Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - picc.2.2.2.2.dble bsn - 4.2.3.0 - timp.perc - str)

SKU: BR.CHB-14677-02

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Beate Angelika Kraus. Choir; stapled. Chor-Bibliothek (Choral Library). Symphony; Classical. Choral score. 20 pages. Duration 65'. Breitkopf and Haertel #ChB 14677-02. Published by Breitkopf and Haertel (BR.CHB-14677-02).

ISBN 9790004413067. 7.5 x 10.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

Score Only Concert Band (Score) - Grade 2

SKU: HL.4002868

Composed by Richard L. Saucedo. MusicWorks Grade 2. Overture. Softcover. 28 pages. Duration 250 seconds. Published by Hal Leonard (HL.4002868).

UPC: 884088353018. 9.0x12.0x0.096 inches.

Described by the composer as “bombastic, but with a groove” this work for young players opens with striking percussion statements. The band enters gradually, first with unison figures along with the percussion, and then additional layers. A contrasting slow section with flowing lines and minor harmonies sets the stage for the dramatic final section. A great way to showcase your percussion section. Dur: 4:10 (Grade 2).

Orchestra Solo soprano voice, solo tenor voice, SATB chorus (div.), 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Oficleide (Tb), Timp, Arpa, 2 Vl, Va, Vc, Cb - Grade 3

SKU: CA.2718713

Composed by Georges Bizet. Edited by Marc Rigaudière. Single Part, viola. Composed 1858. 8 pages. Duration 20 minutes. Carus Verlag #2718713. Published by Carus Verlag (CA.2718713).

ISBN 9790007303556. Latin.

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic “Te Deum laudamus”, to the skillful choral fugue of “Fiat misericordia tua”, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.

In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet’s œuvre. The edition is based on the composer’s autograph score — the work's only surviving source. For the first time, this work is available with all performance parts.

Violin 1 (solo: hps - str - bc)

SKU: BR.OB-4315-15

Composed by Johann Sebastian Bach. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Baroque. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 4315-15. Published by Breitkopf and Haertel (BR.OB-4315-15).

ISBN 9790004304235. 10 x 12.5 inches.

Violin 1 (solo: pno - 1.2.0.0 - 2.2.0.0 - timp - str)

SKU: BR.OB-4438-15

Composed by Wolfgang Amadeus Mozart. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. EB 4067 is printed in score form; two copies are needed for performance. Solo concerto; Classical. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 4438-15. Published by Breitkopf and Haertel (BR.OB-4438-15).

ISBN 9790004309308. 10 x 12.5 inches.

Score and Parts Concert Band (Score & Parts) - Grade 4

SKU: HL.44013142

Concert Band Score and Parts. By Los Del Rio. Arranged by Masato Myokoin. De Haske Concert Band. Dance, Pop, Spanish. Softcover. Duration 250 seconds. De Haske Publications #0971083010. Published by De Haske Publications (HL.44013142).

Here is your chance for some audience participation within your concert program. The big Summer 'hit' of 1995 was the Bayside Boys with their version of a modern Spanish song. Can you remember the moves? If so, why not demonstrate them and invite your audience tojoin in with this scintillating arrangement. Guaranteed to bring the house down!

Violin 1 (1(picc.c).2.2.2 - 2.2.0.0 - timp.perc(3) - str)

SKU: BR.OB-4419-15

Overture to the Singspiel. Composed by Wolfgang Amadeus Mozart. Arranged by Johann Andre. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Concert Ending by Johann Andre. Overture; Classical. Part. 4 pages. Duration 5'. Breitkopf and Haertel #OB 4419-15. Published by Breitkopf and Haertel (BR.OB-4419-15).

ISBN 9790004308455. 10 x 12.5 inches.

Concert Ending by Johann Andre.

Solo violin (V) - difficult

SKU: HL.49042422

Composed by Hans Werner Henze. Sheet music. Violin-Bibliothek (Violin Library). Composed 1986. 4 pages. Duration 2'. Schott Music #VLB74. Published by Schott Music (HL.49042422).

ISBN 9790001103305. UPC: 840126939026. 9.0x12.0x0.042 inches.

(in Nativitate Domini in nocte). By Jakub Jan Ryba (1765-1815). Edited by Ostermann, Karlheinz. Arranged by Paul Horn. For Soli SATB, SATB Choir, Bassoon, Clarino/Trumpet, 2 Violins, Basso continuo. This edition: paperbound. Full score available separately - see item CA.4068300. Masses, Latin. Level 4. Piano/Vocal score. Language: Latin. Composed 1808. 24 pages. Duration 16 min

Basso (cello/double bass) (solo: pno - 1.2.0.0 - 2.2.0.0 - timp - str)

SKU: BR.OB-4438-26

Composed by Wolfgang Amadeus Mozart. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. EB 4067 is printed in score form; two copies are needed for performance. Solo concerto; Classical. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 4438-26. Published by Breitkopf and Haertel (BR.OB-4438-26).

ISBN 9790004309339. 10 x 12.5 inches.

Composed by Dana F. Everson. Trio for Brass Ensemble. Meter: 3/4. Traditional. Duration 3'00. Published by David E. Smith (DS.145304).

Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.OB-3210-16

Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-16. Published by Breitkopf and Haertel (BR.OB-3210-16).

ISBN 9790004300701. 10 x 12.5 inches.

Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time.

By Franz Schubert (1797-1828). Edited by Werner Bodendorff. For SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 3 trombones, 2 violins, viola, basso continuo. G-Moll (G minor). Stuttgart Urtext Edition. Score available separately - see item CA.7004300. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Part: violin 2. Language: Latin. Composed 1815. D 175. 4 pages. Duration 7 minutes. Published by Carus Verlag

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, gong, 2 violin, viola, cello, double bass, organ

SKU: CA.1038205

Sinfonische Kantate. Composed by Georg Ducker. German title: Advent. Sinfonische Kantate. Sacred vocal music, Advent. Choral Score. 8 pages. Duration 26 minutes. Carus Verlag #CV 10.382/05. Published by Carus Verlag (CA.1038205).

ISBN 9790007130831. Language: German/Latin.

Score available separately - see item CA.1038200.

By Franz Schubert (1797-1828). Edited by Reinhold Kubik. For Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, [3 Trombones, Organ]. D 49. Full score available separately - see item CA.2300900. Mass Sections. Part: Violin 1. Language: Latin. Composed 1813. 4 pages. Duration 6 min

By Franz Schubert. Edited by Bodendorff, Werner. For SATB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 3 Trombones, 2 Violins, Viola, Cello/Contrabass, Organ. D 175. Full score available separately - see item CA.7004300. Stuttgart Urtext editions; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral score. Language: Latin. Composed 1815. 4 pages. Duration 7 min. Published by Carus Verlag (German import).

By Wilhelm Friedrich Ernst Bach. For Soli TB, SATB Choir, 2 Flutes, 2 Oboes, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Basso continuo. Full score available separately - see item CA.3090100. Our Father. Part: Violin 2. Language: German/English. 4 pages. Duration 15 min

SATB Favorit-Chor (Antiphonal/Chamber Choir), 2 Violins, 3 Trombones, Contrabass, Organ, [SATB/SATB Capell-Chor], 8 Instruments - Level 3

SKU: CA.2046812

Sacred concert. Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Uppsala-Magnificat (Lat./Dt.). Sacred concertos, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Violin 2. Composed circa 1665 (terminus ante quem). SWV 468. 4 pages. Duration 13 minutes. Carus Verlag #CV 20.468/12. Published by Carus Verlag (CA.2046812).

ISBN 9790007196530. Key: G mixolydian. Language: Latin/German.

Score available separately - see item CA.2046800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 1 bassoon, 2 horns, 3 violins, 2 violas, cello, basso continuo

SKU: CA.3810909

Composed by Johann Christian Bach. Edited by Traugott Fedtke. Arranged by Traugott Fedtke. This edition: urtext. 1x 38.109/21 flute 1, 1x 38.109/22 flute 2, 1x 38.109/23 oboe 1, 1x 38.109/24 oboe 2, 1x 38.109/25 bassoon, 1x 38.109/31 horn 1, 1x 38.109/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Gloria In G E. Sacred vocal music, Mass sections. Set of Orchestra Parts. Warb CW E 4. 88 pages. Duration 55 minutes. Carus Verlag #CV 38.109/09. Published by Carus Verlag (CA.3810909).

ISBN 9790007054304. Language: Latin.

While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and parts available separately - see item CA.3810900.