Flute and piano - Level 3 SKU: LM.27958 Composed by Jean Marc Allerme and...(+)
Flute and piano - Level 3
SKU: LM.27958
Composed by Jean Marc
Allerme and Vincent
Charrier. Pop, jazz.
Score and CD. Editions
Henry Lemoine #27958.
Published by Editions
Henry Lemoine (LM.27958).
ISBN
9790230979580.
Josh
ua Fit the Battle of
Jericho (trad.) -
TCHAIKOVSKI P.I. :
Fantasia, Valse des
Fleurs extr. de
Casse-noisette - CARMEN
E. : All by Myself -
BETTI H. / HORNEZ A. :
C'est si bon -
MENDELSSOHN F. : Les
Visiteurs, Concerto pour
violon - Nobody Knows The
Trouble l've Seen (Trad.)
- MANCINI H. : The Pink
Panther - SCHIFFRIN L. :
Mission impossible -
WILLIAMS J. : Les
Aventuriers de l'Arche
perdue, Raider's March -
ALBINONI T. : Quatre
mariages et un
enterrement, Adagio.
Titania Flûte traversière et Piano - Intermédiaire De Haske Publications
Flute and Piano - intermediate SKU: BT.DHP-1175830-401 Composed by Pascal...(+)
Flute and Piano -
intermediate
SKU:
BT.DHP-1175830-401
Composed by Pascal
Proust. De Haske Flute
Series. Book and Part(s).
Composed 2017. 12 pages.
De Haske Publications
#DHP 1175830-401.
Published by De Haske
Publications
(BT.DHP-1175830-401).
ISBN 9789043153041.
English-German-French-Dut
ch.
Which
instrument is better
suited to lend its voice
as fairy queen
Titania than the
flute? Pascal Proust
is among the best known
of French composers in
the field of musical
pedagogy. He has produced
a whole series published
by De Haske that is
constantly being
expanded. Proust wrote
Titania for more
advanced flute students
witharound 4 5
years’ progress.
Proust’s style is
easily accessible to the
student and at the same
time appeals to the
audience, so this piece
is especially suitable as
a recital or competition
piece.
Er is toch
geen instrument
geschikter om
elfenkoningin
Titania te
verklanken dan de
fluit? Pascal Proust
behoort tot een van de
bekendste Franse
componisten op het gebied
van de muziekpedagogie.
Voor De Haske heeft hij
inmiddels een complete
serie gemaakt die nog
steeds verder wordt
uitgebreid. Proust
schreef Titania
speciaal voormeer
gevorderde fluitisten die
zo’n vier tot vijf
jaar les hebben gehad.
Zijn stijl is
toegankelijk voor de
leerling, maar ook
aantrekkelijk voor het
publiek; daardoor is dit
stuk ideaal voor een
optreden of
wedstrijd.
Welches
andere Instrument wäre
besser als die Flöte
dazu geeignet, seine
Stimme der Feenkönigin
Titania zu
leihen? Pascal Proust
zählt zu den
renommiertesten
französischen
Komponisten auf dem
Gebiet der
Instrumentalpädagogik.
Bei De Haske hat er
inzwischen eine ganze
Serie mit
Instrumentalstücken
vorgelegt, die laufend
erweitert wird. Proust
schriebTitania
für fortgeschrittenere
Flötenschüler mit
etwa 4 5 Jahren
Unterrichtserfahrung.
Prousts Stil ist leicht
verständlich für
den Schüler und
zugleich attraktiv für
das Publikum, sodass das
Stück sich besonders
gut als Vortrags- oder
auchWettbewerbsstück
eignet.
Poem Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114416460 For Flute and Piano. ...(+)
Chamber Music flute,
piano
SKU:
PR.114416460
For
Flute and Piano.
Composed by Thaddeus
Kozuch. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed 1937. 4+1 pages.
Duration 3 minutes.
Theodore Presser Company
#114-41646. Published by
Theodore Presser Company
(PR.114416460).
ISBN
9781598067811. UPC:
680160620616. 9x12
inches.
POEM for
Flute and
PianoKozuch’s POEM
is a plaintive elegy,
perfect for memorial
concerts, in religious
services, or as a lyric
interlude in recital.
Although composed with
piano accompaniment, the
music is also very
effective in performance
with organ. Thaddeus
Kozuch (1913-1991) was a
Chicago-based pianist,
composer, and professor
at DePaul University and
Northwestern University.
His beautiful POEM was
composed originally for
violin and piano in 1937
for his wife-to-be,
Jacqueline Frye. He
revised POEM for flute
and piano in 1988 but the
work was discovered only
recently in a piano bench
by the composer’s
daughter, flutist Ann
Fairbanks.Although the
final pencil manuscript
is musically complete, it
lacks dynamics, and this
publication presents the
music as the composer
left it.The following
performance suggestions
are provided by Ann
Fairbanks:Many nuances of
the work may be left to
the discretion of the
performer. There are
quite a few notes that
may be slurred, such as
sets of eighth notes or
triplet-eighths; if notes
are articulated as
written, the tonguing
should be legato.Dynamics
for both flute and piano
could be as follows:
begin the work p, then
crescendo to f in bars
6-7. Decrescendo in 10-11
to a p in bar 12. The
most intense section
(bars 16-32) should be
played with energy and
full sonority, including
a crescendo in 26 to fin
27. The conclusion,
beginning at bar 42,
should be played p, with
the last measures
performed quietly.