| Hunting Scenes Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135460-140 An Epic Tone P...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1135460-140
An Epic Tone Poem
based on Taiwanese
Traditional Melodies.
Composed by Satoshi
Yagisawa. Concert and
Contest Collection CBHA.
Score Only. Composed
2013. 32 pages. De Haske
Publications #DHP
1135460-140. Published by
De Haske Publications
(BT.DHP-1135460-140).
9x12 inches.
English-German-French-Dut
ch. Satoshi
Yagisawa’s
often-dramatic concert
band works are not only
played in his homeland of
Japan, but also
throughout Asia and
further a_x001F_field.
The commission for this
work in fact came from
Taiwan, upon which
Yagisawa drew inspiration
from the traditional
hunting songs of the
Taroko, a people native
to Eastern Taiwan.
De indrukwekkende
werken van Satoshi
Yagisawa worden niet
enkel in zijn thuisland
Japan veel gespeeld, maar
staan intussen wereldwijd
op het programma. In dit
werk, dat hij schreef in
opdracht van de Taiwain
Clinic, haalde de
componist zijn inspiratie
uit traditionale
jachtliederen van de
Taroko stam in
Oost-Taiwan.
Die
oft dramatischen
Blasorchesterwerke von
Satoshi Yagisawa werden
nicht nur in seiner
Heimat Japan, sondern in
ganz Asien und
darüber hinaus
gespielt. Aus Taiwan kam
der Auftrag zu diesem
Werk, zu dem er sich von
den traditionellen
Jagdliedern des in
Osttaiwan beheimateten
Volkes der Taroko
inspirieren ließ.
Les oeuvres du
compositeur japonais
Satoshi Yagisawa sont
interprétées bien
au-del des frontières
de son pays natal. Il fut
prié, en outre,
d’écrire une
nouvelle pièce
fondée sur les
chansons de chasse
traditionnelles de la
tribu des Truku,
originaire de
l’est de Ta wan en
vue de promouvoir la
culture ta wanaise
travers le monde. On y
retrouve toute la
quintessence des rythmes
invitant au voyage.
Évadez-vous !
La fama delle
composizioni di Satoshi
Yagisawa, spesso di
carattere drammatico, ha
oltrepassato i
confi_x001E_ni del suo
paese natale, il
Giappone. La musica di
Yagisawa è conosciuta
ed apprezzata in tutto
l’estremo oriente
e da Taiwan è arrivato
l’incarico di
comporre Hunting
Scenes che, come
rivela il titolo, si
ispira alla caccia in
generale e a tradizionali
canzoni venatorie in
particolare. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Further Collection of Dances. Marches, Minuetts and Duetts of the Later 18th Century 2 Dulcimers (duo) Kitchen Musician Books
| | |
| Heucke S Glueckliche Prinz Op28 Piano seul - Avancé Schott
Piano (NOTEN) - advanced SKU: HL.49033070 Ein Marchen mit 21 leichten ...(+)
Piano (NOTEN) - advanced
SKU: HL.49033070
Ein Marchen mit 21
leichten
Klavierstucken.
Composed by Stefan
Heucke. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Composed 1998. Op. 28. 48
pages. Schott Music #ED
9405. Published by Schott
Music (HL.49033070).
ISBN 9783795755881.
8.25x11.75x0.188 inches.
German. Brigitte
Smith. The happy
prince in Oscar
Wilde'swell-known fairy
tale seems to have
everything as statue
could possibly desire. He
stands in a prominent
position above the town,
is covered in gold,
adorned with precious
stones and is admired and
respected by the people.
Nevertheless he decides
to give it all up and to
give away all his gold
and jewels. With the aid
of a little swallow he
distributes his riches to
the poor and needy, the
forgotten and abandoned,
and to hungry children
for buying bread. These
21 short pieces
illuminate the various
episodes of the fairy
tale and add another,
musical and emotional,
dimension. The setting is
intended for intermediate
piano students or adult
learners. $22.99 - Voir plus => Acheter | | |
| Heine Portrait Tenor And Piano Piano, Voix Schott
Tenor voice and piano - difficult SKU: HL.49008127 Ein Liederbuch nach...(+)
Tenor voice and piano -
difficult SKU:
HL.49008127 Ein
Liederbuch nach Gedichten
von Heinrich Heine.
Composed by Wilhelm
Killmayer. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical.
Composed 1994-1995. 95
pages. Duration 80'.
Schott Music #ED 8697.
Published by Schott Music
(HL.49008127). ISBN
9790001121477.
9.0x12.0x0.287 inches.
German. Commenting
on this cycle of 35
songs, the composer
writes: The
contradictions in human
nature delighted him; he
loved the unevenness of
life and all its
manifestations. While
nineteenth Century
musical settings focused
almost exclusively on his
atmospheric and lyrical
poetry, it was not until
the twentieth Century
that adequate musical
expression could be found
for Heine's poetic
realism, unique in its
time. In this selection I
have attempted to
juxtapose the various
personae and forms used
by Heine so as to present
a picture of his
personality.. $80.00 - Voir plus => Acheter | | |
| Steckenpferd Piano seul Hofmeister Musikverlag
Piano SKU: HF.FH-1009 Eine Sammlung von 50 Kinderreimen, Spielliedern ...(+)
Piano SKU:
HF.FH-1009 Eine
Sammlung von 50
Kinderreimen,
Spielliedern und
kindertumlichen
Volksliedern.
Composed by Rubisch/
Wohlgemuth. Edited by
Rubisch/ Wohlgemuth.
Arranged by Rubisch and
Wohlgemuth. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 1009.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-1009). ISBN
9790203410096. 10.5 x 7.5
inches. Ach Frau,
gib uns ein Pfingstei,
Als unser Mops ein
Mopschen war, Auf unsrer
Wiese, Bauerlein,tick,
tick, tack, Der Fuchs
geht um, Der Kirschbaum
hat sein Laub verlorn,
Dort auf jenem Berge, Ein
Madchen geht spazieren,
Es geht ein boses Ding
herum, Es gingen drei
Jager, Gestern abend ging
ich aus, Grun, grun, grun
sind alle meine Kleider,
Hahn, Hahn, ich seh'
dich, Hans Philippchen,
geig einmal, Hanschen
sass im Schornstein,
Hansel und Gretel, Heile,
heile, Segen, Hotte,
hotte, Reiterpferd, Ich
geh' mit meiner Laterne,
Ilse, Bilse, Im Sommer,
da geh'n wir, Jakob hat
kein Brot, Komm, lieber
Mai, Kommt ein Mauschen,
Kuckuck ruft's aus dem
Wald, Macht auf das Tor,
Madel, woll'n zum Tanze
gehn, Mah, Lammchen, mah,
Mannchen, Mannchen, geig
mir mal, Mein Wagen hat
vier Rader, Muss wandern
wohl, Nun schlaf, mein
liebes Kindelein,
Petersil und Suppenkraut,
Regentropfchen, Ru, ru,
Rinneken, Sag doch,
Mausekatzchen, Stille,
stille, kein Gerausch
gemacht, Storch, Storch,
Stane, Ting, tang,
Tellerlein, Trariro, der
Sommer der ist do, Unser
Hans hat Hosen an, Wacht
auf, es krahte der Hahn,
Was macht der Fuhrmann,
Welches ist die Schonste,
Wenn wir fahren auf dem
See, Widele, wedele,
hinterm Stadele, Will ich
in mein Gartchen gehn,
Zieh, Schimmel, zieh,
Ziehe durch die goldne
Brucke, Zu Hause ist die
Maus. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Piano Gefällt Mir! Band 6 Piano seul Bosworth
Piano SKU: BT.BWHBRM7833 MP3 CD. Piano Gefällt Mir! Tuition. CD...(+)
Piano SKU:
BT.BWHBRM7833 MP3
CD. Piano Gefällt
Mir! Tuition. CD Only.
Composed 2016. Bosworth &
Co. #BWHBRM7833.
Published by Bosworth &
Co. (BT.BWHBRM7833).
German. Dies ist
der sechste Band unserer
außergewöhnlich
populären Serie Piano
gefällt mir!. Die
leichten Arrangements von
Hans-Günter Heumann
bieten wie gewohnt ein
unkompliziertes
Spielvergnügen. Die
Kombination aus absoluten
Top-Titeln, der
nutzerfreundlichen
Ringbindung und dem
günstigen Preis ist
einfach unschlagbar. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Nottingham Festival Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-336-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.AMP-336-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2012.
Anglo Music Press #AMP
336-010. Published by
Anglo Music Press
(BT.AMP-336-010). 9x12
inches.
English-German-French-Dut
ch. This
celebratory work, which
Philip Sparke wrote for
the 20th anniversary of
the Nottingham Concert
Band, starts with a
hymn-like theme played as
a fanfare in the brass.
With a change of mood
from
‘solemn’ to
‘merry’ and
back to
‘majestic’,
together with an unusual
orchestration, in which
may different instruments
feature and in which at
points the entire wind
orchestra shimmers in
tutti passages, A
Nottingham Festival
is a real pleasure for
musicians and public
alike.
Dit
feestelijke werk schreef
Philip Sparke in opdracht
van de Nottingham Concert
Band, ter gelegenheid van
het twintigjarig jubileum
van het orkest. Een
uitdagend concertwerk met
vele sfeerwisselingen,
waaraan uw muzikanten en
publiekveel aardigheid
zullen
beleven!
Dieses
festliche Werk, das
Philip Sparke zum
20-jährigen
Jubiläum der
Nottingham Concert Band
schreib, beginnt mit
einem hymnenartigen Motiv
zu Fanfaren im
Blechregister.
Stimmungswechsel von
feierlich zu fröhlich
und zurück zu
majestätisch sowie
eine ausgewogene
Orchestrierung, die viele
verschiedene Instrumente
hervorhebt und auch das
gesamte Blasorchester in
Tutti-Passagen glänzen
lässt, machen A
Nottingham Festival
zu einem Genuss für
Musiker und
Publikum.
A
Nottingham Festival
débute par un motif
ascendant qui contraste
avec la fougueuse
entrée des cuivres.
Puis l’ambiance se
fait sereine pour
introduire une mélodie
jouée par les
clarinettes et
accompagnée
d’un motif
rythmique la caisse
claire. Un crescendo
mène un passage
puissant repris par
l’orchestre entier
qui réintroduit la
trame initiale. Le
tableau final est
rehaussé par la
reprise majestueuse du
thème
d’origine,
interprété cette
fois par les cuivres,
où
s’entrelacent les
attrayantes répliques
des bois. Une coda
énergique met fin
cette somptueuse
composition qui souligne
la force créatrice du
compositeur.
Quest
o brano festivo è
stato composto da Philip
Sparke per il 20°
anniversario di
fondazione della
Nottingham Concert Band.
Il pezzo apre con un
motivo simile a un inno.
Cambiamenti di umore, dal
festoso al divertito per
poi tornare al maestoso,
come anche
un’orchestrazione
bilanciata che riesce a
mettere in risalto molti
strumenti come anche
l’organico nei
passaggi in tutti, fanno
di A Nottingham
Festival un vero
piacere musicale per
esecutori e pubblico. $196.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Nottingham Festival Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-336-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.AMP-336-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2012. 32 pages.
Anglo Music Press #AMP
336-140. Published by
Anglo Music Press
(BT.AMP-336-140). 9x12
inches.
English-German-French-Dut
ch. This
celebratory work, which
Philip Sparke wrote for
the 20th anniversary of
the Nottingham Concert
Band, starts with a
hymn-like theme played as
a fanfare in the brass.
With a change of mood
from
‘solemn’ to
‘merry’ and
back to
‘majestic’,
together with an unusual
orchestration, in which
may different instruments
feature and in which at
points the entire wind
orchestra shimmers in
tutti passages, A
Nottingham Festival
is a real pleasure for
musicians and public
alike.
Dit
feestelijke werk schreef
Philip Sparke in opdracht
van de Nottingham Concert
Band, ter gelegenheid van
het twintigjarig jubileum
van het orkest. Een
uitdagend concertwerk met
vele sfeerwisselingen,
waaraan uw muzikanten en
publiekveel aardigheid
zullen
beleven!
Dieses
festliche Werk, das
Philip Sparke zum
20-jährigen
Jubiläum der
Nottingham Concert Band
schreib, beginnt mit
einem hymnenartigen Motiv
zu Fanfaren im
Blechregister.
Stimmungswechsel von
feierlich zu fröhlich
und zurück zu
majestätisch sowie
eine ausgewogene
Orchestrierung, die viele
verschiedene Instrumente
hervorhebt und auch das
gesamte Blasorchester in
Tutti-Passagen glänzen
lässt, machen A
Nottingham Festival
zu einem Genuss für
Musiker und
Publikum.
A
Nottingham Festival
débute par un motif
ascendant qui contraste
avec la fougueuse
entrée des cuivres.
Puis l’ambiance se
fait sereine pour
introduire une mélodie
jouée par les
clarinettes et
accompagnée
d’un motif
rythmique la caisse
claire. Un crescendo
mène un passage
puissant repris par
l’orchestre entier
qui réintroduit la
trame initiale. Le
tableau final est
rehaussé par la
reprise majestueuse du
thème
d’origine,
interprété cette
fois par les cuivres,
où
s’entrelacent les
attrayantes répliques
des bois. Une coda
énergique met fin
cette somptueuse
composition qui souligne
la force créatrice du
compositeur.
Quest
o brano festivo è
stato composto da Philip
Sparke per il 20°
anniversario di
fondazione della
Nottingham Concert Band.
Il pezzo apre con un
motivo simile a un inno.
Cambiamenti di umore, dal
festoso al divertito per
poi tornare al maestoso,
come anche
un’orchestrazione
bilanciata che riesce a
mettere in risalto molti
strumenti come anche
l’organico nei
passaggi in tutti, fanno
di A Nottingham
Festival un vero
piacere musicale per
esecutori e pubblico. $32.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Images for Vibraphone and Piano Vibraphone, Piano HoneyRock
Composed by Ting-Chuan Chen. For vibraphone and piano. Published by HoneyRoc...(+)
Composed by Ting-Chuan
Chen.
For vibraphone and piano.
Published by HoneyRock
Publishing
$34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Easy Keytainment 2 Band 2 For Piano - German - English - French - Débutant Schott
Keyboard - very easy to easy SKU: HL.49044585 100 neue bekannte Hits(+)
Keyboard - very easy to
easy SKU:
HL.49044585 100
neue bekannte Hits.
Arranged by Uwe Bye. This
edition: Paperback/Soft
Cover. Sheet music.
Piano. Dieses Songbook
fur Keyboarder enthalt
eine grosse Auswahl
leicht spielbarer
Arrangements aus den
verschiedensten
Musikgenres. Softcover.
120 pages. Schott Music
#ED 22157. Published by
Schott Music
(HL.49044585). ISBN
9783795749736. German -
English -
French. Following
on from the successful
Keytainment (ED 21233),
now it's getting really
easy. This songbook for
keyboard players contains
a large selection of
easy-to-play arrangements
from various music
genres. There really is
something for everybody!
Includes: Dexter (theme
song) - I'm Always Here
(Baywatch theme) - and
many more. $27.99 - Voir plus => Acheter | | |
| Auf, auf, zum frohlichen Jagen Chorale SATB Barenreiter
(Lustige kleine Jagdkantate). By Cesar Bresgen (1913-1988). For SATB choir (Mixe...(+)
(Lustige kleine
Jagdkantate). By Cesar
Bresgen (1913-1988). For
SATB choir (Mixed Choir:
SATB/Flute/Trumpet/2
Violins/Contrabass/Horn
ad libitum). Stapled.
Jagd (Hunting). Choral
score. Composed 1938.
Published by Baerenreiter
Verlag Choral score
Jagd (Hunting)
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Starke Töne - Tuba und Klavier Tuba et Piano [Partition + CD] - Facile De Haske Publications
Tuba and Piano - easy SKU: BT.DHP-1115162-400 Ausgewählte Werke fÃ...(+)
Tuba and Piano - easy
SKU:
BT.DHP-1115162-400
Ausgewählte Werke
für den Junior- und
D1-Bereich. Composed
by Dizzy Stratford,
Gustav Holst, Jaap
Kastelein, Jean-Baptiste
Lully, Ludwig van
Beethoven, Nilo W. Hovey,
Philip Sparke, R.M.
Endresen, Robert W.
Getchell, Roland Kernen,
and Stuart Johnson.
Arranged by Herbert
Wekselblatt and Stefan de
Schepper. Book with CD.
Composed 2011. 24 pages.
De Haske Publications
#DHP 1115162-400.
Published by De Haske
Publications
(BT.DHP-1115162-400).
ISBN 9789043139410.
9x12 inches.
German. Starke
Töne ist eine
Sammlung, die in
Zusammenarbeit mit der
Bläserjugend des
Bundes Deutscher
Blasmusikverbände
(BDB) entstanden ist. Die
Sammlung enthält eine
Auswahl der beliebtesten
Titel aus den
Literaturlisten zum
Jungmusiker-Leistungsabze
ichen Bronze (D1) bzw.
Junior. Die Vorteile
liegen dabei klar auf der
Hand: Die
Instrumentalisten sparen
mit diesem Buch nicht nur
wertvolle
Vorbereitungszeit,
sondern auch bares Geld,
denn wer früher
mehrere Hefte anschaffen
musste, hat mit Starke
Töne bereits das
Beste in einem Band
versammelt. Somit
befriedigt diese Ausgabe
eine lang bestehende
Nachfrage. In jeder
Ausgabe ist jedes
Stück mit
einerKlavierbegleitung
notiert; ursprüngliche
Solostücke wurden
eigens mit einer neu
komponierten Begleitung
versehen. Der Klavierpart
ist in der Regel einfach
bis mittelschwer, sodass
die Begleitung auch von
fortgeschrittenen
Klavierschülern
übernommen werden
kann.Ein groÃ?er Vorteil
für die Vorbereitung
auf die praktischen
Leistungsprüfungen ist
die jedem Heft
beiliegende CD, welche
die auf einem echten
Konzertflügel
aufgenommenen
Klavierbegleitungen
enthält. Neben
Einspielungen im
Originaltempo sind die
meisten Stücke zum
leichteren Einstudieren
auch in einer weiteren
Version im langsameren
Tempo zu hören.Mit
Starke Töne ist
in Zusammenarbeit mit dem
BDB eine wertvolle
Sammlung für alle
Blasinstrumente und
Klavier sowie für
Schlagzeug entstanden,
die selbstverständlich
auch unabhängig von
den Leistungsabzeichen
das Unterrichts- und
Vortragsrepertoire für
jede dieser Besetzungen
bereichert. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden [Conducteur] Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963S Composed
by Chen Yi. Full score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963S.
Published by Theodore
Presser Company
(PR.11641963S). UPC:
680160684472. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963SP
Composed by Chen Yi.
Part. 11 pages. Duration
20 minutes. Theodore
Presser Company
#116-41963SP. Published
by Theodore Presser
Company (PR.11641963SP).
UPC:
680160684496. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963L Composed
by Chen Yi. Large Score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963L.
Published by Theodore
Presser Company
(PR.11641963L). UPC:
680160684489. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lieder, Heft 2 Voix moyenne, Piano Doblinger
For Medium Voice and Piano. Composed by Bendict Randhartinger. Edited by ...(+)
For Medium Voice and
Piano. Composed by
Bendict Randhartinger.
Edited by Benedict
Randhartinger-Gesellschaf
t. Vocal music. Diletto
Musicale. Lied. 52 pages
pages. Published by
Doblinger Music
Publishers (DB.DM-01353).
$30.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Der Tod und das Madchen (Death and the Maiden) (from String Quartet No. 14) Orchestre d'harmonie - Facile Amstel Music
Concert Band (Parts) SKU: HL.4000209 Parts Only. Composed by Franz...(+)
Concert Band (Parts)
SKU: HL.4000209
Parts Only.
Composed by Franz
Schubert. Arranged by
Johan De Meij. Amstel
Music. Classical. Amstel
Music #AM84. Published by
Amstel Music
(HL.4000209). UPC:
884088110642. Here
is Schubert's gorgeous
melody from his String
Quartet No. 14 in a
wonderful setting for
concert band. Very
playable for young bands!
Dur: 3:15 (Grade 2).
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Auf, auf, zum fröhlichen Jagen (1938) Barenreiter
Cello, double bass (Violoncello, Double bass) SKU: BA.BA01015-27 Lusti...(+)
Cello, double bass
(Violoncello, Double
bass) SKU:
BA.BA01015-27
Lustige kleine
Jagdkantate. Composed
by Cesar Bresgen.
Stapled. Jagd (Hunting).
Single part. Composed
1938. Baerenreiter Verlag
#BA01015_27. Published by
Baerenreiter Verlag
(BA.BA01015-27). ISBN
9790006407514. 29 x 21 cm
inches. Print on
demand (POD). $10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Telemann: Sechs Arien aus dem Harmonischen Gottesdienst [Conducteur] Carus Verlag
By Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. C...(+)
By Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. Cantatas;
Stuttgart Urtext
editions. Score. 28
pages. Published by Carus
Verlag (German import).
$15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hauschka: A Different Forest Piano seul Bosworth
Piano SKU: BT.BOE7935 Songbook. Composed by Hauschka. Contemporary...(+)
Piano SKU:
BT.BOE7935
Songbook. Composed
by Hauschka. Contemporary
Music. Book Only.
Composed 2019. 80 pages.
Bosworth & Co. #BOE7935.
Published by Bosworth &
Co. (BT.BOE7935). ISBN
9783954562008.
German. Known
professionally as
Hauschka, composer Volker
Bertelmann has catapulted
himself into the top tier
of instrumental
composers. This is
proven, not least, by the
Oscar nomination which he
received for his
soundtrack to the2016
film Lion. In his
latest album A Different
Forest, released on 8
February 2019 at Sony
Classical, Hauschka takes
the forest as a contrast
to the urban life. The
names of the pieces, such
as 'Talking To My
Father',testify equally
that those natural
experiences are
metaphorical of the
important things in
life. For this
album Hauschka renounces
entirely his prepared
Piano. The existential
questions which he
musically poses,
however,donot lose their
intensity, but rather,
without the alienation by
electronic elements, gain
urgency. In
addition to the 13 LP
tracks, this songbook for
Piano also contains three
exclusive arrangements of
previouslyunreleased
songs: 'Collecting
Stones', 'Loosing
Directions' and 'Misty
Day'. Volker
Bertelmann aka Hauschka
lanceerde zichzelf naar
top van de instrumeantele
componisten, niet in het
minste door zijn
oscar-nominatie die hij
ontving voor zijn
soundtrack bij de film
Lion. In zijn laatste
album A Different Forest
- uitgebracht op 8
februari 2019 - gebruikt
hij het bos als een
contrast met het
stadsleven. Titels
zoals Talking To My
Father tonen dat deze
ervaringen in de natuur
metaforen zijn voor
belangrijke
gebeurtenissen in het
leven. Dit songbook voor
piano bevat, naast de 13
nummers van de LP,
eneneens 3 exclusieve
bewerkingen van tot nu
onuitgebrachte nummers:
Collecting Stones,
Losing Directions and
Misty
Day.
Volker
Bertelmann alias Hauschka
hat sich mittlerweile in
die oberste Riege der
Instrumentalkomponisten
katapultiert. Dies
beweist nicht zuletzt die
Oscar-Nominierung, die er
für seinen Soundtrack
zum Film Lion“
erhielt. In seinem
neusten Album A Different
Forest“ am 08.
Februar 2019 bei Sony
Classical erschienen
nimmt er sich dem Wald
als Kontrastraum zum
städtischen Leben an.
Titelnamen wie Talking
To My Father bezeugen
gleichermaßen, dass
jene Naturerfahrungen
metaphorisch für die
wichtigen Dinge des
Lebens stehen. Für
dieses Album verzichtet
Hauschka gänzlich auf
sein präpariertes
Klavier. Die
existentiellen Fragen,
denen er sich musikalisch
stellt, verlieren
hierdurch aber nicht an
Intensität, sondern
gewinnen ohne die
Verfremdung durch
elektronische Elemente
vielmehr an
Dringlichkeit. Dieses
Songbook für Klavier
enthält neben den 13
Titeln der LP drei
exklusive Arrangements
bisher
unveröffentlichter
Songs: Collecting
Stones, Losing
Directions und
Misty
Day.
Volker
Bertelmann, également
connu sous le nom de
Hauschka, s'est
retrouvé au premier
rang des compositieurs
instrumentaux : ceci a
été confirmé par
sa nomination aux Oscars
pour la bande-originale
du film Lion. Dans son
dernier album « A
Different Forest »,
sorti le 8 février
2019, la forêt fait
usage de contaste avec la
vie urbaine. Des titres
tels que Talking to My
Father déclarent
de la même façon
que ces expériences au
contact de la nature sont
des métaphores de
moments importants dans
la vie. En plus des 13
pistes du vinyl 33 trous,
ce recueil de chansons
pour piano comprend en
exclusivité trois
arrangements de titres
inédits :
Collecting Stones,
Losing Directions et
Misty
Day.
Volker
Bertelmann aka Hauschka
si è portato a un
livello superiore dei
compositori strumentali.
Questo non è subito
evidente nella colonna
sonora del film Lion, per
cui ha ricevuto una
candidatura all' Oscar,
ma nel suo ultimo album A
Different Forest - uscito
l'8 febbraio 2019 - in
cui utilizza l'immagine
della foresta come
contrasto con la vita
urbana. Titoli come
Talking to My
Father testimoniano
allo stesso modo che
tutte quelle esperienze
della natura sono
metafore di eventi
importanti della vita.
Questo canzoniere per
pianoforte contiene,
oltre ai 13 brani
dell'LP, tre
arrangiamenti esculisivi
di canzoni inedite:
Collecting Stones,
Losing Directions e
Misty Day. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Märchengestalten Sikorski
Cello; Flute; Piano; Violin (Score & Parts) SKU: HL.50600663 Für qu...(+)
Cello; Flute; Piano;
Violin (Score & Parts)
SKU: HL.50600663
Für querflöte
oder violine, violoncello
und klavier Exempla Nova
for the Young.
Composed by Jörn
Arnecke. Ensemble.
Classical, German
Edition. Softcover. 28
pages. Duration 720
seconds. Sikorski
#SIK8828. Published by
Sikorski (HL.50600663).
8.25x11.75x0.123
inches. “The
competition 'Jugen
musiziert' 1994 (Youth
Making Music) provided
the occasion for the
composition of the
'Märchengestalten'
(Fairytale Figures.) The
Youth Music School in
Hameln, to which I owe my
initial musical training
and many formative
experiences, asked me if
I could contribute a
contemporary work for a
trio of pupils. Thus this
cycle was written,
beginning with the fairy
and the idea of tracing
this word with musical
letters. The
fairytale-like atmosphere
is particularly created
by the melody consisting
of harmonics on the
violoncello. This
procedure applies
symbolically to the
entire cycle: writing a
melodic, comprehensible
kind of music for young
interpreters which
nonetheless contain
acoustic attractiveness
and wit. The plodding
gestures of the gnome are
part of this, as is a
quotation that the witch
locates in the world of
fairytales. The three
movements for the entire
trio are complemented by
two duets: the prince and
the princess. Thus there
arises an alteration of
instrumental colours that
also opens up various
possibilities for
performances, for each
movement can be played on
its own as well. When my
family opera 'Ronja
Räubertochter' was
premiered at the
Deutschen Oper am Rhein
Düsseldorf-Duisburg in
February 2015, it was
clear how intensively
children and youths could
react to contemporary
sounds. This resulted in
my desire to offer them,
with the
'Märchengestalten,' a
score for them to play
themselves.â€
–Jörn Arnecke
All text in German. $35.00 - Voir plus => Acheter | | |
| Position Fun 2 Violoncelles (duo) - Facile Schott
An introduction to position playing. Composed by Gabriel Koeppen. This editi...(+)
An introduction to
position
playing. Composed by
Gabriel
Koeppen. This edition:
Saddle
stitching. Sheet music.
String. Lagenspiel einmal
ganz anders - mit
motivierenden Duetten in
popularer Stilistik, die
einfach Spass machen. In
dieser Neuausgabe wurde
das
ursprunglich zweibandige
Werk
zusammengefasst und neu
geordnet. Classical,
Contemporary. Performance
score. 60 pages. Schott
Music
#ED 21396. Published by
Schott Music
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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