Second to None Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Brass Band - Grade 5 SKU: BT.AMP-417-030 Composed by Philip Sparke. Elite...(+)
Brass Band - Grade 5
SKU:
BT.AMP-417-030
Composed by Philip
Sparke. Elite Series.
Concert March. Set (Score
& Parts). Composed 2015.
Anglo Music Press #AMP
417-030. Published by
Anglo Music Press
(BT.AMP-417-030).
English-German-French-
Dutch.
Second to
None is a perfectly
suitable title for this
work, though it actually
refers to “Nulli
Secundusâ€, the
motto of the British
Corps of Army Music, who
gave the commission to
Philip Sparke. The piece
opens with a fanfare,
followed by two short
quotes from two of the
Corp’s own marches
and a festive
Vivace. A more
legato central section
creates a nice contrast
before the work closes
with the opening fanfare.
A perfect affair!
De titel Second
to None past heel goed
bij dit werk, maar
verwijst eigenlijk naar
‘Nulli
Secundus’, het
motto van British Army
Corps of Music, het
orkest dat Philip Sparke
de opdracht voor dit werk
gaf. Second to None opent
met een fanfare. Daarna
volgen twee korte citaten
uit twee van de eigen
marsen van het orkest en
een feestelijke Vivace.
Een meer legato deel
creëert een mooi
contrast voordat het werk
wordt afgesloten met de
openingsfanfare. Van
begin tot einde
prachtig!
Secon
d to None
(Unübertroffen“)
wurde zum 20-jährigen
Jubiläum der
britischen Armee
komponiert. Das
feierliche Werk honoriert
die musikalische
Tradition des Corps,
indem es auf einige
seiner eigenen
berühmten Märsche,
wie beispielsweise The
Corps of Army Music Slow
March (Greg Machin)
und The Music
Makers (Ian
Mitchell), anspielt.
Second to None
kann auch in einer
kürzeren Fassung
gespielt werden und ist
ein ideales
Eröffnungsstück
für jedes festliche
Konzert.
Second to
None was composed for
the celebration of the
20th anniversary of the
British Army Corps.
Paying tribute to the
musical tradition of the
Corps, this celebratory
work refers to some of
its own famous marches
like The Corps of
ArmyMusic Slow March
(Greg Machin) and The
Music Makers (Ian
Mitchell). Second to None
- which can also be
played in a shorter
version - is an ideal
opener for any festive
concert.
SATB/SATB choir, [basso continuo] SKU: CA.3001300 Composed by Johann Ludw...(+)
SATB/SATB choir, [basso
continuo]
SKU:
CA.3001300
Composed
by Johann Ludwig Bach.
German title: Sei nun
wieder zufrieden. Sacred,
Motets. Full score. Carus
Verlag #CV 30.013/00.
Published by Carus Verlag
(CA.3001300).
ISBN
9790007020156. Language:
German.
The motets
of Johann Ludwig Bach
occupy an outstanding
position within this
genre. Though rooted
firmly in the shorter
motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all
choirs.
Motette. Composed
by Johann Ludwig Bach.
German title: Ich habe
dich ein klein
Augenblick. Sacred,
Motets. Single Part,
Organ. 4 pages. Carus
Verlag #CV 30.011/49.
Published by Carus Verlag
(CA.3001149).
ISBN
9790007203986. Key: G
major. Language:
German.
The motets
of Johann Ludwig Bach
occupy an outstanding
position within this
genre. Though rooted
firmly in the shorter
motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all choirs.
Score and part available
separately - see item
CA.3001100.
Motette. Composed
by Johann Ludwig Bach.
German title: Ich habe
dich ein klein
Augenblick. Sacred,
Motets. Full score. Carus
Verlag #CV 30.011/00.
Published by Carus Verlag
(CA.3001100).
ISBN
9790007020040. Key: G
major. Language:
German.
The motets
of Johann Ludwig Bach
occupy an outstanding
position within this
genre. Though rooted
firmly in the shorter
motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all
choirs.
Motette. Composed
by Johann Ludwig Bach.
German title: Gedenke
meiner, mein Gott.
Sacred, Motets. Full
score. Carus Verlag #CV
30.009/00. Published by
Carus Verlag
(CA.3000900).
ISBN
9790007019884. Key: G
major. Language:
German.
The motets
of Johann Ludwig Bach
occupy an outstanding
position within this
genre. Though rooted
firmly in the shorter
motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all
choirs.
Motette. Composed
by Johann Ludwig Bach.
German title: Gott, sei
uns gnadig. Sacred,
Motets. Full score. Carus
Verlag #CV 30.010/00.
Published by Carus Verlag
(CA.3001000).
ISBN
9790007019952. Key: B
flat major. Language:
German.
The motets
of Johann Ludwig Bach
occupy an outstanding
position within this
genre. Though rooted
firmly in the shorter
motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all
choirs.
With Variants, Examples and Advice for Playing and Improvising on any instrument...(+)
With Variants, Examples
and Advice for Playing
and Improvising on any
instrument. Edited by
Pascale Boquet, Gerard
Rebours. Music Books/CDs.
Teaching Works. Level:
Grade 0. 144 pages.
Published by Editions
Fuzeau Classique - France
(French import).
Piano Solo SKU: BU.EBR-A100 Composed by Richard Wagner. Anacrouse. Transc...(+)
Piano Solo
SKU:
BU.EBR-A100
Composed
by Richard Wagner.
Anacrouse. Transcription
pour piano Biographie
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A100. Published by
Editions Bourges
(BU.EBR-A100).
Second to None Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-417-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-417-140
Composed by Philip
Sparke. Elite Series.
Score Only. Composed
2015. 20 pages. Anglo
Music Press #AMP 417-140.
Published by Anglo Music
Press (BT.AMP-417-140).
English-German-French-
Dutch.
Second to
None is a perfectly
suitable title for this
work, though it actually
refers to “Nulli
Secundusâ€, the
motto of the British
Corps of Army Music, who
gave the commission to
Philip Sparke. The piece
opens with a fanfare,
followed by two short
quotes from two of the
Corp’s own marches
and a festive
Vivace. A more
legato central section
creates a nice contrast
before the work closes
with the opening fanfare.
A perfect affair!
De titel Second
to None past heel goed
bij dit werk, maar
verwijst eigenlijk naar
‘Nulli
Secundus’, het
motto van British Army
Corps of Music, het
orkest dat Philip Sparke
de opdracht voor dit werk
gaf. Second to None opent
met een fanfare. Daarna
volgen twee korte citaten
uit twee van de eigen
marsen van het orkest en
een feestelijke Vivace.
Een meer legato deel
creëert een mooi
contrast voordat het werk
wordt afgesloten met de
openingsfanfare. Van
begin tot einde
prachtig!
Secon
d to None
(Unübertroffen“)
wurde zum 20-jährigen
Jubiläum der
britischen Armee
komponiert. Das
feierliche Werk honoriert
die musikalische
Tradition des Corps,
indem es auf einige
seiner eigenen
berühmten Märsche,
wie beispielsweise The
Corps of Army Music Slow
March (Greg Machin)
und The Music
Makers (Ian
Mitchell), anspielt.
Second to None
kann auch in einer
kürzeren Fassung
gespielt werden und ist
ein ideales
Erönungsstück
für jedes festliche
Konzert.
Second to None
(Secondo a nessuno) è
un titolo perfetto per
questo lavoro, anche se
in realt si riferisce a
“Nulli
Secundusâ€, il motto
del British Corps of Army
Music, che lo ha
commissionato a Philip
Sparke. Il brano si apre
con una fanfara, seguita
da due brevi citazioni,
prese da due delle marce
del Corpo e da un gioioso
Vivace. Una sezione
centrale, che da più
spazio al legato, crea un
piacevole contrasto con
la fanfara iniziale prima
della chiusura del brano.
Un connubio perfetto!
Keyboard SKU: SU.12800078 For Keyboard. Composed by Johann Sebasti...(+)
Keyboard
SKU:
SU.12800078
For
Keyboard. Composed by
Johann Sebastian Bach.
Keyboard,
Piano/Harpsichord. Music
Theory. Score. Subito
Music Corporation
#12800078. Published by
Subito Music Corporation
(SU.12800078).
BachScholar
Editions Vol. 78: J.S.
BACH: Sinfonia from
Cantata 29 (trans.
Saint-Saëns) (9 pages)
presents arguably the
finest romantic-era piano
transcription of
Bach’s exciting
Sinfonia from Cantata 29,
which Bach reworked from
his previously composed
PreludioV from Partita
No. 3 for Solo Violin.
The once child prodigy
and musical genius,
Camille Saint-Saëns
(1835-1921), pulled out
all the stops on this
electrifying virtuoso
piano transcription of
Bach’s famous
work, which was first
published in 1862. The
present performance
edition improves upon the
currently existing
edition by supplying
ample fingerings,
pedaling and expression
indications, as well as a
suggested metronome
speed. Advanced pianists,
concert artists, and
audiences will absolutely
love this first-rate
virtuoso transcription in
the romantic tradition.
Published by:
BachScholar.
Solo Piano SKU: SU.27040140 For Solo Piano. Composed by Gregory J....(+)
Solo Piano
SKU:
SU.27040140
For
Solo Piano. Composed
by Gregory J. Hutter.
Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#27040140. Published by
Subito Music Corporation
(SU.27040140).
Three short
pieces retaining the
tonal center of D. All
three ( Ricercare,
Bagattelle, Waltz
Melancholia) are linked
to sundry classical
traditions.Solo Piano
Duration: 10' Composed:
2013 Published by: Hutter
Music.
(An Alfred Classical Guitar Masterworks Edition). Composed by Johann Sebastian...(+)
(An Alfred Classical
Guitar
Masterworks Edition).
Composed by Johann
Sebastian
Bach (1685-1750). For
Guitar. Book; Classical
Guitar Folio;
Masterworks.
Classical Guitar
Masterworks. Form:
Transcription. Acoustic;
Classical; Masterwork;
Masterwork Arrangement.
68
pages. Published by
Alfred
Music
Piano Solo SKU: SU.27040260 For Piano Solo. Composed by Gregory J....(+)
Piano Solo
SKU:
SU.27040260
For
Piano Solo. Composed
by Gregory J. Hutter.
Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#27040260. Published by
Subito Music Corporation
(SU.27040260).
The five
Fantasy Pieces are
manifestations of the
piano in its sundry
traditions. The Prelude
is a response to the
instrument's mechanical
side and timbral
possibilities; the Free
Invention is a wild study
in two-part counterpoint;
the Intermezzo contains
many dense harmonic
textures; the Passacaglia
is a demonstration of
pianistic virtuosity, and
the Postlude explores the
instrument's resonance
and acoustical
properties. Piano Solo
Duration: 20' Composed:
2001 Published by: Hutter
Music.
For All the Saints Chorale 3 parties SAB, Piano - Facile GIA Publications
SAB choir, assembly, piano accompaniment, C instrument, violin, cello, guitar - ...(+)
SAB choir, assembly,
piano accompaniment, C
instrument, violin,
cello, guitar - Early
intermediate
SKU:
GI.G-9904
Composed by
Ralph Vaughan Williams.
Arranged by Tony Alonso
S.J. All Saints, All
Souls. Celebration
Series. Tune Name: Sine
Nomine. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#9904. Published by GIA
Publications (GI.G-9904).
UPC: 785147990406.
English. Text Source:
William W. How,
1823&ndash,1897, alt.
Text by William Walsham
How.
From the
second installment of the
best-selling Revival
series (Revival II:
octavo collection,
G-9900, spiral edition,
G-9900S), Tony
Alonso’s
arrangement of the
ever-popular SINE NOMINE
offers a fresh treatment
for contemporary
ensembles with guitar-
and piano-based bands.
What a great way to
invite your community
into the tradition of
hymn singing! Listen to
the recording and see the
score in the video
below:.
SKU: HL.49015533 Die 22 Lieder aus Voices. Composed by Petersen. E...(+)
SKU: HL.49015533
Die 22 Lieder aus
Voices. Composed by
Petersen. Edited by
Hanns-Werner Heister,
Hartmut Lueck, and Peter
Petersen. This edition:
Paperback/Soft Cover.
Book. Edition Schott. Ein
Schlusselwerk der Neuen
Musik in vielfaltiger
Deutung. Classical. 333
pages. Schott Music #ED
8652. Published by Schott
Music (HL.49015533).
ISBN 9783795703288.
German.
Wie in
keinem anderen Werk
versammelt Hans Werner
Henze in seinem
Vokalzyklus Voices eine
reiche Mannigfaltigkeit
von Idiomen, Stilmitteln,
Genres und vokalen wie
instrumentalen
Verfahrensweisen. Zudem
spiegelt sich in der
Auswahl der Dichtungen
und Liedtypen durch ihre
Bezuge zur
gesellschaftlichen
Situation der Gegenwart
und zu historischen
musikalischen Modellen
sein umfassendes
politisch-soziales
Engagement. Herausgeber
und Autoren haben es sich
zur Aufgabe gemacht, die
Vielfalt dieses in
mehrfacher Hinsicht
exemplarischen Werkes im
methodisch und
stilistisch breiten
Spektrum ihrer Beitrage
aufzufangen. Entstanden
ist ein Sammelband, der,
angeregt durch Henzes
Traktat uber das
Liederschreiben in
unserer Zeit, neben dem
interpretierenden Blick
auf die Musik auch eine
kritische Sicht auf
heutige
Gesellschaftsrealitaten
und -utopien und deren
Reflex im Kunstlerischen
wagt.
SAB choir, assembly, piano accompaniment, 2 C instruments, cello, guitar - Early...(+)
SAB choir, assembly,
piano accompaniment, 2 C
instruments, cello,
guitar - Early
intermediate
SKU:
GI.G-9911
Arranged by
Tony Alonso S.J.
Eastertide. Celebration
Series. Tune Name:
Resignation. Sacred.
Octavo. With guitar chord
names. 12 pages. GIA
Publications #9911.
Published by GIA
Publications (GI.G-9911).
UPC: 785147991106.
English. Text Source:
Based on Psalm 23, Issac
Watts, 1674–1748,
alt. Text by Isaac Watts.
Scripture: Psalm
23.
From the second
installment of the
best-selling Revival
series (Revival II:
octavo collection,
G-9900, spiral edition,
G-9900S), Tony
Alonso’s
arrangement of the
ever-popular RESIGNATION
offers a fresh treatment
for contemporary
ensembles with guitar-
and piano-based bands.
What a great way to
invite your community
into the tradition of
hymn singing! (The first
volume of Revival is also
available: octavo
collection, G-9405,
spiral edition,
G-9538.).
Machera
Impressions. Composed
by Jan Van der Roost.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2010. 48 pages.
De Haske Publications
#DHP 1104883-140.
Published by De Haske
Publications
(BT.DHP-1104883-140).
9x12
inches.
1834 -
Machara Impressions was a
commission for the 175th
anniversary of the band
Harmonie Municipale
Grevenmacher from the
town of Grevenmacher -
formerly Machara - in
Luxemburg. It is a work
of many contrasts with
alternating peace and
excitement, virtuous and
melodic features,
orchestral splendour and
soberly orchestrated
passages - reflecting the
peaceful and turbulent
history of the band.
Das zweiteilige
Auftragswerk zum
175-jährigen
Jubiläum der Harmonie
Municipale Grevenmacher
aus dem Dorf Grevenmacher
- historisch Machara - in
Luxemburg ist von
Dynamik, Kreativität
und Lebensfreude des
Blasorchesters
inspiriert. Friedliche
und aufregende Zeiten
spiegeln sich
wechselweise in virtuosen
und melodischen
Eigenschaften,
orchestraler Pracht und
nüchtern
orchestrierten Passagen
wider. Ein Thema
für jedes
Blasorchester mit
Tradition, umgesetzt in
ein attraktives Werk von
Jan Van der
Roost.
Questo brano
sottolinea ed elogia il
dinamismo della Banda
Municipale di
Grevenmacher, fondata nel
1834, ricordando allo
stesso tempo la storia di
questa cittadina, situata
in riva alla Mosella
lussemburghese, il cui
nome era
nell’antichit
Machera. Passaggi calmi
si alternano
armoniosamente a passaggi
più vivaci, elementi
virtuosi si mischiano a
tratti melodici, mentre
sul tutto aleggia uno
splendore e una sobriet
orchestrale fuori dal
comune.
Machera
Impressions. Composed
by Jan Van der Roost.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score and
Parts). Composed 2010. De
Haske Publications #DHP
1104883-010. Published by
De Haske Publications
(BT.DHP-1104883-010).
9x12 inches.
The
twofold title of this
concert work is directly
connected with the band
who commissioned it. The
â??Harmonie Municipale
Grevenmacherâ?? from the
town of the same name, by
the river Moselle in the
Grand Duchy of Luxembourg
was founded in the
year1834. The name
Machera is derived from
the word machara, which
in turn originated from
maceries (old wall).
Later, Machera evolved
into Machern,
Grafenmachern, and
finally Grevenmacher.In
2009, this music society
the third oldest still in
existence in the country
celebrated its 175th
anniversary. And after
all these years the
society still flourishes!
The dynamic committee,
led by Georges May, fully
supports and inspires
themusical leader of the
band, Claude Weiland, as
well as his 60-strong
ensemble. This
well-functioning team
took the initiative to
ask Jan Van der Roost to
write an anniversary
composition, inspired, on
the one hand, by the
rural character
ofGrevenmacher and its
surroundings (where the
famous Moselle wine
growing dominates the
countryside), and on the
other hand, by the
dynamics, creativity and
joie de vivre the band
exudes. All of this
resulted in a twofold
work with alternating
peaceand excitement,
virtuous and melodic
features, orchestral
splendour and soberly
orchestrated passages.
The première, on 10
January 2010, was
conducted by the composer
himself at a successful
gala concert which
brought a fine year full
of musicalfestivities to
a close. The â??Harmonie
Municipale
Grevenmacherâ?? faces
the future with
confidence, and will now
prepare for its next
milestone: the 200th
anniversary!
1834
- Machara Impressions was
a commission for the
175th anniversary of the
band Harmonie Municipale
Grevenmacher from the
town of Grevenmacher -
formerly Machara - in
Luxemburg. It is a work
of many contrasts with
alternating peace and
excitement, virtuous and
melodic features,
orchestral splendour and
soberly orchestrated
passages - reflecting the
peaceful and turbulent
history of the band.
Das zweiteilige
Auftragswerk zum
175-jährigen
Jubiläum der Harmonie
Municipale Grevenmacher
aus dem Dorf Grevenmacher
- historisch Machara - in
Luxemburg ist von
Dynamik, Kreativität
und Lebensfreude des
Blasorchesters
inspiriert. Friedliche
und aufregende Zeiten
spiegeln sich
wechselweise in virtuosen
und melodischen
Eigenschaften,
orchestraler Pracht und
nu?chtern orchestrierten
Passagen wider. Ein Thema
fu?r jedes Blasorchester
mit Tradition, umgesetzt
in ein attraktives Werk
von Jan Van der
Roost.
Questo brano
sottolinea ed elogia il
dinamismo della Banda
Municipale di
Grevenmacher, fondata nel
1834, ricordando allo
stesso tempo la storia di
questa cittadina, situata
in riva alla Mosella
lussemburghese, il cui
nome era nellâ??antichit
Machera. Passaggi calmi
si alternano
armoniosamente a passaggi
più vivaci, elementi
virtuosi si mischiano a
tratti melodici, mentre
sul tutto aleggia uno
splendore e una sobriet
orchestrale fuori dal
comune.
All Time Klezmers Violoncelle [Partition + CD] - Intermédiaire De Haske Publications
Cello - intermediate SKU: BT.DHP-1135502-400 Composed by Joachim Johow. F...(+)
Cello - intermediate
SKU:
BT.DHP-1135502-400
Composed by Joachim
Johow. Folk Klezmer. Book
with CD. Composed 2013.
28 pages. De Haske
Publications #DHP
1135502-400. Published by
De Haske Publications
(BT.DHP-1135502-400).
ISBN 9789043137683.
9x12 inches.
English-German-French-Dut
ch.
This is a
wonderful collection of
klezmer music, inspired
by the Jewish dances and
songs of the klezmorim
from Eastern Europe -
from the lyrical HORA to
the fast, compelling
FREILACH. Some of the
pieces have a second part
ad libitum - for
playingtogether or for
variation in a repeat.
For the accompaniment,
chord symbols have been
added and on the included
CD there are complete
versions as well as
play-along versions of
all pieces, played live
by genuine klezmer
musicians.
ALL TIME KLEZMERS ist
eine wundervolle Sammlung
von Klezmermusik,
inspiriert von den
jüdischen Tänzen
und Liedern der Klezmorim
aus Osteuropa: vom
lyrischen Hora bis hin
zum schnellen,
unwiderstehlichen
Freilach. Einige
Stücke haben eine
optionalezweite Stimme
für das Zusammenspiel
oder eine Variation in
einer Wiederholung.
Für die Begleitung
wurden Akkordsymbole
hinzugefügt. Auf der
beiliegenden CD gibt es
vollständige Aufnahmen
sowie Mitspielversionen
aller Stücke, live
eingespielt vonechten
Klezmermusikern.
La raccolta
All Time Klezmers
si ispira alle danze e ai
balli: dalla bellezza
lirica della Hora
allâ??esuberanza di
Freilach. Ci si ritrova
ugualmente lâ??influenza
della musica tradizionale
israeliana nello spirito
di Giora Feidman.
Lâ??accompagnamento è
affidato ad un vero
gruppo klezmorim
che vi trasciner
nellâ??autenticit di
questo genere
musicale.
Second to None Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-417-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-417-010
Composed by Philip
Sparke. Elite Series.
Concert Piece. Set (Score
& Parts). Composed 2015.
Anglo Music Press #AMP
417-010. Published by
Anglo Music Press
(BT.AMP-417-010).
English-German-French-
Dutch.
Second to
None is a perfectly
suitable title for this
work, though it actually
refers to “Nulli
Secundusâ€, the
motto of the British
Corps of Army Music, who
gave the commission to
Philip Sparke. The piece
opens with a fanfare,
followed by two short
quotes from two of the
Corp’s own marches
and a festive
Vivace. A more
legato central section
creates a nice contrast
before the work closes
with the opening fanfare.
A perfect affair!
De titel Second
to None past heel goed
bij dit werk, maar
verwijst eigenlijk naar
‘Nulli
Secundus’, het
motto van British Army
Corps of Music, het
orkest dat Philip Sparke
de opdracht voor dit werk
gaf. Second to None opent
met een fanfare. Daarna
volgen twee korte citaten
uit twee van de eigen
marsen van het orkest en
een feestelijke Vivace.
Een meer legato deel
creëert een mooi
contrast voordat het werk
wordt afgesloten met de
openingsfanfare. Van
begin tot einde
prachtig!
Secon
d to None
(Unübertroffen“)
wurde zum 20-jährigen
Jubiläum der
britischen Armee
komponiert. Das
feierliche Werk honoriert
die musikalische
Tradition des Corps,
indem es auf einige
seiner eigenen
berühmten Märsche,
wie beispielsweise The
Corps of Army Music Slow
March (Greg Machin)
und The Music
Makers (Ian
Mitchell), anspielt.
Second to None
kann auch in einer
kürzeren Fassung
gespielt werden und ist
ein ideales
Erönungsstück
für jedes festliche
Konzert.
Second to None
(Secondo a nessuno) è
un titolo perfetto per
questo lavoro, anche se
in realt si riferisce a
“Nulli
Secundusâ€, il motto
del British Corps of Army
Music, che lo ha
commissionato a Philip
Sparke. Il brano si apre
con una fanfara, seguita
da due brevi citazioni,
prese da due delle marce
del Corpo e da un gioioso
Vivace. Una sezione
centrale, che da più
spazio al legato, crea un
piacevole contrasto con
la fanfara iniziale prima
della chiusura del brano.
Un connubio perfetto!