Published by Santorella Publications. The Moonlight Sonata also known as "Quasi Una Fantasia" may be considered as one of Beethoven's most recognizable themes. This emotionally melancholy masterpiece, published by Santorella Publications, is heard as the backdrop to countless venues. Weddings, recitals and film scores are a few diverse examples of its use in today's marketplace. This arrangement for flute and guitar by Lee West is transcribed from the original piano works, therefore the historical importance alone is just one of the reasons to experience this phenomenal piece.

Flute & Guitar

SKU: SU.32020230

For Flute & Guitar. Composed by Dorothy Hindman. Woodwinds, Flute/Piccolo, Guitar. Accompanied by guitar. Performance Score. Subito Music Corporation #32020230. Published by Subito Music Corporation (SU.32020230).

Includes set of 2 performance scoresDuet for flute and classical guitar requiring numerous extended techniques.Flute & Guitar Duration: 12' Composed: 2021 Published by: Dorothy Hindman.

Flute and Guitar

SKU: SU.80600880

For Flute and Guitar. Composed by William Bolcom. Chamber Music, Mixed Ensemble, Woodwinds, Flute/Piccolo, Guitar, Chamber Music with Guitar. Performance Score. Edward B. Marks Music #80600880. Published by Edward B. Marks Music (SU.80600880).

Flute and Guitar Composed: 1995 Published by: E.B. Marks Set of 2 scores.

For Flute and Guitar. By Robert Maggio. Mixed chamber ensemble. For Flute, Guitar. This edition: two performance scores. Classical. Set of performance scores. Composed 1997. 11 pages. Duration 6:30. Published by Theodore Presser Company.

(Flute Et Guitare). By George Frideric Handel (1685-1759). Arranged by Jean Maurice Mourat. For Flute, Guitar. Score and parts. Standard notation. Duration 7:00

(Flute Et Guitare). By Theobald Boehm (1794-1881). For Flute, Guitar. Score and parts. Standard notation. Opus 4. Duration 10 minutes. Published by Gerard Billaudot Editeur

Composed by Jean-Maurice Mourat/Guy Cottin. Classical. Score. 40 pages pages. Published by Editions Combre (LM.C06584).

Flute Et Guitare. By Arcangelo Corelli. Arranged by Jean Maurice Mourat. For Flute, Guitar. Score and parts. Duration 12:00. Published by Billaudot.

Flute and guitar - Level 3

SKU: LM.C05381

Composed by Gilles Ballet. Jazz notes. Pop, jazz. Score. 8 (separate parts) pages. Editions Combre #C05381. Published by Editions Combre (LM.C05381).

Composed by Jean-Maurice Mourat/Guy Cottin. Classical. Score. 42 pages pages. Published by Editions Combre (LM.C06648).

Flute and guitar - Level 2

SKU: LM.26977

Composed by Thierry Masson. Mes Premiers Pas de T. Masson et P. Guillem. Classical. Score. Editions Henry Lemoine #26977. Published by Editions Henry Lemoine (LM.26977).

ISBN 9790230969772.

Le Cri - Imaginaire - Brumes - Mosaiques - Clin d'oeil a Vivaldi - Linda Amiga - Le Moulin et l'Ecluse - La Fileuse - Tri Martolod.

(For Flute and Guitar). Composed by Gary Schocker. For Flute, Guitar. Set of performance scores. Standard Notation. Published by Tuscany Publications

Guitar - Intermediate

SKU: MB.31076M

Chamber, Saddle-stitched. Classical. Book/insert/online audio. Mel Bay Publications, Inc #31076M. Published by Mel Bay Publications, Inc (MB.31076M).

ISBN 9781513477695. 8.75x11.75 inches.

Following the model established by Bach and Chopin, George Gershwin (1898 â?? 1937) originally planned to write 24 modern preludes for piano, one in each major and relative minor key. The collection was to be called The Melting Pot as it combined cross-cultural elements of classical, popular, jazz, and blues styles. Already established as a composer of popular songs, Broadway musicals, and masterpieces like Rhapsody in Blue and Concerto in F, Gershwinâ??s frenetic musical activities and an early death intervened, and for various reasonsâ??only three of the completed 5-7 preludes were published in 1927. By omission and circumstance, these three compositions have endured the test of time as Gershwinâ??s Three Preludes.
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This book presents idiomatic flute/guitar arrangements of Gershwinâ??s iconic Three Preludes. The original keys of the preludes were altered to accommodate drop-D guitar tuning and highlight the strengths and tessituras of the two instruments. The music is written in standard notation only and presented in guitar and flute scores, guitar accompaniment with extensive suggested fingering, and a pull-out flute solo part with guitar cues. Includes access to an outstanding online audio recording by The Cypress Duo, featuring flutist Amanda Hoke and author/guitarist Justin Hoke.
 
Audi ences are going to love hearing these preludes rendered by the flute and guitar, particularly â??Prelude IIâ?, in Gershwinâ??s words, â??a sort of blues lullabyâ? that is familiar to many musicians and listeners alike.

By Erik Satie (1866-1925). Arranged by Rebecca Stuhr and George Torres. For flute and guitar. 2 performance scores. Published by Trillenium Music Company

By Astor Piazzolla. For Guitar (Classical). Chamber. Edition Margaux. Latin American. Level: Intermediate. Book. Size 9x12. 6 pages. Published by AMA Verlag. ISBN 078666388X.

Fantasy on Shenandoah . Composed by David Leisner (1953-). Premiered at the Diller-Quaile School of Music. Contemporary. Set of performance scores. With Standard notation. 28 pages. Duration 11 minutes. Theodore Presser Company #144-40624. Published by Theodore Presser Company (PR.144406240).

Chamber Music flute, guitar

SKU: PR.114422330

Composed by Stacy Garrop. Sws. Set of performance scores. 8 pages. Duration 5 minutes. Theodore Presser Company #114-42233. Published by Theodore Presser Company (PR.114422330).

ISBN 9781491133781. UPC: 680160683253. 9 x 12 inches.

Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.

Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.

-S.G.
Fla menco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020. -S.G.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain’s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia’ s isolated mountain regions to survive. Not surprisingly, the topics of the gypsies’ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.-S.G.