By MercyMe. By Lauren Papa, Matt Boswell, and Matt Papa. Arranged by David A...(+)
By MercyMe. By Lauren
Papa,
Matt Boswell, and Matt
Papa.
Arranged by David
Angerman.
PraiseSong Choral.
General
Worship. Octavo. 16
pages.
Duration 215 seconds.
Published by PraiseSong
Piano SKU: HL.14010915 Le Tombeau De Claude Debussy. Composed by M...(+)
Piano
SKU:
HL.14010915
Le
Tombeau De Claude
Debussy. Composed by
Manuel de Falla. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. 4 pages.
Chester Music #CH02086.
Published by Chester
Music (HL.14010915).
ISBN 9780711960220.
8.25x11.75x0.035
inches.
In 1920,
a Parisian magazine asked
several leading composers
to compose musical
tributes to the famous
French musician Claude
Debussy, who had died in
1918. The great Spanish
composer Manuel De
Falla (1876-1946)
wasone of them: having
met Debussy in Paris, he
had been heavily
influenced by the French
impressionists. His
Homenaje
(Homage) was his only
work for solo Guitar,
although it was arranged
by the composer for
soloPiano almost
immediately. It is widely
regarded as one of the
masterpieces of early
20th century music - at
only three minutes in
length, it is often said
it has twenty minutes'
worth of music contained
within it.
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
Electronic Keyboard; Piano/Keyboard SKU: HL.348318 E-Z Play Today #53<...(+)
Electronic Keyboard;
Piano/Keyboard
SKU:
HL.348318
E-Z Play
Today #53. Composed
by Various. E-Z Play
Today. Christmas.
Softcover. 352 pages.
Published by Hal Leonard
(HL.348318).
ISBN
9781540097347. UPC:
840126930009.
9.0x12.0x0.731
inches.
A giant
Christmas collection with
easy-to-read and play
arrangements for all
keyboardists! E-Z Play
Today songbooks feature
simple arrangements with
authentic-sounding chords
and melody lines with a
minimum number of page
turns. The books also
include lyrics for
ultimate playing and
sing-along enjoyment.
This collection features
a variety of holiday
favorites, including:
Baby, It's Cold Outside
• The Christmas
Shoes • The
Christmas Song (Chestnuts
Roasting on an Open Fire)
• Christmas Time Is
Here • Do You Hear
What I Hear • Have
Yourself a Merry Little
Christmas • I'll Be
Home for Christmas
• The Little
Drummer Boy • Mary,
Did You Know? •
Merry Christmas, Darling
• O Holy Night
• Silver Bells
• Ukrainian Bell
Carol • White
Christmas • and
many more! Over 300
pages!
About Hal
Leonard E-Z Play
Today
For
organs, pianos, and
electronic keyboards. E-Z
Play Today is the
shortest distance between
beginning music and
playing fun. Now there
are more than 300 reasons
why you should play E-Z
Play Today. * World's
largest series of music
folios * Full-size books
- large 9 x 12 format
features easy-to-read,
easy-to-play music *
Accurate arrangements...
simple enough for the
beginner, but accurate
chords and melody lines
are maintained *
Eye-catching, full-color
covers * Lyrics... most
arrangements include
words and music * Most
up-to-date registrations
- books in the series
contain a general
registration guide, as
well as individual song
rhythm suggestions *
Guitar Chord Chart - all
songs in the series can
also be played on
guitar.
Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. This ...(+)
Arranged by Pamela Conn
Beall And Susan Hagen
Nipp. For Children's
Voices. This edition:
Paperback. General Music
and Classroom
Publications. Wee Sing.
42 sing-along songs, 27
backseat games, 18 silly
tongue twisters.
Children's. Book and CD.
64 pages. Duration Over
one hour. Published by
Alfred Publishing.
Easy Piano Piano/Keyboard SKU: HL.282479 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282479
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Motown, Pop,
Rock. Softcover. 410
pages. Published by Hal
Leonard (HL.282479).
ISBN 9781540034366.
UPC: 888680789237.
9.0x12.0x1.01
inches.
Starting
with the songs released
just after Woodstock all
the way through the disco
era, this collection
features almost 100 songs
from the 1970s arranged
for easy piano with
lyrics: ABC •
American Pie •
Bridge over Troubled
Water • (They Long
to Be) Close to You
• Dancing Queen
• Free Bird •
Goodbye Yellow Brick Road
• How Deep Is Your
Love • I Shot the
Sheriff • I Will
Survive • Imagine
• Killing Me Softly
with His Song •
Layla • Lean on Me
• Maybe I'm Amazed
• Piano Man •
Reeling in the Years
• Smoke on the
Water • Stairway to
Heaven • Stayin'
Alive • Sweet Home
Alabama • Time in a
Bottle • Walk This
Way • We Will Rock
You • Y.M.C.A.
• and more.
Easy Piano Piano/Keyboard SKU: HL.282476 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282476
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Standards.
Softcover. 352 pages.
Published by Hal Leonard
(HL.282476).
ISBN
9781540034335. UPC:
888680789206.
9.0x12.0x0.846
inches.
100 songs
popularized in the World
War II era of the 1940s
are included in this
collection arranged for
easy piano with lyrics.
Songs include:
Ac-cent-tchu-ate the
Positive * Besame Mucho
(Kiss Me Much) * Boogie
Woogie Bugle Boy *
Chattanooga Choo Choo *
Don't Get Around Much
Anymore * A Dream Is a
Wish Your Heart Makes *
How High the Moon * I Get
a Kick Out of You * It
Might As Well Be Spring *
Java Jive * Laura *
Moonlight in Vermont * A
Nightingale Sang in
Berkeley Square * On a
Slow Boat to China *
Perfidia * Route 66 *
Sentimental Journey *
Some Enchanted Evening *
The Surrey with the
Fringe on Top * Take the
A Train * Time After Time
* When You Wish upon a
Star * You'd Be So Nice
to Come Home To *
Zip-A-Dee-Doo-Dah * and
more.
From the Television Series The Flash. Composed by Benj Pasek and Justin Paul. ...(+)
From the Television
Series
The Flash. Composed by
Benj
Pasek and Justin Paul.
Arranged by Blake Neely.
This edition:
Piano/Vocal/Guitar.
Piano/Vocal/Chords;
Sheet;
SmartMusic; Solo.
Original
Sheet Music Edition. TV.
6
pages. Published by
Alfred
Music
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Sher Music Company
By Various. Almost 600 pages of world-famous Sher Music transcriptions! Don't go...(+)
By Various. Almost 600
pages of world-famous
Sher Music
transcriptions! Don't go
to the gig without it!.
Various. Fake Book.
Published by Sher Music
Company.
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Arranged by Edwin McLean. For Piano. The FJH Sacred Piano Library. Book 3 in thi...(+)
Arranged by Edwin McLean.
For Piano. The FJH Sacred
Piano Library. Book 3 in
this piano solo
collection of hymns for
home or church continues
the series progression,
with the aspiring church
pianist in mind!. Sacred.
Level: Early
Intermediate/Intermediate
. Book. Published by The
FJH Music Company Inc.
Vocal Selections. By Bernie Garzia, Neil Berg. Piano/Vocal/Chords Vocal Selectio...(+)
Vocal Selections. By
Bernie Garzia, Neil Berg.
Piano/Vocal/Chords Vocal
Selections (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 64 pages.
Published by Hal Leonard.
Almost Home Orchestre d'harmonie [Conducteur] - Intermédiaire Twin Towers Music Publications
By Don Colquitt. For Concert Band. Conductor's score only. Full set (conductor's...(+)
By Don Colquitt. For
Concert Band. Conductor's
score only. Full set
(conductor's score and
parts) available
separately: see item
C1022. Level: Grade 4.
Conductor's score.
Published by Twin Towers
Music Publications.
Easy Piano Piano/Keyboard SKU: HL.282483 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282483
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Pop, Rock.
Softcover. 424 pages.
Published by Hal Leonard
(HL.282483).
ISBN
9781540034403. UPC:
888680789275.
9.0x12.0x0.967
inches.
Almost 70
contemporary hits
released since 2010 in
easy piano arrangements
with lyrics: All About
That Bass • Bad
Romance • Brave
• Call Me Maybe
• Cups (When I'm
Gone) • Feel It
Still • Get Lucky
• Happy •
Havana • Hey, Soul
Sister • I Will
Wait • Just Give Me
a Reason • Let It
Go • Mean •
Moves like Jagger •
Need You Now •
Radioactive •
Rolling in the Deep
• Shake It Off
• Stay with Me
• Thinking Out Loud
• Uptown Funk
• We Are Young
• and more.
By J. Paul Williams. For Men's Chorus. Bass/Percussion, Tracks, General Use, All...(+)
By J. Paul Williams. For
Men's Chorus.
Bass/Percussion, Tracks,
General Use, All Saints
Day, Homecomings,
Missions, Youth Choirs
and Sacred. Sheet Music.
Published by Shawnee
Press.
By J. Paul Williams. For SATB Choir. Choral, Bass/Percussion, Tracks, General Us...(+)
By J. Paul Williams. For
SATB Choir. Choral,
Bass/Percussion, Tracks,
General Use, All Saints
Day, Homecomings,
Missions, Youth Choirs
and Sacred. Sheet Music.
Published by Shawnee
Press.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Jubilate Agno.
Composed by Z. Randall
Stroope. 16 pages.
Duration 0:03:05. Carl
Fischer Music #CM9735.
Published by Carl Fischer
Music (CF.CM9735).
ISBN 9781491161159.
UPC: 680160919741. Key: A
minor. Latin, English.
Christopher Smart and
ZRS.
Origins of the
Tarantella The tarantella
is a popular southern
Italian dance with
origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(little spider), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the poison, the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately courtship.
Origins of the Text
Christopher Smart
(1722-1771), also known
as Kit Smart or Jack
Smart, was born in Kent,
England and suffered from
what is now believed to
be acute asthma and other
health issues as a child.
As such, he did not work
in the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke's Hospital
for Lunatics, though this
was based on his mounting
debt, and not on
insanity. (Confinement,
or debtor's prison, was
common during this period
if one's debts could not
be paid.) During his
confinement, he worked on
two of his most famous
works, Jubilate Agno and
A Song of David. (Part of
Jubilate Agno [Rejoice in
the Lamb] was set to
music by English
composer, Benjamin
Britten.) Smart's writing
style (which, at times,
bordered on the absurd),
along with his many
obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of Smart's
Jubilate Agno were used
in mm. 24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance: theraphosa
[teh-rah-fo-sa] a genus
of tarantula spiders
bellicose
[beh-lee-ko-sah] hostile;
aggressive odiosa
[o-dee-o-sa] hateful;
vexation tenebrosa
[teh-neh-bro-sa]
creeping; dark nemorosa
[neh-mo-ro-sa] wooded;
shady lapidosa
[lah-pee-do-sa] stony
area; gritty The
convergence, then, of the
medieval tarantella
(spider dance), the
writings of a brilliant
poet who bordered on the
absurd, and the infusion
of strong, descriptive
and otherwise random,
rhyming words,
synthesizes to make
dramatic lyrics for this
work. About the Composer
Z. Randall Stroope is an
American composer and
conductor. He has served
as Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. Performance Notes
Text: In Latin, the r is
flipped; use s instead of
z on endings such as
phosa, cosa, and so on;
the Latin o is a cross
between oh and aw; in the
transliteration above, I
chose to simply use an o
for consistency. The
director will blend the
oh and aw in the
rehearsals to his/her own
preference. Lastly,
tarantula is pronounced
tah-rah-n-too-lah (avoid
teh-ran-choo-luh) within
the confines of this
text. Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico.In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano.