the
performance practice of
Mozart's time, the editor
has tried to keep as much
as possible of the
composer's idiosyncratic
notation style, since a
consistently modernized
music text would hardly
allow any conclusions on
the interpretative
nuances envisioned by
Mozart. The preface
confirms the brilliance
and expertise of Mozart
expert Cliff Eisen, who
offers a wealth of
fascinating findings on
interpretation, genesis
and early
reception.
Mozart'
s last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have
survived.
Jupiter Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Mozart's last symphony
offered editor Cliff
Eisen a clear-cut basis
for his work: its
autograph score is the
sole authentic source to
have survived. Symphony;
Classical. Set of parts.
76 pages. Duration 29'.
Breitkopf and Haertel #OB
5292-30. Published by
Breitkopf and Haertel
(BR.OB-5292-30).
ISBN
9790004338278. 10 x 12.5
inches.
Mozart's
last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have survived.
In order to remain as
close as possible to the
performance practice of
Mozart's time, the editor
has tried to keep as much
as possible of the
composer's idiosyncratic
notation style, since a
consistently modernized
music text would hardly
allow any conclusions on
the interpretative
nuances envisioned by
Mozart. The preface
confirms the brilliance
and expertise of Mozart
expert Cliff Eisen, who
offers a wealth of
fascinating findings on
interpretation, genesis
and early
reception.
Mozart'
s last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have
survived.
Jupiter Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mozart's last symphony
offered editor Cliff
Eisen a clear-cut basis
for his work: its
autograph score is the
sole authentic source to
have survived. Symphony;
Classical. Part. 10
pages. Duration 29'.
Breitkopf and Haertel #OB
5292-27. Published by
Breitkopf and Haertel
(BR.OB-5292-27).
ISBN
9790004338261. 10 x 12.5
inches.
Mozart's
last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have survived.
In order to remain as
close as possible to the
performance practice of
Mozart's time, the editor
has tried to keep as much
as possible of the
composer's idiosyncratic
notation style, since a
consistently modernized
music text would hardly
allow any conclusions on
the interpretative
nuances envisioned by
Mozart. The preface
confirms the brilliance
and expertise of Mozart
expert Cliff Eisen, who
offers a wealth of
fascinating findings on
interpretation, genesis
and early
reception.
Mozart'
s last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have
survived.
Jupiter Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Mozart's
last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have survived.
Symphony; Classical.
Study Score. 84 pages.
Duration 29'. Breitkopf
and Haertel #PB 5298-07.
Published by Breitkopf
and Haertel
(BR.PB-5298-07).
ISBN
9790004211786. 6.5 x 9
inches.
Mozart's
last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have survived.
In order to remain as
close as possible to the
performance practice of
Mozart's time, the editor
has tried to keep as much
as possible of the
composer's idiosyncratic
notation style, since a
consistently modernized
music text would hardly
allow any conclusions on
the interpretative
nuances envisioned by
Mozart. The preface
confirms the brilliance
and expertise of Mozart
expert Cliff Eisen, who
offers a wealth of
fascinating findings on
interpretation, genesis
and early
reception.
Mozart'
s last symphony offered
editor Cliff Eisen a
clear-cut basis for his
work: its autograph score
is the sole authentic
source to have
survived.
Berchtolsgaden.
Composed by Leopold
Mozart. Edited by Georg
Sandre. Arranged by
Gustave Sandre.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
The
piano versions of the
Children's Symphony have
been part of Breitkopf's
orchestral materials for
over a hundred years now.
They are not merely piano
parts, however, but
full-blooded reductions
for piano twohands or
four-hands.
Symphony;
Early classical. Full
score. 8 pages. Duration
11'. Breitkopf and
Haertel #PB 4905.
Published by Breitkopf
and Haertel (BR.PB-4905).
ISBN 9790004207017. 9
x 12 inches.
The
work, originally titled
Berchtolsgader-Musik,
goes back to the Cassatio
ex G by Leopold Mozart,
whose movements 3, 4 and
7 are identical to the
Kinder-Symphonie
[Children's Symphony].
For a long time, the
authorship of the work
was uncertain. It was
attributed to Joseph
Haydn and his brother
Michael, at times also to
Edmund Angerer and
Leopold Mozart's pupil
Johann Rainprechter. The
work probably first
received the designation
Kinder-Symphonie in 1813
through an edition by the
music publisher
Hofmeister.In the
Children's Symphony, a
cuckoo, a quail and other
unusual instruments are
used in addition to the
usual orchestral scoring.
These belong to the
Berchtesgaden
instruments: flutes,
whistles and rattles
carved from wood,
manufactured in the
Berchtesgaden region and
widely used as children's
toys throughout the
country. Today, these
instruments can also be
replaced by flutes,
whistles as well as
ratchets, rattles or bell
trees.
Score and Sound Masterworks. Composed by Wolfgang Amadeus Mozart (1756-1791). St...(+)
Score and Sound
Masterworks. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Study Score
with CD. Classical Music,
Classical. Softcover with
CD. 112 pages. Published
by Hal Leonard
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
the case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements. Symphony;
Classical. Part. 18
pages. Duration 30'.
Breitkopf and Haertel #OB
5231-15. Published by
Breitkopf and Haertel
(BR.OB-5231-15).
ISBN
9790004337059. 10 x 12.5
inches.
Whether for
first editions or not the
primary sources of
Beethoven's works always
have to be interpreted
with great expertise. The
editor's knowledgeability
is the decisive point
when it comes to the
level of quality of a new
edition. And both Clive
Brown and Peter Hauschild
are setting standards.On
the whole, it was a good
idea for Breitkopf to
give itself time with
these editions. The
difficult feat of doing
justice to the needs of
performers and to
philological scholarship
has been carried off at a
level that raises the
standards to an almost
frighteningly high level.
(Peter Gulke) In the case
of the First Symphony,
Clive Brown reaches an
optimal balance between
source criticism and
performance-practical
requirements.
Interpreters and scholars
appreciate the source
criticism for performance
practice that Breitkopf
cultivates not only in
its Beethoven
editions.
In the
case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). In
the case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements. Symphony;
Classical. Set of parts.
112 pages. Duration 30'.
Breitkopf and Haertel #OB
5231-30. Published by
Breitkopf and Haertel
(BR.OB-5231-30).
ISBN
9790004337103. 10 x 12.5
inches.
Whether for
first editions or not the
primary sources of
Beethoven's works always
have to be interpreted
with great expertise. The
editor's knowledgeability
is the decisive point
when it comes to the
level of quality of a new
edition. And both Clive
Brown and Peter Hauschild
are setting standards.On
the whole, it was a good
idea for Breitkopf to
give itself time with
these editions. The
difficult feat of doing
justice to the needs of
performers and to
philological scholarship
has been carried off at a
level that raises the
standards to an almost
frighteningly high level.
(Peter Gulke) In the case
of the First Symphony,
Clive Brown reaches an
optimal balance between
source criticism and
performance-practical
requirements.
Interpreters and scholars
appreciate the source
criticism for performance
practice that Breitkopf
cultivates not only in
its Beethoven
editions.
In the
case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
the case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements. Symphony;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
5231-23. Published by
Breitkopf and Haertel
(BR.OB-5231-23).
ISBN
9790004337080. 10 x 12.5
inches.
Whether for
first editions or not the
primary sources of
Beethoven's works always
have to be interpreted
with great expertise. The
editor's knowledgeability
is the decisive point
when it comes to the
level of quality of a new
edition. And both Clive
Brown and Peter Hauschild
are setting standards.On
the whole, it was a good
idea for Breitkopf to
give itself time with
these editions. The
difficult feat of doing
justice to the needs of
performers and to
philological scholarship
has been carried off at a
level that raises the
standards to an almost
frighteningly high level.
(Peter Gulke) In the case
of the First Symphony,
Clive Brown reaches an
optimal balance between
source criticism and
performance-practical
requirements.
Interpreters and scholars
appreciate the source
criticism for performance
practice that Breitkopf
cultivates not only in
its Beethoven
editions.
In the
case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
the case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements. Symphony;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
5231-16. Published by
Breitkopf and Haertel
(BR.OB-5231-16).
ISBN
9790004337066. 10 x 12.5
inches.
Whether for
first editions or not the
primary sources of
Beethoven's works always
have to be interpreted
with great expertise. The
editor's knowledgeability
is the decisive point
when it comes to the
level of quality of a new
edition. And both Clive
Brown and Peter Hauschild
are setting standards.On
the whole, it was a good
idea for Breitkopf to
give itself time with
these editions. The
difficult feat of doing
justice to the needs of
performers and to
philological scholarship
has been carried off at a
level that raises the
standards to an almost
frighteningly high level.
(Peter Gulke) In the case
of the First Symphony,
Clive Brown reaches an
optimal balance between
source criticism and
performance-practical
requirements.
Interpreters and scholars
appreciate the source
criticism for performance
practice that Breitkopf
cultivates not only in
its Beethoven
editions.
In the
case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
the case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements. Symphony;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
5231-27. Published by
Breitkopf and Haertel
(BR.OB-5231-27).
ISBN
9790004337097. 10 x 12.5
inches.
Whether for
first editions or not the
primary sources of
Beethoven's works always
have to be interpreted
with great expertise. The
editor's knowledgeability
is the decisive point
when it comes to the
level of quality of a new
edition. And both Clive
Brown and Peter Hauschild
are setting standards.On
the whole, it was a good
idea for Breitkopf to
give itself time with
these editions. The
difficult feat of doing
justice to the needs of
performers and to
philological scholarship
has been carried off at a
level that raises the
standards to an almost
frighteningly high level.
(Peter Gulke) In the case
of the First Symphony,
Clive Brown reaches an
optimal balance between
source criticism and
performance-practical
requirements.
Interpreters and scholars
appreciate the source
criticism for performance
practice that Breitkopf
cultivates not only in
its Beethoven
editions.
In the
case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements.
Organ - advanced SKU: HL.49017947 Te Deum. Composed by Enjott Schn...(+)
Organ - advanced
SKU:
HL.49017947
Te
Deum. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Collection. Die 6.
Orgelsinfonie Te Deum
ubernimmt die
Funfergliederung und
einige Motive aus
Bruckners Te Deum, um
daraus ein kompaktes von
Wucht und Gotteslob
erfulltes Werk zu werden.
Composed 2008. 60 pages.
Duration 28'. Schott
Music #ED20576. Published
by Schott Music
(HL.49017947).
ISBN
9790001157933.
9.0x12.0x0.216
inches.
With his
organ symphonies, the
composer Enjott Schneider
(born 1950) from Munich
has been a profound
sensation in recent years
and seen world premieres
at major European organ
events. The Organ
Symphony No. 6 'Te Deum'
(premiered at Bruckner's
St. Florian above
Bruckner's tomb in 2008
and recorded there on CD)
adopts the five-part
structure and several
motifs from Bruckner's
'Te Deum', thus becoming
a forceful compact work
pervaded by the
Gotteslob. 1: 'Te Deum'
is based on Bruckner's
original figuration of
fifths and eighths which
is connected with the
Latin Te Deum; 2: 'Te
Ergo' is a 'preghiera'
with pleading and praying
gestures; 3: 'Aeterna
fac' is an extremely
virtuoso perpetuum
mobile; 4: 'Salvum Fac' a
basso ostinato and
finally 5: 'In te, Domine
speravi' a toccata which,
after taking many
detours, inevitably leads
to the C major.
(Symphony Themes, Opera Gems and Classical Favorites). Arranged by Nancy Faber a...(+)
(Symphony Themes, Opera
Gems and Classical
Favorites). Arranged by
Nancy Faber and Randall
Faber. For
Piano/Keyboard. Faber
Piano Adventures�®.
Softcover. Faber Piano
Adventures #FF3030.
Published by Faber Piano
Adventures
Recorded by Frank Almond, Concertmaster of the Milwaukee Symphony. By Frank Almo...(+)
Recorded by Frank Almond,
Concertmaster of the
Milwaukee Symphony. By
Frank Almond. By Various.
String Solo. Classical.
Softcover Audio Online.
48 pages. Published by G.
Schirmer
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489063
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 55
pages. G. Henle #HN906.
Published by G. Henle
(HL.51489063).
UPC:
840126932867.
6.75x9.5x0.204
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: HL.48187610 Composed by Wolfgang Amadeus Mozart. Heugel. C...(+)
Orchestra
SKU:
HL.48187610
Composed
by Wolfgang Amadeus
Mozart. Heugel.
Classical. Study Score.
68 pages. Heugel & Cie
#HE31401. Published by
Heugel & Cie
(HL.48187610).
UPC:
888680848668.
5.5x7.5x0.285
inches.
“The
Symphony No.39 In E Flat
K.543 was finished in
Vienna on 26th June 1788.
Together with the
symphonies in G minor and
C major Jupiter (all
three were composed in
less than a month), it
marks the summit of
Mozart's achievement in
symphonic form. Although
this symphony breaks no
new ground as regards the
use of orchestral
instruments, it is
nevertheless one of the
first examples of modern
orchestration, because
the resources of each
instrument and the
various combinations of
timbre are here exploited
with great skill.This
miniature score is an
excellent resource for
perusal or private study
of this work.â€.
Linz Symphony.
Composed by Wolfgang
Amadeus Mozart.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 8 pages. Duration
27'. Breitkopf and
Haertel #OB 4409-16.
Published by Breitkopf
and Haertel
(BR.OB-4409-16).
Basso (cello/double bass)
(0.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.OB-5537-26
Linz' Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Sheet Music. Duration
27'. Breitkopf and
Haertel #OB 5537-26.
Published by Breitkopf
and Haertel
(BR.OB-5537-26).
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