(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

Favourite Italian Melodies arranged by Arnold W. Zamarin. Composed by Traditional. Arranged by Arnold Zamarin. Score and part(s). 48 pages. Universal Edition #UE37114. Published by Universal Edition

Composed by John La Montaine (1920-). Fredonia Press #FRD04. Published by Fredonia Press

Flute and Piano - intermediate

SKU: BT.AMP-427-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Book with CD. Composed 2015. 40 pages. Anglo Music Press #AMP 427-400. Published by Anglo Music Press (BT.AMP-427-400).

ISBN 9789043148580. English-German-French-Dut ch.

Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke’s 15 Easy ChristmasCarols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book willprovide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkes 15 Intermediate Christmas Carols sind Teil der Reihe Anglo Music Play-Along und richten sich an junge Instrumentalisten, die einen Tonumfang von ungefähr eineinhalb Oktaven beherrschen. Die Ausgabe schließt sich anSparkes 15 Easy Christmas Carols an. Für diesen Band wurden einfache und zugleich ansprechende Melodien ausgewählt, die genau auf das jeweilige Instrument zugeschnitten sind, sich für dessen begrenzten Tonumfang eignen, und den soSchüler an die weltweit beliebtesten Weihnachtslieder heranführen. 15 Intermediate Christmas Carols bietet damit wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschulepasst und sowohl eine Klavierbegleitung als auch einePlay-Along-CD enthält.

Faisan t partie de l’Anglo Music Play-Along Series, les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent jouer environ une octave etdemi. Adapté pour convenir chaque instrument spécifique, ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.

Composed by Mizzy McCaskill and Dona Gilliam. Saddle-stitched. Book and online audio. Published by Mel Bay Publications, Inc

Composed by John La Montaine (1920-). Fredonia Press #FRD03. Published by Fredonia Press

(Flute and Piano with a CD of Performance and Play-Along Tracks Book/CD). By Kurt Weill (1900-1950). Arranged by Martin Reiter. For Flute, Piano Accompaniment. Woodwind. Book with CD. 76 pages. Universal Edition #UE34323. Published by Universal Edition (H

Flute and Piano

SKU: BT.PL3068

Book and Part(s). Composed 2015. Pierre Lafitan Editions #PL3068. Published by Pierre Lafitan Editions (BT.PL3068).

Composed by John La Montaine (1920-). Fredonia Press #FRD43. Published by Fredonia Press

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Woodwinds - Flute Flute and Piano

SKU: AY.FRD05

Composed by John La Montaine. Woodwinds - Flute. Fredonia Press #FRD05. Published by Fredonia Press (AY.FRD05).

ISBN 9790302114406.

The product available here for purchase is the solo flute part and piano reduction for John La Montaine's Concerto for Flute. Premiered on April 12, 1981 by Keith Bryan and the National Gallery Orchestra, John La Montaine's Concerto for Flute and Orchestra is best summed up in this review from Paul Hume at The Washington Post: The world premiere of a flute concerto by John La Montaine was the centerpiece. La Montaine clearly had a great time writing the concerto, since he filled it with wit and open, songful beauty. The formal design is neatly broken up into imaginative divisions. There are some exotic touches for woodblocks, and bass clarinet, but the heart of the work lies in the brilliance of the writing for the soloist. The cadenza in the final movement is impressively introduced and beautifully concluded..

Arranged by Sandy Feldstein and Larry Clark. For Flute / Oboe. The Yamaha Advantage Solo Series. Play along. Solo Book with CD. Published by Playintime

Edited by Donald Peck. Collection and set of performance parts for flute and piano accompaniment. 153 pages. Published by Carl Fischer.

By Mizzy McCaskill and Dona Gilliam. For Flute. solos. Classic. Level: Intermediate. Book/CD Set. Size 8.75x11.75. 56 pages. Published by Mel Bay Publications, Inc.

For Flute and Piano. Composed by Charles LeThiere. Arranged by James Galway. Southern Music. Opera, Flute, Classical. Softcover. 12 pages. Southern Music Company #SU802. Published by Southern Music Company

Flute (flute/piano)

SKU: HL.48180546

For Flute and Piano. Composed by Jacques-Francois Ibert. Leduc. Classical. CD. 19 pages. Alphonse Leduc #AL18125. Published by Alphonse Leduc (HL.48180546).

UPC: 888680795948. 9.0x12.0x0.11 inches.

Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and Marcel Moyse (1889-1984), a prominent French flautist, arranged the compilation for flute and piano in 1933 to great acclaim. Stories for Flute and Piano is made up of six movements; 1) The Leader of the Gold Turtles, 2) The Little White Donkey, 3) In the Sad House, 4) The Crystal Cage, 5) The Market of Fresh Water, and 6) The Procession of Balkis. Containing a variety of musical aspects and techniques, Moyse's arrangement for flute and piano of Ibert's Stories is an exciting addition to the intermediate level flautist's repertoire.

36 Repertoire Pieces With Piano Accompaniment. Compiled and Edited By Donald Peck.. Edited by Donald Peck. Repertoire Classics. Book and CD. 48 pages. Carl Fischer #WF0110. Published by Carl Fischer

Flute and Piano - very easy, easy

SKU: BT.DHP-1185891-404

Flute. Arranged by Markus Schenk. Look, Listen and Learn. Opera or Operetta. Book with Part and Audio-Online. Composed 2018. 28 pages. De Haske Publications #DHP 1185891-404. Published by De Haske Publications (BT.DHP-1185891-404).

ISBN 9789043154512. English.

Nowadays Look, Listen & Learn sets the bar for brass and woodwind teaching. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.

In My First Opera, famous arias, choruses, and overtures have been arranged in increasing order of difficulty so that they can be used in conjunction with all three volumes of the Look, Listen& Learn method series. Some of the loveliest melodies ever written for opera have been collected together with accompanying historical commentary. Pupils can accompany themselves using the piano recordings, which are available online to stream or download. The edition also includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty.

Composed by Mizzy McCaskill and Dona Gilliam. Saddle-stitched. Book and online audio. Published by Mel Bay Publications, Inc (MB.95295M).

For Flute and Piano. Composed by Nancy Andrew. Arranged by James Galway. Southern Music. Classical. Softcover. Southern Music Company #B579. Published by Southern Music Company