Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For viola solo and piano accompaniment. Includes viola/piano book and accompaniment CD. With solo part and piano accompaniment. Movies. 80 pages. 9x12 inches. Published by Warner Brothers.

Viola and piano

SKU: LM.28151

Composed by Jean Marc Allerme. Pop, jazz. Score and CD. Editions Henry Lemoine #28151. Published by Editions Henry Lemoine (LM.28151).

ISBN 9790230981514.

With Gab - Care-Free - Two stomp for you - Robert's tune - Around it - Goodbye Kate - One note for you - In the Emilie's eyes - For a blue note - As she like it - I prefer the blue - Ballad for Jodie - I'll be in the show - Leave me here - My friend Gabriell.

By Various. Arranged by Brent Jorgensen. For Viola and Piano. Level: Medium Easy. Published by Jackman Music Corporation.

Viola and Organ

SKU: SU.30145000

For Viola and Organ. Composed by Carson Cooman. Strings, Viola, Keyboard, Organ. Full Score. Subito Music Corporation #30145000. Published by Subito Music Corporation (SU.30145000).

Based on the writings of Julian of Norwich Duration: 40' Composed: 2002 9x12 book, 40 pages Published by: Parsonage Press.

(Viola with Piano Reduction). Composed by Herbert Howells (1892-1983). For Viola, Piano Accompaniment. Boosey and Hawkes Chamber Music. Softcover. Boosey and Hawkes #M060130298. Published by Boosey and Hawkes

Arranged for piano and viola. Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris. Arranged by Douglas Woodfull-Harris. Stapled. Performance score. Published by Baerenreiter Verlag (BA.BA10918).

(Viola and Piano). Composed by Gabriel Faure (1845-1924). Arranged by Wolfgang Birtel. For Viola, Piano Accompaniment. String. Softcover. 10 pages. Schott Music #ED09962. Published by Schott Music

Viola and Piano

SKU: HL.14011334

Viola And Piano. Composed by Niels Rosing-schow. Music Sales America. Set. Music Sales #KP00508. Published by Music Sales (HL.14011334).

ISBN 9788759864203. Danish.

Figura by Niels Rosing-Schow , for Viola and Piano (1985).

(Fantastical Pieces for Absolute Beginners). By Pam Wedgwood. For Viola and Piano. Book; String - Viola Studies or Collection. Faber Edition. 16 pages. Published by Faber Music

Urtext. Composed by Josef Schelb. Breitkopf and Haertel #EB-8992. Published by Breitkopf and Haertel

Songbook, accompaniment/performance CD and set of performance parts for viola and piano accompaniment. With bowings and chord names. Series: Pop Hits for the Instrumental Soloist. 72 pages. Published by Alfred Publishing.

Viola and piano

SKU: M7.SAE-22-07

Composed by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 22-07. Published by SonArt Edition (M7.SAE-22-07).

ISBN 9790707651674.

This is a unique improvisation for violin and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christian, General Worship, Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

(Carols And Traditional) Arranged by Bill Galliford, Ethan Neuburg, Tod Edmondson. Instrumental solo book and examples/accompaniment CD for viola. With viola fingering chart. 96 pages. Published by Alfred Publishing.

Viola, piano - Level 5

SKU: BA.BA11068

Composed by Philipp Maintz. Stapled. World Premiere 15/08/2015, Ulrichshausen. Performance score, Part. Composed 2015. 13/10 pages. Duration 12 hours. Baerenreiter Verlag #BA11068_00. Published by Baerenreiter Verlag (BA.BA11068).

ISBN 9790006561988. 35.5 x 25 cm inches.

“... she stood leering hideously, and much dust sodden with tears lay upon her shoulders.”

“These snippets from Johann Heinrich Voss's translation of Hesiod's Shield of Hercules, where the din of battle is brought to a standstill for the wink of an eye, made me think of music that describes the 'inwardness' of a particular feeling, close to the much-cited metaphor of an entire life flitting past the inner eye in the space of a second, when, as in Hesiod, Atropos severs the thread of life. Viola and piano join forces on an equal basis to inscribe ever more lines and shapes which, however, relate in their inmost essence to intertwining circles laden with melancholy.”
(Ph ilipp Maintz)

Viola and Piano. By Howard Harrison. (Viola). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 64 pages. Published by Boosey & Hawkes.

O Mensch, bewein' dein' Sunde gross / Lascia ch'io pianga. Composed by Toshio Hosokawa (1955-). Arranged by Toshio Hosokawa. This edition: Saddle stitching. Sheet music. String. Softcover. 18 pages. Duration 11'. Schott Music #SJ1165. Published by Schott Music

Score and Parts Clarinet; Piano; Viola (Score & Parts)

SKU: HL.49045889

Five pieces in fairy-tale style for Clarinet, Viola and Piano Score and Parts. Composed by Joerg Widmann. Ensemble. Classical. Softcover. 120 pages. Duration 1740 seconds. Schott Music #ED22487. Published by Schott Music (HL.49045889).

9.0x12.0x0.33 inches.

As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like'Once upon a time...'and'...they all lived happily ever after'. Fairy tales were however also a source of unrest for me as a seismograph of mankinds underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann's Marchenerzahlungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work - despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal (Once upon a time...)to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jorg Widmann.

(Viola With Piano Accompaniment)

SKU: HL.133208

Composed by M. Stachowski. PWM. Classical. Polskie Wydawnictwo Muzyczne #11105010. Published by Polskie Wydawnictwo Muzyczne (HL.133208).

UPC: 884088980429.

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.

Viola and piano

SKU: M7.DOHR-88836

Concertino. Composed by Adrian Connell. Sheet music. Score and part. Duration 10'. MDS (Music Distribution Services) #DOHR 88836. Published by MDS (Music Distribution Services) (M7.DOHR-88836).

ISBN 9790202098363.

Ther e comes a time in life when your parents have passed on. What we are left with is the memories of their love, guidance, support, and the happy times together. Last August when my mum sadly passed away, I wrote an Elegy as part of my grieving. However, as a family we had happy times together and it seemed only right to compose a work which would celebrate this. So, I added a first and last movement to create a short concertino. The movements are: Prelude: Peter John Connell: The Cheeky Chap Elegy: Mavis June Connell (Time To Remember) Rondo: Family Fun (Adrian Connell) Performance note The work can also be performed with accompaniment of string orchestra and harp using the set of parts for the version for clarinet and orchestra (E.D. 88833).

Flute, clarinet - Level 5

SKU: BA.BA11060

Composed by Dieter Ammann. In a folder. Performance score. Composed 2011. 14/4 pages. Duration 12 hours. Baerenreiter Verlag #BA11060_00. Published by Baerenreiter Verlag (BA.BA11060).

ISBN 9790006559022. 42 x 29.5 cm inches.

... she stood leering hideously, and much dust sodden with tears lay upon her shoulders.

These snippets from Johann Heinrich Voss's translation of Hesiod's Shield of Hercules, where the din of battle is brought to a standstill for the wink of an eye, made me think of music that describes the 'inwardness' of a particular feeling, close to the much-cited metaphor of an entire life flitting past the inner eye in the space of a second, when, as in Hesiod, Atropos severs the thread of life. Viola and piano join forces on an equal basis to inscribe ever more lines and shapes which, however, relate in their inmost essence to intertwining circles laden with melancholy.
(Philipp Maintz)