Chamber Music Cello, Piano SKU: PR.114418630 Composed by Stacy Garrop. Se...(+)
Chamber Music Cello,
Piano
SKU:
PR.114418630
Composed
by Stacy Garrop. Set of
Score and Parts. With
Standard notation. 24+8
pages. Duration 13
minutes. Theodore Presser
Company #114-41863.
Published by Theodore
Presser Company
(PR.114418630).
ISBN
9781491114063. UPC:
680160642724. 9 x 12
inches.
The film
noir genre of 1940s
cinema typically includes
a strong but flawed male
lead (often a detective),
a beautiful woman who
coerces the male into
committing murder or is a
killer herself (a
“femme
fataleâ€), and a
twisting plot line that
involves one or more
homicides. These movies
typically are shot in
black and white, with
emphasis on shadows and
light, alcohol and
cigarettes, trench coats
and fedoras. Most of the
story lines do not have
happy endings. Inspired
by this genre, NOIR
VIGNETTES consists of
four movements, each
depicting an aspect of
film noir: Murder at
Midnight, Loaded Gun,
Femme Fatale, and Last
Cigarette. In the
mid-1940s, film critics
in France noticed a trend
emerging in movies from
the United States, which
they coined film noir
(which translates to
“black
filmâ€). These
movies were dark, moody,
and pessimistic,
reflecting the agitation
and anxiety present in
society following World
War II. Several
characteristics are
commonly found in many of
these movies, including a
strong but flawed male
lead (often a detective),
a beautiful woman who
either coerces the male
lead into committing
murder for her or is a
killer herself (a
“femme
fataleâ€), and a
twisting, turning plot
line that involves one or
more homicides.
Additionally, there are
several visual elements
that these movies share:
many are shot in black
and white, with great
emphasis on the use of
shadows and light;
alcohol and cigarettes
are heavily consumed by
men and women alike; and
men typically wear trench
coats and fedoras. Most
of the story lines do not
have happy endings.
Examples of film noir
include Orson
Welles’ The Lady
from Shanghai, Billy
Wilder’s Double
Indemnity, and John
Huston’s The
Maltese Falcon.NOIR
VIGNETTES consists of
four movements, each
depicting a different
aspect of film noir:
Murder at Midnight,
Loaded Gun, Femme Fatale,
and Last Cigarette.This
piece was commissioned by
the University of
Illinois Research Board
on behalf of double
bassist Michael Cameron;
and it also published for
Double Bass and Piano
(114-41811). The cello
version is transcribed by
the composer.-- Stacy
Garrop.
Cello and Piano - Grade 4 SKU: BT.EMBZ14895 Composed by Zoltan Kodaly. Ed...(+)
Cello and Piano - Grade 4
SKU: BT.EMBZ14895
Composed by Zoltan
Kodaly. Educational Tool.
Book and Part(s).
Composed 2014. 12 pages.
Editio Musica Budapest
#EMBZ14895. Published by
Editio Musica Budapest
(BT.EMBZ14895).
Zoltán
Kodály (1882-1967)
composed Adagio for
violin and piano in 1905
and dedicated it to the
outstanding violinist
Imre Waldbauer. In 1910
Kodály made versions
of the work for both
viola and cello, while
Norbert Duka transcribed
it for double bass. In
2014 we published all
four versions of Adagio
in a new edition.Adagio
for violin and piano: Z.
14911 Adagio for viola
and piano: Z. 14894
Adagio for violoncello
and piano: Z. 14895
Adagio for double bass
and piano: Z. 14896 (The
former catalogue number
was Z.
768.)
Zoltán
Kodály (1882-1967)
komponierte sein Adagio
für Violine und
Klavier im Jahre 1905 und
widmete es dem
hervorragenden
Geigenvirtuosen Imre
Waldbauer. 1910 schuf
Kodály Fassungen
für Viola sowie
Violoncello: für
Kontrabass wurde das Werk
von Norbert Duka
bearbeitet. 2014 wurden
alle vier Fassungen des
Adagios in einer neuen
Edition in Einzelausgaben
veröffentlicht.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-27.
Published by Breitkopf
and Haertel
(BR.OB-16104-27).
ISBN
9790004339459. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Cello and Piano SKU: BT.EMBZ14110 By Lajos Vigh. By Arpad Pejtsik. Educat...(+)
Cello and Piano
SKU:
BT.EMBZ14110
By Lajos
Vigh. By Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1996. 40
pages. Editio Musica
Budapest #EMBZ14110.
Published by Editio
Musica Budapest
(BT.EMBZ14110).
ABRSM Syllabus
title, Grade 5 The
original source of these
sonatas for cello and
double bass duo was a
collection created by
G.A. Perti and his pupils
in Bologna around 1695.
Among the easy and
small-scale movements (at
most 28 measures long),
the most quintessential
dances of the Baroque era
are represented.Some of
these compositions can be
played after a mere 3
years of instrumental
study, therefore music
students can use them as
an opportunity to
familiarize themselves
with the fundamentals of
baroque style. The simple
development of the
continuo allows for it to
be played by a pupil
performing alongside
their teacher. The pieces
also sound great when
played on two cellos.
Hot Cello 3 Violoncelle, Piano [Partition + CD] Schott
18 Advanced Pop Pieces Cello and Piano Book/CD. Composed by Gabriel Koeppen. S...(+)
18 Advanced Pop Pieces
Cello
and Piano Book/CD.
Composed
by Gabriel Koeppen.
String
Solo. Classical.
Softcover
with CD. 36 pages. Schott
Music #ED22740. Published
by
Schott Music