Oboe; Piano Accompaniment (Score and Solo Part) SKU: HL.48023149 Oboe ...(+)
Oboe; Piano Accompaniment
(Score and Solo Part)
SKU: HL.48023149
Oboe and Piano
Reduction. Composed
by Victor Fenigstein.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Simrock
#M221121998. Published by
Simrock (HL.48023149).
ISBN 9783923051144.
UPC: 888680095017.
9.0x12.0x0.135
inches.
Composed by Carol Lynn Mizell. For selected handbells (chimes, glockenspiel), ob...(+)
Composed by Carol Lynn
Mizell. For selected
handbells (chimes,
glockenspiel), oboe,
unison voices. Level 2 .
Full score and parts.
Published by Chorister's
Guild
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453009
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext. 1x
54.530/21 oboe 1, 1x
54.530/22 oboe 2, 1x
54.530/31 clarino 1, 1x
54.530/32 clarino 2, 1x
54.530/41 timpani.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. MH 530. 60 pages.
Duration 40 minutes.
Carus Verlag #CV
54.530/09. Published by
Carus Verlag
(CA.5453009).
ISBN
9790007226145. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score and
parts available
separately - see item
CA.5453000.
By Jean-Philippe Rameau (1683-1764). Edited by Jean-Paul C. Montagnier; Sylvie B...(+)
By Jean-Philippe Rameau
(1683-1764). Edited by
Jean-Paul C. Montagnier;
Sylvie Bouissou. For Low
Voice, High Voice, Alto
Solo, Violin 1 (Flute),
Violin 2, Basso Continuo/
Bass Viola Da Gamba.
Opera Omnia OOR III.1.
Score; Set of Parts
(paperbound). Published
by Baerenreiter Verlag
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453005
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Choral Score. MH
530. 16 pages. Duration
40 minutes. Carus Verlag
#CV 54.530/05. Published
by Carus Verlag
(CA.5453005).
ISBN
9790007130121. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score
available separately -
see item CA.5453000.
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453049
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1793. MH
530. 28 pages. Duration
40 minutes. Carus Verlag
#CV 54.530/49. Published
by Carus Verlag
(CA.5453049).
ISBN
9790007226183. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score and
part available separately
- see item
CA.5453000.
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453013
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Single Part,
Cello/Double Bass. MH
530. 16 pages. Duration
40 minutes. Carus Verlag
#CV 54.530/13. Published
by Carus Verlag
(CA.5453013).
ISBN
9790007226176. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score and
part available separately
- see item
CA.5453000.
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453011
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. MH 530. 24
pages. Duration 40
minutes. Carus Verlag #CV
54.530/11. Published by
Carus Verlag
(CA.5453011).
ISBN
9790007226152. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score and
part available separately
- see item
CA.5453000.
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453003
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Vocal score. MH
530. 72 pages. Duration
40 minutes. Carus Verlag
#CV 54.530/03. Published
by Carus Verlag
(CA.5453003).
ISBN
9790007094348. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score
available separately -
see item CA.5453000.
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453012
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. MH 530. 24
pages. Duration 40
minutes. Carus Verlag #CV
54.530/12. Published by
Carus Verlag
(CA.5453012).
ISBN
9790007226169. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score and
part available separately
- see item
CA.5453000.
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453019
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. MH 530. Duration
40 minutes. Carus Verlag
#CV 54.530/19. Published
by Carus Verlag
(CA.5453019).
ISBN
9790007145378. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score and
parts available
separately - see item
CA.5453000.