SKU: AP.1-ADV7434

ISBN 9783892215882. UPC: 805095074345. English.

This collection of short compositions contains a variety of classical masterpieces. These arrangements will be useful as style and sonority etudes, encores, and short concert works. Titles: J.-B. Lully: Air des Hautbois (folies d'espagne) * R. Schumann: Waldszenen op. 82: Eintritt * F. W. Gluck: Andante aus don Juan * F. W. Gluck: Allegretto aus Don Juan * F. Schubert: Choral aus Der Tod und das Mädchen * F. Chopin: op. 28/4 * F. Chopin: op. 28/6 * F. Chopin: op. 28/7 * D. Scarlatti: Sonata L418 * G. Puccini: Scherzo * F. Schubert: Moment Musical No. 3 * L. v. Beethoven: Sonata op. 27/2 (Mondschein).

SKU: AP.1-ADV7698

ISBN 9783892217589. UPC: 805095076981. English.

Mozart's Finale from Sonata No. 11, KV 331, also known as Rondo alla Turca, is one of his most recognized works. This tuneful, lively work was composed in the late 1770s, and since then has been transcribed for many ensembles. Two objectives were in mind while transcribing the Rondo alla Turca. One was to produce a relatively clean manuscript with a minimum of articulation and dynamic markings so as to allow interpretation by the performers. Such markings found here are provided only as suggestions. Secondly, rather than featuring just the solo soprano saxophone, the melodies were given to other parts as well.

SKU: AP.1-ADV7466

ISBN 9783892218258. UPC: 805095074666. English.

Featuring four distinct movements in contrasting styles---Grave, Allegro, Largo e staccato, Allegro---this adaptation of an 18th Century masterwork has been arranged for saxphone quartet (AAAA). This work gives everyone equal responsibility for negotiating technically challenging passages while producing antiphonal effects when they play in opposing pairs. Detailed historic notes are included.

SKU: M7.DOHR-13937

ISBN 9790202029374.

Der erste Satz von Mendelssohns dreisätziger Orgelsonate op. 65, Nr. 6 ist ein Variationensatz über den Choral Vater unser im Himmelreich. Die vorliegende Bearbeitung für Saxophonquartett übernimmt die Originaltonart d-Moll. Die Unterschiede zum Original sind: * Der einleitende thematische Choral wurde unter Beibehaltung der Mendelssohnschen Harmonik statt fünfstimmig jetzt vierstimmig gesetzt. * Die vierte Variation, ein überaus virtuoser Abschnitt im Organo-pleno-Klang, musste entfallen. * Als Abschluss der Quartettbearbeitung wurde der dritten Variation der wirkungsvolle Schluss der vierten Variation des Originals angefügt.