Composed by Frederic Hand. Contemporary. Score and part(s). With Standard notati...(+)
Composed by Frederic
Hand. Contemporary. Score
and part(s). With
Standard notation. 19
pages. Duration 9
minutes, 20 seconds.
Handwerks Music
#494-03042. Published by
Handwerks Music
Arranged by Martha Mier. For Piano. Piano Collection; Piano Supplemental. Christ...(+)
Arranged by Martha Mier.
For Piano. Piano
Collection; Piano
Supplemental. Christmas;
Winter. Intermediate;
Late Intermediate. Book.
24 pages. Published by
Alfred Music Publishing
Piano, Vocal and Guitar SKU: HL.14009122 Composed by Alison Hedger and Ed...(+)
Piano, Vocal and Guitar
SKU: HL.14009122
Composed by Alison Hedger
and Eddie McCartney.
Music Sales America.
Musical Education. Book
[Softcover]. Composed
2017. 28 pages. Music
Sales #GA10418. Published
by Music Sales
(HL.14009122).
ISBN
9781870997263.
English.
A
traditional Nativity play
conveying the peace and
hope of Christmas with
eight new carols. It is
ideal for mixed age
groups, with added parts
suitable for older
children up to age 12.
There is the minimum of
stage direcions leaving
teachers free to
interpret the actions as
befits their setting and
available talent.
Additional musical
interludes for all the
usual mime expected in a
school nativity play.
Script available in
student book. If you need
to license a school/youth
theatre performance of
this product, please use
the online application
form.
Choir SKU: HP.C6159C Arranged by Lloyd Larson. Piano Accompaniment with O...(+)
Choir
SKU:
HP.C6159C
Arranged by
Lloyd Larson. Piano
Accompaniment with
Optional Orchestra.
Christmas, Sacred. Choral
Performance/Accompaniment
CDs. Hope Publishing
Company #C6159C.
Published by Hope
Publishing Company
(HP.C6159C).
UPC:
763628961596.
Frenc
h carol This dynamic
setting features the
French carol NOEL NOUVLET
and the familiar words
'Sing we now of
Christmas, sing we now
Noel,' which lead
beautifully into a
refrain of 'What Child Is
This. 'Culled from
Lloyd's top-selling
cantata, Were You There
on That Christmas Night,
code no. 8611, this regal
carol is available in
both SATB and SAB opt.
Two-Part Mixed settings
with piano or orchestral
accompaniment.
Harpsichord/piano (solo:
db - 2.0.0.0 - 2.0.0.0 -
str)
SKU:
BR.OB-15117-12
Urtext. Composed
by Karl Ditters von
Dittersdorf and Karl
Ditters von Dittersdorf.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 24 pages. Duration
12'. Breitkopf and
Haertel #OB 15117-12.
Published by Breitkopf
and Haertel
(BR.OB-15117-12).
ISBN
9790004340400. 10 x 12.5
inches.
The Urtext
edition of what is
arguably the most often
played double-bass work
of all was long overdue.
The work was previously
available only in an
abridged and arranged
form. The edition departs
from the sole extant
source, a set of parts
from the estate of the
composer and double-bass
virtuoso Johannes
Sperger. The score and
orchestral parts as well
as the piano reduction
are printed in E major as
well as D major so as to
make the work playable
both in orchestral or
Viennese tuning as well
as in solo tuning. The
piano reduction contains
additional cadenzas by
the editor.I hope players
will convert to this
edition.(Clifford
Bartlett, in: Early Music
Review, No. 142, June
2011)An exciting addition
to the bassist's library.
This definitive score
will assist teachers and
performers alike.(Marian
Heckenburg, AUSTA
Stringendo).
SKU: WD.080689614170 A Simply WordKidz Musical Telling the Big, Big St...(+)
SKU:
WD.080689614170
A
Simply WordKidz Musical
Telling the Big, Big
Story of the Bible.
Composed by Gina Boe.
Choral, cantatas. Book.
Word Music #080689614170.
Published by Word Music
(WD.080689614170).
UPC:
080689614170.
Pasto
r Stan needs
help…he wants to do
a sermon on “The
Bible,†but he
needs to cover the entire
Bible in 25-minutes! As
impossible as it may
sound, Pastor Stan knows
just who to turn to.
He’ll hire the
world’s most
famous kid-operated
advertising
agency——B.
I.G.! With the help of
crack creative team B.
I.G, Pastor Stand knows
he’ll get exactly
what he needs!
From there the
group’s
Big-Bible-Bundle
highlights how, even
though God first created
a perfect world, Adam and
Eve made a decision that
allowed sin to enter the
world. This was The BIG
Choice: Catastrophe!
Next, the talented team
decides to showcase
God’s plan to deal
with sin: The BIG Gift,
in the form of both a
cradle and a cross. Jesus
— born on Earth
fully human and fully
God, fulfilling
God’s promise of a
Savior, and then
redeeming us from sin
through His work on the
cross and the promise of
eternal life. Finally, B.
I.G.’s focus and
creativity leads us to
The BIG Finish: A
Celebration and a Crown.
We can all celebrate that
Jesus is King, and that
He is coming back to take
us home to live with Him
in Heaven forever!
The Simply
WordKidz Series
simply means that
BIG—The
BIG Bible Idea
Group—is
especially designed with
easy-learn, easy-sing
songs for kids and is
easier-than-easy for you
to produce! Created by
Gina Boe,
BIG is the perfect
resource for your
children’s
ministry to present a
fun-filled production
that teaches fundamental,
scriptural truths of the
Big, BIG, BIG
story of the Bible!
Second violin (2. Violin) SKU: BA.BA05359-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin)
SKU: BA.BA05359-75
Composed by Wolfgang
Amadeus Mozart. Edited by
Gerhard Allroggen. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
73(75a), No. 9. 7 pages.
Baerenreiter Verlag
#BA05359_75. Published by
Baerenreiter Verlag
(BA.BA05359-75).
ISBN
9790006469147. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Mixed choir (SATB),organ|piano (Mixed choir (SATB), Organ or Piano) - Level 1 (+)
Mixed choir
(SATB),organ|piano (Mixed
choir (SATB), Organ or
Piano) - Level 1
SKU:
BA.BA25136
Composed
by Gabriel Faure. Edited
by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score.
Opus 11. 8 pages.
Baerenreiter Verlag
#BA25136_00. Published by
Baerenreiter Verlag
(BA.BA25136).
ISBN
9790006575022. 29.7 x 21
cm inches. Text Language:
French.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
â??Cantique de Jean
Racineâ? or the
â??Messe basseâ? are
published in performing
editions based on the
musical text of the
â??Gabriel Faur â??
Å?uvres
complètesâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
First violin (1. Violin) SKU: BA.BA04263-74 Composed by George Frideric H...(+)
First violin (1. Violin)
SKU: BA.BA04263-74
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. HWV
249A. Baerenreiter Verlag
#BA04263_74. Published by
Baerenreiter Verlag
(BA.BA04263-74).
ISBN
9790006527113. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
SATB choir, keyboard accompaniment - Early intermediate SKU: GI.G-6336 Co...(+)
SATB choir, keyboard
accompaniment - Early
intermediate
SKU:
GI.G-6336
Composed by
Jay Terrell and Maurice
Watson. Lent 4 C,
Ordinary Time 24 C,
Ordinary Time 31 C,
Sacred Heart C. African
American Church Music
Series. Sacred. Octavo. 8
pages. GIA Publications
#6336. Published by GIA
Publications (GI.G-6336).
UPC: 785147633600.
English. Text Source:
Watson, Maurice, Terrell,
Jay. Text by Maurice
Watson.
An original
gospel song straight from
the vibrant worship of
the Black church. The
beauty of this edition
for choirs who desire to
occasionally sing gospel
but lack the intuitive
sense of the style, is
that every note is on the
page. Sing what's there
and you've arrived!
ISBN
9790006558131. 33.5 x
25.5 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Text: Louis
Fuzelier.
The main
body of the new edition
of Les Indes galantes,
published in Opera Omnia
Rameau (OOR IV.2, 7),
restores the version
authorised by Rameau in
1736. This basic
editorial decision has
made it possible to
present a fully coherent
and authenticated reading
of the work (after the
adjustments from the
earliest performances).
All other versions before
and after 1736 are
gathered together in 19
complements.
Sylvi
e Bouissou's new edition
differs markedly from
previous modern editions
and all existing
recordings. With its
complements she does
justice to the
performer's need for
Rameau's various
revisions while finally
making accessible a
version actually
authorised by Rameau. For
the first time it is
presented in its complete
stylistic and dramatic
context.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Twelve Concertos for
Violin, Strings and Basso
continuo. Composed by
Antonio Vivaldi. Edited
by Bettina Schwemer. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I:
Concertos I-VI. Score,
anthology. Opus 4.
Baerenreiter Verlag
#BA07566_00. Published by
Baerenreiter Verlag
(BA.BA07566).
ISBN
9790006544066. 31 x 24.3
cm inches. Preface:
Schwemer,
Bettina.
Antonio
Vivaldiâ??s twelve
concertos op. 4 known by
the name of â??La
Stravaganzaâ? were
first mentioned as a
collection of
â??Concerti a 4â? in
the 1711 Foreword of
â??Lâ??Estro
Armonicoâ? op. 3.
Their publication had to
wait until 1716, when
Estienne Roger issued
them in two volumes of
six concertos each.
However, unlike the
original announcement,
â??La Stravaganzaâ?
is more than a collection
of concertos for solo
violin with string
accompaniment: in five of
the concertos the soloist
is joined by a second
solo violin or even by a
solo violoncello
(Concerto No.
7).
The many
reprints of â??La
Stravaganzaâ? bear
witness to its popularity
and widespread
dissemination well into
the 1730s. Besides the
surviving prints, there
is a significant body of
handwritten sources
containing alternative
versions for seven of the
concertos. Some of these
manuscripts stem from the
music library of Johann
Georg
Pisendel.
This
edition of â??La
Stravaganzaâ? is not
only the first
scholarly-critical
edition, it is also the
only complete edition
available. In addition to
the twelve concertos
handed down in the Roger
edition, Bärenreiter
offers an additional
concerto in full score,
piano reduction and parts
contained in the 1728
print issued by the
English publishers Walsh
and Hare, as well as
alternative versions
(without viola) found in
handwritten sources for
Concertos No. 6 (Volume
1) and No. 11 (Volume
2).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Erik Morales. Arranged by Erik Morales. Beginning-Intermediate Jazz Ensemble...(+)
By Erik Morales.
Arranged by Erik Morales.
Beginning-Intermediate
Jazz Ensemble. FJH
Developing Jazz Ensemble.
Score for this title:
JE4092S. Extra part for
this title: JE4092P. Jazz
Ensemble. Level: 2. Score
and Set of Parts.
Published by The FJH
Music Company Inc.