| Giulio Cesare in Egitto
HVW 17 (HAENDEL GEORG
FRIEDRICH)
Orchestre [Partition] Barenreiter
Par HAENDEL GEORG FRIEDRICH. ?Giulio Cesare in Egitto? is by far Handel?s most f...(+)
Par HAENDEL GEORG FRIEDRICH. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini.
The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically.
In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions./ Répertoire / Chant et Orchestre
985.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Cunning Little Vixen
(JANACEK LEOS) Orchestre [Partition] Barenreiter
Opera in three acts. Par JANACEK LEOS. Leos Janacek began composing his seventh ...(+)
Opera in three acts. Par JANACEK LEOS. Leos Janacek began composing his seventh opera, 'The Cunning Little Vixen', based on the popular feuilletons of Rudolf Tesnohlidek, in January 1922. The first copy of the score, was completed by Vaclav Sedlacek in October 1923 but is now lost, while the second copy was prepared by Jaroslav Kulhanek in January 1924.
The world premiere took place on 6 November 1924 under the direction of Ota Zitek and was conducted by Frantisek Neumann. The vocal score was published in Czech before the event and then again in 1925 along with the German translation by Max Brod, which is something of a separate version of the text in its own right.
This volume of the complete edition reprints the critical edition by Jiri Zahradka, which was published by Universal Edition in 2010. The present edition newly includes transcriptions of the libretto in three languages (Cz/Eng/Ger) and a detailed Critical Report (Eng). The edition draws on all extant sources and - in consideration of Janacek's active participation in rehearsals for the premiere production - integrates both the dynamics of Frantisek Neumann and the performance markings of Sir Charles Mackerras into the musical text./ Répertoire / Chant et Orchestre
819.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Lucia di Lammermoor
(DONIZETTI GAETANO) Orchestre Ricordi
Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: ...(+)
Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: VIII). Par DONIZETTI GAETANO. Gaetano Donizetti’s Lucia di Lammermoor, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on 26 September 1835. It has remained in the repertory without interruption as one of Donizetti’s most popular operas throughout its nearly 200-year history. The edition proposes as the principal text a version of the opera that, for the most part, is as near as possible to that given at the premiere in Naples. However, one of the important new features of the edition is that it includes several fully orchestrated passages that, for unknown reasons, were cancelled very close to the time of the first performance. It also features in the third-act mad scene an obbligato part for the glass harmonica, an instrument that Donizetti had chosen for this extraordinary scene, and drafted in his autograph score, but was then constrained to substitute with a solo flute when the glass harmonica player got into contractual difficulties with the theatre. While the glass harmonica part was considered a mere “musicological curiosity” some decades ago, the critical edition now convincingly argues for its legitimate restoration as part of the composer’s preferred concept. The Sources section of the edition includes a detailed examination of all contemporary sources for the opera. The composer’s autograph score is of course the most important of these, but also of great value is the first printed vocal score of the opera, which in some numbers has a piano reduction prepared by the composer and contains many vocal variants (all reported in the score) that will be a great value to performers. There are also a number of early manuscript copies of the full score, several of which are valuable in outlining the first interpretations of Donizetti’s music. The critical edition restores the original keys, thus maintaining Donizetti’s overall harmonic design, but discusses transpositions that later entered the performing and editorial tradition of the opera. Three transposed pieces – which may have had Donizetti’s approval – will be made available available in the material for hire to theatres. / Date parution : 2022-03-05/ Répertoire / Orchestre
502.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Carmen Suite #2 Orchestre Eulenburg
Carmen' is one of the most popular and most frequently performed operas across t...(+)
Carmen' is one of the most popular and most frequently performed operas across the globe. Its world premiere was a flop which the composer Bizet did not live to see. Nevertheless, the opera very quickly gained acceptance at all major theatres, bringing in its wake countless arrangements of some particularly beautiful music numbers.It was, in all probability, Bizet's close friend and fellow student Ernest Guiraud who brought 12 numbers of the opera together to form two orchestral suites. After the first Carmen Suite which unites the most beautiful instrumental settings, the second suite with arrangements of the best-known vocal pieces is now available as well. The musical text is based on our new scientific edition of the opera edited by Robert Didion. / Orchestre
18.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Small Pieces Composed In
Homage To The Saxon Court Orchestre Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score
350.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Spectacles De
Fontainebleau 1753
(RAMEAU JEAN-PHILIPPE) Orchestre [Conducteur] Barenreiter
Symphonies. Par RAMEAU JEAN-PHILIPPE. The heroic pastoral Daphnis et Eglé was p...(+)
Symphonies. Par RAMEAU JEAN-PHILIPPE. The heroic pastoral Daphnis et Eglé was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today. Our complete edition (BA 8862) is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version—which is actually more complete in its musical form, in particular with its overture and two ariettas—but alsoreconstructs the original state of the final divertissement (presented in the appendix) before it was revised. Here we present the instrumental numbers from both operas for concert performance. Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites Published with performance material on hire/ Répertoire / Orchestre
55.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Powder Her Face (ADES
THOMAS) Orchestre [Partition] Faber Music Limited
Par ADES THOMAS. Thomas Adès and Philip Hensher's dazzlingly precocious chamber...(+)
Par ADES THOMAS. Thomas Adès and Philip Hensher's dazzlingly precocious chamber opera Powder Her Face propelled its composer to international attention after its premiere in 1995 and, with nearly 300 worldwide performances, remains one of the most frequently performed British operas of the last two decades. Charting the glamorous rise and seedy fall of the notorious socialite beauty Margaret, Duchess of Argyll, the score is as witty, poignant and memorable as the 'Dirty Duchess' herself, paying homage to the popular idioms of cabaret and tango, as well as to Weill, Berg and Stravinsky. It is hard to believe that this masterpiece was written by a 24 year-old, but then that young man was Adès, whose prodigious musical talent was awe-inspiring even as a teenager./ Répertoire / Orchestre
154.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Symphonic Extracts From
The Conducting Score: Les
Fêtes De
L'Hymen Et De
L'Amour Orchestre Barenreiter
Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate b...(+)
Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre
63.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Sinfonias / Individual
Instrumental Pieces
(GLUCK CHRISTOPH
WILLIBALD) Orchestre [Partition] Barenreiter
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willi...(+)
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA.
Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts.
The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted.
In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre
443.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Zoroastre - RCT 62 A-B
Symphonies (RAMEAU
JEAN-PHILIPPE) Orchestre [Conducteur] Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the...(+)
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau’s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime „Hymne à la Lumière“, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with “Zoroastre” the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck’s opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau” - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
85.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Symphony No. 79 In F
Major Hob. I:79 (HAYDN
FRANZ JOSEF) Orchestre [Partition] Barenreiter
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 80 and 81, Haydn's Symphony in...(+)
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince's court orchestra.
Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. Bärenreiter has already published the complete performance material for several 'Sturm und Drang” symphonies and all the Paris and London symphonies. / Date parution : 2019-06-20/ Répertoire / Orchestre
62.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Symphony In D Minor Hob.
I:80 (HAYDN FRANZ JOSEF) Orchestre [Partition] Barenreiter
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 79 and 81, Haydn's D-minor Sym...(+)
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 79 and 81, Haydn's D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy, his task being to entertain the prince with new music. The symphonies had to be suitable for the twenty-five to thirty musicians who were in the prince's orchestra.
Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”.
Bärenreiter has already published the complete performance material for several 'Sturm und Drang” symphonies and all the London and Paris symphonies./ Répertoire / Orchestre
50.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Symphony In C Minor Hob
I: 78 (HAYDN FRANZ JOSEF) Orchestre [Partition] Barenreiter
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 76 and 77 Haydn composed Symph...(+)
Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 76 and 77 Haydn composed Symphony No. 78 for a journey to England that never took place. Nonetheless, H. C. Robbins Landon referred to these works as the 'English Symphonies” as they are stylistically closely linked to 'the London Bach”, Johann Christian Bach. In a letter Haydn wrote to his Paris publisher Charles-Georges Boyer in 1783, he described the works as 'Leicht und nicht vil Concertirend”, meaning they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form.
Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas, and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. To date, Bärenreiter has published the complete performance material for several of Haydn's 'Sturm und Drang” symphonies as well as the complete London and Paris symphonies. / Date parution : 2019-09-06/ Répertoire / Orchestre
59.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Le Temple de la Gloire
RCT 59 (RAMEAU
JEAN-PHILIPPE) Orchestre [Partition] Barenreiter
Par RAMEAU JEAN-PHILIPPE. Rameau’s only extant opera based on a libretto by Vo...(+)
Par RAMEAU JEAN-PHILIPPE. Rameau’s only extant opera based on a libretto by Voltaire has come down to us in two versions (1745 and 1746), that of 1745 having long been regarded as lost. Volume IV.12 of the “Opera omnia Rameau” now provides a complete edition for the first time and thus the means to perform both versions.
Voltaire refers to Metastasio in his libretto, in that he wanted to liberate the opera from the gallant milieu in order to make it a moralising and at the same time both edifying and political work of art for the stage. Following a prologue dedicated to the personified Envy, the tyrants Bélus and Bacchus are chased out of the Temple of Glory and Trajan is finally crowned with a laurel wreath for defeating the rebels, forgiving them and then transforming the Temple of Glory into a public temple.
The music contains many remarkable passages, examples being a richly orchestrated overture, the famous monologue “Profonds abîmes du Ténare” with obbligato bassoons and Trajan’s artful final scene “Ramage d’oiseaux”.
The opera’s individual instrumental movements are also available in the customary manner now as a practical separate edition.
The performance material is available on hire./ Répertoire / Orchestre
69.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Castor et Pollux RCT
32A-B (RAMEAU
JEAN-PHILIPPE) Orchestre [Conducteur] Barenreiter
Tragédie in one Prologue and Five Acts. Par RAMEAU JEAN-PHILIPPE. Rameau Castor...(+)
Tragédie in one Prologue and Five Acts. Par RAMEAU JEAN-PHILIPPE. Rameau Castor et Pollux RCT 32A-B (Versions from 1737 and 1754) Symphonies (Full Score) Symphonies / Versions from 1737 and 1754 This collection of all instrumental numbers from 'Castor et Pollux' (tragédie in a prologue and five acts) brings together the movements and dances of all versions based on the volumes of the ?Opera Omnia Rameau? IV.3 (version 1737, BA08874-01) and IV.23 (version 1754, BA08864-01). Orchestras can use this to compile a suite to meet their needs aided by a register which offers a separate overview sorted by key. The performance material of the 'Symphonies' is available on hire in the accustomed high quality of the ?Opera Omnia Rameau?. - Compilation of the instrumental numbers from all opera versions - Overview of the keys to enable a tailor-made compilation of orchestral suites - Based on the scholarly-critical new edition of all original versions - Performance material available for hire / Date parution : 2023-06-01/ Répertoire / Orchestre
121.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Concert Suite From
Sophie's Choice (MAW
NICHOLAS) Orchestre [Partition] Faber Music Limited
Par MAW NICHOLAS. The first performance of the opera Sophie's Choice was given a...(+)
Par MAW NICHOLAS. The first performance of the opera Sophie's Choice was given at the Royal Opera House, Covent Garden on 7 December 2002, conducted by Sir Simon Rattle, directed by Trevor Nunn.
The Concert Suite from Sophie's Choice was written for the Peabody Institute. The first performance was given by the Peabody Symphony Orchestra with mezzo-soprano Elizabeth Healy, conducted by Hajime Teri Murai, at the Peabody Institute, Baltimore on 24 April 2004. The suite is a direct transcription by the composer from the orchestral music of the opera. The mezzo-soprano aria may be omitted.
/ Répertoire / Orchestre
43.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| A Room of One's Own (OUTI
TARKIAINEN) (OUTI
TARKIAINEN) Orchestre [Conducteur] Wilhelm Hansen
Par OUTI TARKIAINEN. A Room of One's Own is based on Virginia Woolf's classic es...(+)
Par OUTI TARKIAINEN. A Room of One's Own is based on Virginia Woolf's classic essay of the same name of 1928. The libretto is by the German opera director, dramaturg and librettist Francis Hüsers and the opera seeks to answer the question of why, from one century to another, women merely flit as shadows across the stage in the arts and history. The opera is set in 1920s England and has three main characters. Each called Mary, they are all intelligent, educated women whose seemingly light conversation leads them into ever deeper waters and who ultimately spread before the viewer's eyes the whole gamut of human life, in all its grittiness, passions and realities. / Date parution : 2023-03-11/ Répertoire / Orchestre
85.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Les Indes Galantes Rct 44 Orchestre Barenreiter
The new scholarly-critical edition of the score of Rameau's 'ballet héroïque? ...(+)
The new scholarly-critical edition of the score of Rameau's 'ballet héroïque? Les Indes galantes finally clears up its convoluted source history. At the first performance, on 23 August 1735, it consisted of a prologue and three acts: Le Turc généreux, Les Incas du Pérou and Les Fleurs. But Les Fleurs already proved controversial in the early performances, and from 11 September of that same year it was given a wholly new form. For the revival on 10 March 1736 Rameau and Fuzelier added an entirely new act Les Sauvages, and in the years that followed, the 'ballet héroïque? was presented either complete (1743, 1751 and 1761) or abridged with a prologue, Les Incas du Pérou and Les Sauvages (1751-73).With regard to the instrumental movements (dances and descriptive pieces), the present publication is based on the complete edition Opera Omnia Rameau (OOR) volumes IV/2 and IV/7 edited by Sylvie Bouissou which are currently in preparation. It includes not only the orchestral pieces in the version deemed valid by Rameau in 1736 (with version 2 of Les Fleurs and Les Sauvages), but also those from the first version of Les Fleurs (1735) as well as its 1743 and 1773 revisions. Performers are thus given a complete selection of all the orchestral numbers from one of Rameau's central stage works for use also in concert performance.- Based on Opera Omnia Rameau (OOR) Series IV/2 and IV/7- Well-presented layout in a format of 23.7 x 33 cm / Orchestre
75.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Carmen Suite N.1/2 Full
Score (BIZET GEORGES) Orchestre [Partition] Dover Publications
Par BIZET GEORGES. Incredible as it seems today, Bizet's opera Carmen was coolly...(+)
Par BIZET GEORGES. Incredible as it seems today, Bizet's opera Carmen was coolly received at its 1875 premiere at the Paris Opera-Comique; critics condemned its subject matter as lurid and its music as overly Wagnerian. Now hailed as the composer's supreme achievement, this colourful, passionate work continues to delight listeners around the world with its emotional, atmospheric music and the originality of its conception./ Répertoire / Orchestre
25.50 EUR - vendu par LMI-partitions Délais: En Stock | |
| Symphony No. 10: Peking
Fantasy (PENG-PENG GONG) Orchestre [Conducteur] Hal Leonard
for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anni...(+)
for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anniversary of China-U.S. diplomatic relations and in hope to support the promotion of Chinese culture abroad, Peng-Peng Gong's (b. 1992) Tenth Symphony, subtitled 'Peking Fantasy' (Op. 55) was co-commissioned by the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra in 2017. The world premiere of the 2018 original version was presented by the SPO in April of the same year in Shanghai, while the world premiere of the 2019 revised version was presented by the Philadelphia Orchestra in January at its home venue with the combined forces of both orchestras side-by-side.
Inspired by the artistic power of Peking Opera ?the crowning heritage of Chinese traditional performing arts, the symphony strives to translate the emotional and philosophical experience of the art form for international audiences and to explore the Western orchestra's expressive abilities in capturing the Eastern spirit. The 2018 original version ran as long as 76 minutes, before the composer extensively revised the score down to 40 and presented it in a single movement without pause. The work is scored for a huge orchestra of over 100 players. Main materials that inspired the music are from the traditional Peking Opera repertory: The Drunken Beauty, Farewell My Concubine, In Pursuit of the General, and The Chancellor and the Advisor (lit. Cao Cao and Yang Xiu).
'Peking Fantasy' is in a sweet, direct musical language ...It's a work of highly original sounds presented in a series of vivid episodes.”
-Peter Dobrin, The Philadelphia Inquirer
Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-01-18/ Répertoire / Orchestre
168.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Il Barbiere Di Siviglia
(Der Barbier Von Sevilla)
. Sinfonia (Ouverture)
(Le barbier de
Séville) (ROSSINI
GIOACHINO) Orchestre [Partition] BARENREITER
Par ROSSINI GIOACHINO. Rossini's popular overture is now available with complete...(+)
Par ROSSINI GIOACHINO. Rossini's popular overture is now available with complete performance material on sale. It is newly edited based on the forthcoming volume of the 'Works of Gioachino Rossini' (BA10506). This scholarly-critical practical edition contains almost two works in one as Rossini composed this overture firstly for his opera 'Aureliano in Palmira' and then also used it in 'The Barber of Seville'. The two overtures differ simply in their instrumentation. This new edition is an Urtext edition. Free of later additions to the instrumentation and other changes, it reproduces this famous work in the version which Rossini intended. Conductors can nowchoose to perform the overture to 'The Barber of Seville' without the frequently added second flute, second oboe and drums, which were not part of the opera's original instrumentation. First Urtext edition of the popular overture Foreword (Ger/Eng/It) Optimal page-turns in the parts/ Répertoire / Orchestre
36.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| O Roma O Morte! (PANNI
MARCELLO) Orchestre [Conducteur] Ricordi
Frammenti Di Un'Opera Su Garibaldi, Per Orchestra - Partitura. Par PANNI MARCELL...(+)
Frammenti Di Un'Opera Su Garibaldi, Per Orchestra - Partitura. Par PANNI MARCELLO. Frammenti Di Un'Opera Su Garibaldi, Per Orchestra - Partitura / Musique contemporaine / Date parution : 1905-06-29/ Répertoire / Orchestre
51.51 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Musique De Geste (TURCHI
GUIDO) Orchestre [Conducteur] Ricordi
Rapsodia In 3 Metamorfosi Per Orchestra (Dall'Opera 'Il Buon Soldato Svejk'). Pa...(+)
Rapsodia In 3 Metamorfosi Per Orchestra (Dall'Opera 'Il Buon Soldato Svejk'). Par TURCHI GUIDO. Rapsodia In 3 Metamorfosi Per Orchestra (Dall'Opera 'Il Buon Soldato Svejk') / Musique contemporaine / Date parution : 1905-05-26/ Répertoire / Orchestre
75.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Le Nozze Di Figaro Kv 492
(Les Noces de Figaro) Orchestre [Conducteur d'étude / Miniature] Barenreiter
Studienpartitur. Par MOZART WOLFGANG AMADEUS. Premièred at the Vienna Hoftheate...(+)
Studienpartitur. Par MOZART WOLFGANG AMADEUS. Premièred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart?s and Lorenzo Da Ponte?s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart?s music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work?s spread outside the German-speaking countries. At least equally responsible for the opera?s success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing. Many of the sources for Mozart?s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ?New Mozart Edition? volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor?s copy from the first performance of 1786. These original sources, now available again, offer compelling solutions to several previously unresolved questions. Edition based on the Urtext of the ?New Mozart Edition? reflecting the latest musicological research With findings from original sources now available again Detailed foreword (Ger/Eng) Full score (BA4565-01), Vocal score (BA4565-92), study score format 22. 5 x 16. 5cm and Facsimile (BVK1882) available for sale V43 Performance material (BA4565-72) available to hire/ Répertoire / Partition de Poche
70.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Gounod Ch. - Faust -
Conducteur Orchestre Dover Publications
Charles Gounod's interpretation is the best-known and most frequently performed ...(+)
Charles Gounod's interpretation is the best-known and most frequently performed of any stage or Orchestral treatment of the Faust legend. Faust was a major success upon its first fully realised performance at Milan's La Scala in 1862. The Opera's lyricism, tremendous variety of mood and Orchestral colour, and subtle delineation of character continue to delight generation upon generation of audiences. Now Opera lovers can study and enjoy the complete masterpiece in this attractive volume, which has been reprinted from an authoritative edition. Despite the frequency of its performances, Gounod's work is hard to find in print, so this rare edition of the full score constitutes a treasure for conductors, performers, and music majors alike.
52.60 EUR - vendu par Woodbrass Délais: Sur commande | |
| The Emperor Of Atlantis
Or Death's Refusal
Op. 49B Orchestre [Conducteur d'étude / Miniature] Eulenburg
Viktor Ullmann's Der Kaiser von Atlantis based on a libretto by Peter Kien, ambi...(+)
Viktor Ullmann's Der Kaiser von Atlantis based on a libretto by Peter Kien, ambiguously termed in the prologue as 'a kind of opera', was composed in the ghetto Terezín in 1943/44 and is considered one of the 'milestones of intellectual resistance' in Terezín and far beyond. The libretto takes a firm stand on the political situation in life by using the means of a mystery play. In the tradition of the Zeitoper (opera of the time) of the 1920s, Ullmann used direct quotations to assign his music the role of political commentator. / Conducteur De Poche
55.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Sinfonia N.3
'Organ' Full
Scor (SAINT-SAENS
CAMILLE) Orchestre [Partition] Dover Publications
in Full Score. Par SAINT-SAENS CAMILLE. Considered throughout much of his career...(+)
in Full Score. Par SAINT-SAENS CAMILLE. Considered throughout much of his career as the preeminent French composer, Camille Saint-Saëns wrote music that embodies a characteristic French concern for clarity and order, together with his own assured mastery of the composer's craft. These qualities are evident in Saint-Saëns' Symphony No. 3, widely regarded as the composer's major orchestral work, and one of the very few to incorporated the organ as a featured instrument. Saint-Saëns wrote this symphony during the period of his greatest creativity — in the 1870s and '80s — at which time he also produced such important works as the opera Samson et Dalila, Le Carnaval des animaux, the Piano Concerto No. 4, and the Violin Concerto No. 3. Deeply moving and majestic, the 'Organ' Symphony bears all the hallmarks of Saint-Saëns' fluent mastery of orchestral composition. It is reprinted here form an authoritative full-score edition published by Durand et Schoenewerk, Paris. Reprint of the Durand et Schoenewerk, Paris, edition. Widely regarded as the composer's major orchestral work, and one of the few to incorporate the organ as a featured instrument./ Répertoire / Orchestre
26.90 EUR - vendu par LMI-partitions Délais: En Stock | |
| Rheinberger:
Konzertouvertüren
(Gesamtausgabe, Bd. 25)
(RHEINBERGER JOSEF
GABRIEL) Orchestre [Partition] Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely be...(+)
Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in thissame line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures./ Répertoire / Orchestre
187.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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