(1912-1936 (Piano/Vocal/Chords)). For Keyboard; Piano; Voice. This edition: Piano/Vocal/Chords. Personality Book; Piano/Vocal/Chords. Broadway. Book. 260 pages

(Over 40 Pop Music Favorites). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Artist/Personality; Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Greatest Hits. Pop; Pop/Rock; Rock. 264 pages. Published by Alfred Music

(100 Hit Songs Excerpted for Successful Auditions Men's Edition Voice and Piano). By Various. Edited by Michael Dansicker. Vocal Collection. 184 pages. Published by Hal

E-Z Play�® Today Volume 370. Composed by Various. E-Z Play Today. Softcover. 352 pages. Published by Hal Leonard (HL.159576).

Easy Piano Mixed Folio (Easy arrangements for piano and voice). Size 9x12 inches. 304 pages. Published by Hal Leonard.

(Women's Edition). Arranged by S Rawlins. Vocal Collection. 128 pages. Published by Hal Leonard

(E-Z Play�® Today Volume 39). Composed by Various. For Electronic Keyboard, Organ, Piano/Keyboard. E-Z Play Today. Softcover. 264 pages. Published by Hal Leonard

Voice and piano

SKU: BR.EB-8888

Urtext. Composed by Pauline Viardot-Garcia. Edited by Miriam-Alexandra Wigbers. Voice. Edition Breitkopf. Song; Romantic. Score. 112 pages. Breitkopf and Haertel #EB 8888. Published by Breitkopf and Haertel (BR.EB-8888).

ISBN 9790004185117. 0 x 0 inches. German.

The piano-accompanied Lied is undoubtedly the main genre of Pauline Viardot-Garcia's oeuvre. With this volume, we present settings of German texts by such poets as Ludwig Uhland, Eduard Morike, Johann Wolfgang von Goethe, Heinrich Heine, Emanuel Geibel, Ludwig Rellstab and Richard Pohl. Except for the Uhland settings, these German Lieder were written between 1862 and 1871 during Viardot's Baden-Baden period, when she shifted the focus of her activities from singing to composing and teaching. Here she worked, among other things, on the poetry of Eduard Morike, which she called the greatest and most genuine in all German poetry after Goethe.One of her first published songs was the setting of the Uhland poem Des Knaben Berglied. Accompanying herself on the piano, she performed it in 1838 on her first concert tour of Germany. A performance of the song at the Leipzig Gewandhaus prompted Robert Schumann to remark: She showed three talents here [composition, singing and piano playing], each of which would grace its artist. Through her music, Viardot brings the creatures in the poems to life, tracing their different characters and inner states, thus giving the texts a new level of interpretation.

Mi riam-Alexandra Wigber's recordings of songs from this edition can be found on YouTube.