Oboe and Piano SKU: HL.14030791 Composed by Martin Dalby. Music Sales Ame...(+)
Oboe and Piano
SKU:
HL.14030791
Composed
by Martin Dalby. Music
Sales America. Post-1900.
Book [Softcover]. Music
Sales #NOV120436.
Published by Music Sales
(HL.14030791).
8.25x12.0x0.051
inches.
This title
is taken from Dvorak.
However. The models from
which the songs are
derived are clearly
identifiable, as are the
composers from whose
language they have been
derived. The piece
appears to be in one
movement though it is in
fact two with a coda. The
first is French in style,
a sort of Waltz. It is
quick and harks upon the
likes of Francaix and
where its idiom becomes
more advanced, Messaien.
The other is Germanic, a
slow movement with echoes
of German expressionism -
perhaps Richard Strauss,
perhaps Mahler. The two
movements are partly
complete; the cod
reconciles their
differences and completes
them. I see the piece as
my own version of En
blanc et noir.
SKU: HL.48186455 Composed by Eugene Bozza. Leduc. Post-1900. Softcover. 5...(+)
SKU: HL.48186455
Composed by Eugene Bozza.
Leduc. Post-1900.
Softcover. 5 pages.
Alphonse Leduc #AL30697.
Published by Alphonse
Leduc (HL.48186455).
UPC: 888680828639.
9x12
inches.
“Born
to an Italian father and
a French mother,
Eugène Bozza
(1905-1991) divided his
music studies between the
Academia Santa Cecilia in
Rome and the
Conservatoire de Paris,
where he was taught by
Henri Büsser and
Henri Rabaud. His chamber
music compositions reveal
a marked predilection for
wind instruments, as
reflected in Fantaisie
pastorale for oboe and
piano (1939) and
New-Orléans for
bass saxhorn and piano
(1944). During his stay a
few years earlier at the
Villa Medici in Rome
(1936), Bozza had written
his Aria Pour Saxophone
Alto Et Piano ' a free
adaptation of the third
movement of Johann
Sebastian Bach's Organ
Pastorale in F major BWV
590. This expansive and
nostalgic melody, which
unfolds over a regular
meter, has become one of
the most widely played
SaxoEphone pieces in the
world. Having enjoyed
such success,
Éditions Leduc has
decided to supplement its
republication with an
audio version that will
enable saxoEphonists to
carry out 'full-scale'
practice.&rdquo.