Orchestra SKU: BT.MUSM570366699 Composed by Ed Hughes. Score Only. 62 pag...(+)
Orchestra
SKU:
BT.MUSM570366699
Composed by Ed Hughes.
Score Only. 62 pages.
University of York Music
Press #MUSM570366699.
Published by University
of York Music Press
(BT.MUSM570366699).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
Cajun Folk Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:40.
Published by Manhattan
Beach Music.
Cajun Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:40. Published
by Manhattan Beach Music.
Orchestra SKU: BT.MUSM570366712 Composed by Ed Hughes. Classical. Study S...(+)
Orchestra
SKU:
BT.MUSM570366712
Composed by Ed Hughes.
Classical. Study Score.
62 pages. University of
York Music Press
#MUSM570366712. Published
by University of York
Music Press
(BT.MUSM570366712).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496.
Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Intermediate SKU: WD.080689631177 Composed by Cliff Duren. Book. Word Mus...(+)
Intermediate
SKU:
WD.080689631177
Composed by Cliff Duren.
Book. Word Music
#080689631177. Published
by Word Music
(WD.080689631177).
UPC:
080689631177.
Take
a trip down memory
laneââ¬Â¦Letâ
â¬â¢s go back in
time to a place of warm
summer mornings, church
bells ringing, friends
and family dressed in
their Sunday best, and
the sound of voices
singing out those sweet,
spirited Gospel songs and
hymns that always stirred
the soul within. Songs of
yearning for the day when
we all fly home to the
Saviorââ¬Â¦to a
place of joy that never
ends. Hymns of gladness,
redemption, hope, and
promiseââ¬Â¦
Can you hear
them? Blessed
Assurance; I Saw the
Light;
Iââ¬â¢ll Fly
Away; ââ¬ËTil
the Storm Passes By; The
King Is Coming; I Believe
in a Hill Called Mount
Calvary; Turn Your Eyes
upon Jesus; Precious
Lord, Take My
Handââ¬Â¦The
se are just a few of the
favorites that Word
Music and Church
Resources is excited
to present in Cliff
Durenââ¬â¢s new collection,
THE GREAT AMERICAN
CHURCH SONGBOOK.
Giving new life
to these classic songs,
while keeping that
forever timeless feel,
this collection is a
must-have for any choir.
With songs that everyone
in your congregation will
know and love, THE
GREAT AMERICAN CHURCH
SONGBOOK is filled
with a variety of upbeat,
harmonious Southern
Gospel songs of
celebration, and
beautiful, gentle ballads
that plead for the Lord
to come near. Your choir
and congregation will be
moved by these
songsââ¬ânot
only as songs of
testimony and worship and
praise, but as reminders
of the
Lordââ¬â¢s
faithfulness, goodness,
and everlasting love for
His children.
Prepare your heart and
mind for reminiscing on
the Lordââ¬â¢s
great love while singing
these exciting, timeless
songs with your church
familyââ¬Â¦This
is THE GREAT AMERICAN
CHURCH SONGBOOK!
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor.
Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
Composed by Sean
O'Loughlin. Young String
Orchestra (YAS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YAS190F.
Published by Carl Fischer
Music (CF.YAS190F).
ISBN 9781491151921.
UPC: 680160909421. 9 x 12
inches.
As part of
a collaboration between
students and composer,
Sean O'Loughlin, Dark
Dreams is a dark and
mysterious piece that
utilizes techniques such
as tremolo and pizzicato.
Following a slow and
mysterious opening which
illustrates the tapestry
of sound for the
composition, the work
develops the musical
material into various
vivid, intense, and
gripping musical
moments.
Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, vivid,
intense and gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer.
The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
play the silence at m. 88
for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure.
. <
p class=s4>Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, A
vivid, intense and
gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer.
The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
aplaya the silence at m.
88 for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure.
. <
p class=s4>Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, A
vivid, intense and
gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer.
The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
aplaya the silence at m.
88 for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure.
. <
p class=s4>Dark
Dreams was
commissioned by
the Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, vivid,
intense and gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer.
The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
play the silence at m. 88
for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure.
. D
ark Dreams was
commissioned by the
Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious, vivid,
intense and gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
play the silence at m. 88
for maximum effect and
really lean into the
final note even though it
is on beat 3 of the
measure. Dark Dreams
was commissioned by the
Westport, Connecticut
Public Schools for the
Bedford Middle School 7th
Grade Orchestra, Michele
Anderson, director. It is
a piece influenced by
many ideas from the
students including such
descriptive words as
dark, mysterious,
 vivid, intense and
gripping. The
collaboration process on
commissions like this are
very rewarding for both
the students and
composer. The students
were looking to include
techniques like tremolo
and pizzicato, so the
opening includes both of
these to set the tapestry
of sound for the
composition. The slow and
mysterious opening gives
way to an intense fast
section at m. 19. Trading
off between upper and
lower strings adds to the
tension before the upper
strings take hold of the
melody at m. 31. This
melody is derived from
the slow opening
material. The lower
strings get their chance
on the melody at m. 47 in
an augmented form. This
builds to a dramatic slow
section at m. 57. The
opening material returns
at m. 66 to transition
back to the fast
material. Make sure to
“play†the
silence at m. 88 for
maximum effect and really
lean into the final note
even though it is on beat
3 of the measure.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Done Deal [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.031-2441-00 Composed by K. Harris. Jazz Ensemble. Audio r...(+)
Grade 2
SKU:
CL.031-2441-00
Composed by K. Harris.
Jazz Ensemble. Audio
recording available
separately (item
CL.991-2007-01). Score
and set of parts.
Composed 1992. Duration 3
minutes, 9 seconds. C.L.
Barnhouse #031-2441-00.
Published by C.L.
Barnhouse
(CL.031-2441-00).
A classy little
swing tune that is sure
to help you teach swing
concepts to your
developing jazz students.
Playable with a limited
instrumentation and
containing a section
which can be opened up
for solos by any
instrument(written solo
suggestions are
provided), Done Deal is
perfect for contest or
concert use by young
bands. Ken’s great
flair for melodic writing
that really swings has
made his charts favorites
for many years and this
super arrangement is one
of his very best!
Head Over Heels Ensemble Jazz [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.035-2335-00 Composed by Niehaus. Jazz Ensemble. Score and...(+)
Grade 3
SKU:
CL.035-2335-00
Composed by Niehaus. Jazz
Ensemble. Score and set
of parts. Composed 1991.
C.L. Barnhouse
#035-2335-00. Published
by C.L. Barnhouse
(CL.035-2335-00).
A super solid
up tempo swinger with a
contemporary sound by
Lennie Niehaus that is a
wonderful choice for more
mature jazz ensembles.
Solos for either Alto or
Trumpet plus a great
shout chorus and lots of
wonderful soli writing by
a real master arranger
make this a superior
chart. Can’t be
Beat!!
Rockin' Ol' St. Nick Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Robert W. Smith and Michael Story. Concert Band. Concert Band; Part(s); Score...(+)
By Robert W. Smith and
Michael Story. Concert
Band. Concert Band;
Part(s); Score. Band
Expressions Book 1.
Christmas; Rock; Secular;
Winter. Grade 1. 138
pages. Published by
Alfred Music Publishing
Party Songs Piano, Voix et Guitare [Partition] Hal Leonard
40 Tunes to Get Any Party Started. By Various. Piano/Vocal/Chords Songbook (Arra...(+)
40 Tunes to Get Any Party
Started. By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 194 pages.
Published by Hal Leonard.
Head Over Heels Ensemble Jazz [Conducteur] - Intermédiaire C.L. Barnhouse
Grade 3.5 SKU: CL.035-2335-01 Composed by Niehaus. Jazz Ensemble. Extra f...(+)
Grade 3.5
SKU:
CL.035-2335-01
Composed by Niehaus. Jazz
Ensemble. Extra full
score. Composed 1991.
C.L. Barnhouse
#035-2335-01. Published
by C.L. Barnhouse
(CL.035-2335-01).
A super solid
up tempo swinger with a
contemporary sound by
Lennie Niehaus that is a
wonderful choice for more
mature jazz ensembles.
Solos for either Alto or
Trumpet plus a great
shout chorus and lots of
wonderful soli writing by
a real master arranger
make this a superior
chart. Can’t be
Beat!!
A Rock Ensemble Jazz [Conducteur] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.031-2535-01 Composed by K. Harris. Jazz Ensemble. Extra f...(+)
Grade 1
SKU:
CL.031-2535-01
Composed by K. Harris.
Jazz Ensemble. Extra full
score. Composed 1993.
C.L. Barnhouse
#031-2535-01. Published
by C.L. Barnhouse
(CL.031-2535-01).
Another great
chart for very young
bands from the pen of Ken
Harris. This super chart
is playable with limited
instrumentations and is
perfect material for very
young jazz ensembles in
either concert or contest
situations. A very
flexible arrangement,
easily opened up if you
have some soloists able
to play blues
changes.
Yamaha Electone; Digital Keyboard - Advanced SKU: YM.GPE01100795 Engli...(+)
Yamaha Electone; Digital
Keyboard - Advanced
SKU:
YM.GPE01100795
English Edition.
Instructional Guide Book.
Electone Perfect Guide.
Level up your Electone
skills to create your
original Registration
data! Studies/Exercises.
Softcover A4 Book. Yamaha
Music Media #GPE01100795.
Published by Yamaha Music
Media (YM.GPE01100795).
ISBN
9784636105780.
Abou
t the book: The ELS-02 is
the latest Electone model
in the STAGEA series.
Featuring the latest
electronic technology, it
offers a broader range of
performance expression
with higher quality
sounds and rhythms than
ever before. The Basic
Book provides a complete
and detailed explanation
of the functions of the
ELS-02 series. Starting
with basic operations
such as how to change
Volume, it covers the
basics of creating
registration data,
including various
Displays and Voice
Condition Displays. In
addition, the Super
Articulation Voice, first
introduced in the ELS-02
series, is explained in
detail. The Advanced
Book, a sequel to the
Basic Book, provides more
detailed and advanced
explanations of Rhythm
Programs, Effects, Voice
Edit, and other important
topics and tips for
creating original data.
This guide is recommended
for those who want to
challenge making original
data differently than
before because it always
sounds the same. Also
included as an appendix
is a list of Voice,
Effect, and Effect
Parameter useful for
creating original data.
We hope the perfect
guides will deepen your
understanding of STAGEA
and enrich your Electone
life. Electone and STAGEA
are the trademarks of
Yamaha Corporation.
Ramsgate March Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Carl Strommen. Concert Band. Concert Band. Belwin Young Band. Form: March. Co...(+)
By Carl Strommen. Concert
Band. Concert Band.
Belwin Young Band. Form:
March. Contemporary.
Grade 2. Conductor Score
and Parts. 332 pages.
Duration 2:14. Published
by Alfred Music
Publishing
40 Tunes to Get Any Party Started. By Various. E-Z Play Today (Easy big-note rig...(+)
40 Tunes to Get Any Party
Started. By Various. E-Z
Play Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Softcover. 144
pages. Published by Hal
Leonard.
Yamaha Electone; Digital Keyboard - Advanced SKU: YM.GPE01100797 Simpl...(+)
Yamaha Electone; Digital
Keyboard - Advanced
SKU:
YM.GPE01100797
Simplified Chinese
Edition.
Instructional Guide Book.
Electone Perfect Guide.
Level up your Electone
skills to create your
original Registration
data! Studies/Exercises.
Softcover A4 Book. Yamaha
Music Media #GPE01100797.
Published by Yamaha Music
Media (YM.GPE01100797).
ISBN
9784636105803.
This
is Simplified Chinese
(Mandarin) Edition. THIS
IS NOT ENGLISH EDITION,
which is available as
another book. About
the book: The ELS-02 is
the latest Electone model
in the STAGEA series.
Featuring the latest
electronic technology, it
offers a broader range of
performance expression
with higher quality
sounds and rhythms than
ever before. The Basic
Book provides a complete
and detailed explanation
of the functions of the
ELS-02 series. Starting
with basic operations
such as how to change
Volume, it covers the
basics of creating
registration data,
including various
Displays and Voice
Condition Displays. In
addition, the Super
Articulation Voice, first
introduced in the ELS-02
series, is explained in
detail. The Advanced
Book, a sequel to the
Basic Book, provides more
detailed and advanced
explanations of Rhythm
Programs, Effects, Voice
Edit, and other important
topics and tips for
creating original data.
This guide is recommended
for those who want to
challenge making original
data differently than
before because it always
sounds the same. Also
included as an appendix
is a list of Voice,
Effect, and Effect
Parameter useful for
creating original data.
We hope the perfect
guides will deepen your
understanding of STAGEA
and enrich your Electone
life.
By Dave Hill. Musicians Institute Press (Instruction taken from the curriculum o...(+)
By Dave Hill. Musicians
Institute Press
(Instruction taken from
the curriculum of MI).
Book and CD package. With
notes and tablature. Size
9x12 inches. 72 pages.
Published by Musicians
Institute.
(Heavy Metal Guitar Meets the Blues). By Dave Martone. For Guitar. Book; DVD; Gu...(+)
(Heavy Metal Guitar Meets
the Blues). By Dave
Martone. For Guitar.
Book; DVD; Guitar Method
or Supplement;
Method/Instruction;
Technique Musicianship.
Blues; Metal; Rock. 96
pages. Published by
Alfred Music Publishing