Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics,
Scene
SKU:
CA.1631000
(georgiques I), fur
bass flute and live
electronics. Composed
by Walter Feldmann. This
edition: Paperbound.
(r)TELLEMENT FROID QUE-
(GEORGIQUES I). Full
score. Composed 1995-96.
66 pages. Duration 20
minutes. Carus Verlag #CV
16.310/00. Published by
Carus Verlag
(CA.1631000).
ISBN
9790007242800. Language:
all
languages.
1989.
Stay in Aix-en-Provence,
France, doing a language
course. Reading,
discussing and analyzing
Les Georgiques; this
pursuit is going to be
the foundation of the
multiple intellectual and
literary levels of my
composing. 2. THE WOODEN
PLATFORM IS COVERED WITH
FINE WHITE SAND (OR
SALT), THE TWO SHELVES
WITH BLACK CLOTH ... At
the time I work on my
first serious piece,
still a far cry from the
under-standing of writing
music I have today. <<
tellement froid que >>
(georgiques I) for bass
flute, electronics and
scene (1995-96), sections
1-7. << comme si le froid
>> (georgiques II) for
baritone saxophone,
timpani and piano (1998),
sections 18-24. <<
n'etait le froid >>
(georgiques III) for
orchestra (2000-2002),
sections not yet decided.
3. THE INTERPRETER WILL
BE DRESSED IN BLACK AND
WHITE, MAINLY WHITE IF
BLUISH LIGHT IS AT HAND
... The enormously rich
vocabulary and the
accuracy of expression -
in temporal, spatial and
material terms - is
particularly impressive.
To comprehend all of it,
a reading on three
different levels is
called for: a first
reading of one passage,
then the acquisition of
unknown vocabulary;
thirdly a repeated -
knowing - reading, which
points out the utopia of
precise expression: The
text is treated in a
rather problematic (cold:
le froid?) manner: it's
not the semantic content
that is primarily
dominant, but rather the
outward appearance, the
mise en page and the
syntactic structure. 4.
THE INTERPRETER ENTERS
THE STAGE WITH ALL THE
FLUTES (S)HE WILL PLAY
DURING THE CONCERT AND
DEPOSITS THEM - EXCEPT
FOR THE BASS FLUTE - ON
SHELF B; IF (S)HE ONLY
PLAYS THIS PIECE, (S)HE
SHOULD PUT THE PROGRAMME
OF THE CONCERT THERE; IN
ANY CASE THE INSTRUCTIONS
IN BAR 195 MUST BE
FOLLOWED ... In concrete
terms the 10 centimetres
of a line in the minuit
edition correspond to 10
seconds of musical
structure (which is three
times as slow as the
average reading speed).
Only seven years later is
the term / expression
casse ferique changed
into casse ferrique, and
thus its secret is
revealed, which almost
becomes - due to its
unreadability - the key
to the planned musical
cycle. The text is
measured from section to
section (big format: each
section is marked with a
continuous, ,,cold chord
by the bass flute, played
on tape recorder), from
full stop to full stop
(new entry of keynote
material), from comma to
comma (tripling of
continuous resonances)
etc. 5. DURING THE
PERFORMANCE UP TO BAR
195, THE INTERPRETER WILL
TRY - IN A KIND OF
THEATRICAL ADAPTATION -
TO EXPRESS HIS/HER OWN
FEELING OF IRREPRESSIBLY
GROWING FRUSTRATION; FROM
BAR 195 ONWARDS (S)HE
WILL DEFINITELY HAVE PUT
UP WITH THE BASS FLUTE
... Brackets in the text
bring about a reduction
of sound (the
differentiating micro
tones are no longer
used), the syntactical
progression to
subordinate clauses of
the remotest degree has
its immediate effect on
dynamics (degree of
volume). Then: the
perception of a logical
and yet erratic syntax,
vastly progressive layers
of subordinate clauses
and brackets (lowering
tone of voice?), a
polyphony of ,,memoire,
which leads to a
maelstrom of attention, a
tonally centric /
concentrated (main
material?) and
progressive (subordinate
and brackets-material?)
reading, listening and
proceeding. The different
levels are constantly in
touch - transferring the
sensuous moment of scenes
of bodily encounter
(Tryptique) that are
evoked again and again -
in perpetual excitement
of text and imagination,
memory and remembering
sensitivity. 6. THE BODY
MOVEMENTS AND FIXATION
(FIGE) , BOTH CLEARLY
PERCEPTIBLE, WILL EVOKE
AND SUPPORT THE SAME
EMOTIONS ... The basic
moods of the text will be
reflected in the
relationship (which is
very important here) of
the interpreter to the
music; (s)he is somehow
at the mercy of given
(and not always
transparent) structures
on the one hand and the
complexity of musical
sensations on the other,
which has to be defeated
inspite of exhaustion.
It's not only here that
semantic agreement
(besides the
materialistic structure)
of music and text can be
felt: On top of that
there's the existential
helplessness in view of
the mercilessly flowing
polyphony of levels and
events -- as a mirror of
this there are the
remembered scenes of the
Flemish cold in the
second chapter (Les
Georgiques). The
interpreters are
confronted with unusual
directions which
correspond to the
adjectives in the
respective passages of
the text: anachronique,
engourdi, glace et acre,
monotone et desert etc.
The possibilities of
interpretation are
amplified, the ability to
perceive and personal
reaction is opened. The
impression of this
inexorability is
multiplied in the
extremest way by the fact
that the particular
layers can be found in
Simon's complete works.
It's a continuous work of
art in which each novel
turns into a chapter of a
complex, cyclic whole;
its title denoting only
one main strand, as it
were. A personal comment
is made also as regards
the clearly defined
stage; the mise en scene
points out the
extra-musical elements
and the correlation
between text, human being
and music. 7. THE
INTERPRETER IS ASKED TO
MOVE FREELY WITHIN A
DEFINED SPOT WITHOUT
LOOKING ARTIFICIAL;
SOUNDS CAUSED BY THE FEET
MOVING ON THE SAND ARE
WELCOME DURING THE WHOLE
PIECE ... And here the
idea of a cycle is born,
an attempt to transfer
these nuances of
memorized structures,
this clarity and
coldness, to transform
the text into musical
material. Walter
Feldmann.
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1043585-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1043585-015
Composed by Kees
Schoonenbeek. De Haske
Easy Band Series. Concert
Piece. Set (Score &
Parts). Composed 2004. De
Haske Publications #DHP
1043585-015. Published by
De Haske Publications
(BT.DHP-1043585-015).
The source of
inspiration for
Thailand
Impressions was a
trip that the composer
made to the magnificent
country of Thailand. The
three movements reflect
the many different
aspects of this
fascinating part of the
world including Bangkok -
both modern and antique,
Buddhist temples and the
infamous Burma railway.
Een reis door
Thailand brengt ons eerst
naar het oude en moderne
Bangkok. In deel twee
komt het
ondoorgrondelijke en
menslievende gedachtegoed
van het boeddhisme aan
bod. De Birma-spoorlijn
is het onderwerp van het
derde deel. Dezewerd
aangelegd door duizenden
dwangarbeiders, de
‘treinmuziekâ€â„
¢ wordt dan ook twee keer
onderbroken door het
koraal Aus tiefer
Not. Een mooi werk
over een veelzijdig land
met een rijke
geschiedenis.
Die
Inspirationsquelle zu
Thailand
Impressions war eine
Reise des Komponisten in
dieses herrliche Land. In
drei Sätzen nimmt die
Musik den Hörer mit
auf eine Reise durch das
alte und neue Bangkok, zu
einer Zeremonie in einem
Buddha-Tempel und entlang
einer historischen
Bahnlinie. Lassen Sie
sich von Thailand
Impressions in ein
modernes, geheimnisvolles
und exotisches Land
entführen!
Thailand Impressions Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2 SKU: BT.DHP-1043585-1...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade 2
SKU:
BT.DHP-1043585-170
Composed by Kees
Schoonenbeek. De Haske
Easy Band Series. Concert
Piece. Score Only.
Composed 2004. De Haske
Publications #DHP
1043585-170. Published by
De Haske Publications
(BT.DHP-1043585-170).
The source of
inspiration for
Thailand
Impressions was a
trip that the composer
made to the magnificent
country of Thailand. The
three movements reflect
the many different
aspects of this
fascinating part of the
world including Bangkok -
both modern and antique,
Buddhist temples and the
infamous Burma railway.
Een reis door
Thailand brengt ons eerst
naar het oude en moderne
Bangkok. In deel twee
komt het
ondoorgrondelijke en
menslievende gedachtegoed
van het boeddhisme aan
bod. De Birma-spoorlijn
is het onderwerp van het
derde deel. Dezewerd
aangelegd door duizenden
dwangarbeiders, de
‘treinmuziekâ€â„
¢ wordt dan ook twee keer
onderbroken door het
koraal Aus tiefer
Not. Een mooi werk
over een veelzijdig land
met een rijke
geschiedenis.
Die
Inspirationsquelle zu
Thailand
Impressions war eine
Reise des Komponisten in
dieses herrliche Land. In
drei Sätzen nimmt die
Musik den Hörer mit
auf eine Reise durch das
alte und neue Bangkok, zu
einer Zeremonie in einem
Buddha-Tempel und entlang
einer historischen
Bahnlinie. Lassen Sie
sich von Thailand
Impressions in ein
modernes, geheimnisvolles
und exotisches Land
entführen!
Brass Band - Grade 2 SKU: BT.DHP-1043585-030 Composed by Kees Schoonenbee...(+)
Brass Band - Grade 2
SKU:
BT.DHP-1043585-030
Composed by Kees
Schoonenbeek. De Haske
Easy Band Series. Concert
Piece. Set (Score &
Parts). Composed 2004. De
Haske Publications #DHP
1043585-030. Published by
De Haske Publications
(BT.DHP-1043585-030).
The source of
inspiration for
Thailand
Impressions was a
trip that the composer
made to the magnificent
country of Thailand. The
three movements reflect
the many different
aspects of this
fascinating part of the
world including Bangkok -
both modern and antique,
Buddhist temples and the
infamous Burma railway.
Een reis door
Thailand brengt ons eerst
naar het oude en moderne
Bangkok. In deel twee
komt het
ondoorgrondelijke en
menslievende gedachtegoed
van het boeddhisme aan
bod. De Birma-spoorlijn
is het onderwerp van het
derde deel. Dezewerd
aangelegd door duizenden
dwangarbeiders, de
‘treinmuziekâ€â„
¢ wordt dan ook twee keer
onderbroken door het
koraal Aus tiefer
Not. Een mooi werk
over een veelzijdig land
met een rijke
geschiedenis.
Die
Inspirationsquelle zu
Thailand
Impressions war eine
Reise des Komponisten in
dieses herrliche Land. In
drei Sätzen nimmt die
Musik den Hörer mit
auf eine Reise durch das
alte und neue Bangkok, zu
einer Zeremonie in einem
Buddha-Tempel und entlang
einer historischen
Bahnlinie. Lassen Sie
sich von Thailand
Impressions in ein
modernes, geheimnisvolles
und exotisches Land
entführen!
Luminary Piano et Orchestre [Conducteur] Theodore Presser Co.
Concerto for Piano and Orchestra. Composed by Narong Prangcharoen. First ...(+)
Concerto for Piano and
Orchestra. Composed
by Narong Prangcharoen.
First performed by the
Thailand Philharmonic
Orchestra, Dariusz
Mikulksi, conductor, with
Christopher Janwong
McKiggan as piano
soloist. Contemporary.
Full score (study). With
Standard notation.
Composed 2016. 80 pages.
Duration 24 minutes.
Theodore Presser Company
#416-41609. Published by
Theodore Presser Company
(PR.416416090).
Solo piano - Early Intermediate; Grade 2; Late Elementary SKU: FJ.FJH2371 ...(+)
Solo piano - Early
Intermediate; Grade 2;
Late Elementary
SKU:
FJ.FJH2371
2.
11 Solos Inspired by
Intermational Dance.
Composed by Wynn-Anne
Rossi. Keyboard/Piano;
Piano Resources; Piano
Supplemental. The FJH
Composer Library. Form:
Theme. Living Composer;
Multicultural; Recital.
Book. The FJH Music
Company Inc #98-FJH2371.
Published by The FJH
Music Company Inc
(FJ.FJH2371).
ISBN
9781619283541. UPC:
241444441244.
English.
A new,
four-book series by
composer Wynn-Anne Rossi.
The Dancing with the
World series is inspired
by international dance,
rhythms and melodies,
uniting performers in the
celebration of movement.
A brief introduction
related to the background
of each dance is included
for every piece, and the
music can be used as the
basis of a themed recital
to celebrate the history
and cultural significance
of each dance. Book 2 is
arranged at the Late
Elementary/Early
Intermediate Level and
includes dances from
Turkey, Rwanda, France,
Thailand, the United
Kingdom, Ukraine (Wild
Hopak), Iceland
(Vikivaki), Argentina,
India and more!
By Richard Meyer. By Richard Meyer. For String Orchestra. String Orchestra. High...(+)
By Richard Meyer. By
Richard Meyer. For String
Orchestra. String
Orchestra. Highland
String Orchestra.
Conductor Score & Parts.
Published by Alfred
Publishing. Level:
2.5 (grade 2.5).
Fanfare Band - Grade 6 SKU: BT.DHP-1206276-020 Symphonic Poem. Com...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-1206276-020
Symphonic Poem.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2021. De Haske
Publications #DHP
1206276-020. Published by
De Haske Publications
(BT.DHP-1206276-020).
English-German-French-
Dutch.
The 31
kilometer (19 miles) long
beautiful Thien Duong
Cave or Paradise Cave
lies in one of
Vietnam’s national
parks and was not
discovered until 2005.
Composer Jan de Haan
visited this unearthly
looking place. The
grandnessand astounding
splendour of this natural
wonder made such an
impression that it
inspired him to write
this composition. He
experienced Paradise Cave
as art, albeit formed by
nature across millions of
years. Back home, he
renderedthe imposing
experience in music. This
resulted in a colourful
and spectacular concert
work for fanfare band.
Paradise Cave is
dedicated to the World
Music Contest
(WMC).
De 31
kilometer lange,
prachtige Thien
Duong-grot (oftewel
Paradise Cave) , gelegen
in een van de nationale
parken van Vietnam, werd
pas in 2005 ontdekt. Toen
componist Jan de Haan
deze buitenaards
aandoende plek bezocht,
maaktende grootsheid en
adembenemende pracht van
dit natuurwonder zo veel
indruk op hem dat hij
zich ge nspireerd voelde
om dit werk te schrijven.
Hij beleefde Paradise
Cave als kunst, maar dan
in miljoenen jaren
gecreëerd door
denatuur. Thuis zette hij
zijn indrukwekkende
ervaring om in muziek,
wat resulteerde in een
kleurrijk en spectaculair
concertwerk voor
fanfareorkest.
Paradise Cave is
opgedragen aan het Wereld
Muziek Concours
(WMC).
Die 31
Kilometer lange
wunderschöne
Thien-Duong-Höhle oder
Paradies-Höhle liegt
in einem der
Nationalparks Vietnams
und wurde erst 2005
entdeckt. Der Komponist
Jan de Haan besuchte
diesen fast
überirdischen Ort.
DieGroßartigkeit und
außerordentliche
Pracht dieses
Naturwunders
beeindruckten ihn derart,
dass ihn dies zu dieser
Komposition inspirierte.
Er erlebte die
Paradies-Höhle als ein
Kunstwerk, obwohl sie im
Laufe von Millionen von
Jahrenvon der Natur
geformt wurde. Als er
wieder zu Hause war,
setzte er dieses
beeindruckende Erlebnis
in Musik um. Das Ergebnis
ist ein lebendiges und
atemberaubendes Werk
für Fanfare-Orchester.
Paradise Cave ist
dem WorldMusic Contest
(WMC)
gewidmet.
String Quartet - intermediate SKU: BT.DHP-1185855-070 From The Phantom...(+)
String Quartet -
intermediate
SKU:
BT.DHP-1185855-070
From The Phantom of
the Opera. Composed
by Andrew Lloyd Webber.
Arranged by Nico Dezaire.
De Haske Pops for String
Quartet.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2018. 8 pages. De Haske
Publications #DHP
1185855-070. Published by
De Haske Publications
(BT.DHP-1185855-070).
ISBN 9789043153911.
English-German-French-Dut
ch.
The Phantom
of the Opera is,
without doubt, one of the
great classics of our
time. The stage
production of this tale,
exciting and mysterious
in equal measure, has now
captivated over a million
theatre-goers. The
phantom sings the song
The Music of the
Night to the
beautiful Christine, who
he has just kidnapped
into his realm, as if
entrancing her. This
enchanting mood is so
authentically recreated
in Nico Dezaire’s
sensitive arrangement for
string quartet that it
feels like listening to
the singer perform the
original version from the
musical.
De
musical The Phantom of
the Opera is zonder
twijfel een van de grote
klassiekers van onze
tijd. De theaterversie
van dit spannende en
tegelijk mysterieuze
verhaal heeft in de loop
der tijd al een
miljoenenpubliek
getrokken. Met het lied
The Music of the
Night brengt het
spook de mooie Christine,
die hij zojuist naar zijn
rijk heeft ontvoerd, als
het ware in trance. De
betoverende sfeer wordt
in dit gevoelige
strijkkwartetarrangement
van de hand van Nico
Dezaire zo authentiek
overgebracht, dat het
voelt alsof je luistert
naar de zanger in de
originele versie uit de
musical.
Das
Phantom der Oper
gehört zweifellos zu
den ganz großen
Musical-Klassikern
unserer Zeit. Die
Bühnenversion dieser
ebenso spannenden wie
mystischen Geschichte hat
schon ein
Millionenpublikum in
seinen Bann gezogen. Mit
dem Lied The Music of
the Night singt das
Phantom die schöne
Christine, die er soeben
in sein Reich entführt
hat, gleichsam in Trance.
Eben diese Stimmung
lässt Nico Dezaire in
seiner einfühlsamen
Bearbeitung für
Streichquartett so
glaubwürdig wieder
aufleben, dass es sich so
anfühlt, als höre
man dem Sänger der
originalen
Musical-Fassung
zu.
Brass Band - Grade 3.5 SKU: BT.DHP-1175816-030 Based on the march from...(+)
Brass Band - Grade 3.5
SKU:
BT.DHP-1175816-030
Based on the march
from Henry Purcell's
Music for the funeral of
Queen Mary II.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2017. De Haske
Publications #DHP
1175816-030. Published by
De Haske Publications
(BT.DHP-1175816-030).
English-German-French-
Dutch.
This
composition is based on
the march from Henry
Purcell’s Music
for the funeral of Queen
Mary II, a work
written in 1694. In this
fantasia, various
movements flow from one
to the next following the
main theme; these
movements not
onlyelaborate on the
theme, but also contrast
with it. At times, the
thematic material
diverges so much, that
the work acquires a
character of its own;
however, the composer
often refers back to
fragments of the theme.
This work was test piece
in the 4thdivision of the
Dutch National Brass Band
Championships (NBK) in
2017.
Deze
compositie is gebaseerd
op de mars uit Henry
Purcells Music for the
funeral of Queen Mary
II, een werk uit het
jaar 1694. In deze
fantasia wordt het
hoofdthema gevolgd door
verschillende in elkaar
overgaande delen die
voortborduren op hetthema
of er een contrast mee
vormen. Alhoewel het
thematisch materiaal soms
zodanig afwijkt dat het
werk een geheel eigen
karakter krijgt, grijpt
de componist toch steeds
weer terug op flarden van
het origineel. Dit werk
was het verplichte werk
op deNederlandse
Brassband
Kampioenschappen (NBK),
2017 vierde
divisie.
Die
Komposition basiert auf
dem Marsch aus Henry
Purcells Music for the
funeral of Queen Mary
II, einem Werk, das
1694 komponiert wurde.
Auf das Hauptthema der
Fantasie folgen
verschiedene, ineinander
übergehende Sätze.
In den Sätzen
wirdjedoch nicht nur das
Thema weiterentwickelt,
sondern sie bilden
zugleich einen Gegensatz
zu dem Thema. Auch wenn
das thematische Material
manchmal so stark
voneinander abweicht,
dass das Werk einen ganz
eigenen Charakter
erhält, kehrt der
Komponistimmer wieder zu
Fragmenten des Themas
zurück. Das Werk war
2017 Pflichtstück in
der Leistungsklasse 4 bei
den Dutch National Brass
Band Championships
(NBK).
Paradise Cave Fanfare [Conducteur] - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-1206276-120 Symphonic Poem. Com...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-1206276-120
Symphonic Poem.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2021. 42 pages. De Haske
Publications #DHP
1206276-120. Published by
De Haske Publications
(BT.DHP-1206276-120).
English-German-French-
Dutch.
The 31
kilometer (19 miles) long
beautiful Thien Duong
Cave or Paradise Cave
lies in one of
Vietnam’s national
parks and was not
discovered until 2005.
Composer Jan de Haan
visited this unearthly
looking place. The
grandnessand astounding
splendour of this natural
wonder made such an
impression that it
inspired him to write
this composition. He
experienced Paradise Cave
as art, albeit formed by
nature across millions of
years. Back home, he
renderedthe imposing
experience in music. This
resulted in a colourful
and spectacular concert
work for fanfare band.
Paradise Cave is
dedicated to the World
Music Contest
(WMC).
De 31
kilometer lange,
prachtige Thien
Duong-grot (oftewel
Paradise Cave) , gelegen
in een van de nationale
parken van Vietnam, werd
pas in 2005 ontdekt. Toen
componist Jan de Haan
deze buitenaards
aandoende plek bezocht,
maaktende grootsheid en
adembenemende pracht van
dit natuurwonder zo veel
indruk op hem dat hij
zich ge nspireerd voelde
om dit werk te schrijven.
Hij beleefde Paradise
Cave als kunst, maar dan
in miljoenen jaren
gecreëerd door
denatuur. Thuis zette hij
zijn indrukwekkende
ervaring om in muziek,
wat resulteerde in een
kleurrijk en spectaculair
concertwerk voor
fanfareorkest.
Paradise Cave is
opgedragen aan het Wereld
Muziek Concours
(WMC).
Die 31
Kilometer lange
wunderschöne
Thien-Duong-Höhle oder
Paradies-Höhle liegt
in einem der
Nationalparks Vietnams
und wurde erst 2005
entdeckt. Der Komponist
Jan de Haan besuchte
diesen fast
überirdischen Ort.
DieGroßartigkeit und
außerordentliche
Pracht dieses
Naturwunders
beeindruckten ihn derart,
dass ihn dies zu dieser
Komposition inspirierte.
Er erlebte die
Paradies-Höhle als ein
Kunstwerk, obwohl sie im
Laufe von Millionen von
Jahrenvon der Natur
geformt wurde. Als er
wieder zu Hause war,
setzte er dieses
beeindruckende Erlebnis
in Musik um. Das Ergebnis
ist ein lebendiges und
atemberaubendes Werk
für Fanfare-Orchester.
Paradise Cave ist
dem WorldMusic Contest
(WMC)
gewidmet.
Purcellian Fantasia Ensemble de cuivres [Conducteur] - Intermédiaire De Haske Publications
Brass Band - Grade 3.5 SKU: BT.DHP-1175816-130 Based on the march from...(+)
Brass Band - Grade 3.5
SKU:
BT.DHP-1175816-130
Based on the march
from Henry Purcell's
Music for the funeral of
Queen Mary II.
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2017. De Haske
Publications #DHP
1175816-130. Published by
De Haske Publications
(BT.DHP-1175816-130).
English-German-French-
Dutch.
This
composition is based on
the march from Henry
Purcell’s Music
for the funeral of Queen
Mary II, a work
written in 1694. In this
fantasia, various
movements flow from one
to the next following the
main theme; these
movements not
onlyelaborate on the
theme, but also contrast
with it. At times, the
thematic material
diverges so much, that
the work acquires a
character of its own;
however, the composer
often refers back to
fragments of the theme.
This work was test piece
in the 4thdivision of the
Dutch National Brass Band
Championships (NBK) in
2017.
Deze
compositie is gebaseerd
op de mars uit Henry
Purcells Music for the
funeral of Queen Mary
II, een werk uit het
jaar 1694. In deze
fantasia wordt het
hoofdthema gevolgd door
verschillende in elkaar
overgaande delen die
voortborduren op hetthema
of er een contrast mee
vormen. Alhoewel het
thematisch materiaal soms
zodanig afwijkt dat het
werk een geheel eigen
karakter krijgt, grijpt
de componist toch steeds
weer terug op flarden van
het origineel. Dit werk
was het verplichte werk
op deNederlandse
Brassband
Kampioenschappen (NBK),
2017 vierde
divisie.
Die
Komposition basiert auf
dem Marsch aus Henry
Purcells Music for the
funeral of Queen Mary
II, einem Werk, das
1694 komponiert wurde.
Auf das Hauptthema der
Fantasie folgen
verschiedene, ineinander
übergehende Sätze.
In den Sätzen
wirdjedoch nicht nur das
Thema weiterentwickelt,
sondern sie bilden
zugleich einen Gegensatz
zu dem Thema. Auch wenn
das thematische Material
manchmal so stark
voneinander abweicht,
dass das Werk einen ganz
eigenen Charakter
erhält, kehrt der
Komponistimmer wieder zu
Fragmenten des Themas
zurück. Das Werk war
2017 Pflichtstück in
der Leistungsklasse 4 bei
den Dutch National Brass
Band Championships
(NBK).
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196131-010 As recorded by...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196131-010
As recorded by Ray
Charles. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2019. De Haske
Publications #DHP
1196131-010. Published by
De Haske Publications
(BT.DHP-1196131-010).
This jazz
ballad from 1930 is
probably one of the most
covered standards of all
times. The most famous
interpretation dates back
from 1960, covered by the
one and only Ray Charles.
Since then, in 1979 the
song was declared the
official state anthem for
Georgia in the United
States. Top arranger
Peter Kleine Schaars has
now made an amazing
arrangement for band
using the Ray Charles
version it’s so
close to the original
that you can still feel
the vibe of the
60s.
Deze
jazzballad uit 1930 is
waarschijnlijk een van de
meest gecoverde standards
aller tijden. De
beroemdste vertolking
dateert van 1960: een
versie van de enige echte
Ray Charles. Later, in
1979, werd het nummer
zelfs het officiële
volkslied van de
Amerikaanse staat
Georgia. Toparrangeur
Peter Kleine Schaars
heeft er nu een
fantastisch arrangement
voor blaasorkest van
gemaakt, op basis van de
versie van Ray Charles
het blijft zo dicht bij
het origineel dat de vibe
van de jaren zestig er
onmiskenbaar in
doorklinkt!
Diese
Jazz-Ballade aus dem Jahr
1930 zählt
wahrscheinlich zu den am
häufigsten gecoverten
Standards aller Zeiten.
Die berühmteste
Interpretation ist aus
dem Jahr 1960 von dem
unvergleichlichen Ray
Charles. 1979 wurde das
Lied zur offiziellen
Hymne des Bundesstaates
Georgia in den USA
erklärt. Top-Arrangeur
Peter Kleine Schaars hat
nun auf Grundlage der
Version von Ray Charles
ein großartiges
Arrangement für
Blasorchester geschaffen,
das so nah am Original
ist, dass man immer noch
die Stimmung der 1960er
Jahre spüren
kann.
Georgia On My Mind Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196131-140 As recorded by...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196131-140
As recorded by Ray
Charles. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2019. 12 pages. De Haske
Publications #DHP
1196131-140. Published by
De Haske Publications
(BT.DHP-1196131-140).
This jazz
ballad from 1930 is
probably one of the most
covered standards of all
times. The most famous
interpretation dates back
from 1960, covered by the
one and only Ray Charles.
Since then, in 1979 the
song was declared the
official state anthem for
Georgia in the United
States. Top arranger
Peter Kleine Schaars has
now made an amazing
arrangement for band
using the Ray Charles
version it’s so
close to the original
that you can still feel
the vibe of the
60s.
Deze
jazzballad uit 1930 is
waarschijnlijk een van de
meest gecoverde standards
aller tijden. De
beroemdste vertolking
dateert van 1960: een
versie van de enige echte
Ray Charles. Later, in
1979, werd het nummer
zelfs het officiële
volkslied van de
Amerikaanse staat
Georgia. Toparrangeur
Peter Kleine Schaars
heeft er nu een
fantastisch arrangement
voor blaasorkest van
gemaakt, op basis van de
versie van Ray Charles
het blijft zo dicht bij
het origineel dat de vibe
van de jaren zestig er
onmiskenbaar in
doorklinkt!
Diese
Jazz-Ballade aus dem Jahr
1930 zählt
wahrscheinlich zu den am
häufigsten gecoverten
Standards aller Zeiten.
Die berühmteste
Interpretation ist aus
dem Jahr 1960 von dem
unvergleichlichen Ray
Charles. 1979 wurde das
Lied zur offiziellen
Hymne des Bundesstaates
Georgia in den USA
erklärt. Top-Arrangeur
Peter Kleine Schaars hat
nun auf Grundlage der
Version von Ray Charles
ein großartiges
Arrangement für
Blasorchester geschaffen,
das so nah am Original
ist, dass man immer noch
die Stimmung der 1960er
Jahre spüren
kann.
Orchestra SKU: PR.41641531L Concerto for Cello and Orchestra. Comp...(+)
Orchestra
SKU:
PR.41641531L
Concerto for Cello and
Orchestra. Composed
by Narong Prangcharoen.
Large Score. 43 pages.
Duration 20 minutes.
Theodore Presser Company
#416-41531L. Published by
Theodore Presser Company
(PR.41641531L).
UPC:
680160625949.
Far
from Home is originally
for solo cello based on
my exploration of the use
of Western instrumental
and compositional
techniques to express the
emotional and cultural
characteristics of Thai
traditional music. This
piece contains both
lyrical and virtuosic
passages that derived
from the traditional Thai
fiddle playing and
Krao-nai style, which is
considered to be among
the most demanding styles
for solo instruments.
Although the musical
expression and techniques
used in this piece are
somewhat different from
the traditional Krao-nai
style, it still convey
the emotions and cultural
references of that style.
Far from Home was
graciously commissioned
by the Thailand
Philharmonic Orchestra
with the generous support
of Dr. Sugree
Charoensook. It was given
its first performance by
Thai cellist Tapalin
Charoensook, the Thailand
Philharmonic Orchestra,
and Maestro Alfonso
Scarano conducting, on
August 22-23, 2014, at
Mahidol University,
Bangkok, Thailand. Far
from Home is originally
for solo cello based on
my exploration of the use
of Western instrumental
and compositional
techniques to express the
emotional and cultural
characteristics of Thai
traditional music. This
piece contains both
lyrical and virtuosic
passages that derived
from the traditional Thai
fiddle playing and
Krao-nai style, which is
considered to be among
the most demanding styles
for solo instruments.
Although the musical
expression and techniques
used in this piece are
somewhat different from
the traditional Krao-nai
style, it still convey
the emotions and cultural
references of that
style.Far from Home was
graciously commissioned
by the Thailand
Philharmonic Orchestra
with the generous support
of Dr. Sugree
Charoensook. It was given
its first performance by
Thai cellist Tapalin
Charoensook, the Thailand
Philharmonic Orchestra,
and Maestro Alfonso
Scarano conducting, on
August 22-23, 2014, at
Mahidol
University,Bangkok,
Thailand.
For
String Orchestra.
Composed by Narong
Prangcharoen. Large
Score. 12 pages. Duration
6 minutes. Theodore
Presser Company
#416-41543L. Published by
Theodore Presser Company
(PR.41641543L).
UPC:
680160632343.
Tears
of Dust is composed in
memory of Princess
Galyani Vadhana who
passed away on 2 January
2008. It was a great lost
for Thailand as well as
the music society for the
entire country. Her Royal
Highness was interested
in all types of music and
drama, especially
classical music. After
she passed away, there
was a mourning period of
100 days and the whole
nation would wear black
for 15 days. Tear of Dust
is commissioned by the
Bangkok Symphony
Orchestra for the
memorial concert. She was
the patron of the and a
great supporter of the
Bangkok Symphony
Orchestra. Her presence
on the classical music
scene was ubiquitous. The
loss of Princess Galyani
is greatly impact to the
Classical Music in
Thailand. It is a
metaphor to compare the
people with the dust
because dust came from
many various sources but
sharing the same element
as a dry object. In this
case even a dry smallest
dust cries for the lost
of Her Royal
Highness. Tears of
Dust is composed in
memory of Princess
Galyani Vadhana who
passed away on 2 January
2008. It was a great lost
for Thailand as well as
the music society for the
entire country. Her Royal
Highness was interested
in all types of music and
drama, especially
classical music. After
she passed away, there
was a mourning period of
100 days and the whole
nation would wear black
for 15 days. Tear of Dust
is commissioned by the
Bangkok Symphony
Orchestra for the
memorial concert. She was
the patron of theand a
great supporter of the
Bangkok Symphony
Orchestra. Her presence
on the classical music
scene was ubiquitous. The
loss of Princess Galyani
is greatly impact to the
Classical Music in
Thailand. It is a
metaphor to compare the
people with the dust
because dust came from
many various sources but
sharing the same element
as a dry object. In this
case even a dry smallest
dust cries for the lost
of Her Royal
Highness.
For
String Orchestra.
Composed by Narong
Prangcharoen. Full score.
11 pages. Duration 6
minutes. Theodore Presser
Company #416-41543.
Published by Theodore
Presser Company
(PR.416415430).
UPC:
680160632336.
Tears
of Dust is composed in
memory of Princess
Galyani Vadhana who
passed away on 2 January
2008. It was a great lost
for Thailand as well as
the music society for the
entire country. Her Royal
Highness was interested
in all types of music and
drama, especially
classical music. After
she passed away, there
was a mourning period of
100 days and the whole
nation would wear black
for 15 days. Tear of Dust
is commissioned by the
Bangkok Symphony
Orchestra for the
memorial concert. She was
the patron of the and a
great supporter of the
Bangkok Symphony
Orchestra. Her presence
on the classical music
scene was ubiquitous. The
loss of Princess Galyani
is greatly impact to the
Classical Music in
Thailand. It is a
metaphor to compare the
people with the dust
because dust came from
many various sources but
sharing the same element
as a dry object. In this
case even a dry smallest
dust cries for the lost
of Her Royal
Highness. Tears of
Dust is composed in
memory of Princess
Galyani Vadhana who
passed away on 2 January
2008. It was a great lost
for Thailand as well as
the music society for the
entire country. Her Royal
Highness was interested
in all types of music and
drama, especially
classical music. After
she passed away, there
was a mourning period of
100 days and the whole
nation would wear black
for 15 days. Tear of Dust
is commissioned by the
Bangkok Symphony
Orchestra for the
memorial concert. She was
the patron of theand a
great supporter of the
Bangkok Symphony
Orchestra. Her presence
on the classical music
scene was ubiquitous. The
loss of Princess Galyani
is greatly impact to the
Classical Music in
Thailand. It is a
metaphor to compare the
people with the dust
because dust came from
many various sources but
sharing the same element
as a dry object. In this
case even a dry smallest
dust cries for the lost
of Her Royal
Highness.