Trombone Quartet - moderately advanced SKU: CY.CC2768 Composed by Various...(+)
Trombone Quartet -
moderately advanced
SKU: CY.CC2768
Composed by Various.
Arranged by Frank Gazda.
Various liturgical choral
quartets. Score and
parts. Published by
Cherry Classics
(CY.CC2768).
Ave Maria is a
traditional Catholic
prayer asking for
intercession from the
Virgin Mary. The prayer
has often been set to
music.
Frank
Gazda has beautifully
arranged four musical
settings of the prayer
for Trombone Quartet or
four-part Trombone
Ensemble by: Jacob
Arcadelt (Renaissance),
Johann Joseph Fux
(Baroque), Wolfgang
Amadeus Mozart
(Classical) and Giuseppe
Verdi
(Romantic).
Alth
ough originally composed
as four-part choral
settings, they work
perfectly for the
Trombone. Each piece
stands on its own as a
work of beauty, or the
four can be performed as
a whole. They are at a
moderately advanced level
of difficulty.
A Prayer of St. Patrick Chorale SATB SATB, Orgue - Intermédiaire MorningStar Music Publishers
SATB choir and organ - Intermediate SKU: MN.50-8012 Composed by Paul M. F...(+)
SATB choir and organ -
Intermediate
SKU:
MN.50-8012
Composed
by Paul M. French.
Cathedral Series.
Catholic Year C Holy
Trinity; Catholic Year C
Ordinary14. Trinity,
Lent, Organ Dedication,
21st Century, Morning,
Prayer, Trust/Guidance.
Octavo. MorningStar Music
Publishers #50-8012.
Published by MorningStar
Music Publishers
(MN.50-8012).
SKU: GI.G-006188 Signs and Symbols. Children. Sacred. Book and CD....(+)
SKU: GI.G-006188
Signs and Symbols.
Children. Sacred. Book
and CD. GIA Publications
#006188. Published by GIA
Publications
(GI.G-006188).
UPC:
641151061887.
English.
Another
great year-round resource
for teachers, catechists,
parents, and anyone who
works with and cares
about the faith formation
of young children (ages
5-10)! Like Catholic
Corner Volume 1: Saints &
Holy Ones (006186), this
book and CD-ROM set
includes 30 reproducible
pages about signs and
symbols of Catholic
tradition, as well as
hands-on activities.
Sharing activities and
prayer opportunities
invite children and
adults into the richness
of Catholic life
together. Send home with
children in school or
religious education
programs, use as a
starting point for
lessons on the saints,
mail with school or
parish newsletters, share
as a multi-generational
activity in the home. A
worthwhile investment in
the faith-future of
children!
By Franz Schubert. Arranged by Richard Proulx. For Voices: solo (low voice). Pia...(+)
By Franz Schubert.
Arranged by Richard
Proulx. For Voices: solo
(low voice). Piano. First
portion of traditional
Roman Catholic prayer.
Solo Voice Sacred. Level:
easy. 5 pages. Published
by GIA Publications.
For Violin and Piano Piano Accompaniment; Violin (Violin/Piano) SKU: HL.97847...(+)
For Violin and Piano
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.978474
Arranged by Endre Granat.
LKM Music. Classical,
General Worship, Sacred.
Softcover. Lauren Keiser
Music Publishing
#S511046. Published by
Lauren Keiser Music
Publishing (HL.978474).
ISBN 9781638871361.
UPC: 196288090922.
9.0x12.0x0.102
inches.
This one of
a kind album pairs two of
the most performed Ave
Maria's for violin and
piano, meticulously
edited by Jascha Heifetz'
protege, Endre Granat.
The first of these is
Schubert's melody, which
was originally composed
as a setting of a song
from Walter Scott's
popular narrative poem
The Lady of the Lake,
titled, “Ellen's Third
Song” (Ellens dritter
Gesang). The opening
words and refrain of
Ellen's song, namely
“Ave Maria” (Latin
for “Hail Mary”), may
have led to the idea of
adapting Schubert's
melody as a setting for
the full text of the
traditional Roman
Catholic prayer. The
Latin version of the song
is now so frequently used
with Schubert's melody
that it has led to the
misconception that he
originally wrote the
melody as a setting for
the “Ave Maria.” The
second Ave Maria in this
collection was created
when Gounod famously
improvised the melody
over the background of
J.S. Bach's Prelude No. 1
in C major, BWV 846, from
The Well-Tempered
Clavier. Gounod's
beatiful improvisation
was transcribed by his
future father-in-law
Pierre-Joseph-Guillaume
Zimmermann, which was
published with the Bach
keyboard accompaniment in
1835 under the title
“Méditation sur le
Premier Prélude de Piano
de S. Bach.” Alongside
Schubert's version, the
Bach/Gounod Ave Maria has
become a fixture at
funerals, wedding masses,
and quinceañeras. Both
works have been recorded
hundreds of times during
the twentieth
century.
Ave Maria Chorale SATB SATB A Cappella [Octavo] MorningStar Music Publishers
Composed by Michael John Trotta. Cathedral Series. Catholic Year A Immaculate Co...(+)
Composed by Michael John
Trotta. Cathedral Series.
Catholic Year A
Immaculate Conception.
Marian, Advent, Mother.
Octavo. Published by
MorningStar Music
Publishers (MN.50-0087).
By Franz Schubert. Arranged by Richard Proulx. For Voices: solo (medium voice). ...(+)
By Franz Schubert.
Arranged by Richard
Proulx. For Voices: solo
(medium voice). First
portion of traditional
Roman Catholic prayer.
Solo Voice Sacred. Level:
easy. 5 pages. Published
by GIA Publications.
Guitar SKU: GI.G-9538G Traditional Hymns for Contemporary Ensembles(+)
Guitar
SKU:
GI.G-9538G
Traditional Hymns for
Contemporary
Ensembles. Arranged
by Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 52
pages. GIA Publications
#9538G. Published by GIA
Publications
(GI.G-9538G).
UPC:
785147953876.
Â
Revival is a long overdue
resource that provides
fresh accessible
arrangements of classic
hymns for contemporary
ensembles. Each
arrangement is scored for
SAB choir, piano, guitar,
and optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago.
Quietness Chorale SATB SATB, Orgue - Intermédiaire MorningStar Music Publishers
SATB choir, organ - Intermediate SKU: MN.50-9069 Composed by Alton R. Kin...(+)
SATB choir, organ -
Intermediate
SKU:
MN.50-9069
Composed
by Alton R. Kindred.
Catholic Year A
Ordinary12; Year A Proper
7 (12). Prayer. Octavo.
MorningStar Music
Publishers #50-9069.
Published by MorningStar
Music Publishers
(MN.50-9069).
UPC:
688670590696.
Spiri
tual. Maintains simple
beauty and flowing melody
of gospel hymn, HOLY
QUIETNESS, while
developing contrasting
theme in accompaniment
and varying key and vocal
parts for each stanza.
Appropriate introduction
of traditional gospel
hymnody to
choirs/congregations.
Festival Te Deum Chorale Soprano seul, SATB, Clavier Boosey and Hawkes
(Treble Solo, SATB Chorus and Organ). By Benjamin Britten (1913-1976). For Chora...(+)
(Treble Solo, SATB Chorus
and Organ). By Benjamin
Britten (1913-1976). For
Choral (SATB, Organ). BH
Large Choral. 24 pages.
Boosey and Hawkes
#M051481699. Published by
Boosey and Hawkes
Magnificat - Nunc
dimittis. Composed by
Michael Culo. Carus
digital: Extra digital
products. Full Score. 12
pages. Duration 7
minutes. Carus Verlag
#722100. Published by
Carus Verlag (CA.722100).
ISBN 9790007311438.
Key: C major.
English.
The
Evening Service grew out
of the celebrations of
the one thousandth
anniversary of the
consecration of St
Michael’s Church
in Hildesheim, which is a
UNESCO World Heritage
site. For many years St
Michael’s has
celebrated the service of
Choral Evensong, the rich
musical conjunction of
the divine offices of
vespers and compline,
which is so familiar
within the Anglican
tradition. In the
Catholic daily office of
evening prayer,
particularly in the
Cologne version of choral
vespers, the Magnificat
of Mary and
Simeon’s Nunc
dimittis from chapters 1
and 2 of Luke are also
set to music. Both pieces
explore the text, and
they can be sung
independently of each
other – both in
worship and in concert
– and yet they are
connected through
individual motifs and the
shared doxology.