Cello, piano SKU: KU.GM-1325 Composed by Sergej Tanejew. Edited by Werner...(+)
Cello, piano
SKU:
KU.GM-1325
Composed
by Sergej Tanejew. Edited
by Werner Thomas-Mifune.
Arranged by Werner
Thomas-Mifune. Bach
format (230 x 302).
Staple Bound. Piano
reduction, solo part. Op.
28. 108 pages. Edition
Kunzelmann #GM-1325.
Published by Edition
Kunzelmann (KU.GM-1325).
Cello and piano (VC/KL) - advanced SKU: HL.49003865 Nr. 1 Gespenstige ...(+)
Cello and piano (VC/KL) -
advanced
SKU:
HL.49003865
Nr. 1
Gespenstige Stunde.
Composed by Joseph Haas.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1910.
Op. 28. 16 pages. Schott
Music #ED 2636-01.
Published by Schott Music
(HL.49003865).
Cello and piano (VC/KL) - advanced SKU: HL.49003866 Nr. 2 Koboldlaune<...(+)
Cello and piano (VC/KL) -
advanced
SKU:
HL.49003866
Nr. 2
Koboldlaune. Composed
by Joseph Haas. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1910.
Op. 28. 10 pages. Schott
Music #ED 2636-02.
Published by Schott Music
(HL.49003866).
For Cello and Piano. Composed by Nikolai Kapustin. This edition: Saddle s...(+)
For Cello and
Piano. Composed by
Nikolai Kapustin. This
edition: Saddle
stitching. Sheet music.
Cello Library. Classical.
Score and part,
Softcover. Composed 1997.
Op. 84. 72 pages.
Duration 20' 40''. Schott
Music #CB289. Published
by Schott Music
(HL.49045469).
Cello and Piano SKU: BT.ALHE32848 Violoncelle Et Clavecin - Ou Piano(+)
Cello and Piano
SKU:
BT.ALHE32848
Violoncelle Et
Clavecin - Ou Piano.
Composed by Duport.
Classical. Book Only. 96
pages. Heugel & Cie
#ALHE32848. Published by
Heugel & Cie
(BT.ALHE32848).
Cello SKU: HL.48188578 Violoncelle Et Clavecin - Ou Piano. Compose...(+)
Cello
SKU:
HL.48188578
Violoncelle Et
Clavecin - Ou Piano.
Composed by Jean-Louis
Duport. Leduc. Classical.
Softcover. 96 pages.
Heugel & Cie #HE32848.
Published by Heugel & Cie
(HL.48188578).
Cello and Piano. Composed by Nikolai Kapustin. This edition: Saddle stitc...(+)
Cello and Piano.
Composed by Nikolai
Kapustin. This edition:
Saddle stitching. Sheet
music. String Solo.
Classical. Softcover.
Composed 1999. Op. 97. 16
pages. Duration 3' 20''.
Schott Music #ED22849.
Published by Schott Music
(HL.49045755).
Cello and piano SKU: LM.28035 Composed by Ichiro Nodaira. Classical: 20th...(+)
Cello and piano
SKU:
LM.28035
Composed by
Ichiro Nodaira.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#28035. Published by
Editions Henry Lemoine
(LM.28035).
Cello; Piano Accompaniment (CELLO/PIANO) SKU: HL.49047278 Cello and Pi...(+)
Cello; Piano
Accompaniment
(CELLO/PIANO)
SKU:
HL.49047278
Cello
and Piano. Composed
by Alexander Rosenblatt.
String. Classical, Jazz.
Softcover. 68 pages.
Duration 960 seconds.
Schott Music #CB337.
Published by Schott Music
(HL.49047278).
ISBN
9798350112634. UPC:
196288183242.
9.0x12.0x0.21
inches.
The
“Sonata-Fantasyâ
for violoncello and
piano by Alexander
Rosenblatt combines
classical form with jazz
elements.
Cello and Piano - Grade 3 SKU: HL.14043036 Composed by Niels Viggo Bentzo...(+)
Cello and Piano - Grade 3
SKU: HL.14043036
Composed by Niels Viggo
Bentzon. Music Sales
America. Classical.
Softcover. Composed 2013.
Edition Wilhelm Hansen
#WH31943. Published by
Edition Wilhelm Hansen
(HL.14043036).
ISBN
9788759829332.
Sona
ta No. 4 For Cello And
Piano: Op.289 was
composed by Danish
composer Niels Viggo
Bentzon .
SKU: HL.50560284 Cello and Piano. Composed by Johannes Brahms. Thi...(+)
SKU: HL.50560284
Cello and Piano.
Composed by Johannes
Brahms. This edition:
DC1147000. Editions
Durand. Classical. 33
pages. Editions Durand
#DC1147000. Published by
Editions Durand
(HL.50560284).
Schirmer's Library of Musical Classics, Vol. 2053. By Johann Sebastian Bach. Arr...(+)
Schirmer's Library of
Musical Classics, Vol.
2053. By Johann Sebastian
Bach. Arranged by Bernard
Greenhouse, Kate
Dillingham. (Cello).
String. Softcover. Size
9x12 inches. 54 pages.
Published by G. Schirmer,
Inc.
Cello, Piano SKU: HU.HN621 Composed by Antonin Dvorak. Edited by Milan Pospisil...(+)
Cello, Piano
SKU: HU.HN621
Composed by Antonin
Dvorak. Edited by Milan
Pospisil. Strings,
Repertoire, Solos. Silent
Woods Op. 68 No.5.
Softcover Book. 20 pages.
G. Henle #HN621.
Published by G. Henle
(HU.HN621).
12.2 x 9.2 x 0.1 inches.
Cello; Piano - very easy SKU: HL.49029277 For Cello and Piano Score an...(+)
Cello; Piano - very easy
SKU: HL.49029277
For Cello and Piano
Score and Part.
Composed by Ludwig
Lebell. Sheet music.
Edition Schott. 8 leichte
Stucke fur Violoncello
und Klavier. Classical.
Softcover. Composed 1921.
Op. 16. 28 pages. Schott
Music #ED10028. Published
by Schott Music
(HL.49029277).
ISBN
9790220132421. UPC:
196288000358.
9.0x12.0x0.13
inches.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.50566000 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.50566000
For
Cello and Piano.
Composed by Camille
Saint-Saens. Editions
Durand. Classical.
Softcover. 28 pages.
Editions Durand
#DF1668901. Published by
Editions Durand
(HL.50566000).
ISBN
9781705150009. UPC:
196288016724.
9.0x12.0x0.115
inches.
“Musi
que françaiseâ€
is a series designed for
students and teachers as
well as professionals.
These editions offer
masterworks in French
music, with performance
suggestions and
historical and stylistic
commentary by noted
scholars. The second half
of the 19th century saw
the growth in popularity
of instrumental Romances.
These, which one could
categorise as morceaux de
salon, continued the
characteristics of the
vocal Romance, which was
born in the middle of the
Age of Enlightenment and
which, at the beginning
of the Romantic period,
had achieved great
success among composers,
performers and audience
alike.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Medium voice with 2 flutes, cello and Piano (Set) SKU: HL.49006763 Compos...(+)
Medium voice with 2
flutes, cello and Piano
(Set)
SKU:
HL.49006763
Composed
by Wolfgang Fortner. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score and
Parts. Composed 1981. 28
pages. Duration 10'.
Schott Music #ED 6883.
Published by Schott Music
(HL.49006763).
ISBN
9790001072816.
9.0x12.0x0.086 inches.
Spanish -
German.
Cello; Piano (Cello) SKU: HL.50159800 Cello and Piano. Composed by...(+)
Cello; Piano (Cello)
SKU: HL.50159800
Cello and Piano.
Composed by Dmitri
Kabalevsky. String Solo.
Classical, Contemporary,
Sonata. 76 pages.
Sikorski #SIK2223.
Published by Sikorski
(HL.50159800).
Sonatin Nr. 2 Violoncelle, Piano Gehrmans Musikforlag
Cello, piano (solo and accompaniment) SKU: GH.CG-5909 For violoncell o...(+)
Cello, piano (solo and
accompaniment)
SKU:
GH.CG-5909
For
violoncell och piano.
Composed by Dag Wiren.
Sonatina No. 2 for Cello
and Piano. Op. 4. 28
pages. Gehrmans
Musikforlag #CG 5909.
Published by Gehrmans
Musikforlag (GH.CG-5909).
Cello and piano (VC/PF) - intermediate to advanced SKU: HL.49008105 14...(+)
Cello and piano (VC/PF) -
intermediate to advanced
SKU: HL.49008105
14 Pieces. Edited
by Barbara Heller and Eva
Rieger. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 128
pages. Schott Music #ED
8628. Published by Schott
Music (HL.49008105).
ISBN 9790001115964.
UPC: 196288077473.
9.0x12.0x0.355
inches.