Composed
by Giuseppe Aldrovandini.
Edited by Michael Talbot.
Full score and parts.
Edition HH Music
Publishers #HH590-FSP.
Published by Edition HH
Music Publishers
(HH.HH590-FSP).
ISBN
9790708213055.
The
ten motets (Concerti
sacri) for solo voice,
violins and continuo
making up his Op. 3
(1703) are among his most
attractive compositions,
standing on the
borderline between
seventeenth-century bel
canto and the progressive
trends represented by
Alessandro Scarlatti and,
later, Antonio Vivaldi.
The two motets for bass
voice concluding the set
delight through their
euphony and the sheer
swagger of
Aldrovandini’s
writing for the
voice.
2 trumpets and piano SKU: IM.3036 Composed by Giuseppe Aldrovandini. Edit...(+)
2 trumpets and piano
SKU: IM.3036
Composed by Giuseppe
Aldrovandini. Edited by
Roger Voisin. Score and
parts. International
Music Co. #3036.
Published by
International Music Co.
(IM.3036).
Critical Edition
$19.99 Subscriber
price. Composed by
Antonio Vivaldi. Arranged
by ñ, Fabrizio Ammetto,
Javier Lupiá, and ez.
CRITICAL EDITIONS.
Classical. Softcover. 56
pages. Ricordi #PR1457.
Published by Ricordi
(HL.50606939).
ISBN
9788881921225. UPC:
196288207344.
8.0x10.75x0.159
inches.
In a
miscellaneous manuscript
in the Este Music
Collection belonging to
the Österreichische
Nationalbibliothek in
Vienna, a new sonata for
violin and basso continuo
by Antonio Vivaldi has
recently been identified.
Although it has until now
been attributed by
default to the Bolognese
Giuseppe Aldrovandini, by
virtue of a heading
written (but subsequently
rubbed out) by the
copyist of the manuscript
on one of the pages of
the violin part, this
sonata has been
recognized as an
authentic composition by
the Red Priest. This work
- which can be placed
chronologically no later
than the middle of the
1710s - represents the
most clear-cut example in
Vivaldi's music of a
“Sonate auf
Concertenart”: more
specifically, a kind of
solo sonata for violin
that the Red Priest could
perform in order to show
off his prowess on that
instrument, as signalled
by the presence of many
passages featuring double
stoppingor the use of the
ultra-high register.