Orchestra 2 Bassoons, 2 Flutes, 2 Tenor Trombones, 3 Bb Clarinets, 3 C Trumpets, 3 Oboes, 4 Horns, Bass Drum, Bass Trombone, Chimes, Contrabassoon, Marimba, Percussion (2 players), Piccolo, Player 1: Crotales, Player 2: Glockenspiel, Smal, Timpani, Tuba, Vibraphone

SKU: PR.41641424L

For Orchestra. Composed by James Matheson. This edition: version 3/24/2011. Premiere performances by the Los Angeles Philharmonic; David Afkham, cond. Contemporary. Large Score. With Standard notation. Composed March 24 2011. 13 pages. Duration 1:30. Theodore Presser Company #416-41424L. Published by Theodore Presser Company (PR.41641424L).

UPC: 680160602117. 11 x 17 inches.

Alto Saxophone (2) - Doubling Clarinet, Baritone Saxophone-Doubling Bass Clarinet, Contrabass, Drum Set, Guitar, Piano, Solo Clarinet, Tenor Saxophone (2) - Doubling Clarinet, Trombone (2), Trumpet (4), Vibraphone

SKU: CF.CY1404F

For Clarinet Solo with Full Dance Orchestra. Composed by Henry Brant. Full score. With Standard notation. Carl Fischer Music #CY1404F. Published by Carl Fischer Music (CF.CY1404F).

ISBN 9780825868603. UPC: 798408068608. 11 x 14 inches.

By Josh Gottry. For Percussion Ensemble (Bells (may double or substitute Vibraphone), Xylophone (may double or substitute Marimba), Marimba (4-octave), Timpani (4), Triangle, Agogo Bells (may double or substitute Cowbell), Temple Blocks (3 pitches; may double or substitute Woodblocks), Bongos (m). Ignite Series. Medium easy. Score and parts. Duration 3:00. Published by C. Alan Publications

Percussion solo

SKU: BR.EB-9380

Seismic Construction in 3 Parts. Composed by Johannes Maria Staud. Solo instruments; stapled. Edition Breitkopf. World premiere: Vienna, October 17, 2020 Commissioned by KolnMusik GmbH as a part of the Non Beethoven project of the Kolner Philharmonie for 2020, Wiener Konzerthaus and Martin Grubinger / Percussive Planet. New music (post-2000); Music post-1945. Score. Composed 2019/20. 52 pages. Duration 16'. Breitkopf and Haertel #EB 9380. Published by Breitkopf and Haertel (BR.EB-9380).

ISBN 9790004188507. 10.5 x 14 inches.

,,Trau er nur dem holzernen Freund nicht. Er ist manchmal ein lederner (aus den Beethoven-Konversationshe ften) Dieses Schlagzeugtrio, das in enger Zusammenarbeit mit den Widmungstragern entstanden ist, besteht aus drei Teilen. Es wird durch die schiere Freude am dramaturgisch gebundelten Konstruieren entlang seismischer Bruchlinien gepragt. Die drei Percussion-Spieler wechseln wahrend des Werkes zwischen drei Setups an verschiedenen Spielpositionen - vom Buhnenhintergrund, uber die Mitte der Buhne bis vorne an der Buhnenrampe. Dabei wird jeweils ein anderes Klangmaterial, im ersten Teil (Part I) das Fell, im zweiten Teil (Part II) das Metall und im dritten Teil (Part III) das Holz in den Mittelpunkt gestellt. Part I (5'30'') ist mit drei O-Daikos besetzt, die mit Fingern, Handen, Fausten, Superballs und Holzstaben gespielt werden. Part II (6'00'') ist um drei Glockenspiele, drei Vibraphone und drei Sixxen gruppiert und integriert auch Metallinstrumente wie Chinese Opera Gongs, Mini-Tam-Tams und Metalltonnen, die mit Fussmaschine gespielt werden. In Part III (4'00'') spielen alle drei Musiker mit Rundstaben, Handen und Rohrenglockenhammern das mit sieben massiven Balken aus Eschenholz besetzte baskische Nationalinstrument Txalaparta, das auch seine ganz eigene Geschichte im Widerstand gegen die Franco-Diktatur hat. Reizvoll war fur mich sowohl, dass man zu dritt auf diesem archaischen Instrument wirklich aberwitzig schnelle Rhythmen spielen kann, als auch, dass dieses Instrument auf Konzertpodien klanglich wie optisch noch vollig neu ist - und dies, trotz aller Schlichtheit, bei einem unglaublichen Reichtum an Klangmoglichkeiten. Kleine rhythmische Zellen, die sich immer wieder zu vielfaltigen neuen Texturen - bis zur klanglichen Entfesselung - zusammenballen und eine feine Differenzierung und Dynamisierung der Anschlagsmoglichkeiten bestimmen dieses Werk. Auch, wenn nur Part II durch den Einsatz bestimmter Tonhohen gepragt ist (durch die Verwendung der von Yannis Xenakis erfundenen Sixxen durchaus mikrotonal), so gibt es doch unuberhorbar abschnittsubergreifende Kontinuitaten in Rhythmik und Motivik, die das ganze Werk bestimmen und es dabei wie feine seismische Adern durchziehen. (Johannes Maria Staud, 2020)

World premiere: Vienna, October 17, 2020 Commissioned by KolnMusik GmbH as a part of the Non Beethoven project of the Kolner Philharmonie for 2020, Wiener Konzerthaus and Martin Grubinger / Percussive Planet.

(arranged for mallet sextet). By Johann Sebastian Bach (1685-1750). Arranged by Brian Slawson. Mallet Sextet. For glockenspiel, chimes, vibraphone, 2 small marimbas (4-octave), 1 low marimba (5-octave) (6 players). Medium. Score and parts on CD-ROM. 12 pa

Concert Band Bass Clarinet, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Oboe, Suspended Cymbal, Timpani, Trumpet 1, Trumpet 2, Trumpet 3, Tuba, Vibraphone, alto Clarinet, alto Saxophone 1 and more. - Grade 3-3.5

SKU: CF.CPS13F

My Lord, What A Mornin' - Full Score. Composed by Carl Strommen. Arranged by Carl Strommen. Carl Fischer Concert Performance Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #CPS13F. Published by Carl Fischer Music (CF.CPS13F).

ISBN 9780825843617. UPC: 798408043612. 9 X 12 inches.

Commissione d by the South Carolina Chapter of Phi Beta Mu Band Fraternity in honor of Lorraine Paris, Band Director for 47 years at Newberry High School, Newberry, SC. Lorraine Paris is a native of Greenville, South Carolina, where she graduated from Parker High School. She received her B.S. in Music Education from Winthrop College and her M.A. from Furman University. She began her teaching career in 1948 in Newberry, South Carolina, where she taught for the next 47 years until her retirement in 1995. A member of numerous musical organizations, including Phi Beta Mu and the Theta chapter of Alpha Delta Kappa, she served as the first president of the South Carolina Band Directors Association and currently serves as their first Executive Secretary-Treasurer. She has been named Outstanding Bandmaster and Outstanding Contributor by the South Carolina Chapter of Phi Beta Mu, and was also named to that organization's Hall of Fame. Other honors include the South Carolina Career Service Award from ASBDA, the Silver Baton and Scroll of Excellence Awards from WBDNA, and the Band World Legion of Honor. In 1993, she was presented the Key to the City of Newberry, and at her retirement, was awarded the Order of the Palmetto from the State of South Carolina. It is to this legacy that the Phi Beta Mu fraternity commissions Prelude to an American Spiritual and it is Lorraine Paris' love of the hymn song that prompted this arrangement of My Lord, What a Momin'.
Commissioned by the South Carolina Chapter of Phi Beta Mu Band Fraternity in honor of Lorraine Paris, Band Director for 47 years at Newberry High School, Newberry, SC.Lorraine Paris is a native of Greenville, South Carolina, where she graduated from Parker High School. She received her B.S. in Music Education from Winthrop College and her M.A. from Furman University. She began her teaching career in 1948 in Newberry, South Carolina, where she taught for the next 47 years until her retirement in 1995. A member of numerous musical organizations, including Phi Beta Mu and the Theta chapter of Alpha Delta Kappa, she served as the first president of the South Carolina Band Directors Association and currently serves as their first Executive Secretary-Treasurer.She has been named Outstanding Bandmaster and Outstanding Contributor by the South Carolina Chapter of Phi Beta Mu, and was also named to that organization’s Hall of Fame. Other honors include the South Carolina Career Service Award from ASBDA, the Silver Baton and Scroll of Excellence Awards from WBDNA, and the Band World Legion of Honor. In 1993, she was presented the Key to the City of Newberry, and at her retirement, was awarded the Order of the Palmetto from the State of South Carolina.It is to this legacy that the Phi Beta Mu fraternity commissions Prelude to an American Spiritual and it is Lorraine Paris’ love of the hymn song that prompted this arrangement of My Lord, What a Momin’.

By Nathan Daughtrey. Percussion Ensemble. For Percussion Ensemble (Player 1 (bells and xylophone), Player 2 (3-octave vibraphone), Player 3 (4.3-octave marimba*), Player 4 (4.3-octave marimba*), Player 5 (4 timpani), Player 6 (4 concert toms, snare drum, chimes), Player 7 (splash cymbal, suspended cymbal, hi-hat, China cym). Percussion Music. Medium. Score and parts. Composed 2009. Duration 4:45. Published by C. Alan Publications

(Eleven Offbeat Arrangements for Percussion Ensemble). Composed by Various. Arranged by Jesse Mattson. For 4.3-octave marimba, vibraphone, xylophone, glockenspiel, chimes, 4 timpani, snare drum, bass drum, crash cymbals, tam tam, drumset, hi-hat, windchimes, sleighbells, temple blocks, suspended cymbals, cowbell, triangle, tambourine, bongos, and claves (8-10 players). Difficulty: Medium. Book and CD-ROM. 114 pages. Published by Tapspace Publications

Composed by Duke Pearson. Arranged by Mike Dana. Jazz Ensemble. Jazz Ensemble; Part(s); Score; SmartMusic. Premier Jazz Series. Jazz. Grade 4. 78 pages. Published by Alfred Music

Choral Celesta, Crotales, Glockenspiel, Handbells, Vibraphone, SATB chorus

SKU: PR.342401310

For SATB Chorus, with Percussion. Composed by Sydney F. Hodkinson. Six Christmas Canons. Choral. Score. With Standard notation. Composed 1978. Duration 3:15. Theodore Presser Company #342-40131. Published by Theodore Presser Company (PR.342401310).

UPC: 680160055050. Text: Phillips Brooks. Phillips Brooks.

By Jose M. Sanchez-Verdu. For orchestra (2222 - 4220 - 2 percussion - strings) (percussion: vibraphone, tamtam (large), thunder sheet, marimba, bass drum). 20th century. Symphonic music. Full Score. 44 pages. Duration 10 minutes. Published by Trito Edicio. Full Score. Symphonic music.

Grade 2

SKU: CL.RWS-2317-00

(For Keyboard Percussion and Band). Composed by Peter Ilyich Tchaikovsky. Arranged by Bankston. Young Concert Band. Score and set of parts. Composed 2023. RWS Music Company #RWS-2317-00. Published by RWS Music Company (CL.RWS-2317-00).

The well-known Dance of the Sugar Plum Fairy is orchestrated here for winds and percussion with the mallet instruments in the forefront. Show off your best glockenspiel, vibraphone, xylophone or marimba player at your next holiday concert. Or, you can have them all play at once, or maybe even pass the tune around! There are lots of possibilities with this one. It is a real crowd pleaser with an instantly recognizable theme.

Grade 2

SKU: CL.RWS-2317-01

(For Keyboard Percussion and Band). Composed by Peter Ilyich Tchaikovsky. Arranged by Bankston. Young Concert Band. Extra score. Composed 2023. RWS Music Company #RWS-2317-01. Published by RWS Music Company (CL.RWS-2317-01).

The well-known Dance of the Sugar Plum Fairy is orchestrated here for winds and percussion with the mallet instruments in the forefront. Show off your best glockenspiel, vibraphone, xylophone or marimba player at your next holiday concert. Or, you can have them all play at once, or maybe even pass the tune around! There are lots of possibilities with this one. It is a real crowd pleaser with an instantly recognizable theme.

Composed by Camille Saint-Saens (1835-1921). Arranged by Steven Verhaert. For Brass Quintet, Timpani, Vibraphone, Cymbals and Organ. Difficult. Published by Golden River Music